Items where division is "Faculties > Humanities > School of Arts > Drama and Theatre"

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Number of items at this level: 97.

2015

Radosavljevic, Duška, ed. (2015) Theatre Criticism: Changing Landscapes. Methuen Bloomsbury (Unpublished) (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2015) Kneehigh Theatre. In: British Theatre Companies 1995-2014. Methuen Bloomsbury. ISBN 1408177277. (In press) (The full text of this publication is not available from this repository)

Roesner, David P. (2015) The Musical as Experiment – New Developments on the British Stage (working title). In: Jubin, O and Gordon, Robert, eds. Oxford Handbook of the British Musicals. Oxford University Press, Oxford. ISBN tbc. (Unpublished) (The full text of this publication is not available from this repository)

2014

Allain, Paul and Ziolkowski, Grzegorz, eds. (2014) Voices from Within. Grotowski's Polish Collaborators. Routledge Taylor and Francis, London ISBN Not yet known. (In press) (The full text of this publication is not available from this repository)

Double, Oliver (2014) Getting the Joke. Bloomsbury, London and New York, 518 pp. ISBN 978-1-4081-7460-9. (The full text of this publication is not available from this repository)

Goebbels, Heiner (2014) Aesthetic of Absence. Other. Routledge, London (Submitted) (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) The Artist is Busy. . website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) Baby Boom. . website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) The Dramaturgy of A View from the Bridge. . website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) The Place of a Dramaturg in Twenty-First-Century England. In: The Routledge Companion to Dramaturgy. Routledge, pp. 40-44. ISBN 0415658497. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) 'The Problem of Page and Stage in Russian and British Productions of Shakespeare'. Arts Studies Quarterly (2). ISSN 0032-9371. (In press) (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) Theatre as an Intellectual Concertina: Simon Stephens in Conversation with Duska Radosavljevic. In: Laera, Margherita, ed. Theatre and Adaptation: Return, Rewrite, Repeat. Methuen Bloomsbury. ISBN 9781408184721. (In press) (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) ‘Towards Performed Dramaturgy’. In: Trencsenyi, Katalin and Cochrane, Bernadette, eds. New Dramaturgy: International Perspectives on Theory and Practice. Methuen Bloomsbury, pp. 68-79. ISBN 9781408177082. (The full text of this publication is not available from this repository)

Radosavljevic, Duška and Rodosthenous, George (2014) Reversing the Process: Investigating multi-disciplinary Compositional Practices in The Fall of Icarus [2009]. Theatre Topics . ISSN 1054-8378. (Submitted) (The full text of this publication is not available from this repository)

Roesner, David P. (2014) Composing Tilly. ETUM E-Journal for Theatre and Media (peer-reviewed online journal) . (Unpublished) (The full text of this publication is not available from this repository)

Roesner, David P. (2014) Musicality in Theatre – Music as Model, Method and Metaphor in Theatre-making. Other. Ashgate, Farnham (In press) (The full text of this publication is not available from this repository)

Roesner, David P. (2014) Theaterrauschen – Spielarten der performativen Hervorbringung von Geräusch. In: Mungen, Anno and Ernst, Wolf-Dieter, eds. Sound and Performance. Königshausen & Neumann, Würzburg. ISBN tbc. (Submitted) (The full text of this publication is not available from this repository)

Roesner, David P. (2014) Une esthétique du gaspillage très précise: Les Spécialistes de Christoph Marthaler. In: Plassard, Didier, ed. Mises en scène d'Allemagne(s) depuis 1968, Series: Les Voies de la création théâtrale. Editions du CNRS (Centre National de la Recherche Scientifique) , Paris. ISBN 978-2271073457. (The full text of this publication is not available from this repository)

2013

Radosavljevic, Duška, ed. (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, 288 pp. ISBN 9780415535304. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2013) Spectres of Subjectivity: On the Fetish of Identity in (Post-) Postdramatic Choreography. In: Jurs-Munby, Karen and Carroll, Jerome and Giles, Steve, eds. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. Bloomsbury Methuen Drama, London / New Delhi / New York / Sydney. ISBN 9781408184868. (The full text of this publication is not available from this repository)

