Items where Subject is "P Language and Literature > PN Literature (General) > PN1600 Drama"
Number of items at this level: 109. A
Allen, Richard,
May, Shaun
(2015)
Encountering Anthropomorphism: Editorial.
Performance Research,
20
(2).
pp. 1-3.
ISSN 1352-8165.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:49201)
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Boenisch, Peter M.
(2015)
Directing Scenes & Senses: The Thinking of Regie.
Theatre: Theory – Practice – Performance
.
Manchester University Press, Manchester, 256 pp.
ISBN 978-0-7190-9719-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:51637)
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Boenisch, Peter M.
(2016)
The Theatre Of Thomas Ostermeier.
Routledge, Abingdon and New York, 262 pp.
ISBN 978-1-138-91447-6.
E-ISBN 978-1-315-69081-0.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:59745)
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Brooks, Helen E.M.
(2014)
The Divided Heart of the Actress: Late Eighteenth-Century Actresses and the Cult of Maternity.
In: Engel, Laura and McGirr, Elaine. M., eds.
Stage Mothers: Women, Work and the Theatre, 1660-1830.
Transits: Literature, Thought & Culture, 1650–1850
.
University Press Copublishing Division / Bucknell University Press.
ISBN 978-1-61148-603-2.
E-ISBN 978-1-61148-604-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:50464)
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Brooks, Helen E.M.
(2017)
Great War Theatre.
online.
Located at: www.greatwartheatre.org.uk.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:65369)
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Brooks, Helen E.M.
(2018)
The Horrors of War: Extreme violence on the Great War British Stage.
In: Dramaturgies of War: Institutional Dramaturgy, Politics, and Conflict in the 19th and 20th Centuries, 25-26 January 2018, Glasgow.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:73670)
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Brooks, Helen E.M.
(2018)
Keeping the War Alive: British Theatre of the 1920s.
In: Theatre and Performance Research Association Conference 2018, 5-7 Sept 2018, Aberystwyth.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:73668)
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Brooks, Helen E.M.
(2018)
Peace and the Theatre: British Theatre after the Great War.
In: Revival after the Great War: Repair, Rebuild, Remember, 8-9 May 2018, Leuven.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:73669)
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Brooks, Helen E.M.
(2017)
Sex and Sexuality.
In: Balme, Christopher B. and Davis, Tracy C., eds.
A Cultural History of Theatre.
Bloomsbury.
ISBN 978-1-4725-8584-4.
(KAR id:64411)
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C
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Davies, Callan
(2020)
Strangeness in Jacobean Drama.
Studies in Performance and Early Modern Drama
.
Routledge, Abingdon, UK, 240 pp.
ISBN 978-0-367-50031-3.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:81482)
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Double, Oliver
(2017)
Introduction: What is Popular Performance?
In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds.
Popular Performance.
Methuen Drama, London, UK; New York, USA, pp. 1-29.
ISBN 978-1-4742-4734-4.
E-ISBN 978-1-4742-4735-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:81715)
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Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds.
(2017)
Popular Performance.
Bloomsbury Methuen Drama, London, UK, 304 pp.
ISBN 978-1-4742-4734-4.
E-ISBN 978-1-4742-4735-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:61549)
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Dustagheer, Sarah
(2015)
Anticipating the Sam Wanamaker Playhouse.
Cahiers Élisabéthains: A Biannual Journal of English Renaissance Studies,
88
(1).
pp. 139-153.
ISSN 0184-7678.
E-ISSN 2054-4715.
(doi:10.7227/CE.88.1.10)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64789)
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Dustagheer, Sarah
(2019)
New Directions: Performing The Changeling, 2006-15.
In: Hutchings, Mark, ed.
The Changeling: A Critical Reader.
Arden Early Modern Drama Guides
.
Bloomsbury.
ISBN 978-1-350-01139-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84377)
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Dustagheer, Sarah
(2021)
Original Practices: Old Ways and New Directions.
In: Kirwan, Peter and Prince, Kathryn, eds.
The Arden Research Handbook of Shakespeare and Contemporary Performance.
Arden Shakespeare Handbooks
.
