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Number of items at this level: 359.

A

Ainsworth, Adam, Double, Oliver, Peacock, Louise (2017) Editorial. Theatre, Dance and Performance Training, 8 (2). pp. 125-128. ISSN 1944-3927. E-ISSN 1944-3919. (doi:10.1080/19443927.2017.1326736) (KAR id:62372)
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Allain, Paul (2012) Andrei Droznin's Physical Actor Training. Routledge Tay;or and Francis DVD and Booklet. 0415682975 (ISBN). (doi:0415682975 (ISBN)) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31001)

Allain, Paul (2015) The Archive. Contemporary Theatre Review, 25 (1). pp. 32-35. ISSN 1048-6801. (doi:10.1080/10486801.2015.992233) (KAR id:47724)
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Allain, Paul (2008) British Grotowski Project. Three year AHRC funded practical and theoretical project with multiple outcomes. Project. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40776)

Allain, Paul (2009) Dust: Grotowski's Last performance. Dust, 21st September- 2nd November, National Theatre, Olivier Foyer. 45 B + W photos. (KAR id:31849)
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Allain, Paul, ed. (2010) Grotowski and Company. Icarus Publishing Enterprise, Malta, Holstebro, Wroclaw, 330 pp. ISBN 978-83-61835-12-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31028)

Allain, Paul, ed. (2009) Grotowski's Empty Room. Encounters . Seagull Books, Calcutta, 233 pp. ISBN 978-1-906497-23-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31853)

Allain, Paul (2019) Physical actor training 2.0: new digital horizons. Theatre, Dance and Performance Training, 10 (2). pp. 169-186. ISSN 1944-3927. (doi:10.1080/19443927.2019.1609074) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:75962)
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Allain, Paul (2010) Piotr Borowski and Poland's Studium Teatralne: Where Process becomes Performance. In: Delgado, Maria M. and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge Taylor and Francis, Oxon, pp. 165-184. ISBN 978-0-415-46251-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31029)

Allain, Paul (2016) Thick Description/Thin Lines: Writing about process in Contemporary Performance. Contemporary Theatre Review, 26 (4). pp. 485-495. ISSN 1048-6801. (doi:10.1080/10486801.2016.1216409) (KAR id:57466)
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Allain, Paul and Ziolkowski, Grzegorz, eds. (2014) Voices from Within. Grotowski's Polish Collaborators. Routledge Taylor and Francis, London, 170 pp. ISBN 978-1-910203-02-6. (KAR id:31888)
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Allain, Paul and Camilleri, Frank (2018) Physical Actor Training - an online A-Z. Bloomsbury, Methuen Drama films online. 10.5040/9790000000082.01. (doi:10.5040/9790000000082.01) (KAR id:68542)
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Allain, Paul and Campo, Giuliano (2009) Jerzy Grotowski: Theatre and Beyond. An Exhibition. Jerzy Grotowski: Theatre and Beyond. An Exhibition, Aberystwyth, the Centre for Performance Research, 21st-27th September 2009 • Canterbury, British Grotowski Project, University of Kent, 8th-19th June, 2009 • London, Battersea Arts Centre 24th June - 7th July., London, Canterbury and Aberystwyth. Drawings, photos, set, costumes, props, original materials from a performance. (KAR id:31889)
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Allen, Richard, May, Shaun (2015) Encountering Anthropomorphism: Editorial. Performance Research, 20 (2). pp. 1-3. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49201)

B

Beadle-Brown, Julie, Richardson, Lisa, Wilkinson, David T., Shaughnessy, Nicola, Trimingham, Melissa, Leigh, Jennifer S, Whelton, Beckie, Himmerich, J (2014) Imagining Autism: impact of a drama based intervention on the social communicative and imaginative behaviour of children with autism. In: Journal of Applied Research in Intellectual Disabilities. 27 (4). p. 343. Wiley-Blackwell (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47565)

Beadle-Brown, Julie, Wilkinson, David T., Richardson, Lisa, Shaughnessy, Nicola, Trimingham, Melissa, Leigh, Jennifer S, Whelton, Beckie, Himmerich, Julian (2018) Imagining Autism: Feasibility of a Drama-Based Intervention on the Social, Communicative and Imaginative behaviour of Children with Autism. Autism: International Journal of Research and Practice, 22 (8). pp. 915-927. ISSN 1362-3613. E-ISSN 1461-7005. (doi:10.1177/1362361317710797) (KAR id:61589)
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Boenisch, Peter M (2012) Acts of Spectating: The Dramaturgy of the Audience's Experience in Contemporary Theatre. Critical Stages, 8 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40569)

Boenisch, Peter M (2008) Exploring the Classics: Michael Thalheimer's Regie beyond the Text 1. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801. (doi:10.1080/10486800701741477) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40568)

Boenisch, Peter M (2013) Spectres of Subjectivity: On the Fetish of Identity in (Post-) Postdramatic Choreography. In: Jurs-Munby, Karen and Carroll, Jerome and Giles, Steve, eds. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. Bloomsbury Methuen Drama, London / New Delhi / New York / Sydney. ISBN 978-1-4081-8486-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40570)

Boenisch, Peter M. (2015) Directing Scenes & Senses: The Thinking of Regie. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester, 256 pp. ISBN 978-0-7190-9719-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51637)

Boenisch, Peter M. (2016) The Theatre Of Thomas Ostermeier. Routledge, Abingdon and New York, 262 pp. ISBN 978-1-138-91447-6. E-ISBN 978-1-315-69081-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59745)
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Boenisch, Peter M. (2014) Who’s watching? Me! – Theatrality, the Žižekian Subject and Spectatorship. In: Chow, Broderick and Mangold, Alex, eds. Žižek & Performance. Performance Philosophy . Palgrave Macmillan, Basingstoke and New York, pp. 48-60. ISBN 978-1-137-41090-0. E-ISBN 978-1-137-40319-3. (doi:10.1057/9781137403193) (KAR id:54561)
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Brooks, Helen E.M. (2015) Actresses, Gender and the Eighteenth-Century Stage : Playing Women. Palgrave, Houndmills, Basingstoke, Hampshire, 201 pp. ISBN 978-1-137-48621-9. E-ISBN 978-1-137-48622-6. (doi:10.1057/9781137486226) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50465)

Brooks, Helen E.M. (2020) ‘Are there any more recruits?’ - British theatre and the recruitment drive, 1914–1915. First World War Studies, 10 (2-3). pp. 207-224. ISSN 1947-5020. (doi:10.1080/19475020.2020.1774913) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:82318)
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Brooks, Helen E.M. (2014) The Divided Heart of the Actress: Late Eighteenth-Century Actresses and the Cult of Maternity. In: Engel, Laura and McGirr, Elaine. M., eds. Stage Mothers: Women, Work and the Theatre, 1660-1830. Transits: Literature, Thought & Culture, 1650–1850 . University Press Copublishing Division / Bucknell University Press. ISBN 978-1-61148-603-2. E-ISBN 978-1-61148-604-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50464)

Day, Gary and Lynch, Jack and Brooks, Helen E.M. and Latimer, Bonnie and Morrissey, Lee and Rounce, Adam and Schurer, Norbert and Smallwood, Philip and Vilmar, Christopher, eds. (2015) The Encyclopedia of British Literature: 1660 - 1789. Wiley Blackwell, 1528 pp. ISBN 978-1-4443-3020-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64409)

Brooks, Helen E.M. (2017) Mobilising the Home Front: British Theatre in 1916. In: The Fictional First World War, 6-9 Apr 2017, University of Aberdeen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65361)

C

Camilleri, Frank (2011) Of Crossroads and Undercurrents: Ingemar Lindh's Practice of Collective Improvisation and Jerzy Grotowski. New Theatre Quarterly, 27 (4). pp. 299-312. ISSN 0266-464X. (doi:10.1017/S0266464X11000637) (KAR id:30483)
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Cutugno, Carmela (2014) Intercultural Performance and Dialogue. From Richard Schechner Performance Studies Onwards. Doctor of Philosophy (PhD) thesis, University of Kent, University of Bologna. (KAR id:47431)
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D

Dingwall-Jones, Christopher (2014) "Antic Dispositions?": The Representation of Madness in Modern British Theatre. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:48042)
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Double, Oliver (2020) Alternative Comedy: 1979 and the Reinvention of British Stand-Up. Cultural Histories of Theatre and Performance . Bloomsbury, London, UK, 240 pp. ISBN 978-1-350-05280-2. E-ISBN 978-1-350-05281-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81083)

Double, Oliver (1996) Alternative comedy: from radicalism to commercialism. In: Merkin, Ros, ed. Popular Theatres? Liverpool John Moores University, Liverpool, pp. 127-139. ISBN 0-9527978-0-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44576)

Double, Oliver (2015) Break a Leg. Performance type: Other Break a Leg, 6 Dec 2015, Canterbury, UK. YouTube video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56961)

Double, Oliver (2012) Britain Had Talent: A History of Variety Theatre. Palgrave Macmillan, Houndsmills, basingstoke, Hampshire, 288 pp. ISBN 9780230284593 (hbk) 9780230284609 (pbk). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31710)

Double, Oliver (2000) Characterization in stand-up comedy: From Ted Ray to Billy Connolly, via Bertolt Brecht. New Theatre Quarterly, 16 (64). pp. 315-323. ISSN 0266-464X. (doi:10.1017/S0266464X00014068) (KAR id:16397)
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Double, Oliver (2020) ‘Deliberately Shaped for Fun by the High Gods’: Little Tich, Size and Respectability in the Music Hall. In: Lee, Louise, ed. Victorian Comedy and Laughter: Conviviality, Jokes and Dissent. Palgrave Macmillan, London, UK, pp. 235-261. ISBN 978-1-137-57881-5. E-ISBN 978-1-137-57882-2. (doi:10.1057/978-1-137-57882-2_9) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82976)

Double, Oliver (2014) Getting the Joke (2nd edition)The Inner Workings of Stand-Up Comedy. Bloomsbury, London and New York, 518 pp. ISBN 978-1-4081-7460-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43042)

Double, Oliver (2005) Getting the joke: The inner workings of stand-up comedy. London: Methuen, 320 pp. ISBN 0-413-77476-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1178)

Double, Oliver (2020) ‘If you laugh at something then I’ll potentially keep it’: the Praxis of Live Comedy. In: Peacock, Louise, ed. A Cultural History of Comedy. The Cultural Histories Series, 6 . Bloomsbury. ISBN 978-1-350-00082-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81680)