Duska, Radosavljevic (2013) ‘Michael Boyd: The RSC Ensemble’ - Introduction. In: Britton, John, ed. Encountering Ensemble. Methuen Bloomsbury, pp. 147-149. ISBN 9781408155172. (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2013) Performing the Postnarrative Text in the Theatre of New Media. Contemporary Theatre Review, 23 (3). pp. 421-431. ISSN 1048-6801 . (The full text of this publication is not available from this repository)

Laera, Margherita (2013) 55 Entries on Italian Actors. In: Williams, Simon, ed. The Cambridge World Encyclopaedia of Stage Actors and Acting. Cambridge University Press, Cambridge. ISBN Not available. (Submitted) (The full text of this publication is not available from this repository)

Laera, Margherita (2013) Reaching Athens: Community, Democracy and Other Mythologies in Adaptations of Greek Tragedy. New Comparative Criticism . Peter Lang, 333 pp. ISBN 9783034308076. (The full text of this publication is not available from this repository)

Lehmann, Hans-Thies (2013) Tragödie und dramatisches Theater. Berlin ISBN 9783895813085. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2013) Changing Scenes. . Exeunt website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2013) Community Innovation. . website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2013) Dubrovnik Summer Festival: Father Courage. . Exeunt website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2013) Theatre-Making: Interplay between text and performance in the 21st century. Palgrave Macmillan (The full text of this publication is not available from this repository)

Roesner, David P. (2013) Accidental Collective’s Here is Where We Meet, Marlowe Studio, Canterbury, June 2013 (Musical dramaturg and sound design). Performance type: Other Here is where we meet, 19-22 June 2013, Canterbury, Marlowe Studio. Live performance. (The full text of this publication is not available from this repository)

Roesner, David P. (2013) Dancing in the Twilight – On the Borders of Music and the Scenic. In: Symonds, Dominic and Karatonis, Pamela, eds. The Legacy of Opera. Reading Music Theatre as Experience and Performance. Rodopi, Amsterdam, pp. 169-187. ISBN 9789042036918. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (2013) Perceiving Differently: The Neuro-Divergent Aesthetic and Contemporary Performance. Interdisciplinary Science Reviews, 38 (4). pp. 321-334. ISSN 0308-0188. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2013) Tyrone Guthrie. In: Mazer, Cary M., ed. Poel, Granville Barker, Guthrie, Wanamaker : Great Shakespeareans. Continuum . ISBN 9781441133724. (In press) (The full text of this publication is not available from this repository)

Trimingham, Melissa (2013) How to Think a Puppet. Forum Modernes Theater . ISSN 0930-5874. (In press) (Full text available)
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Trimingham, Melissa (2013) Touched by meaning: haptic effect in autism. In: Shaughnessy, Nicola, ed. Affective Performance and Cognitive Science: body, brain and being. Methuen. (In press) (The full text of this publication is not available from this repository)

Varakis-Martin, Angeliki (2013) Aristophanic Performance as an all-inclusive event:audience participation and celebration in the modern staging of Aristophanic comedy. In: Hardwick, Lorna and Harrison, Stephen, eds. Classics in the Modern World: A democratic turn? Classical Presences . Oxford University Press. ISBN 9780199673926. (In press) (The full text of this publication is not available from this repository)

2012

Allain, Paul (2012) Andrei Droznin's Physical Actor Training. Routledge Tay;or and Francis DVD and Booklet. 0415682975 (ISBN). (The full text of this publication is not available from this repository)

Boenisch, Peter M (2012) Acts of Spectating: The Dramaturgy of the Audience's Experience in Contemporary Theatre. Critical Stages, 8 . (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2012) Systems of Spectatorship: Blast Theory’s Aesthetic of Emergence. In: Depestel, David and Pewny, Katherina and Stalpaert, Christel and Coppens, Jeroen, eds. Unfolding Spectatorship: Re-Evaluating the Spectator’s Corporeal Engagement. Academia Press. ISBN Not yet available. (Submitted) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2012) The ‘unfinished’ subject: Pedagogy and performance in the company of copies, robots, mutants and cyborgs. International Journal of Performance Arts and Digital Media, 8 (2). pp. 155-171. ISSN 1479-4713 . (The full text of this publication is not available from this repository)

Laera, Margherita (2012) Staging and Performing Translation: Text and Theatre Practice edited by Roger Baines, Cristina Marinetti, and Manuela Perteghella. Review of: Staging and Performing Translation: Text and Theatre Practice by Baines, Roger and Marinetti, Cristina and Perteghella, Manuela. Contemporary Theatre Review, 22 (2). pp. 281-282. ISSN 1048-6801 . (The full text of this publication is not available from this repository)

Lehmann, Hans-Thies (2012) Am grunde die steine. In: Das offene Geheimnis. Gedanken über Schauspielerei und Theater. Alexander Verlag Berlin, Berlin, pp. 132-153. ISBN 9783895812668. (The full text of this publication is not available from this repository)

Pavis, Patrice (2012) Contemporary Mise en Scène: Staging Theatre Today. Routledge, 384 pp. ISBN 9780415553445. (The full text of this publication is not available from this repository)

Pavis, Patrice (2012) L'Analyse Des Spectacles. Armand Colin, France, 384 pp. ISBN 9782200259839. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2012) Circus as the Time and Space for Thinking. . PDF. (Full text available)
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Radosavljevic, Duška (2012) Encounters in Stratford-upon-Avon. . website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2012) Kotor Festival of Children's Theatre. . website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2012) Mike Alfreds on adaptation. Journal of Adaptation in Film and Performance, 5 (3). pp. 315-323. ISSN 1753-6421. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2012) Occupare! . website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2012) Sarah Kane's Illyria as the land of violent love: a Balkan reading of Blasted. Contemporary Theatre Review, 22 (4). pp. 499-511. ISSN 1048-6801 . (The full text of this publication is not available from this repository)

Rodosthenous, George and Radosavljevic, Duška (2012) The Gift of Pygmalion. Performance type: Live play , 2012, Leeds/Munich. Live performance. (The full text of this publication is not available from this repository)

Roesner, David P. (2012) Der „Guitar Hero“ zwischen Musizieren und Performen. In: Schroedter, Stephanie, ed. Bewegungen zwischen Hören und Sehen. Königshausen & Neumann, Göttingen, pp. 591-607. ISBN 978-3-8260-4744-2. (The full text of this publication is not available from this repository)

Roesner, David P. (2012) "Musikalität als ästhetisches Dispositiv: Analogien und Transfers". In: Huber, Jorg and Nigro, Roberto and Bippus, Elke, eds. Ästhetik x Dispositiv: Die Erprobung von Erfahrungsfeldern. Edition Voldemeer (1). Springer, Zürich, Wien, New York. ISBN 9783709115039. (The full text of this publication is not available from this repository)

Roesner, David P. (2012) Published peer review: Actor Self vs. Character Self: An Empirical Exploration. . Online publication. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (2012) Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice. Palgrave, Basingstoke, 312 pp. ISBN 9780230241336. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola and Trimingham, Melissa (2012) Autism Affects: cognition, kinesthetics and practice based research. In: Theatrical Histories - American Society for Theatre Research , 31/10/2012 - 04/11/2012, Nashville USA. (Submitted) (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2012) Shakespeare and the London Stage. In: Ritchie, Fiona and Sabor, Peter, eds. Shakespeare in the Eighteenth Century. Cambridge University Press, Cambridge , pp. 161-184. ISBN 9780521898607. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2012) Silence. In: Hampton-Reeves, Stuart and Escolme, Bridget, eds. Shakespeare and the Making of Theatre. Palgrave , Basingstoke . ISBN 9780230218673. (The full text of this publication is not available from this repository)

2011

Camilleri, Frank (2011) Of Crossroads and Undercurrents: Ingemar Lindh's Practice of Collective Improvisation and Jerzy Grotowski. New Theatre Quarterly, 27 (4). pp. 299-312. ISSN 0266-464X. (Full text available)
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Laera, Margherita (2011) Theatre Translation as Collaboration: Aleks Sierz, Natalie Abrahami, Martin Crimp, Zoë Svendsen, Colin Teevan and J. Michael Walton discuss Translation for the Stage. Contemporary Theatre Review, 21 (2). pp. 213-225. ISSN 1048-6801 . (The full text of this publication is not available from this repository)

Laera, Margherita (2011) Translating African Plays: Ethics, ‘Foreignisation’ and Collaboration. Practics as Research Portfolio. (The full text of this publication is not available from this repository)

