Items where Subject is "P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theatre"

Library of Congress Subject Areas (96)
- P Language and Literature (96)
  - PN Literature (General) (96)
    - PN2000 Dramatic representation. The Theatre (96)

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Number of items at this level: 96.

Shaughnessy, N., ed. (2013) Affective Performance and Cognitive Science: Body, Brain and Being. Bloomsbury Methuen Drama . Bloomsbury, London, 304 pp. ISBN 9781408185773. (In press) The full text of this publication is not available from this repository.

Allain, Paul, ed. (2010) Grotowski and Company. Icarus Publishing Enterprise, Malta, Holstebro, Wroclaw, 330 pp. ISBN 978-8361835127. The full text of this publication is not available from this repository.

Allain, Paul, ed. (2009) Grotowski's Empty Room. Encounters . Seagull Books, Calcutta, 233 pp. ISBN 978 1 9064 9 723 1. The full text of this publication is not available from this repository.

Allain, Paul and Ziolkowski, Grzegorz, eds. (2012) Voices from Within. Grotowski's Polish Collaborators. Routledge Taylor and Francis, London ISBN Not yet known. (In press) The full text of this publication is not available from this repository.

Agbaje, Bola (2009) Troppo Lontano! Performance type: Live play Tramedautore Festival, September 2009, Piccolo Teatro, Teatro d'Europa, Milano. Performance . (Unpublished) The full text of this publication is not available from this repository.

Allain, Paul (2012) Andrei Droznin's Physical Actor Training. Routledge Tay;or and Francis DVD and Booklet. 0415682975 (ISBN). The full text of this publication is not available from this repository.

Allain, Paul (2009) Dust: Grotowski's Last performance. Dust, 21st September- 2nd November, National Theatre, Olivier Foyer. 45 B + W photos.

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Allain, Paul (2010) Piotr Borowski and Poland's Studium Teatralne: Where Process becomes Performance. In: Delgado, Maria and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge Taylor and Francis, Oxon, pp. 165-184. ISBN 978-0-415-46251-8. The full text of this publication is not available from this repository.

Allain, Paul and Campo, Giuliano (2009) Jerzy Grotowski: Theatre and Beyond. An Exhibition. Jerzy Grotowski: Theatre and Beyond. An Exhibition, Aberystwyth, the Centre for Performance Research, 21st-27th September 2009 • Canterbury, British Grotowski Project, University of Kent, 8th-19th June, 2009 • London, Battersea Arts Centre 24th June - 7th July. , London, Canterbury and Aberystwyth. Drawings, photos, set, costumes, props, original materials from a performance.

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Anderson, M. (1994) A Short Introduction to the Greek Theater - Ley,G. Theatre Research International, 19 (3). pp. 267-268. ISSN 0307-8833. The full text of this publication is not available from this repository.

Anderson, M. (1996) Greek tragic theatre- Rehm,R. Review of: Greek tragic theatre by Rehm, R. Theatre Research International, 21 (1). p. 79. ISSN 0307-8833. The full text of this publication is not available from this repository.

Anderson, M. (2000) Spectacle entertainments of early imperial Rome. Theatre Research International, 25 (1). p. 87. ISSN 0307-8833. The full text of this publication is not available from this repository.

Baker, James (2012) Jewishness and the Covent Garden OP War: Satiric Perceptions of John Philip Kemble. Nineteenth-Century Theatre and Film . ISSN 1748-3727. (Submitted) The full text of this publication is not available from this repository.

Barlow, Shirley (2008) The Imagery of Euripides: a Study in the Dramatic Use of Pictorial Language. Bristol Classical Paperbacks . Bristol Classical Press; 3rd revised edition, 192 pp. ISBN 9781853997105. The full text of this publication is not available from this repository.

Baugh, C.L. (2000) English court theatre 1558-1642. Theatre Research International, 25 (1). pp. 87-88. ISSN 0307-8833. The full text of this publication is not available from this repository.

Baugh, C.L. (1996) The stage designs of Inigo Jones: The European context - Peacock,J. Review of: The stage designs of Inigo Jones: The European context by Peacock, J. Theatre Research International, 21 (2). pp. 175-176. ISSN 0307-8833. The full text of this publication is not available from this repository.