Double, Oliver (2017) Introduction: What is Popular Performance? In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Methuen Drama, London, UK; New York, USA, pp. 1-29. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81715)

Double, Oliver (2017) 'It Feels Like a Group of Friends Messing Around Onstage': Pappy's and Live Sketch Comedy. In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Methuen Drama, London, UK; New York, USA, pp. 247-268. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81716)

Double, Oliver (2007) Karl Valentin’s “Father and Son Discuss the War". Studies in Theatre and Performance, 27 (1). pp. 5-11. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2440)

Double, Oliver (1994) Laughing all the way to the bank? Alternative comedy in the provinces. New Theatre Quarterly, X (39). pp. 255-262. ISSN 0266-464X. (doi:10.1017/S0266464X00000555) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44571)

Double, Oliver (2012) Max Miller plays with Freud's obstacle: Innuendo and performance technique in variety comedy. Comedy Studies, 3 (1). pp. 93-104. ISSN 2040-610X. (doi:10.1386/cost.3.1.93_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31708)

Double, Oliver (2010) Not the Definitive Version: an Interview with Ross Noble. Comedy Studies, 1 (1). pp. 5-19. ISSN 2040-610X. (doi:10.1386/cost.1.1.5/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24936)

Double, Oliver (2007) Punk rock as popular theatre. New Theatre Quarterly, 23 (1). pp. 35-48. ISSN 0266-464X. (doi:doi: 10.1017/S0266464X06000613) (KAR id:1182)
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Double, Oliver (2007) Saint Pancreas. Performance type: Other Saint Pancreas, 3/11/06, Horsebridge Arts Centre, Whitstable. DVD and Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2229)

Double, Oliver (1997) Stand-Up! On Being a Comedian. Methuen Drama, London, 262 pp. ISBN 0-413-70320-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44579)

Double, Oliver (2017) ‘[T]his is eating your greens, this is doing your homework’: writing and rehearsing a full-length stand-up show. Comedy Studies, . pp. 137-153. ISSN 2040-610X. (doi:10.1080/2040610X.2017.1344477) (KAR id:62270)
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Double, Oliver (2000) Teaching Stand-Up Comedy. A Mission: Impossible? Studies in Theatre and Performance, 20 (1). pp. 14-23. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20310)

Double, Oliver (2009) Teddy Brown and the Art of Performing for the British Variety Stage. New Theatre Quarterly, 25 (4). pp. 379-390. ISSN 0266-464X. (doi:10.1017/S0266464X09000669) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24938)

Double, Oliver (2017) Tragedy Plus Time: Transforming Life Experience into Stand-Up Comedy. New Theatre Quarterly, 33 (2). pp. 143-155. ISSN 0266-464X. (doi:10.1017/So266464X17000057) (KAR id:61550)
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Double, Oliver (2015) What do you do?: Stand-up comedy versus the proper job. Ephemera: Theory & Politics in Organization, 15 (3). pp. 651-669. ISSN 2052-1499. E-ISSN 1473-2866. (KAR id:55434)
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Double, Oliver (2018) The origin of the term stand-up comedy update. Comedy Studies, 9 (2). pp. 235-237. ISSN 2040-610X. (doi:10.1080/2040610X.2018.1428427) (KAR id:66675)
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Double, Oliver (2017) The origin of the term ‘stand-up comedy’. Comedy Studies, 8 (1). pp. 106-109. ISSN 2040-610X. (doi:10.1080/2040610X.2017.1279912) (KAR id:60313)
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Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. (2017) Popular Performance. Bloomsbury Methuen Drama, London, UK, 304 pp. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61549)

Double, Oliver and Wilson, Michael (2006) Brecht and cabaret. In: Thomson, Peter and Sacks, Glendyr, eds. Cambridge Companion to Brecht, 2nd Edition. Cambridge University Press. ISBN 978-0-521-67384-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1180)

Double, Oliver, Wilson, Michael (2008) '"I am a Poor, Skinny Man": Persona and physicality in the work of Karl Valentin'. Studies in Theatre and Performance, 28 (3). pp. 213-221. ISSN 1468-2761. (doi:10.1386/stap.28.3.213/1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31337)
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Double, Oliver, Wilson, Michael (2004) Karl Valentin's illogical subversion: stand-up comedy and the alienation effect. New Theatre Quarterly, XX (3). pp. 203-215. ISSN 0-521-60328-5. (KAR id:1179)
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Duska, Radosavljevic (2013) ‘Michael Boyd: The RSC Ensemble’ - Introduction. In: Britton, John, ed. Encountering Ensemble. Methuen Bloomsbury, pp. 147-149. ISBN 978-1-4081-5517-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36827)

F

Finburgh, Clare and Lavery, Carl, eds. (2011) Contemporary French Theatre and Performance. Palgrave, 244 pp. ISBN 978-0-230-30566-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61132)

Finburgh, Clare (2010) Croisements. In: Corvin, Michel, ed. Noëlle Renaude : Un atlas alphabétique. Éditions Théâtrales, Paris, pp. 136-138. ISBN 978-2-84260-326-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61250)

Finburgh, Clare (2014) Derrière l’écran : La Guerre à la télévision sur la scène anglaise. Théâtre/Public, 212 . pp. 99-108. ISSN 978-2-84260-660-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61142)

Finburgh, Clare (2011) “Display and Disguise in Michel Vinaver’s 11 septembre 2001”. In: Mathias, Manon and O'Sullivan, Maria and Vortsman, Ruth, eds. Essays in French Literature, Thought and Culture. Peter Lang, pp. 183-203. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61160)

Finburgh, Clare (2012) French Theatre ‘dans la merde’. Contemporary Theatre Review, 22 (2). p. 287. ISSN 1048-6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61156)

Finburgh, Clare (2010) Internal and External Dramaturgies: The French Context. Contemporary Theatre Review, 20 (2). pp. 203-213. ISSN 1048-6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61249)

Finburgh, Clare (2017) Introduction. In: Campbell, Chris, ed. The Oberon Anthology of Contemporary French Plays. Oberon. ISBN 978-1-78682-072-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61136)

Finburgh, Clare (2014) Jean Genet Eugène Ionesco, Michel Vinaver. In: Gale, Maggie and Deeney, John, eds. Fifty Contemporary and Modern Dramatists. Routledge, pp. 101-116. ISBN 978-0-415-63035-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61154)

Finburgh, Clare (2011) Jean Genet et le théâtre de l’‘ornement’. In: Laroche, Hadrien, ed. Pour Genet. Editions MEET. ISBN 978-2-911686-71-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61159)

Finburgh, Clare (2016) Jean Genet et l’art du comédien: Un jeu maladroit. In: Vannouvong, Agnès, ed. Genet et les arts. Les Presses du Réel, pp. 119-132. ISBN 978-2-84066-683-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61140)

Finburgh, Clare (2011) La Théâtralisation de l’attentat : la représentation du terrorisme dans le théâtre britannique contemporain. In: Douxami, Christine, ed. Théâtres politiques en mouvement. Les Cahiers de la MSHE, Besançon, pp. 17-27. ISBN 978-2-84867-394-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61247)

Finburgh, Clare (2010) La Vue d'ailleurs. In: Corvin, Michel, ed. Noëlle Renaude : Un atlas alphabétique. Éditions Théâtrales, Paris, pp. 162-163. ISBN 978-2-84260-326-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61251)

Finburgh, Clare (2011) Le théâtre britannique contemporain post-11 septembre 2001: du théâtre verbatim à l’allégorie. In: Lescot, David and Véray, Laurent, eds. Les mises en scène de la guerre au XXè siècle Théâtre et cinéma. Presses Universitaires de Paris Ouest, Paris, pp. 583-603. ISBN 2-84736-576-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61248)

Finburgh, Clare (2015) Mises en scène de l’événement historique: la Terreur dans le théâtre anglais contemporain. In: Courtet, Catherine and Besson, Mireille and Lavocat, Françoise and Viala, Alain, eds. Corps en scènes. CNRS, pp. 189-200. ISBN 978-2-271-08674-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61138)

Finburgh, Clare (2014) Press, Patrols and Power: The British Army in Recent UK Theatre. Double jeu - Figurations du pouvoir, . pp. 45-55. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61151)

Finburgh, Clare (2012) Quel est le rôle des Nègres de Genet à Londres en 2007 ? The Blacks Remixed au Theatre Royal Stratford East. In: Martin, Eden, ed. L'Héritage de Genet. Méthode !, pp. 91-98. ISBN 9782906591610. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61157)

Lavery, Carl and Finburgh, Clare, eds. (2015) Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage. Methuen Drama Engage . Bloomsbury ISBN 978-1-4725-1320-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:58955)

Finburgh, Clare (2014) Theatre’s Other: Event and Testimony in British Verbatim Plays. Sillages critiques, 18 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61139)

Finburgh, Clare (2017) Théâtres de violence : Les nouvelles écritures théâtrales britanniques. Théâtre/Public, 223 . pp. 31-64. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61137)

Finburgh, Clare (2010) Translating Contemporary French Theatre: How ‘Linguistic Translation’ becomes ‘Stage Translation’. In: Baines, Roger and Marinetti, Cristina and Perteguella, Manuela, eds. Staging and Performing Translation. Palgrave, Basingstoke, pp. 230-249. ISBN 978-0-230-22819-1. E-ISBN 978-0-230-29460-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61252)

Finburgh, Clare (2017) ‘Violence without Violence’: Spectacle, War and Lola Arias’s MINEFIELD (CAMPO MINADO). Theatre Research International, 42 (2). pp. 163-178. ISSN 0307-8833. (doi:10.1017/S0307883317000281) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61135)

Finburgh, Clare (2011) “‘Vérité’ ou ‘mensonge’ ? Le Théâtre politique en Grande-Bretagne post-11 septembre”. Mettre en scène l'événement - special issue of Agôn, online journal, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61158)

Finburgh, Clare (2017) Watching War on the Twenty-First Century Stage: Spectacles of Conflict. Methuen Drama Engage . Bloomsbury, 368 pp. ISBN 978-1-4725-9866-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61099)

Finburgh, Clare, Bradby, David (2012) Jean Genet. Routledge, 214 pp. ISBN 978-0-415-37506-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61097)