Lehmann, Hans-Thies (2011) Versuch zum Verstehen (Theater), nach Derrida. In: Zenck, Martin and Jungling, Markus, eds. Erzeugen und Nachvollziehen von Sinn: Rationale, performative und mimetische Verstehensbegriffe in den Kulturwissenschaften. Fink Wilhelm Gmbh + Co.Kg, Germany, pp. 29-42. ISBN 9783770545216. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2011) On the Wrestling School. In: Brown, Mark, ed. Howard Barker Interviews 1980-2010: Conversations in Catastrophe. Intellect, Bristol, pp. 181-185. ISBN 9781841503981. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2011) 'Shared Utopias? Alan Lyddiard, Lev Dodin and the Northern Stage Ensemble’. In: Pitches, Jonathan, ed. Russians in Britain: British Theatre and the Russian Tradition of Actor Training. Routledge, pp. 139-166. ISBN 9780415591003. (The full text of this publication is not available from this repository)

Rodosthenous, George and Zavros, Demetris and Radosavljevic, Duška (2011) Othello's Revenge. Performance type: Live play , Munich/Munster/Berlin. Live performance. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (2011) Knowing Me, Knowing You: Autism, Kinesthetic Empathy and Applied Performance. In: Reynolds, Deirdre and Reason, Matthew, eds. Kinesthetic Empathy in Creative and Cultural Practices. Intellect, Bristol, pp. 33-50. ISBN 9781841504919. (The full text of this publication is not available from this repository)

2010

Allain, Paul, ed. (2010) Grotowski and Company. Icarus Publishing Enterprise, Malta, Holstebro, Wroclaw, 330 pp. ISBN 978-8361835127. (The full text of this publication is not available from this repository)

Allain, Paul (2010) Piotr Borowski and Poland's Studium Teatralne: Where Process becomes Performance. In: Delgado, Maria M. and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge Taylor and Francis, Oxon, pp. 165-184. ISBN 978-0-415-46251-8. (The full text of this publication is not available from this repository)

Pavis, Patrice (2010) The director’s new tasks. In: Delgado, Maria M. and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge, pp. 395-411. ISBN 9780415462501 . (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) Howard Barker Day. Western European Stages, 22 (2/3). pp. 63-66. ISSN 1050-1991. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) Interview with Howard barker. Western European Stages, 22 (2-3). pp. 67-70. ISSN 1050-1991. (The full text of this publication is not available from this repository)

Roesner, David P. (2010) Bella Merlin’s “Tilly No-Body” (Composer and Sound-designer). Performance type: Other “Tilly No-Body”, Oct 2010, Mondavi Center for the Performing Arts, Davis, California. Live Performance. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2010) A Choice of Programs. Shakespeare Bulletin, 28 (1). pp. 55-76. ISSN 0748-2558. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2010) Falstaff's Belly: Pathos, Prosthetics and Performance. In: Holland, Peter, ed. Shakespeare Survey. Shakespeare's English Histories and their Afterlives, 63 . Cambridge University Press , pp. 63-77. ISBN 9780521769150. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2010) The Routledge Guide to William Shakespeare. Routledge Guides to Literature . Routledge , Abingdon, 512 pp. ISBN 9780415275404. (The full text of this publication is not available from this repository)

Varakis-Martin, Angeliki (2010) 'Body and Mask in Aristophanic Performance'. Bulletin of the institute of classical studies, 53 (1). pp. 17-38. ISSN 2041-5370. (Full text available)
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2009

Allain, Paul, ed. (2009) Grotowski's Empty Room. Encounters . Seagull Books, Calcutta, 233 pp. ISBN 978 1 9064 9 723 1. (The full text of this publication is not available from this repository)