Boenisch, P.M. (2008) Exposing The Classics: Michael Thalheimer’s Regie beyond the Text. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801 . The full text of this publication is not available from this repository.

Brooks, Helen E. M. (2012) Theorizing the Woman Performer. In: The Oxford Companion to the Georgian Playhouse. Oxford University Press. (In press)

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Brooks, Helen E.M. (2011) Negotiating Marriage and Professional Autonomy in the Careers of Eighteenth-Century Actresses. Eighteenth-Century Life, 35 (2). pp. 39-75. ISSN 0098-2601.

Brooks, Helen E.M. (2012) 'One entire nation of actors and actresses' - Reconsidering the Relationship of Public and Private Theatricals. Nineteenth-Century Theatre and Film . ISSN 1748-3727.

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Brooks, Helen E.M. (2009) Women and Theatre Management in the Eighteenth Century. In: Engel, L., ed. The Public's Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Cambridge Scholars Publishing, pp. 73-97. ISBN 9781443801737. The full text of this publication is not available from this repository.

Camilleri, F. (2008) 'To Push the Actor-Training to its Extreme': Training Process in Ingemar Lindh's Practice of Collective Improvisation. Contemporary Theatre Review, 18 (4). pp. 425-441. ISSN 1048-6801.

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Double, Oliver and Wilson, Michael (2008) '"I am a Poor, Skinny Man": Persona and physicality in the work of Karl Valentin'. Studies in Theatre and Performance, 28 (3). pp. 213-221. ISSN 1468-2761. Access to this publication is restricted.

Fugard, Athol (2011) Il Guidatore del Treno. Performance type: Live play Tramedautore Festival, September 2011, Piccolo Teatro, Teatro d'Europa, Milan. Performance. (Unpublished) The full text of this publication is not available from this repository.

Grantley, D. (1997) Festive drama - Twycross,M. Review of: Festive Drama by Twycross, M. Theatre Research International, 22 (1). p. 74. ISSN 0307-8833. The full text of this publication is not available from this repository.

Grantley, D. (1996) Records of early english drama - Shropshire - Somerset,JAB. Comparative Drama, 30 (2). pp. 282-285. ISSN 0010-4078. The full text of this publication is not available from this repository.

Grantley, D. (1996) The biblical drama of medieval europe - Muir,LR. Theatre Research International, 21 (1). pp. 79-80. ISSN 0307-8833. The full text of this publication is not available from this repository.

Grantley, D. (2007) The social geography of London in Restoration comedy. . University of Kent, School of Drama, Film and Visual Arts, 32 pp.

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Greenaway, Peter (2009) Le Nozze di Cana. Performance type: Live play Veronese's The Wedding at Cana by Peter Greenaway, June to September 2009, San Giorgio Maggiore Refectory, Venice. Performance. (Unpublished) The full text of this publication is not available from this repository.

Greenaway, Peter and Laera, Margherita (2009) The Blue Planet. Performance type: Live play The Blue Planet, August 2008 to October 2009, Zaragoza, Rome, Reggio Emilia, Santander, Milan. Performance. The full text of this publication is not available from this repository.

Kacimi, Mohamed (2010) Epistola alle Corinzie. Performance type: Live play Tramedautore Festival, September 2010, Piccolo Teatro, Teatro d'Europa, Milan. Performance. (Unpublished) The full text of this publication is not available from this repository.

Laera, Margherita (2013) 55 Entries on Italian Actors. In: Williams, Simon, ed. The Cambridge World Encyclopaedia of Stage Actors and Acting. Cambridge University Press, Cambridge. ISBN Not available. (Submitted) The full text of this publication is not available from this repository.

Laera, Margherita (2009) The Blue Planet. Teatro Romolo Valli, Reggio Emilia. The full text of this publication is not available from this repository.

Laera, Margherita (2011) 'I'll Roughen It Up a Bit': Multiple-Authored Theatre Translations. In: Invisible Presences, 18-20 April 2011, Queen's University Belfast. (Unpublished) The full text of this publication is not available from this repository.

Laera, Margherita (2009) Noi, gli eroi. In: Lagarce, Jean-Luc, ed. Teatro Completo. Ubulibri, Milan. ISBN 9788877483102. The full text of this publication is not available from this repository.