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Goebbels, Heiner (2014) Aesthetic of Absence. Other. Routledge, London (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37423)

Grieve, Jonathan (2017) The Efficacy of Symbolic Action Investigating the Creation and Effect of Symbolic Action on Performers and Audiences in the Performance, The Passion of Lady Vendredi. Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:61665)
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Klich, Rosemary E. (2015) Fleshing Out: Intermedial Bodies, Digital Plasticity and the Dancer-in-Code. Dance Research Journal of Korea, . (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44798)

Klich, Rosemary E. (2013) Performing Poetry and the Postnarrative Text in the Theatre of New Media. Contemporary Theatre Review, 23 (3). pp. 421-431. ISSN 1048-6801. (doi:10.1080/10486801.2013.806322) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31599)

Klich, Rosemary E. (2015) Systems of Spectatorship: Blast Theory’s Aesthetic of Emergence. In: Depestel, David and Pewny, Katherina and Stalpaert, Christel and Coppens, Jeroen, eds. Unfolding Spectatorship: Re-Evaluating the Spectator’s Corporeal Engagement. Academia Press. ISBN Not yet available. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31600)

Klich, Rosemary E. (2012) The ‘unfinished’ subject: Pedagogy and performance in the company of copies, robots, mutants and cyborgs. International Journal of Performance Arts and Digital Media, 8 (2). pp. 155-171. ISSN 1479-4713. (doi:10.1386/padm.8.2.155_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31601)

Klich, Rosemary E. and Mitchell, Roanna and Dennis, Krysta (2014) Through the Grapevine: A Performed Wine Tasting (2013) and (2014). Performance type: Live play , 2014: 23rd, 24th October, 2014, Mrs Jones’ Kitchen, Canterbury: 26th and 27th April, 2013 Lumley Studio, University of Kent., Mrs Jones Kitchen, Canterbury and Lumley Studio, University of Kent.. Performance and documentation. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45498)

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Laera, Margherita (2015) 55 Entries on Italian Actors. In: Williams, Simon, ed. The Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press, Cambridge. ISBN 978-0-521-76954-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30845)

Laera, Margherita, ed. (2017) Black Tenderness: The Passion of Mary Stuart. Cue Press, Imola ISBN 978-88-99737-24-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59122)

Laera, Margherita (2010) Comedy, Tragedy, and 'Universal Structures': Socìetas Raffaello Sanzio's Inferno, Purgatorio, Paradiso. TheatreForum, . pp. 3-15. ISSN 1060-5320. (KAR id:57303)
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Laera, Margherita (2020) Contemporary Playwriting and Theatre Translation Cultures in Europe: A Report on Current Systems, Conventions and Perceptions. Project report. Critical Stages (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:84759)
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Laera, Margherita (2016) Dealing with the Past: Three Oresteias. In: International Federation for Theatre Research, Annual Conference 2016, 13-17 June 2016, University of Stockholm, Sweden. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57311)

Laera, Margherita (2020) Emma Dante and Fausto Paravidino: Families, National Identity, and International Audiences. In: Delgado, Maria and Lease, Bryce and Rebellato, Dan, eds. Contemporary European Playwrights. Routledge. ISBN 978-1-138-08421-6. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:72167)
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Laera, Margherita (2014) 'Expert' Dramaturgies: Helgard Haug of Remini Protokoll in Conversation with Margherita Laera. In: Laera, Margherita, ed. Theatre and Adaptation: Return, Rewrite, Repeat. Bloomsbury Methuen Drama, pp. 241-254. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59229)

Laera, Margherita, ed. (2017) Gliwice Hamlet : Rehearsal of Touch Through The Pane. Cue Press, Imola (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59124)

Laera, Margherita (2016) How to Get Your Hands Dirty: Old and New Models of 'Militant' Theatre Criticism in Italy. In: Radosavljevic, Duška, ed. Theatre Criticism: Changing Landscapes. Bloomsbury Methuen Drama, pp. 99-117. ISBN 978-1-4725-7709-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56852)

Laera, Margherita (2013) Making Lear Dreaming. Singapore, Affects and Transnational Encounters: An Interview with Ong Keng Sen. In: From Identity to Mondialisation: TheatreWorks 25. Didier Millet, Singapore. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57305)

Laera, Margherita (2009) Mark Ravenhill's Shoot/Get Treasure/Repeat: A Treasure Hunt in London. TheatreForum, 35 . pp. 3-9. ISSN 1060-5320. (KAR id:57302)
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Laera, Margherita (2009) Oedipus at the National Theatre: Celebrities and the Otherness of Tragedy. Review of: Oedipus Rex, dir. Jonathan Kent, National Theatre, London, 2008 by Kent, Jonathan. Western European Stages, (21.2). pp. 73-74. ISSN 1050-1991. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57304)

Laera, Margherita (2015) On Killing Children: Greek Tragedies on British Stages in 2015. Critical Stages, . ISSN 2409-7411. E-ISSN 2409-7411. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:56855)
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Laera, Margherita (2018) Performing Heteroglossia: The 'Translating Theatre' Project in London. Modern Drama, 61 (3). pp. 380-410. ISSN 0026-7694. E-ISSN 1712-5286. (doi:10.3138/md.s0917) (KAR id:62385)
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Laera, Margherita (2013) Reaching Athens: Community, Democracy and Other Mythologies in Adaptations of Greek Tragedy. New Comparative Criticism . Peter Lang, 333 pp. ISBN 978-3-0343-0807-6. (KAR id:30844)
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Laera, Margherita (2011) Reaching Athens: Performing Participation and Community in Rimini Protokoll's Prometheus in Athens. Performance Research, 16 (4). pp. 46-51. ISSN 1352-8165. (doi:10.1080/13528165.2011.606049) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44713)
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Laera, Margherita (2016) Rethinking 'Foreignisation' Through Practice as Research. In: European Theatre Perspectives: Exploring Channels for Cross-Cultural Engagement in Performance, 7-9 November 2016, University of Wroclaw, Poland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57308)

Laera, Margherita (2018) Review: Greek Fragments in Postmodern Frames: Rewriting Tragedy 1970–2005. Review of: Greek Fragments in Postmodern Frames: Rewriting Tragedy 1970–2005 by Ioannidou, Eleftheria. American Journal of Philology, . ISSN 0002-9475. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:72168)
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Laera, Margherita (2019) Review: The Routledge Companion to Adaptation. Review of: The Routledge Companion to Adaptation by Cutchins, Dennis and Krebs, Katja and Voigts, Eckart. Contemporary Theatre Review, . ISSN 1048-6801. (KAR id:72170)
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Laera, Margherita (2018) Royal Court: International (Review). Review of: Royal Court: International by UNSPECIFIED. Modern Drama, 60 (2). 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59120)

Laera, Margherita, ed. (2017) The Snakes. Cue Press, Imola (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59123)

Laera, Margherita (2012) Staging and Performing Translation: Text and Theatre Practice edited by Roger Baines, Cristina Marinetti, and Manuela Perteghella. Review of: Staging and Performing Translation: Text and Theatre Practice by Baines, Roger and Marinetti, Cristina and Perteghella, Manuela. Contemporary Theatre Review, 22 (2). pp. 281-282. ISSN 1048-6801. (doi:10.1080/10486801.2012.669600) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31354)

Laera, Margherita (2015) Subverting the 'Classics': Adaptation and Resistance. In: London Theatre Seminar, 19 Nov 2015. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56853)

Laera, Margherita (2015) Texts and Scores as Places of Interaction. In: Centre for Research in the Arts, Social Sciences and Humanities (CRASSH), 26 Oct 2015, University of Cambridge. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57310)

Laera, Margherita (2019) Theatre & Translation. Theatre & . Red Globe Press / Macmillan ISBN 978-1-137-61161-1. E-ISBN 978-1-137-61162-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:72171)
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Laera, Margherita (2017) A Theatre Of/For Europe : Giorgio Strehler and the Dream of a United Continent. In: Finburgh, Clare and Boenisch, Peter M and Shepherd, Simon, eds. Great Stage Directors, vol. 6: Littlewood, Planchon, Strehler. Bloomsbury Methuen Drama. (KAR id:58080)
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Laera, Margherita (2011) Theatre Translation as Collaboration: Aleks Sierz, Natalie Abrahami, Martin Crimp, Zoë Svendsen, Colin Teevan and J. Michael Walton discuss Translation for the Stage. Contemporary Theatre Review, 21 (2). pp. 213-225. ISSN 1048-6801. (doi:10.1080/10486801.2011.561490) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31352)

Laera, Margherita, ed. (2014) Theatre and Adaptation: Return, Rewrite, Repeat. Bloomsbury Methuen Drama, 296 pp. ISBN 978-1-4725-3316-6. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44711)
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Laera, Margherita (2016) A Theatre of/for Europe: Giorgio Strehler and the Dream of a United Continent. In: Quorum, 30 November 2016, Queen Mary, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59125)

Laera, Margherita (2011) Translating African Plays: Ethics, ‘Foreignisation’ and Collaboration. Practics as Research Portfolio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40785)

Laera, Margherita (2016) Translating Theatre: ‘Foreignisation’ on Stage. Practice as Research Portfolio. . Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59259)

Lehmann, Hans-Thies (2012) Am grunde die steine: Ein nachwort von Hans-Thies Lehmann. In: Das offene Geheimnis. Gedanken über Schauspielerei und Theater. Alexander Verlag Berlin, Berlin, pp. 132-153. ISBN 978-3-89581-266-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40782)

Lehmann, Hans-Thies (2008) Note sur l’anagnorisis. Réflexions sur le spectateur dans le théâtre pré- et postdramatique. In: Hunkeler, Thomas and Kiss, Corinne Fournier and Luthi, Ariane, eds. Place au public : Les spectateurs du théâtre contemporain. Metis Presses, Truccazzano (Milan). ISBN 2-940406-05-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40783)

Lehmann, Hans-Thies (2013) Tragödie und dramatisches Theater. Berlin ISBN 978-3-89581-308-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40781)

Lehmann, Hans-Thies (2011) Versuch zum Verstehen (Theater), nach Derrida. In: Zenck, Martin and Jungling, Markus, eds. Erzeugen und Nachvollziehen von Sinn: Rationale, performative und mimetische Verstehensbegriffe in den Kulturwissenschaften. Fink Wilhelm Gmbh + Co.Kg, Germany, pp. 29-42. ISBN 978-3-7705-4521-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40784)