Allain, Paul (2009) Dust: Grotowski's Last performance. Dust, 21st September- 2nd November, National Theatre, Olivier Foyer. 45 B + W photos. (Full text available)
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Allain, Paul and Campo, Giuliano (2009) Jerzy Grotowski: Theatre and Beyond. An Exhibition. Jerzy Grotowski: Theatre and Beyond. An Exhibition, Aberystwyth, the Centre for Performance Research, 21st-27th September 2009 • Canterbury, British Grotowski Project, University of Kent, 8th-19th June, 2009 • London, Battersea Arts Centre 24th June - 7th July. , London, Canterbury and Aberystwyth. Drawings, photos, set, costumes, props, original materials from a performance. (Full text available)
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Rodosthenous, George and Radosavljevic, Duška and Zavros, Demetris (2009) The Fall of Ikarus. Performance type: Live play , Koln. live performance. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (2009) Commentary on the empathising-systemising theory of autism: implications for education. Review of: The empathising-systemising theory of autism: implications for education by Baron-Cohen, Simon. Tizard Learning Disability Review , 14 (3). pp. 14-17. ISSN 1359-5474. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2009) Behind the Scenes. Shakespeare Survey , 62 (62). pp. 236-247. ISSN ISBN 0 521 39529 1. (The full text of this publication is not available from this repository)

2008

Shaughnessy, Nicola and Shaughnessy, Robert, eds. (2008) Lives of Shakespearian actors, Part I: David Garrick, Charles Macklin and Margaret Woffington by their contemporaries. Lives of Shakespearian Actors, 3 . Pickering and Chatto, London, 330 pp. ISBN 9781851968534. (The full text of this publication is not available from this repository)

Allain, Paul (2008) British Grotowski Project. Three year AHRC funded practical and theoretical project with multiple outcomes. Project. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2008) Exploring the Classics: Michael Thalheimer's Regie beyond the Text 1. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801. (The full text of this publication is not available from this repository)

Double, Oliver and Wilson, Michael (2008) '"I am a Poor, Skinny Man": Persona and physicality in the work of Karl Valentin'. Studies in Theatre and Performance, 28 (3). pp. 213-221. ISSN 1468-2761. (Access to this publication is restricted)
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Lehmann, Hans-Thies (2008) Note sur l’anagnorisis. Réflexions sur le spectateur dans le théâtre pré- et postdramatique. In: Hunkeler, Thomas and Kiss, Corinne Fournier and Luthi, Ariane, eds. Place au public : Les spectateurs du théâtre contemporain. Metis Presses, Truccazzano (Milan). ISBN 2940406057. (The full text of this publication is not available from this repository)

Roesner, David P. (2008) The politics of the polyphony of performance: Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1477-2264. (The full text of this publication is not available from this repository)

2007

Rodosthenous, George and Radosavljevic, Duška (2007) The Symposium. Performance type: Live play , Leeds. live performance. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2007) "I do, I will": Hal, Falstaff and the Performative. In: Henderson, Diana E., ed. Alternative Shakespeares 3. New accents . Routledge, Abingdon, pp. 14-33. ISBN 9780415423335. (The full text of this publication is not available from this repository)

2004

Pavis, Patrice (2004) Le Théâtre Contemporain: Analyse des Textes, de Sarraute à Vinaver. Armand Colin, France , 232 pp. ISBN 9782200259310. (The full text of this publication is not available from this repository)

Roesner, David P. (2004) Glaubensbekenntnisse. Eine musik-theatrale Überzeugungsarbeit. Performance type: Other Glaubensbekenntnisse, 2004, Jakobinische Hildesheim, Germany. Live Performance. (The full text of this publication is not available from this repository)

Roesner, David P. (2004) Jentl. Szenische Lesung mit Musik. Performance type: Other Jentl, Stadttheater Hildesheim, Germany. Live performance. (The full text of this publication is not available from this repository)

2002

Roesner, David P. (2002) Barbette — oder die Kunst, eine Frau zu sein. Performance type: Other Barbette, 2002, Stadttheater Hildesheim, Germany. Live Performance. (The full text of this publication is not available from this repository)

Roesner, David P. (2002) Swingverdächtig! Performance type: Other Swingverdächtig, 2002, Thalia in der Gaußstraße, Hamburg, Germany. Live Performance. (The full text of this publication is not available from this repository)

2000

Roesner, David P. (2000) Der Meteoritenlöffel. Performance type: Other Der Meteoritenlöffel, 2000, Thalia Theater Halle (Germany). Live performance. (The full text of this publication is not available from this repository)

Roesner, David P. (2000) Messer in Hennen. Performance type: Other Messer in hennen, 2000, Thalia in der Kunsthalle, Hamburg, Germany. Live Performance. (The full text of this publication is not available from this repository)

This list was generated on Tue Sep 23 15:15:20 2014 BST.