Laera, Margherita (2013) Reaching Athens: Community, Democracy and Other Mythologies in Adaptations of Greek Tragedy. New Comparative Criticism . Peter Lang, 333 pp. ISBN 9783034308076. The full text of this publication is not available from this repository.

Laera, Margherita (2012) Staging and Performing Translation: Text and Theatre Practice edited by Roger Baines, Cristina Marinetti, and Manuela Perteghella. Review of: Staging and Performing Translation: Text and Theatre Practice by Baines, Roger and Marinetti, Cristina and Perteghella, Manuela. Contemporary Theatre Review, 22 (2). pp. 281-282. ISSN 1048-6801 . The full text of this publication is not available from this repository.

Laera, Margherita (2011) Theatre Translation as Collaboration: Aleks Sierz, Natalie Abrahami, Martin Crimp, Zoë Svendsen, Colin Teevan and J. Michael Walton discuss Translation for the Stage. Contemporary Theatre Review, 21 (2). pp. 213-225. ISSN 1048-6801 . The full text of this publication is not available from this repository.

Laera, Margherita (2010) The Wedding at Cana. In: Greenaway, Peter, ed. Veronese - The Wedding at Cana. A vision by Peter Greenaway. Charta Art Books, Milan. ISBN 9788881587575. The full text of this publication is not available from this repository.

O'Connor, M. (2000) William Poel to George Bernard Shaw (Correspondence). Theatre Notebook, 54 (3). pp. 162-176. ISSN 0040-5523. The full text of this publication is not available from this repository.

Pavis, Patrice (2004) Le Théâtre Contemporain: Analyse des Textes, de Sarraute à Vinaver. Armand Colin, 232 pp. ISBN 9782200259310. The full text of this publication is not available from this repository.

Pavis, P. (2012) Contemporary Mise en Scène: Staging Theatre Today. Routledge, 384 pp. ISBN 9780415553445. The full text of this publication is not available from this repository.

Pavis, P. (2012) L'Analyse Des Spectacles. Armand Colin, France, 384 pp. ISBN 9782200259839. The full text of this publication is not available from this repository.

Pavis, P. (2010) The director’s new tasks. In: Delgado, Maria .M and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge, pp. 395-411. ISBN 9780415462501 . The full text of this publication is not available from this repository.

Pearlman, A. (2007) Expressionism and modernism in the American theatre: Bodies, voices, words. Review of: Expressionism and modernism in the American theatre: Bodies, voices, words. by Walker, J.A.. Theatre Research International, 32 (2). pp. 202-203. ISSN 0307-8833 . The full text of this publication is not available from this repository.

Roesner, D.P. (2006) Bending Gender and Acting Theory - Performing essays by Goethe and Cocteau on the theatrical benefits of cross-dressing. Studies in Theatre and Performance, 26 (2). pp. 111-127. ISSN 1468-2761. The full text of this publication is not available from this repository.

Roesner, D.P. (2005) Die Diskursivierung des Performativen und die Performativität diskursiver Praxis. Theaterpartituren zwischen Werkzeug und Waffe. In: Hempfer, K.W. and Traninger, A., eds. Macht Wissen Wahrheit. Rombach Litterae, Freiburg im Breisgau, pp. 243-258. ISBN 9783793094326. The full text of this publication is not available from this repository.

Roesner, D.P. (2010) Die Utopie 'Heidi'. Arbeitsprozesse im experimentellen Musiktheater am Beispiel von Leo Dicks Kann Heidi brauchen, was es gelernt hat? In: Röttger, K., ed. Welt - Bild - Theater: Politik der Medien und Kulturen des Wissens. Narr, Tübingen, pp. 221-234. ISBN 9783823366065. The full text of this publication is not available from this repository.

Roesner, D.P. (2011) The Guitar Hero's Performance. Contemporary Theatre Review, 21 (3). pp. 276-285. ISSN 1048-6801. The full text of this publication is not available from this repository.

Roesner, D.P. (2012) "It is not about labelling, it's about understanding what we do" – Composed theatre as discourse. In: Roesner, D.P. and Rebstock, M., eds. Composed Theatre: Aesthetics, Practices, Processes. Intellect, Bristol, pp. 319-362. ISBN 9781841504568. The full text of this publication is not available from this repository.