Leveroy, Deborah Enabling Performance: Dyslexia and Acting. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:75621)
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May, Shaun (2014) Abject Metamorphosis and Mirthless Laughter: On Human-to-Animal Transitions and the 'Disease of Being Finite'. Performance Research, 19 (1). pp. 72-80. ISSN 1352-8165. (doi:10.1080/13528165.2014.908086) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49199)

May, Shaun (2017) Autism and comedy: using theatre workshops to explore humour with adolescents on the spectrum. Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (3). pp. 436-445. ISSN 1356-9783. (doi:10.1080/13569783.2017.1329651) (KAR id:62266)
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May, Shaun (2013) Comedy on the Spectrum: An Interview with Aspergers Are Us. Comedy Studies, 4 (1). pp. 103-110. ISSN 2040-610X. E-ISSN 2040-6118. (doi:10.1386/cost.4.1.103_7) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54026)

May, Shaun (2012) Embodiment, Transparency and the Disclosiveness of Failure. Body, Space and Technology, 11 (1). pp. 1-8. ISSN 1470-9120. (KAR id:54027)
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May, Shaun (2018) On Silence and Autism. Performance Research: A Journal of the Performing Arts, 23 (4-5). pp. 425-427. ISSN 1352-8165. (doi:10.1080/13528165.2018.1507716) (KAR id:68556)
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May, Shaun (2015) A Philosophy of Comedy on Stage and Screen: You Have to Be There. Bloomsbury Methuen Drama, London, 224 pp. ISBN 978-1-4725-8043-6. E-ISBN 978-1-4725-8046-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53838)

May, Shaun (2017) Reader in comedy: an anthology of theory & criticism. Review of: Reader in Comedy: An Anthology of Theory and Criticism by Romanska, Magda and Ackerman, Alan. Studies in Theatre and Performance, . pp. 1-2. ISSN 1468-2761. (doi:10.1080/14682761.2017.1359892) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:62568)
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May, Shaun (2015) Rethinking Practice as Research and the Cognitive Turn. Palgrave Macmillan, Basingstoke, UK, 176 pp. ISBN 978-1-137-52272-6. E-ISBN 978-1-137-52273-3. (doi:10.1057/9781137522733) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53839)

May, Shaun (2013) Take My Gag, Please!Joke Theft and Copyright in Stand-up Comedy. Comedy Studies, 4 (2). pp. 195-203. ISSN 2040-610X. (doi:10.1386/cost.4.2.195_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49200)

May, Shaun, Fletcher-Watson, Ben (2018) Enhancing Relaxed Performance: Evaluating an Autism Arts Festival. Research in Drama Education: The Journal of Applied Theatre and Performance, . ISSN 1356-9783. (doi:10.1080/13569783.2018.1468243) (KAR id:64666)
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Mitchell, Roanna (2018) Bodies as Profit Centres: Susie Orbach’s work in the context of performance and activism. In: Kahr, Brett, ed. The People’s Psychotherapist: Exploring the Work of Susie Orbach. Routledge. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70166)

Mitchell, Roanna (2015) The Body That Fits The Bill: Physical Capital and ‘Crises’ of the Body in Actor Training. About Performance, 15 (1). pp. 137-156. ISSN 1324-6089. (KAR id:70120)
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Mitchell, Roanna (2014) Seen But Not Heard: An embodied account of the (student) actor’s aesthetic labour. Theatre Dance and Performance Training, 5 (1). pp. 59-73. ISSN 1944-3927. E-ISSN 1944-3919. (doi:10.1080/19443927.2013.868367) (KAR id:61048)
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Mitchell, Roanna (2020) Something in the atmosphere? Michael Chekhov, Deirdre Hurst Du Prey, and a web of practices between acting and dance. Theatre, Dance and Performance Training, 11 (3). pp. 255-273. ISSN 1944-3927. (doi:10.1080/19443927.2020.1789724) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:80673)
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Mitchell, Roanna (2020) 'The moment you are not inwardly moving and inwardly participating, you are dead' – Chekhov Technique in Actor-Movement and Dance. In: Fleming, Cass and Cornford, Tom, eds. Michael Chekhov Technique in the Twenty-first Century: New Pathways. Bloomsbury Methuen Drama. ISBN 978-1-4742-7318-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70121)

Mitchell, Roanna, Pakula, Pablo (2012) Imagining O, Encountering India: Recounting an embodied experience. Studies in South Asian Film & Media, 4 (2). pp. 179-188. ISSN 1756-4921. (doi:10.1386/safm.4.2.179_1) (KAR id:64923)
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Padwick, Steuart (2019) Voice over performance in Talk To Me. Performance type: Other designjunction 2019, 13-22 Sep 2019, London, United Kingdom. Audio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78730)

Pavis, Patrice (2012) Contemporary Mise en Scène: Staging Theatre Today. Routledge, 384 pp. ISBN 978-0-415-55344-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31724)

Pavis, Patrice (2012) L'Analyse Des Spectacles. Armand Colin, France, 384 pp. ISBN 978-2-200-25983-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31723)

Pavis, Patrice (2004) Le Théâtre Contemporain: Analyse des Textes, de Sarraute à Vinaver. Armand Colin, France, 232 pp. ISBN 978-2-200-25931-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2243)

Pavis, Patrice (2010) The director’s new tasks. In: Delgado, Maria M. and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge, pp. 395-411. ISBN 978-0-415-46250-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31726)

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Quirk, Sophie (2017) The "All is Lost" Moment. In: Comedy, Populism and Donald Trump, 15th November 2017, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65208)

Quirk, Sophie (2016) Comedy clubs offered a better quality of debate than the political stage. Centre for the Study of Journalism, Culture & Community, Bournemouth University, 118 pp. ISBN 978-1-910042-09-0. E-ISBN 978-1-910042-08-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56306)

Quirk, Sophie (2011) Containing the Audience: The 'Room' in Stand-up Comedy. Participations: Journal of Audience & Reception Studies, 8 (2). pp. 219-238. ISSN 1749-8716. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50196)

Quirk, Sophie (2014) Does Popular Comedy Change the Way We Think? In: ISHS Conference 2014, 7-11 July 2014, Utrecht, Netherlands. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65217)

Quirk, Sophie (2017) Joke as Text vs Joke as Performance. In: Artificial Intelligence and Comedy Conference, 25th November 2017, Oxford University. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65207)

Quirk, Sophie (2014) Manipulation and the Dark Arts in Stand-up Comedy and Stage Magic. In: TaPRA Conference 2014, 3-5 Sept 2014, Egham, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65214)

Quirk, Sophie (2018) The Politics of British Stand-up Comedy: The New Altenative. Palgrave Macmillan, 131 pp. ISBN 978-3-030-01104-8. (doi:10.1007/978-3-030-01105-5) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:69995)

Quirk, Sophie (2015) Preaching to the Converted? How Political Comedy Matters. Humor, 29 (2). pp. 243-260. ISSN 0933-1719. E-ISSN 1613-3722. (doi:10.1515/humor-2015-0046) (KAR id:56776)
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Quirk, Sophie (2014) Review, Joan Rivers: A Piece of Work, Ricki Stern and Annie Sundberg (dirs). Review of: Joan Rivers: A Piece of Work by Stern, Ricki and Sundberg, Annie. Comedy Studies, 2 (2). pp. 185-186. ISSN 2040-610X. E-ISSN 2040-6118. (doi:10.1386/cost.2.2.185_4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64791)

Quirk, Sophie (2018) Russell Brand: Comedy, Celebrity, Politics. Review of: Russell Brand: Comedy, Celebrity, Politics by Arthurs, Jane and Little, Ben. Comedy Studies, . pp. 1-2. ISSN 2040-6118. (doi:10.1080/2040610x.2018.1494362) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:69593)

Quirk, Sophie (2016) Suspicion and Resistance: How Stand-up Comedians Combat Manipulation and Illusion. In: TaPRA Conference 2016, 5-7 September 2016, Bristol, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65216)

Quirk, Sophie (2017) What's Special About Stand-up Comedy? Josie Long's Lost Treasures of the Black Heart. In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Bloomsbury, pp. 223-246. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60710)

Quirk, Sophie (2015) What's at Stake for Comedy Audiences? Stand-up as an Ideological Battleground. In: TaPRA Conference 2015, 8-10 Sept 2015, Worcester, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65215)

Quirk, Sophie (2010) Who's in charge? Negotiation, manipulation and comic licence in the work of Mark Thomas. Comedy Studies, 1 (1). pp. 113-124. ISSN 2040-610X. (doi:10.1386/cost.1.1.113/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49839)

Quirk, Sophie (2015) Why Stand-up Matters: How Comedians Manipulate and Influence. Bloomsbury Academic, 248 pp. ISBN 978-1-4725-7892-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50198)

Quirk, Sophie, Sharkey, Tom, Wilson, Ed (2019) Joking: uses and abuses of humour in the election campaign. Centre for Comparative Politics and Media Research, University of Bournemouth / Political Studies Association (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82365)

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Radosavljevic, Duška (2010) Another Someone. Review of: Another Someone by UNSPECIFIED. The Stage, . p. 20. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45369)

Radosavljevic, Duška (2014) The Artist is Busy. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41720)

Radosavljevic, Duška (2014) Baby Boom. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41719)

Radosavljevic, Duška (2010) Birds with Skymirrors. Review of: Birds with Skymirrors by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45349)

Radosavljevic, Duška (2014) Blind Hamlet. Review of: Blind Hamlet by UNSPECIFIED. Exeunt, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45347)

Radosavljevic, Duška (2005) Carmen Angel. Review of: Carmen Angel by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45358)

Radosavljevic, Duška (2012) A Ceremony of Carols - Richard Alston Dance Company. Review of: A Ceremony of Carols - Richard Alston Dance Company by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45350)

Radosavljevic, Duška (2013) Changing Scenes. . Exeunt website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36837)

Radosavljevic, Duška (2012) Circus as the Time and Space for Thinking. . PDF. (KAR id:36830)
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Radosavljevic, Duška (2013) Community Innovation. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36831)

Radosavljevic, Duška (2007) A Companion to Shakespeare and Performance. Review of: A Companion to Shakespeare and Performance by UNSPECIFIED. Theatre Research International, . pp. 204-205. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45365)

Radosavljevic, Duška, ed. (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, 288 pp. ISBN 978-0-415-53530-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31452)