Bloomsbury.
ISBN 978-1-350-08067-6.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:84376)
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Woods, Gillian and Dustagheer, Sarah, eds.
(2017)
Stage Directions and Shakespearean Theatre.
The Arden Shakespeare
.
Bloomsbury, London. UK, 368 pp.
ISBN 978-1-4742-5749-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64792)
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Dustagheer, Sarah and Bird, Philip
(2017)
Strikes Open a Curtain Where Appears a Body: Discovering Death in Stage Directions.
In: Dustagheer, Sarah and Woods, Gillian, eds.
Stage Directions and Shakespearean Theatre.
The Arden Shakespeare
.
Bloomsbury, pp. 213-237.
ISBN 978-1-4742-5749-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64794)
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Dustagheer, Sarah and Woods, Gillian
(2017)
Introduction.
In: Dustagheer, Sarah and Woods, Gillian, eds.
Stage Directions and Shakespearean Theatre.
The Arden Shakespeare
.
Bloomsbury, 1 -16.
ISBN 978-1-4742-5749-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64793)
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F
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Laera, Margherita, ed.
(2017)
Black Tenderness: The Passion of Mary Stuart.
Cue Press, Imola
ISBN 978-88-99737-24-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:59122)
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Laera, Margherita
(2009)
Oedipus at the National Theatre: Celebrities and the Otherness of Tragedy.
Review of: Oedipus Rex, dir. Jonathan Kent, National Theatre, London, 2008
by Kent, Jonathan.
Western European Stages,
(21.2).
pp. 73-74.
ISSN 1050-1991.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:57304)
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Laera, Margherita
(2018)
Royal Court: International (Review).
Review of: Royal Court: International
by UNSPECIFIED.
Modern Drama,
60
(2).
0-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:59120)
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Laera, Margherita, ed.
(2017)
The Snakes.
Cue Press, Imola
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:59123)
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Laera, Margherita
(2019)
Theatre & Translation.
Theatre &
.
Red Globe Press / Macmillan
ISBN 978-1-137-61161-1.
E-ISBN 978-1-137-61162-8.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:72171)
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Loughnane, Rory
(2013)
The Artificial Figures in Webster’s The Duchess of Malfi.
In: Rist, Thomas and Gordon, Andrew, eds.
The Arts of Remembrance in Early Modern England.
Ashgate, Farnham, Surrey and Burlington, VT, pp. 211-228.
ISBN 978-1-4094-4657-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:57435)
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Maley, Willy and Loughnane, Rory, eds.
(2013)
Celtic Shakespeare: The Bard and the Borderers.
Ashgate, Farnham, Surrey and Burlington, VT
ISBN 978-1-4094-2259-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:57428)
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Loughnane, Rory
(2012)
The Enigma of Divine Revelation in Tourneur’s The Atheist’s Tragedy.
In: Sweetnam, Mark and Cooney, Helen, eds.
Enigma and Revelation in Renaissance English Literature.
Four Courts Press, Dublin, Ireland, pp. 136-151.
ISBN 978-1-84682-281-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:57436)
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Loughnane, Rory
(2013)
“I myself would for Caernarfonshire”: The Old Lady in King Henry VIII.
In: Loughnane, Rory and Maley, Willy, eds.
Celtic Shakespeare: The Bard and the Borderers.
Ashgate, Farnham, Surrey and Burlington, VT, pp. 185-204.
ISBN 978-1-4724-0820-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:57438)
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Loughnane, Rory
(2019)
Introduction: Stages of Normality.
In: Loughnane, Rory and Semple, Edel, eds.
Staged Normality in Shakespeare's England.
Shakespeare Studies
.
Palgrave Macmillan, 1 -29.
ISBN 978-3-030-00892-5.
E-ISBN 978-3-030-00892-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:71575)
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Loughnane, Rory and Power, Andrew J., eds.
(2012)
Late Shakespeare, 1608-1613.
Cambridge University Press, Cambridge UK
ISBN 978-1-139-78637-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:57426)
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Loughnane, Rory
(2016)
The Medieval Inheritance.
In: Neill, Michael and Schalkwyk, David, eds.
The Oxford Handbook of Shakespearean Tragedy.
Oxford University Press, Oxford, UK, pp. 35-53.
ISBN 978-0-19-872419-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:57433)
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Loughnane, Rory
(2017)
Shakespeare in the 1580s.
Shakespeare Studies,
45
.
pp. 121-128.
ISSN 0582-9399.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64229)
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Loughnane, Rory, ed.
(2013)
Staged Transgression in Shakespeare's England.
Shakespeare Studies
.
Palgrave MacMillan, Basingstoke, UK
ISBN 978-1-137-34934-7.
E-ISBN 978-1-137-34935-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:57429)
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Loughnane, Rory
(2012)
The framework for playgoer response in King Henry VIII.
In: Loughnane, Rory and Power, Andrew J., eds.
Late Shakespeare, 1608-1613.
Cambridge University Press, Cambridge, UK, pp. 108-123.
ISBN 978-1-139-78637-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:57437)
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P
Padwick, Steuart
(2019)
Voice over performance in Talk To Me.
Performance type: Other
designjunction 2019, 13-22 Sep 2019, London, United Kingdom.
Audio.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:78730)
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R
Richardson, Catherine
(2011)
Domestic Life.
In: Kinney, Arthur, ed.
The Oxford Handbook of Shakespeare.
848
.
Oxford University Press, Oxford.
ISBN 978-0-19-956610-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:51371)
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Richardson, Catherine
(2015)
Honest Clothes in The Merry Wives of Windsor.
In: Lennox, Patricia and Mirabella, Bella, eds.
Shakespeare and Costume.
Arden Shakespeare
.
Bloomsbury, London, UK.
ISBN 978-1-4725-2507-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:51365)
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Richardson, Catherine
(2016)
Shakespearean Comedy and Domestic Encounters.
In: Hirschfield, Heather, ed.
The Oxford Handbook of Shakespearean Comedy.
Oxford University Press.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:51381)
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Richardson, Catherine
(2010)
The stage, costume and fashion.
In: McNeil, Peter and Riello, Giorgio, eds.
The Fashion History Reader.
Routledge, London, pp. 132-134.
ISBN 978-0-415-49323-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:51377)
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V
Vass-Rhee, Freya
(2019)
Haunted by Hamlet: William Forsythe's Sider.
In: McCulloch, Lynsey and Shaw, Brandon, eds.
The Oxford Handbook of Shakespeare and Dance.
Oxford University Press, pp. 455-475.
ISBN 978-0-19-049878-8.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
(KAR id:64066)
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W
Wollen, Will
(2016)
Action and the Mask: Mr S and the paper bag.
In: The S Word, 18-20 Mar 2016, Sidcup, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:57032)
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Wollen, Will
(2017)
Planes and Quests.
In: Thinking Movement, Moving Thought, Guildford, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:64068)
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Wright, Clare
(2014)
Body, Site and Memory in the Croxton Play of the Sacrament.
In: Bennett, Susan and Polito, Mary, eds.
Performing Environments: Site-Specificty in Medieval and Early Modern English Drama.
Palgrave Macmillan, Basingstoke, UK and New York, pp. 159-179.
ISBN 978-1-137-32016-2.
E-ISBN 978-1-137-32017-9.
(doi:10.1057/9781137320179)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:54972)
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Wright, Clare
(2019)
Enculturated, Embodied, Social: Medieval Drama and Cognitive Integration.
In: Anderson, Miranda and Wheeler, Michael, eds.
Distributed Cognition in Medieval and Renaissance Culture.
The Edinburgh History of Distributed Cognition
.
Edinburgh University Press, Edinburgh, UK.
ISBN 978-1-4744-3813-1.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:57607)
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Wyles, Rosie
(2016)
Ancient Drama in the French Renaissance and up to Louis XIV.
In: van Zyl Smit, Betine, ed.
A Handbook to the Reception of Greek Drama.
Wiley, pp. 154-172.
ISBN 978-1-118-34775-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
(KAR id:57653)
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This list was generated on Mon Jan 25 23:04:38 2021 GMT.
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