Roesner, D.P. (2002) Kompositionen der Ausdrucksnot — Einar Schleefs Musikalisierung von Sprache in seiner Inszenierung Verratenes Volk. In: Bayerdörfer, P., ed. Stimmen — Klänge — Töne. Synergien im szenischen Spiel. Gunter Narr, Tübingen, pp. 309-324. ISBN 9783823352303. The full text of this publication is not available from this repository.

Roesner, D.P. (2005) „Materialausgabe.“ Review of Wolfgang Sander (ed.), Heiner Goebbels. Komposition als Inszenierung. Berlin: Henschel, 2002. In: Porombka, St. and Schneider, W. and Wortmann, V., eds. Kollektive Kreativität. Jahrbuch der Kulturwissenschaften. Francke, Tübingen, pp. 167-170. ISBN 9783772081255. The full text of this publication is not available from this repository.

Roesner, D.P. (2011) The Mechanics of Noise. Theatricality and the Automated Instrument in Heiner Goebbels' theatre and Pat Metheny's Jazz. In: Kendrick, L. and Roesner, D.P., eds. Theatre Noise. The Sound of Theatre. Cambridge Scholars Press, Newcastle, pp. 149-163. ISBN 9781443834407. The full text of this publication is not available from this repository.

Roesner, D.P. (2010) Musicking as mise-en-scne. Studies in Musical Theatre, 4 (1). pp. 89-102. ISSN 1750-3159. The full text of this publication is not available from this repository.

Roesner, D.P. (2004) Musik mit den ‘Mitteln der Bühne’ — Aufführungsanalyse mit den Mitteln der Musik. In: Kurzenberger, H. and Matzke, A., eds. TheorieTheaterPraxis. Theater der Zeit, Berlin, pp. 107-116. ISBN 9783934344297. The full text of this publication is not available from this repository.

Roesner, D.P. (2005) Musikalische Spiel-Räume. In: Roesner, D.P. and Wartemann, G. and Wortmann, V., eds. Szenische Orte-Mediale Raume. Olms, Hildesheim / New York, pp. 129-147. ISBN 9783487127996. The full text of this publication is not available from this repository.

Roesner, D.P. (2010) Musikalisches Theater – Szenische Musik. In: Mungen, A., ed. Mitten im Leben. Musiktheater von der Oper bis zur Everyday-Performance mit Musik. Königshausen & Neumann, Göttingen, pp. 193-211. ISBN 9783826041846. The full text of this publication is not available from this repository.

Roesner, D.P. (2009) Musikalität als Paradigma für die Theaterarbeit. Zehn Thesen. In: Theater. Musik. Fokus Schultheater (8). Edition Körber Stiftung, Hamburg, pp. 8-16. ISBN 978-3896841872. The full text of this publication is not available from this repository.

Roesner, D.P. (2009) Performing theory and its evaluation as research. In: Allegue, L. and Kershaw, B. and Jones, S. and Piccini, A., eds. Practice-as-Research: In Performance and Screen. Palgrave Macmillan, London, p. 223. ISBN 9780230220010. The full text of this publication is not available from this repository.

Roesner, D.P. (2011) Presentation given at the Academy of the Arts, Berlin: “Ich komponiere als Regisseur und inszeniere als Komponist“ (Heiner Goebbels) Dialoge über komponiertes Theater – Versuch einer Diskursanalyse. Presentation video. The full text of this publication is not available from this repository.

Roesner, D.P. (2003) Ribbible Ribble — Motivik und musikalische Form im Theater Christoph Marthalers. In: Balme, C. and Fischer-Lichte, E. and Grätzel, S., eds. Theatre als Paradigma der Moderne. Francke, Tübingen, pp. 365-374. ISBN 9783772027963. The full text of this publication is not available from this repository.

Roesner, D.P. (2003) Theater als Musik. Musikalische Aspekte in den Inszenierungen Christoph Marthalers. Theater der Zeit, 2003 (6). pp. 42-43. ISSN 0040-5418. The full text of this publication is not available from this repository.

Roesner, D.P. (2009) 'An entirely new art form' – Katie Mitchells intermediale Bühnen-Experimente. Forum Modernes Theater, 24 (2). pp. 101-119. ISSN 0930-5874.

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Roesner, D.P. and Risi, C. (2009) Die polyphone Werkstatt. Kollektives Arbeiten im zeitgenössischen Musiktheater. Theater der Zeit, 2009 (1). pp. 28-30. ISSN 0040-5418. The full text of this publication is not available from this repository.

Roesner, DP and Rebstock, M, eds. (2012) Composed Theatre. Aesthetics, Practices, Processes. intellect, Bristol, 367 pp. ISBN 9781841504568. The full text of this publication is not available from this repository.

Roesner, DP (2012) Der „Guitar Hero“ zwischen Musizieren und Performen. In: Schroedter, S, ed. Bewegungen zwischen Hören und Sehen. Königshausen & Neumann, Göttingen, pp. 591-607. ISBN 978-3-8260-4744-2. The full text of this publication is not available from this repository.

Roesner, DP (2005) Die Playlist als Inszenierung. Ein Portrait des Theatermusikers Lars Wittershagen. Theater der Zeit - Insert "Zuspiel", 2005 (6). pp. 14-15. ISSN 0040-5418.

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Roesner, DP (2007) Komik - Körper - Kunst - Kommerz. Eine Analyse der Elemente der Commedia dell`Arte in den Silent Slapstick Comedies. Masters thesis, University of Hildesheim.

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Roesner, DP (2010) Musicality as a paradigm for the theatre – a kind of manifesto. Studies in Musical Theatre, 4 (3). pp. 293-306. ISSN 17503159. The full text of this publication is not available from this repository.

Roesner, DP (2012) "Musikalität als ästhetisches Dispositiv: Analogien und Transfers". In: Huber, J and Nigro, R and Bippus, E, eds. Ästhetik x Dispositiv: Die Erprobung von Erfahrungsfeldern. Edition Voldemeer, Zürich, Wien, New York. ISBN 978-3709115039. The full text of this publication is not available from this repository.

Roesner, DP (2007) Singing Actors and Dancing Singers. Oscillations of genre, physical and vocal codes in two contemporary adaptations of Purcell’s Dido and Aeneas. Studies in Musical Theatre, 1 (2). pp. 123-137. ISSN 14682761.

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Roesner, DP (2003) Theater als Musik. Verfahren der Musikalisierung in chorischen Theaterformen bei Christoph Marthaler, Einar Schleef und Robert Wilson. Gunter Narr, Tübingen ISBN 3823360205.

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Roesner, DP and Kendrick, L, eds. (2011) Theatre Noise. The Sound of Performance. Cambridge University Scholars, Newcastle ISBN 978-1-4438-3440-7. The full text of this publication is not available from this repository.

Roesner, DP (2009) "Vom Nutzen und Nachteil der Theatergeschichte und -theorie für die künstlerische Ausbildung".On the use and abuse of theatre history and theatre theory in vocational drama training, Paper given at the Universität der Künste, Berlin, 26. January 2009. . Electronic Article.

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Roesner, DP (2008) Wenn Musik zu Wort kommt. Portrait des Komponisten und Schauspielmusikers Lars Wittershagen. Ruhrtriennale 2008, Germany.

Roesner, DP (2004) „Über Musik und Raum im zeitgenössischen Theater”. Monthly magazine of the Theater Basel, 2004 (3). pp. 22-23. ISSN N/A.

Roesner, DP (2008) The politics of the polyphony of performance. Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1048-6801 .

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Shaughnessy, R.M. (2007) "I do, I will": Hal, Falstaff and the Performative. In: Henderson, Diana E., ed. Alternative Shakespeares 3. New accents . Routledge, Abingdon, pp. 14-33. ISBN 9780415423335. The full text of this publication is not available from this repository.

Shaughnessy, R.M. (2007) The Nazi appropriation of Shakespeare: Cultural politics in the Third Reich. Review of: The Nazi Appropriation of Shakespeare: Cultural Politics in the Third Reich by Symington, R.. Theatre Research International, 32 (2). pp. 216-217. ISSN 0307-8833 . The full text of this publication is not available from this repository.

Shaughnessy, N. and Trimingham, Melissa (2012) Autism Affects: cognition, kinesthetics and practice based research. In: Theatrical Histories - American Society for Theatre Research , 31/10/2012 - 04/11/2012, Nashville USA. (Submitted) The full text of this publication is not available from this repository.

Shaughnessy, Nicola (2012) Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice. Palgrave, Basingstoke, 312 pp. ISBN 9780230241336. The full text of this publication is not available from this repository.