Radosavljevic, Duška (2012) Cymbeline. Review of: Cymbeline by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45355)

Radosavljevic, Duška (2012) Devising as a Historical Category. In: Devising Dramaturgy: A Shared Space – Symposium for the Makers, Prague Quadrennial. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45335)

Radosavljevic, Duška (2012) Dramaturgies of Togetherness. In: Play: Relational Aspects of Dramaturgy, University of Ghent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45336)

Radosavljevic, Duška (2014) The Dramaturgy of A View from the Bridge. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41718)

Radosavljevic, Duška (2013) Dubrovnik Summer Festival: Father Courage. . Exeunt website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36836)

Radosavljevic, Duška (2012) Encounters in Stratford-upon-Avon. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36835)

Radosavljevic, Duška (2009) England. Review of: England by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45353)

Radosavljevic, Duška (2013) The Ensemble Way of Working and Playwrighting. In: Turning the Page: Creating New Writing 1945-2013. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45331)

Radosavljevic, Duška (2010) The Ensemble Way of Working. In: Encountering Ensemble, University of Huddersfield. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45343)

Radosavljevic, Duška (2010) An Evening with Dementia. Review of: An Evening with Dementia by UNSPECIFIED. The Stage, . p. 22. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45371)

Radosavljevic, Duška (2014) FE 365. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45364)

Radosavljevic, Duška (2008) From Milford Haven to Milford Junction: The Golden Age of Kneehigh. In: Cultures of Translation: Adaptation in Film and Performance, Glamorgan University, Cardiff. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45341)

Radosavljevic, Duška (2010) Harlekin. Review of: Harlekin by UNSPECIFIED. The Stage, . p. 19. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45366)

Radosavljevic, Duška (2013) Hidden in the Sand. Review of: Hidden in the Sand by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45348)

Radosavljevic, Duška (2012) How to Move a Critic. In: Cultural Criticism in the Digital Age: Media, Purposes, and the Status of the Critic Symposium, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45334)

Radosavljevic, Duška (2010) Howard Barker Day. Western European Stages, 22 (2/3). pp. 63-66. ISSN 1050-1991. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31441)

Radosavljevic, Duška (2009) Huddersfield as a Balkan Casablanca. In: International Federation for Theatre Research, Lisbon. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45340)

Radosavljevic, Duška (2012) Hugh Hughes- Stories from an Invisible Town. Review of: Hugh Hughes - Stories from an Invisible Town by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45356)

Radosavljevic, Duška (2010) I, Claudia. Review of: I, Claudia by UNSPECIFIED. The Stage, . p. 20. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45372)

Radosavljevic, Duška (2013) Interview with Adriano Shaplin. Routledge Performance Archive website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43440)

Radosavljevic, Duška (2010) Interview with Howard Barker. Western European Stages, 22 (2-3). pp. 67-70. ISSN 1050-1991. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:33124)

Radosavljevic, Duška (2013) Interview with Mike Alfreds. Routledge Performance Archive Item format: website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43439)

Radosavljevic, Duška (2004) Joe. Review of: Joe by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45357)

Radosavljevic, Duška (2015) Kneehigh Theatre. In: British Theatre Companies 1995-2014. Methuen Bloomsbury. ISBN 978-1-4081-7727-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41721)

Radosavljevic, Duška (2012) Kotor Festival of Children's Theatre. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36834)

Radosavljevic, Duška (2009) Les Trois Mousquetaires. Review of: Les Trois Mousquetaires by UNSPECIFIED. The Stage, . p. 19. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45373)

Radosavljevic, Duška (2010) Mary and William. Review of: Mary and William by UNSPECIFIED. The Stage, . p. 20. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45367)

Radosavljevic, Duška (2009) Michael Clark - New Work. Review of: Michael Clark - New Work by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45361)

Radosavljevic, Duška (2007) A Midsummernights Tree. Review of: A Midsummernight's Tree by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45351)

Radosavljevic, Duška (2012) Mike Alfreds on Adaptation. Journal of Adaptation in Film and Performance, 5 (3). pp. 315-323. ISSN 1753-6421. (doi:10.1386/jafp.5.3.315_7) (KAR id:36829)
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Radosavljevic, Duška (2014) The Mums and Babies Ensemble. In: Fun Places Festival, 3 October 2014, Lyric Hammersmith Theatre, Lonodn. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45328)

Radosavljevic, Duška (2014) The Mums and Babies Ensemble. In: GIFT Festival, Gateshead. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45329)

Radosavljevic, Duška (2005) An Oak Tree. Review of: An Oak Tree by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45362)

Radosavljevic, Duška (2012) Occupare! . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36833)

Radosavljevic, Duška (2013) The Old King. Review of: The Old King by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45352)

Radosavljevic, Duška (2013) On Audience and Authorship. In: Lifting the Curtain on Audience and Authorship, Institute of Contemporary Arts, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45330)

Radosavljevic, Duška (2011) On Impact. In: Invisible Presences Conference,, Queens University Belfast. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45337)

Radosavljevic, Duška (2014) On the Virtues of ‘Open Source’ Innovation in the Arts. In: Svich, Caridad, ed. TCG. TCG. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43800)

Radosavljevic, Duška (2011) On the Wrestling School. In: Brown, Mark, ed. Howard Barker Interviews 1980-2010: Conversations in Catastrophe. Intellect, Bristol, pp. 181-185. ISBN 978-1-84150-398-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31450)

Radosavljevic, Duška (2010) Others. Review of: Others by UNSPECIFIED. The Stage, . p. 20. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45370)

Radosavljevic, Duška (2014) The Place of a Dramaturg in Twenty-First-Century England. In: The Routledge Companion to Dramaturgy. Routledge, pp. 40-44. ISBN 0-415-65849-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41722)

Radosavljevic, Duška (2013) Porous Dramaturgies: Reflections on the first weekend. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36832)

Radosavljevic, Duška (2014) The Problem of Page and Stage in Russian and British Productions of Shakespeare. Arts Studies Quarterly, (2). ISSN 0032-9371. (KAR id:42001)
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Radosavljevic, Duška (2009) Research Methodologies for a Consideration of the ‘Ensemble Way of Working'. In: TaPRA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45339)

Radosavljevic, Duška (2012) The Return to Brecht in the Twenty-First Century. In: TaPRA. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45333)

Radosavljevic, Duška (2014) Risk and Reinvention. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43384)

Radosavljevic, Duška (2012) Sarah Kane's Illyria as the land of violent love: a Balkan reading of Blasted. Contemporary Theatre Review, 22 (4). pp. 499-511. ISSN 1048-6801. (doi:10.1080/10486801.2012.718270) (KAR id:31444)
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Radosavljevic, Duška (2008) Sarah Kane's Illyria: A Balkan reading of Blasted. In: 'Sarah Kane: A Reassessment', University of Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45342)

Radosavljevic, Duška (2011) 'Shared Utopias? Alan Lyddiard, Lev Dodin and the Northern Stage Ensemble’. In: Pitches, Jonathan, ed. Russians in Britain: British Theatre and the Russian Tradition of Actor Training. Routledge, pp. 139-166. ISBN 978-0-415-59100-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31451)

Radosavljevic, Duška (2013) The Spanish Tragedy. Review of: The Spanish Tragedy by UNSPECIFIED. The Stage, . 00-00. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45354)

Radosavljevic, Duška (2010) Spring Awakening. Review of: Spring Awakening by UNSPECIFIED. The Stage, . p. 21. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45374)

Radosavljevic, Duška, ed. (2016) Theatre Criticism: Changing Landscapes. Methuen Bloomsbury, London, 352 pp. ISBN 978-1-4725-7709-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41728)

Radosavljevic, Duška (2014) Theatre as an Intellectual Concertina: Simon Stephens in Conversation with Duska Radosavljevic. In: Laera, Margherita, ed. Theatre and Adaptation: Return, Rewrite, Repeat. Methuen Bloomsbury, pp. 255-268. ISBN 978-1-4081-8472-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36828)

Radosavljevic, Duška (2013) Theatre-Making – Bridging the Gap Between Text-Based and Devised Theatre in the English-Speaking World. In: International Federation for Theatre Research conference, Barcelona. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45332)

Radosavljevic, Duška (2013) Theatre-Making: Interplay Between Text and Performance in the 21st Century. Palgrave Macmillan (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31453)

Radosavljevic, Duška (2015) Theatre-Making: The End of Directing as We Know It. In: Popovici, Iulia, ed. The Playwright-Director: New European Theatre-Makers. Sibiu Festival. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44122)

Radosavljevic, Duška (2010) The Tiger Lillies - The Songs of Shockheaded Peter and Other Gory Verses. Review of: The Tiger Lillies - The Songs of Shockheaded Peter and Other Gory Verses by UNSPECIFIED. The Stage, . p. 19. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45375)

Radosavljevic, Duška (2014) To Create a New Kind of Flower. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45345)

Radosavljevic, Duška (2010) Tokyo Love Song. Review of: Tokyo Love Song by UNSPECIFIED. The Stage, . p. 19. ISSN 0038-9099. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45368)

Radosavljevic, Duška (2014) Towards Performed Dramaturgy. In: Trencsenyi, Katalin and Cochrane, Bernadette, eds. New Dramaturgy: International Perspectives on Theory and Practice. Methuen Bloomsbury, pp. 68-79. ISBN 978-1-4081-7708-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:36826)

Radosavljevic, Duška and Milatovic-Ovadia, Maja (2015) (un)decorated. Performance type: Live play , London. live performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45346)

Radosavljevic, Duška, Portmann, Alexandra (2013) Serbian Hamlet Meets Fortinbras from Yorkshire. In: Eastern European Hamlets, Royal Central School of Speech and Drama, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45344)

Radosavljevic, Duška, Rodosthenous, George (2016) Reversing the Process: Investigating Multi-Disciplinary Compositional Practices in The Fall of Icarus [2009]. Theatre Topics, 26 (1). pp. 105-116. ISSN 1054-8378. E-ISSN 1086-3346. (doi:10.1353/tt.2016.0018) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41727)

Richardson, Lisa, Beadle-Brown, Julie, Wilkinson, David T., Shaughnessy, Nicola, Trimingham, Melissa, Leigh, Jennifer S, Whelton, Beckie, Himmerich, J (2014) Imagining Autism: evaluation of a drama based intervention for children with autism-the views of teachers and parents. In: Journal of Applied Research in Intellectual Disabilities. 27 (4). pp. 343-344. Wiley-Blackwell (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47566)

Rodosthenous, George and Radosavljevic, Duška (2012) The Gift of Pygmalion. Performance type: Live play , 2012, Leeds/Munich. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41723)

Rodosthenous, George and Radosavljevic, Duška (2007) The Symposium: adaptation of Plato's Symposium. Performance type: Live play , Leeds. live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41726)

Rodosthenous, George and Radosavljevic, Duška and Zavros, Demetris (2009) The Fall of Ikarus. Performance type: Live play , Koln. live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41725)

Rodosthenous, George and Zavros, Demetris and Radosavljevic, Duška (2011) Othello's Revenge. Performance type: Live play , Munich/Munster/Berlin. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41724)

Roesner, David P. (2013) Accidental Collective’s Here is Where We Meet, Marlowe Studio, Canterbury, June 2013 (Musical dramaturg and sound design). Performance type: Other Here is where we meet, 19-22 June 2013, Canterbury, Marlowe Studio. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37011)

Roesner, David P. (2002) Barbette — oder die Kunst, eine Frau zu sein. Performance type: Other Barbette, 2002, Stadttheater Hildesheim, Germany. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37015)

Roesner, David P. (2010) Bella Merlin’s “Tilly No-Body” (Composer and Sound-designer). Performance type: Other “Tilly No-Body”, Oct 2010, Mondavi Center for the Performing Arts, Davis, California. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37012)

Roesner, David P. (2014) Composing Tilly. ETUM E-Journal for Theatre and Media (peer-reviewed online journal), . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:35636)

Roesner, David P. (2013) Dancing in the Twilight – On the Borders of Music and the Scenic. In: Symonds, Dominic and Karatonis, Pamela, eds. The Legacy of Opera. Reading Music Theatre as Experience and Performance. Rodopi, Amsterdam, pp. 169-187. ISBN 978-90-420-3691-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30272)

Roesner, David P. (2000) Der Meteoritenlöffel. Performance type: Other Der Meteoritenlöffel, 2000, Thalia Theater Halle (Germany). Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37018)

Roesner, David P. (2012) Der „Guitar Hero“ zwischen Musizieren und Performen. In: Schroedter, Stephanie, ed. Bewegungen zwischen Hören und Sehen. Königshausen & Neumann, Göttingen, pp. 591-607. ISBN 978-3-8260-4744-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30249)

Roesner, David P. (2004) Glaubensbekenntnisse. Eine musik-theatrale Überzeugungsarbeit. Performance type: Other Glaubensbekenntnisse, 2004, Jakobinische Hildesheim, Germany. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37014)

Roesner, David P. (2004) Jentl. Szenische Lesung mit Musik. Performance type: Other Jentl, Stadttheater Hildesheim, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37013)

Roesner, David P. (2000) Messer in Hennen. Performance type: Other Messer in hennen, 2000, Thalia in der Kunsthalle, Hamburg, Germany. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37017)

Roesner, David P. (2015) The Musical as Experiment – New Developments on the British Stage (working title). In: Jubin, O and Gordon, Robert, eds. Oxford Handbook of the British Musicals. Oxford University Press, Oxford. ISBN tbc. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:35635)

Roesner, David P. (2014) Musicality in Theatre – Music as Model, Method and Metaphor in Theatre-making. Other. Ashgate, Farnham (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:35633)

Roesner, David P. (2012) "Musikalität als ästhetisches Dispositiv: Analogien und Transfers". In: Huber, Jorg and Nigro, Roberto and Bippus, Elke, eds. Ästhetik x Dispositiv: Die Erprobung von Erfahrungsfeldern. Edition Voldemeer (1). Springer, Zürich, Wien, New York. ISBN 978-3-7091-1503-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30245)

Roesner, David P. (2012) Published peer review: Actor Self vs. Character Self: An Empirical Exploration. . Online publication. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37010)

Roesner, David P. (2002) Swingverdächtig! Performance type: Other Swingverdächtig, 2002, Thalia in der Gaußstraße, Hamburg, Germany. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:37016)

Roesner, David P. (2015) Theaterrauschen – Spielarten der performativen Hervorbringung von Geräusch. In: Mungen, Anno and Ernst, Wolf-Dieter, eds. Sound and Performance: Positions · Methods · Analysis. Königshausen & Neumann, Würzburg. ISBN 978-3-8260-5473-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:35634)

Roesner, David P. (2014) Une esthétique du gaspillage très précise: Les Spécialistes de Christoph Marthaler. In: Plassard, Didier, ed. Mises en scène d'Allemagne(s) depuis 1968, Series: Les Voies de la création théâtrale. Editions du CNRS (Centre National de la Recherche Scientifique), Paris. ISBN 978-2-271-07345-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:35598)

Roesner, David P. (2008) The politics of the polyphony of performance: Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1477-2264. (doi:10.1080/10486800701749587) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40778)

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Shaughnessy, Nicola (2012) Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice. Palgrave, Basingstoke, 312 pp. ISBN 978-0-230-24133-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31526)

Shaughnessy, Nicola (2018) Changing Minds and Minding the Gap: Interactions between Arts, Science, and Performance. In: Shaughnessy, Nicola and Barnard, P, eds. Performing Psychologies (Performance and Science: Interdisciplinary Dialogues). Methuen Drama . Methuen. ISBN 978-1-4742-6085-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74229)

Shaughnessy, Nicola (2009) Commentary on the empathising-systemising theory of autism: implications for education. Review of: The empathising-systemising theory of autism: implications for education by Baron-Cohen, Simon. Tizard Learning Disability Review, 14 (3). pp. 14-17. ISSN 1359-5474. (doi:10.1108/13595474200900023) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31548)

Shaughnessy, Nicola (2016) Curious Incidents: Pretend Play, Presence, and Performance Pedagogies in Encounters with Autism. In: Smagorinsky, Peter, ed. Creativity and Community among Autism-Spectrum Youth Creating Positive Social Updrafts through Play and Performance. Palgrave Studies In Play, Performance, Learning, and Development . Palgrave Macmillan US, pp. 187-216. ISBN 978-1-137-54796-5. E-ISBN 978-1-137-54797-2. (doi:10.1057/978-1-137-54797-2) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60069)

Shaughnessy, Nicola (2015) Dancing with Difference: Moving towards a new aesthetics. In: White, Gareth, ed. Applied Theatre: Aesthetics. Applied Theatre . Bloomsbury Methuen, London, pp. 87-122. ISBN 978-1-4725-1355-7. E-ISBN 978-1-4725-0759-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60065)

Shaughnessy, Nicola (2017) Do You See What I See? Arts, Science and Evidence in Autism Research. In: Rowe, Nick and Reason, Matthew, eds. Applied Practice : Evidence and Impact in Theatre, Music and Art. Methuen Drama, pp. 80-94. ISBN 978-1-4742-8383-0. (KAR id:74302)
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Shaughnessy, Nicola (2018) Imagining An/Other: Histories, Theories, and Theatres of Mind through the Mirrors of Hamlet and stages of Ophelia. In: Shaughnessy, Nicola and Barnard, P, eds. Performing Psychologies (Performance and Science: Interdisciplinary Dialogues). Methuen. ISBN 978-1-4742-6085-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74230)

Shaughnessy, Nicola (2013) Imagining Otherwise: Autism, Neuroaesthetics and Contemporary Performance. Interdisciplinary Science Reviews, 38 (4). pp. 321-334. ISSN 0308-0188. E-ISSN 1743-2790. (doi:10.1179/0308018813Z.00000000062) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40775)

Shaughnessy, Nicola (2011) Knowing Me, Knowing You: Autism, Kinesthetic Empathy and Applied Performance. In: Reynolds, Deirdre and Reason, Matthew, eds. Kinesthetic Empathy in Creative and Cultural Practices. Intellect, Bristol, pp. 33-50. ISBN 978-1-84150-491-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31539)

Shaughnessy, Nicola (2017) Opening Minds: the Arts and Developmental Psychopathology. In: Williams, David M. and Centifanti, Luna C, eds. Wiley Handbook of Developmental Psychopathology. Wiley Handbook Series . John Wiley & Sons, pp. 61-86. ISBN 978-1-118-55455-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60071)

Shaughnessy, Nicola and Barnard, Philip, eds. (2019) Performing Psychologies: Imagination, Creativity and Dramas of the Mind. Performance and Science . Methuen Drama, London, UK, 264 pp. ISBN 978-1-4742-6086-2. (KAR id:70558)
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Shaughnessy, Nicola (2016) Valuing Performance: Purposes at Play in Participatory Theatre Practice. In: Elliott, David and Silverman, Marissa and Bowman, Wayne, eds. Artistic Citizenship Artistry, Social Responsibility, and Ethical Praxis. Oxford University Press, New York. ISBN 978-0-19-939375-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60070)

Shaughnessy, Nicola (2019) Wreaking havoc: the feeling of what happens in Katie Mitchell’s Cleansed. Performance Research, 24 (5). pp. 123-131. ISSN 1352-8165. (doi:10.1080/13528165.2019.1671729) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:74198)
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Shaughnessy, Nicola and Pope, N and Osment, J and Grant-Peterkin, H (2018) Recreating Psychiatry through Participatory Performance: Playing ON Theatre and Mental Health Acts. In: Shaughnessy, Nicola and Barnard, P, eds. Performing Psychologies (Performance and Science: Interdisciplinary Dialogues). Methuen, UK. ISBN 978-1-4742-6085-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74231)

Shaughnessy, Nicola and Shaughnessy, Robert, eds. (2008) Lives of Shakespearian actors, Part I, Vol 3: David Garrick, Charles Macklin and Margaret Woffington by their contemporaries. Lives of Shakespearian Actors, P1 V3 . Pickering and Chatto, London, 330 pp. ISBN 978-1-85196-853-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31529)

Shaughnessy, Nicola, Trimingham, Melissa (2012) Autism Affects: cognition, kinesthetics and practice based research. In: Theatrical Histories - American Society for Theatre Research, 31/10/2012 - 04/11/2012, Nashville USA. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31545)

Shaughnessy, Nicola and Trimingham, Melissa (2016) Autism in the Wild: Bridging the Gap between Experiment and Experience. In: Garratt, Peter, ed. The Cognitive Humanities: Embodied Mind in Literature and Culture. Palgrave Macmillan, pp. 191-211. ISBN 978-1-137-59328-3. E-ISBN 978-1-137-59329-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59541)

