Items where Subject is "P Language and Literature > PN Literature (General) > PN1655 Drama"

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Number of items at this level: 83.

A

Ainsworth, Adam and Double, Oliver and Peacock, Louise (2017) Editorial. Theatre, Dance and Performance Training, 8 (2). pp. 125-128. ISSN 1944-3927. E-ISSN 1944-3919. (doi:https://doi.org/10.1080/19443927.2017.1326736) (Full text available)
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Allain, Paul (2015) The Archive. Contemporary Theatre Review, 25 (1). pp. 32-35. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486801.2015.992233) (Full text available)
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Allain, Paul and Bennett-Worth, Stacie Lee (2018) Turning back to Training. Performance Research, 23 (4/5). pp. 240-241. ISSN 1352-8165. (doi:https://doi.org/10.1080/13528165.2018.1524672) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Allain, Paul and Camilleri, Frank (2018) Physical Actor Training - an online A-Z. Bloomsbury, Methuen Drama films online. https://doi.org/10.5040/9790000000082.01. (doi:https://doi.org/10.5040/9790000000082.01) (Full text available)
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Allen, Richard and May, Shaun (2015) Encountering Anthropomorphism: Editorial. Performance Research, 20 (2). pp. 1-3. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Amelang, David J. (2016) Playgrounds: The Theatrical Landscape of Shakespeare's London and Lope de Vega's Madrid. Doctor of Letters (DLitt) thesis, University of Kent, Freie Universität Berlin. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M. (2015) Directing Scenes & Senses: The Thinking of Regie. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester, 256 pp. ISBN 978-0-7190-9719-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M. (2016) The Theatre Of Thomas Ostermeier. Routledge, Abingdon and New York, 262 pp. ISBN 978-1-138-91447-6. E-ISBN 978-1-315-69081-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M. (2014) Who’s watching? Me! – Theatrality, the Žižekian Subject and Spectatorship. In: Chow, Broderick and Mangold, Alex, eds. Žižek & Performance. Performance Philosophy . Palgrave Macmillan, Basingstoke and New York, pp. 48-60. ISBN 978-1-137-41090-0. E-ISBN 978-1-137-40319-3. (doi:https://doi.org/10.1057/9781137403193) (Full text available)
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Brooks, Helen E.M. (2015) Actresses, Gender and the Eighteenth-Century Stage : Playing Women. Palgrave, Houndmills, Basingstoke, Hampshire, 201 pp. ISBN 978-1-137-48621-9. E-ISBN 978-1-137-48622-6. (doi:https://doi.org/10.1057/9781137486226) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2014) 'The Divided Heart of the Actress': Late Eighteenth-Century Actresses and the "Cult of Maternity". In: Stage Mothers: Women, Work and the Theatre, 1660-1830. Bucknell University Press. ISBN 978-1-61148-603-2. (Full text available)
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Brooks, Helen E.M. (2017) Great War Theatre. online. Located at: www.greatwartheatre.org.uk. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2018) Horror on the London Stage: The Grand Guignol Season of 1915. In: Languages and the First World War, 10 Sept 2018, Europe House. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2018) The Horrors of War: Extreme violence on the Great War British Stage. In: Dramaturgies of War: Institutional Dramaturgy, Politics, and Conflict in the 19th and 20th Centuries, 25-26 January 2018, Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2018) Keeping the War Alive: British Theatre of the 1920s. In: Theatre and Performance Research Association Conference 2018, 5-7 Sept 2018, Aberystwyth. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2018) Peace and the Theatre: British Theatre after the Great War. In: Revival after the Great War: Repair, Rebuild, Remember, 8-9 May 2018, Leuven. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Brooks, Helen E.M. (2017) Sex and Sexuality. In: Balme, Christopher B. and Davis, Tracy C., eds. A Cultural History of Theatre. Bloomsbury. ISBN 978-1-4725-8584-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Cutugno, Carmela (2014) Intercultural Performance and Dialogue. From Richard Schechner Performance Studies Onwards. Doctor of Philosophy (PhD) thesis, University of Kent, University of Bologna. (Full text available)
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Double, Oliver (2017) ‘[T]his is eating your greens, this is doing your homework’: writing and rehearsing a full-length stand-up show. Comedy Studies, . pp. 137-153. ISSN 2040-610X. (doi:https://doi.org/10.1080/2040610X.2017.1344477) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Double, Oliver (2015) ‘What do you do?’: Stand-up comedy versus the proper job. Ephemera: Theory & Politics in Organization, 15 (3). pp. 651-669. ISSN 2052-1499. E-ISSN 1473-2866. (Full text available)
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Double, Oliver (2018) The origin of the term stand-up comedy update. Comedy Studies, 9 (2). ISSN 2040-610X. (doi:https://doi.org/10.1080/2040610X.2018.1428427) (Full text available)
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Double, Oliver (2017) The origin of the term ‘stand-up comedy’. Comedy Studies, 8 (1). 1 -4. ISSN 2040-610X. (doi:https://doi.org/10.1080/2040610X.2017.1279912) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Dustagheer, Sarah (2015) Anticipating the Sam Wanamaker Playhouse. Cahiers Élisabéthains: A Biannual Journal of English Renaissance Studies, 88 (1). pp. 139-153. ISSN 0184-7678. E-ISSN 2054-4715. (doi:https://doi.org/10.7227/CE.88.1.10) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dustagheer, Sarah (2017) “Intimacy” at the Sam Wanamaker Playhouse. Shakespeare Bulletin, 35 (2). pp. 227-246. ISSN 0748-2558. E-ISSN 1931-1427. (doi:https://doi.org/10.1353/shb.2017.0015) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Dustagheer, Sarah (2012) Sarah Dustagheer exposes the innovation of The Tempest, Shakespeare’s ‘first’ play in two parts. . Royal Shakespeare Company: MyShakespeare Blog Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dustagheer, Sarah (2017) Shakespeare's Two Playhouses Repertory and Theatre Space at the Globe and the Blackfriars, 1599–1613. Cambridge University Press, Cambridge, UK, 236 pp. ISBN 978-1-107-19016-0. E-ISBN 978-1-316-99687-4. (doi:https://doi.org/10.1017/9781316996874) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dustagheer, Sarah and Bird, Philip (2017) Strikes Open a Curtain Where Appears a Body: Discovering Death in Stage Directions. In: Dustagheer, Sarah and Woods, Gillian, eds. Stage Directions and Shakespearean Theatre. The Arden Shakespeare . Bloomsbury, pp. 213-237. ISBN 978-1-4742-5749-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dustagheer, Sarah and Jones, Oliver and Rycroft, Eleanor (2017) (Re)constructed Spaces for Early Modern Drama: Research in Practice. Shakespeare Bulletin, 35 (2). pp. 173-185. ISSN 0748-2558. E-ISSN 1931-1427. (doi:https://doi.org/10.1353/shb.2017.0012) (Full text available)
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Dustagheer, Sarah and Woods, Gillian (2017) Introduction. In: Dustagheer, