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Number of items at this level: 47.

Radosavljevic, D., ed. (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, 288 pp. ISBN 9780415535304. (In press) The full text of this publication is not available from this repository.

Allain, Paul, ed. (2010) Grotowski and Company. Icarus Publishing Enterprise, Malta, Holstebro, Wroclaw, 330 pp. ISBN 978-8361835127. The full text of this publication is not available from this repository.

Allain, Paul, ed. (2009) Grotowski's Empty Room. Encounters . Seagull Books, Calcutta, 233 pp. ISBN 978 1 9064 9 723 1. The full text of this publication is not available from this repository.

Shaughnessy, Nicola and Shaughnessy, R.M., eds. (2008) Lives of Shakespearian actors, Part I: David Garrick, Charles Macklin and Margaret Woffington by their contemporaries. Lives of Shakespearian Actors, 3 . Pickering and Chatto, London, 330 pp. ISBN 9781851968534. The full text of this publication is not available from this repository.

Allain, Paul and Ziolkowski, Grzegorz, eds. (2012) Voices from Within. Grotowski's Polish Collaborators. Routledge Taylor and Francis, London ISBN Not yet known. (In press) The full text of this publication is not available from this repository.

Allain, Paul (2012) Andrei Droznin's Physical Actor Training. Routledge Tay;or and Francis DVD and Booklet. 0415682975 (ISBN). The full text of this publication is not available from this repository.

Allain, Paul (2009) Dust: Grotowski's Last performance. Dust, 21st September- 2nd November, National Theatre, Olivier Foyer. 45 B + W photos.

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Allain, Paul (2010) Piotr Borowski and Poland's Studium Teatralne: Where Process becomes Performance. In: Delgado, Maria and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge Taylor and Francis, Oxon, pp. 165-184. ISBN 978-0-415-46251-8. The full text of this publication is not available from this repository.

Allain, Paul and Campo, Giuliano (2009) Jerzy Grotowski: Theatre and Beyond. An Exhibition. Jerzy Grotowski: Theatre and Beyond. An Exhibition, Aberystwyth, the Centre for Performance Research, 21st-27th September 2009 • Canterbury, British Grotowski Project, University of Kent, 8th-19th June, 2009 • London, Battersea Arts Centre 24th June - 7th July. , London, Canterbury and Aberystwyth. Drawings, photos, set, costumes, props, original materials from a performance.

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Camilleri, F. (2011) Of Crossroads and Undercurrents: Ingemar Lindh's Practice of Collective Improvisation and Jerzy Grotowski. New Theatre Quarterly, 27 (4). pp. 299-312. ISSN 0266-464X.

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Double, Oliver and Wilson, Michael (2008) '"I am a Poor, Skinny Man": Persona and physicality in the work of Karl Valentin'. Studies in Theatre and Performance, 28 (3). pp. 213-221. ISSN 1468-2761. Access to this publication is restricted.

Klich, R.E. (2012) Performing the Postnarrative Text in the Theatre of New Media. Contemporary Theatre Review . ISSN 1048-6801 . (In press) The full text of this publication is not available from this repository.

Klich, R.E. (2012) Systems of Spectatorship: Blast Theory’s Aesthetic of Emergence. In: Depestel, David and Pewny, Katherina and Stalpaert, Christel and Coppens, Jeroen, eds. Unfolding Spectatorship: Re-Evaluating the Spectator’s Corporeal Engagement. Academia Press. ISBN Not yet available. (Submitted) The full text of this publication is not available from this repository.

Klich, R.E. (2012) The ‘unfinished’ subject: Pedagogy and performance in the company of copies, robots, mutants and cyborgs. International Journal of Performance Arts and Digital Media, 8 (2). pp. 155-171. ISSN 1479-4713 . The full text of this publication is not available from this repository.

Laera, Margherita (2013) 55 Entries on Italian Actors. In: Williams, Simon, ed. The Cambridge World Encyclopaedia of Stage Actors and Acting. Cambridge University Press, Cambridge. ISBN Not available. (Submitted) The full text of this publication is not available from this repository.

Laera, Margherita (2013) Reaching Athens: Community, Democracy and Other Mythologies in Adaptations of Greek Tragedy. New Comparative Criticism . Peter Lang, 333 pp. ISBN 9783034308076. The full text of this publication is not available from this repository.

Laera, Margherita (2012) Staging and Performing Translation: Text and Theatre Practice edited by Roger Baines, Cristina Marinetti, and Manuela Perteghella. Review of: Staging and Performing Translation: Text and Theatre Practice by Baines, Roger and Marinetti, Cristina and Perteghella, Manuela. Contemporary Theatre Review, 22 (2). pp. 281-282. ISSN 1048-6801 . The full text of this publication is not available from this repository.

Laera, Margherita (2011) Theatre Translation as Collaboration: Aleks Sierz, Natalie Abrahami, Martin Crimp, Zoë Svendsen, Colin Teevan and J. Michael Walton discuss Translation for the Stage. Contemporary Theatre Review, 21 (2). pp. 213-225. ISSN 1048-6801 . The full text of this publication is not available from this repository.

Pavis, Patrice (2004) Le Théâtre Contemporain: Analyse des Textes, de Sarraute à Vinaver. Armand Colin, 232 pp. ISBN 9782200259310. The full text of this publication is not available from this repository.

Pavis, P. (2012) Contemporary Mise en Scène: Staging Theatre Today. Routledge, 384 pp. ISBN 9780415553445. The full text of this publication is not available from this repository.

Pavis, P. (2012) L'Analyse Des Spectacles. Armand Colin, France, 384 pp. ISBN 9782200259839. The full text of this publication is not available from this repository.

Pavis, P. (2011) Le théâtre contemporain : Analyse des textes, de Sarraute à Vinaver. Armand Colin, France , 253 pp. ISBN 978-2200259310. The full text of this publication is not available from this repository.

Pavis, P. (2010) The director’s new tasks. In: Delgado, Maria .M and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge, pp. 395-411. ISBN 9780415462501 . The full text of this publication is not available from this repository.

Radosavljevic, D. (2010) Howard Barker Day. Western European Stages, 22 (2/3). pp. 63-66. ISSN 1050-1991. The full text of this publication is not available from this repository.

Radosavljevic, D. (2010) Interview with Howard barker. Western European Stages, 22 (2-3). pp. 67-70. ISSN 1050-1991. The full text of this publication is not available from this repository.

Radosavljevic, D. (2011) On the Wrestling School. In: Brown, Mark, ed. Howard Barker Interviews 1980-2010: Conversations in Catastrophe. Intellect, Bristol, pp. 181-185. ISBN 9781841503981. The full text of this publication is not available from this repository.

Radosavljevic, D. (2012) Sarah Kane's Illyria as the land of violent love: a Balkan reading of Blasted. Contemporary Theatre Review, 22 (4). pp. 499-511. ISSN 1048-6801 . The full text of this publication is not available from this repository.

Radosavljevic, D. (2011) 'Shared Utopias? Alan Lyddiard, Lev Dodin and the Northern Stage Ensemble’. In: Pitches, Jonathan, ed. Russians in Britain: British Theatre and the Russian Tradition of Actor Training. Routledge, pp. 139-166. ISBN 9780415591003. The full text of this publication is not available from this repository.

Radosavljevic, D. (2013) Theatre-Making: Interplay between text and performance in the 21st century. Palgrave Macmillan (Submitted) The full text of this publication is not available from this repository.

Roesner, DP (2012) Der „Guitar Hero“ zwischen Musizieren und Performen. In: Schroedter, S, ed. Bewegungen zwischen Hören und Sehen. Königshausen & Neumann, Göttingen, pp. 591-607. ISBN 978-3-8260-4744-2. The full text of this publication is not available from this repository.

Roesner, DP (2012) "Musikalität als ästhetisches Dispositiv: Analogien und Transfers". In: Huber, J and Nigro, R and Bippus, E, eds. Ästhetik x Dispositiv: Die Erprobung von Erfahrungsfeldern. Edition Voldemeer, Zürich, Wien, New York. ISBN 978-3709115039. The full text of this publication is not available from this repository.

Shaughnessy, R.M. (2007) "I do, I will": Hal, Falstaff and the Performative. In: Henderson, Diana E., ed. Alternative Shakespeares 3. New accents . Routledge, Abingdon, pp. 14-33. ISBN 9780415423335. The full text of this publication is not available from this repository.

Shaughnessy, N. (2011) Knowing Me, Knowing You: Autism, Kinesthetic Empathy and Applied Performance. In: Reynolds, Deirdre and Reason, Matthew, eds. Kinesthetic Empathy in Creative and Cultural Practices. Intellect, Bristol, pp. 33-50. ISBN 9781841504919. The full text of this publication is not available from this repository.

Shaughnessy, N. and Trimingham, Melissa (2012) Autism Affects: cognition, kinesthetics and practice based research. In: Theatrical Histories - American Society for Theatre Research , 31/10/2012 - 04/11/2012, Nashville USA. (Submitted) The full text of this publication is not available from this repository.

Shaughnessy, Nicola (2012) Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice. Palgrave, Basingstoke, 312 pp. ISBN 9780230241336. The full text of this publication is not available from this repository.

Shaughnessy, Nicola (2009) Commentary on the empathising-systemising theory of autism: implications for education. Review of: The empathising-systemising theory of autism: implications for education by Baron-Cohen, S.. Tizard Learning Disability Review , 14 (3). pp. 14-17. ISSN 1359-5474. The full text of this publication is not available from this repository.

Shaughnessy, Robert (2009) Behind the Scenes. Shakespeare Survey , 62 (62). pp. 236-247. ISSN ISBN 0 521 39529 1. The full text of this publication is not available from this repository.

Shaughnessy, Robert (2010) A Choice of Programs. Shakespeare Bulletin, 28 (1). pp. 55-76. ISSN 0748-2558. The full text of this publication is not available from this repository.

Shaughnessy, Robert (2010) Falstaff's Belly: Pathos, Prosthetics and Performance. In: Holland, Peter, ed. Shakespeare Survey. Shakespeare's English Histories and their Afterlives, 63 . Cambridge University Press , pp. 63-77. ISBN 9780521769150. The full text of this publication is not available from this repository.

Shaughnessy, Robert (2010) The Routledge Guide to William Shakespeare. Routledge Guides to Literature . Routledge , Abingdon, 512 pp. ISBN 9780415275404. The full text of this publication is not available from this repository.

Shaughnessy, Robert (2012) Shakespeare and the London Stage. In: Ritchie, Fiona and Sabor, Peter, eds. Shakespeare in the Eighteenth Century. Cambridge University Press, Cambridge , pp. 161-184. ISBN 9780521898607. The full text of this publication is not available from this repository.

Shaughnessy, Robert (2012) Silence. In: Hampton-Reeves, Stuart and Escolme, Bridget, eds. Shakespeare and the Making of Theatre. Palgrave , Basingstoke . ISBN 9780230218673. The full text of this publication is not available from this repository.

Shaughnessy, Robert (2013) Tyrone Guthrie. In: Mazer, Cary M., ed. Poel, Granville Barker, Guthrie, Wanamaker : Great Shakespeareans. Continuum . ISBN 9781441133724. (In press) The full text of this publication is not available from this repository.

Trimingham, Melissa (2013) How to Think a Puppet. Forum Modernes Theater . ISSN 0930-5874. (In press)

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Trimingham, Melissa (2013) Touched by meaning: haptic effect in autism. In: Shaughnessy, Nicola, ed. Affective Performance and Cognitive Science: body, brain and being. Methuen. (In press) The full text of this publication is not available from this repository.

Varakis-Martin, A. (2013) Aristophanic Performance as an all-inclusive event:audience participation and celebration in the modern staging of Aristophanic comedy. In: Hardwick, Lorna and Harrison, Stephen, eds. Classics in the Modern World: A democratic turn? Classical Presences . Oxford University Press. ISBN 9780199673926. (In press) The full text of this publication is not available from this repository.

Varakis-Martin, A. (2010) 'Body and Mask in Aristophanic Performance'. Bulletin of the institute of classical studies, 53 (1). pp. 17-38. ISSN 2041-5370.

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This list was generated on Thu May 23 07:26:32 2013 BST.