Shaughnessy, Nicola and Turner, Sarah (2016) Imagining Autism: Now I see the World. Routledge, Taylor and Francis DVD. (KAR id:59751)
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Shaughnessy, Robert (2009) Behind the Scenes. Shakespeare Survey, 62 (62). pp. 236-247. ISSN ISBN 0 521 39529 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31575)

Shaughnessy, Robert (2010) A Choice of Programs. Shakespeare Bulletin, 28 (1). pp. 55-76. ISSN 0748-2558. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31574)

Shaughnessy, Robert (2015) Connecting the Globe: Actors, Audience and Entrainment. In: Shakespeare Survey : Volume 68 : Shakespeare, Origins and Originality. Cambridge University Press, pp. 294-305. ISBN 978-1-316-25873-6. (doi:10.1017/CBO9781316258736) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57241)

Shaughnessy, Robert (2014) England. In: Hamlet-Handbuch: Stoffe, Aneignungen, Deutungen. Verlag J. B. Metzler, Stuttgart, pp. 273-278. ISBN 978-3-476-02352-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57269)

Shaughnessy, Robert (2010) Falstaff's Belly: Pathos, Prosthetics and Performance. In: Holland, Peter, ed. Shakespeare Survey. Shakespeare's English Histories and their Afterlives, 63 . Cambridge University Press, pp. 63-77. ISBN 978-0-521-76915-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31562)

Shaughnessy, Robert (2016) Film and Film Audiences. In: The Cambridge Guide to the Worlds of Shakespeare. Cambridge University Press, Cambridge, UK, pp. 1935-1940. ISBN 978-0-521-11394-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57270)

Shaughnessy, Robert (2007) "I do, I will": Hal, Falstaff and the Performative. In: Henderson, Diana E., ed. Alternative Shakespeares 3. New accents . Routledge, Abingdon, pp. 14-33. ISBN 978-0-415-42333-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2246)

Shaughnessy, Robert (2010) The Routledge Guide to William Shakespeare. Routledge Guides to Literature . Routledge, Abingdon, 512 pp. ISBN 9780415275404. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31572)

Shaughnessy, Robert (2012) Shakespeare and the London Stage. In: Ritchie, Fiona and Sabor, Peter, eds. Shakespeare in the Eighteenth Century. Cambridge University Press, Cambridge, pp. 161-184. ISBN 978-0-521-89860-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31568)

Shaughnessy, Robert (2017) Shakespeare in Performace: As You Like It. Other. Manchester University Press, Manchester, UK (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60554)

Shaughnessy, Robert (2012) Silence. In: Hampton-Reeves, Stuart and Escolme, Bridget, eds. Shakespeare and the Making of Theatre. Palgrave, Basingstoke. ISBN 978-0-230-21867-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31652)

Shaughnessy, Robert (2017) The Time is Out of Joint: Shakespeare, Jet Lag, and the Rhythms of Performance. In: Bulman, James, ed. The Oxford Handbook of Shakespeare and Performance. Oxford Handbooks . Oxford University Press, Oxford, UK. ISBN 978-0-19-968716-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60552)

Shaughnessy, Robert (2013) Tyrone Guthrie. In: Mazer, Cary M., ed. Poel, Granville Barker, Guthrie, Wanamaker : Great Shakespeareans. Continuum, New York. ISBN 978-1-4411-3372-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31617)

Stevenson, Sian (2017) Beside the Sea. Age UK Thanet, March-June 2017, Kent. Vimeo. (KAR id:84697)
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Stevenson, Sian (2016) Beyond the Marigolds. Performance at the Gulbenkian Theatre Canterbury, 02 Dec 2016, Canterbury. DVD. (KAR id:65019)
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Stevenson, Sian (2016) Cracking the Crinoline. Working paper. Cubitt Arts (KAR id:65000)
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Stevenson, Sian (2018) Love Grows. Performance type: Other Workshops and Performance, March-August 2018, Canterbury, Kent. Vimeo. (KAR id:84623)
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Stevenson, Sian (2014) More Please. Performance type: Live play More Please, 02 Jun - 02 Dec 2013, Canterbury and Margate. DVD. (KAR id:65023)
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Stevenson, Sian (2017) Moving Memory Dance Theatre Company in Paris. Performance type: Video/Film (documentary) Arts in Society, 13-17 Jun 2017, France. DVD. (KAR id:65017)
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Stevenson, Sian (2016) Moving Minds. DVD. (KAR id:65022)
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Stevenson, Sian (2020) Moving Well: an on-line learning resource. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:84694)
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Stevenson, Sian (2017) Start Stomping. Performance type: Live play Start Stomping, 30 August 2017, Canterbury, Kent. Vimeo. (KAR id:70310)
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Stevenson, Sian, Westbrook, Cathy (2017) Moving, Memories, and being more ourselves. Animated magazine, (Summer). (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64995)
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Strandberg-Long, Philippa (2018) Mapping Meisner – how Stanislavski’s system influenced Meisner’s process and why it matters to British Drama School training today. Stanislavski Studies, 6 (1). pp. 11-19. ISSN 2056-7790. (doi:10.1080/20567790.2018.1437956) (KAR id:74523)
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Strandberg-Long, Philippa (2019) The reaction in counter-action: how Meisner technique and active analysis complement each other. Stanislavski Studies, 7 (1). pp. 95-108. ISSN 2056-7790. (doi:10.1080/20567790.2019.1576114) (KAR id:74522)
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Tischler, Victoria, Schneider, Justine, Morgner, Christian, Crawford, Paul, Dening, Tom, Brooker, DAWN, Garabedian, Claire, Myers, Tanya, Early, Fergus, Shaughnessy, Nicola, and others. (2019) Stronger together: learning from an interdisciplinary dementia, arts and well-being network (DA&WN). Arts & Health, 11 (3). pp. 272-277. ISSN 1753-3015. (doi:10.1080/17533015.2018.1534252) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:73440)
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Trimingham, Melissa (2019) Bauhaus 100. Theatre and Performance Design, 5 (1-2). pp. 2-5. ISSN 2332-2551. (doi:10.1080/23322551.2019.1606392) (KAR id:74589)
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Trimingham, Melissa (2019) Book Review. Review of: Applied theatre: performing health and wellbeing by Baxter, Veronica and Low, Katharine. Studies in Theatre and Performance, 39 (1). pp. 87-88. ISSN 1468-2761. (doi:10.1080/14682761.2017.1380907) (KAR id:74023)
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Trimingham, Melissa (2017) Ecologies of Autism: Vibrant Space in Imagining Autism. In: Mckinney, Joslin and Palmer, Scott, eds. Scenography Expanded: an Introduction to Contemporary Performance Design. Performance and Design . Bloomsbury - Methuen Drama, London, pp. 183-196. ISBN 978-1-4742-4438-1. E-ISBN 978-1-4742-4440-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59549)
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Trimingham, Melissa (2016) Gesamtkunstwerk, Gestaltung and the Bauhaus Stage. In: Menninger, Margaret and Imhoof, David and Steinhoff, Anthony, eds. The Total Work of Art : Foundatio, Articulations, Inspirations. Spektrum: Publications of the German Studies Association . Berghahn Books, New York and Oxford, 95 to 114. ISBN 978-1-78533-184-8. E-ISBN 978-1-78533-185-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59263)

Trimingham, Melissa (2011) How to Think a Puppet. Forum Modernes Theater, 26 . ISSN 0930-5874. (KAR id:31637)
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Trimingham, Melissa (2018) Surprised by Beauty: Imagining Autism. In: Bunn, Stephanie, ed. Anthropology and Beauty. Aesthetics to Creativity . Routledge, Abingdon. ISBN 978-1-138-92879-4. E-ISBN 978-1-315-68156-6. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59550)
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Trimingham, Melissa (2013) Touched by meaning: haptic effect in autism. In: Shaughnessy, Nicola, ed. Affective Performance and Cognitive Science: body, brain and being. Methuen. ISBN 978-1-4081-9315-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31639)

Trimingham, Melissa (2019) The affective Bauhaus 1919: 2019. Theatre and Performance Design, 5 (1-2). pp. 6-21. ISSN 2332-2551. (doi:10.1080/23322551.2019.1606600) (KAR id:74590)
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Trimingham, Melissa, Barbieri, Donatella (2016) War, Revolution and Design: exploring pedagogy, practice based research and costume for performance through the Russian avant-garde theatre. Studies in Theatre and Performance, 36 (3). pp. 269-280. ISSN 1468-2761. (doi:10.1080/14682761.2016.1191310) (KAR id:59481)
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Trimingham, Melissa and Shaughnessy, Nicola (2018) Imagining the Ecologies of Autism. In: Kemp, Ricl and McConachie, Bruce, eds. The Routledge Companion to Theatre, Performance and Cognitive Science. Routledge Companions . Routledge. ISBN 978-1-138-04889-8. (KAR id:59483)
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Varakis-Martin, Angeliki (2014) ‘Aristophanic Performance as an all-inclusive event: audience participation and celebration in the modern staging of Aristophanic comedy'. In: Classics in the Modern World - a Democratic Turn?, July 2010, Open University.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45079)

Varakis-Martin, Angeliki (2013) Aristophanic Performance as an all-inclusive event:audience participation and celebration in the modern staging of Aristophanic comedy. In: Hardwick, Lorna and Harrison, Stephen, eds. Classics in the Modern World: A democratic turn? Classical Presences . Oxford University Press. ISBN 978-0-19-967392-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31521)

Varakis-Martin, Angeliki (2010) 'Body and Mask in Aristophanic Performance'. Bulletin of the institute of classical studies, 53 (1). pp. 17-38. ISSN 2041-5370. (doi:10.1111/j.2041-5370.2010.00002.x) (KAR id:31518)
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Varakis-Martin, Angeliki (2014) An Emotional Engagement with the Classical Past: Karolos Koun and the staging of ancient Greek drama in the twentieth century. An Emotional Engagement with the Classical Past: Karolos Koun and the staging of ancient Greek drama in the twentieth century, . (Submitted) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44534)
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Varakis-Martin, Angeliki (2014) Laughter and distributed attention in the spectating of Aristophanic comedy. In: Cognitive Futures in the Humanities conference, 24-26 April 2014, Durham University. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45049)