Shaughnessy, Robert (2012) Silence. In: Hampton-Reeves, Stuart and Escolme, Bridget, eds. Shakespeare and the Making of Theatre. Palgrave , Basingstoke . ISBN 9780230218673. The full text of this publication is not available from this repository.

Shaughnessy, Robert (2013) Tyrone Guthrie. In: Mazer, Cary M., ed. Poel, Granville Barker, Guthrie, Wanamaker : Great Shakespeareans. Continuum . ISBN 9781441133724. (In press) The full text of this publication is not available from this repository.

Stähler, Axel (2000) "Perpetuall Monuments": Die Repräsentation von Architektur in der italienischen Festdokumentation (ca. 1515–1640) und der englischen court masque (1604–1640). Studien zur englischen Literatur, 12 . LIT, Muenster, 512 pp. ISBN 3825851427. The full text of this publication is not available from this repository.

Stähler, Axel (2004) Court Festivals of the European Renaissance. Art, Politics and Performance, ed. J. R. Mulryne and Elizabeth Goldring. Aldershot: Ashgate Publishing, 2002. Review of: Court Festivals of the European Renaissance. Art, Politics and Performance by Mulryne, J. R. and Goldring, E.. Archiv für das Studium der neueren Sprachen und Literaturen, 156 . pp. 368-370. ISSN 0003-8970 . The full text of this publication is not available from this repository.

Stähler, Axel (2001) Janus – “the Beginnings and Ends of Things”: The Entry of James I into London (1604). In: Lucko, Peter and Schlaeger, Juergen, eds. Anglistentag 2000, Berlin: Proceedings. Proceedings of the Conference of the German Association of University Teachers of English, 22. WVT Wissenschaftlicher Verlag Trier, Trier pp. 189-204. ISBN 3884764934. The full text of this publication is not available from this repository.

Stähler, Axel (2003) The Arduous Path to the True Temple of Love. Research Opportunities in Renaissance Drama , 42 . pp. 34-61. ISSN 0098-647X.

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Stähler, Axel (1998) Between Tiger and Unicorn: 'The Temple of Love'(Inigo Jones). Journal of the Warburg and Courtauld Institutes , 61 . pp. 176-197. ISSN 0075-4390.

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Stähler, Axel (2003) Inigo Jones’s 'Tempe Restored' and Alessandro Piccolomini’s 'Della institution morale'. The Seventeenth Century , 18 (2). pp. 180-210. ISSN 0268-117X.

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Trimingham, Melissa (2013) How to Think a Puppet. Forum Modernes Theater . ISSN 0930-5874. (In press)

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Trimingham, Melissa (2002) A Methodology for Practice as Research. Studies in Theatre & Performance, 22 (1). p. 54. ISSN 1468-2761.

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Trimingham, Melissa (2004) Sehr geehrter Herr Schlemmer... A letter to Oskar Schlemmer occasioned by a performance of the Bauhaustanze at the Dessau Bauhaus 1928. Performance Research, 9 (1). pp. 81-98. ISSN 1352-8165. The full text of this publication is not available from this repository.

Trimingham, Melissa (2013) Touched by meaning: haptic effect in autism. In: Shaughnessy, Nicola, ed. Affective Performance and Cognitive Science: body, brain and being. Methuen. (In press) The full text of this publication is not available from this repository.

Varakis-Martin, A. (2008) Mask and performance in Greek tragedy: From ancient festival to modern experimentation. Review of: Mask and Performance in Greek Tragedy: From Ancient Festival to Modern Experimentation by Wiles, D.. Theatre Research International, 33 (3). pp. 325-326. ISSN 0307-8833. The full text of this publication is not available from this repository.

Varakis-Martin, A. (2013) Aristophanic Performance as an all-inclusive event:audience participation and celebration in the modern staging of Aristophanic comedy. In: Hardwick, Lorna and Harrison, Stephen, eds. Classics in the Modern World: A democratic turn? Classical Presences . Oxford University Press. ISBN 9780199673926. (In press) The full text of this publication is not available from this repository.

Varakis-Martin, A. (2010) 'Body and Mask in Aristophanic Performance'. Bulletin of the institute of classical studies, 53 (1). pp. 17-38. ISSN 2041-5370.

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This list was generated on Sat May 25 10:34:22 2013 BST.