Varakis-Martin, Angeliki, ed. (2008) Oedipus the King. Student editions . Bloomsbury Methuen Drama, London ISBN 978-0-7136-8676-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44771)
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Varakis-Martin, Angeliki (2010) ‘Performing' celebration and ‘celebrating’ performance in modern Aristophanic productions'. In: 10th Annual APGRD PG Symposium. ‘Revelry, Rhythm and Blues’ in the reception of Greek and Roman drama from antiquity to the present day’, 21 July 2010, Royal Holloway. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45084)

Varakis-Martin, Angeliki (2013) Popular celebration and cognition in Karolos Koun’s stage interpretations of Aristophanic comedy. In: Reconsidering popular comedy, Ancient and Modern, Wednesday 28–Friday 30 August 2013, Western Infirmary Lecture Theatre, University of Glasgow (proceedings will be published, organisers currently in conversation with OUP). (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45069)

Varakis-Martin, Angeliki (2004) Research on the Ancient Mask. Didaskalia, 6 (1). E-ISSN 1321-4853. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44718)
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Varakis-Martin, Angeliki (2004) ‘The Staging of Aristophanes in Modern Times’. In: Studying the Ancient Greek Theatre, 11-12 March 2004, Colloquium organised by the ICS (Institute of Classical Studies) , London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45103)

Varakis-Martin, Angeliki (2010) ‘The aesthetics of the mask in Karolos Koun’s ancient Greek Productions.’ (in Greek). In: The mask in ancient Greek drama, 14-15 September 2010, Centre for Ancient Greek drama 'Desmoi', Eleusina. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45089)

Varakis-Martin, Angeliki (2010) ‘The comic body in Aristophanic performance’. In: The Body and Ancient Drama, 1-3 October 2004, Centre for Ancient Greek drama 'Desmoi', Eleusina. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45094)

Varakis-Martin, Angeliki (2002) The masks of Dionysis Fotopoulos in modern productions of Ancient Greek Drama. In: The Greek Theatre Mask in Ancient and Modern Performance, 20-21 April 2002, Royal Holloway, Egham. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45098)

Varakis, Angeliki (2018) Encountering the Heroic prosopeion in Fifth Century Theatre Performance. In: The Physicality of the Other: Masks from the Ancient Near East and the Eastern Mediterranean. Orientalische Religionen in der Antike . Mohr Siebeck. ISBN 978-3-16-155513-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:61817)
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Vass-Rhee, Freya (2011) Audio-Visual Stress: Cognitive Approaches to the Perceptual Performativity of William Forsythe and Ensemble. Doctor of Philosophy (PhD) thesis, University of California, Riverside. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:60508)
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Vass-Rhee, Freya (2010) Auditory Turn: William Forsythe's Vocal Choreography. Dance Chronicle, 33 (3). pp. 388-413. ISSN 0147-2526. E-ISSN 1532-4257. (doi:10.1080/01472526.2010.517495) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54523)
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Vass-Rhee, Freya (2018) Book review: Choreographies: Tracing the Materials of an Ephemeral Art Form by Jacky Lansley. Review of: Choreographies: Tracing the Materials of an Ephemeral Art Form by Lansley, Jacky. Dance Research, 36 (2). pp. 274-275. ISSN 0264-2875. (doi:10.3366/drs.2018.0245) (KAR id:66302)
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Vass-Rhee, Freya (2017) Book review: Dramaturgy in Motion: At Work on Dance and Movement Performance, by Katherine Profeta. Review of: Dramaturgy in Motion: At Work on Dance and Movement Performance by Profeta, Katherine. Theatre Research International, . pp. 197-198. ISSN 0307-8833. (doi:10.1017/S0307883317000451) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:66119)
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Vass-Rhee, Freya (2017) Book review: Theatre and Cognitive Neuroscience. Review of: Theatre and Cognitive Neuroscience by UNSPECIFIED. New Theatre Quarterly, 33 (3). p. 300. ISSN 0266-464X. (doi:10.1017/S0266464X17000355) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:65756)
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Vass-Rhee, Freya (2011) Dancing Music: The Intermodality of The Forsythe Company. In: Spier, Steven, ed. William Forsythe and the Practice of Choreography: It Starts From Any Point. Routledge, Abingdon, Oxfordshire, pp. 73-89. ISBN 978-0-415-97823-1. E-ISBN 978-0-203-83223-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60511)

Vass-Rhee, Freya (2018) The Disappearance of Poetry and the Very, Very Good Idea. In: The Oxford Handbook of Contemporary Ballet. Oxford University Press. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:68484)
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Vass-Rhee, Freya (2015) Distributed Dramaturgies: Navigating with Boundary Objects. In: Hansen, Pil and Callison, Darcey, eds. Dance dramaturgy: modes of agency, awareness and engagement. New world choreographies . Palgrave Macmillan, Basingstoke, Hampshire, pp. 87-105. ISBN 978-1-137-37321-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:52447)
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Vass-Rhee, Freya (2014) Fielding Dramaturgy. In: Forsythe Lectures series, deSingel Internationale Kunstcampus, April 2014, Antwerp, Belgium. (KAR id:66120)
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Vass-Rhee, Freya (2018) Foreword to the Second Edition, The Neurocognition of Dance: Mind, Movement and Motor Skills. In: The Neurocognition of Dance: Mind, Movement and Motor Skills. Psychology Press. (KAR id:66118)
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Vass-Rhee, Freya (2006) Integrating Dance and Cognitive Science: Toward Emancipatory Research. In: Continuing Dance Culture Dialogues, 38th Annual Conference of the Congress on Research in Dance. (KAR id:60514)
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Vass-Rhee, Freya (2016) Melding an Ensemble at Memory’s Limits: William Forsythe’s Whole in the Head. In: Congress on Research in Dance/Society of Dance History Scholars Joint Conference "Authenticity and Appropriation", 3-6 Nov 2016, Pomona College, Claremont, California. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:65700)
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Vass-Rhee, Freya (2007) Motion/Perception: William Forsythe's Spectatorial Shifts. In: Congress on Research in Dance Conference Proceedings. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60512)

Vass-Rhee, Freya (2013) Promising Research, Questioning Education: The 'Dance Engaging Science' Workshops. In: Boxberger, Edith and Wittmann, Gabriele, eds. pARTnering documentation: approaching dance. heritage. culture. 3rd Dance Education Biennale, Frankfurt am Main. epodium Verlag, pp. 50-53. ISBN 978-3-940388-26-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60513)

Vass-Rhee, Freya (2008) Reconciling Giselle (Giselle Aussöhnen): dramaturg's note. Semperoper Dresden. (KAR id:66298)
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Vass-Rhee, Freya (2018) Schooling an ensemble: The Forsythe Company’s Whole in the Head. Journal of Dance and Somatic Practices, 10 (2). pp. 219-233. ISSN 1757-1871. (doi:10.1386/jdsp.10.2.219_1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:68963)
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Vass-Rhee, Freya (2012) Still failing after all these years: William Forsythe’s Yes We Can’t: dramaturg's note. The Forsythe Company. (KAR id:66300)
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Vass-Rhee, Freya (2010) Turning the Tables: William Forsythe’s Antipodes I/II. In: Brandstetter, Gabriele and Wiens, Birgit, eds. Theater Ohne Fluchtpunkt: Das Erbe Adolphe Appias: Szenographie und Choreographie im Zeitgenössischen Theater. Alexander Verlag, Berlin, pp. 293-301. ISBN 978-3-89581-227-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60510)

Vass-Rhee, Freya (2012) William Forsythe’s I don’t believe in outer space: dramaturg’s note. The Forsythe Company. (KAR id:66301)
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Vivas, Judita (2016) The Pageantry of Western Bodies: Material Practices, Intercorporealities and Cultural Recycling in the Twenty-First Century. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:55329)
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Wollen, Will (2016) Action and the Mask: Mr S and the paper bag. In: The S Word, 18-20 Mar 2016, Sidcup, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57032)

Wollen, Will (2019) Book Review: Acting & Being: explorations in embodied performance by Elizabeth Hess. Review of: Acting & Being: explorations in embodied performance by Hess, Elizabeth. Journal of Stanislavski Studies, 7 (1). pp. 135-136. ISSN 2056-7790. (doi:10.1080/20567790.2019.1644745) (KAR id:75800)
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Wollen, Will (2017) Book Review: Becoming an Actor-Creator by Nikolai Demidov. Review of: Becoming an Actor-Creator by Demidov, Nikolai. Stanislavski Studies, 5 (1). pp. 133-134. ISSN 2054-4170. (doi:10.1080/20567790.2017.1296223) (KAR id:60794)
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Wollen, Will (2016) Hard rigour, soft assessment, putting the student first: What can Universities learn from Conservatoires? In: Labanarium, 6 Jan 2017, Guildford, Surrey, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59805)

Wollen, Will (2019) A Peopled Labyrinth: the histrionic sense: an analysis of the actor’s craft. Review of: A Peopled Labyrinth: the histrionic sense: an analysis of the actor’s craft by Fettes, Christopher. Stanislavski Studies, 7 (2). pp. 261-263. ISSN 2056-7790. E-ISSN 2054-4170. (doi:10.1080/20567790.2019.1644745) (KAR id:75806)
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Wollen, Will (2017) Planes and Quests. In: Thinking Movement, Moving Thought, Guildford, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64068)

Wollen, Will (2005) Role of Vogon Soldiers in Hitchhikers Guide to the Galaxy (Disney 2005 dir. Garth Jennings). Performance type: Video/Film (fiction) The Hitchhiker's Guide to the Galaxy, Worldwide release. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78731)

Wollen, Will (2016) The active text: unlocking plays through physical theatre. Review of: The Active Text: Unlocking Plays Through Physical Theatre by Dymphna Callery, London, Nick Hern Books, 2015, 224 pp., ISBN 978-1-84842-127-1 by Callery, Dymphna. Stanislavski Studies, 4 (1). pp. 83-84. ISSN 2054-4170. E-ISSN 2054-4170. (doi:10.1080/20567790.2016.1155370) (KAR id:54592)
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Wollen, William (2016) Played the role of Kerchak in The Legend of Tarzan (Warner Bros.2016 dir. David Yates). Performance type: Video/Film (fiction) The Legend of Tarzan, Worldwide release. Worldwide cinema release. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57025)

This list was generated on Mon Feb 15 21:30:18 2021 GMT.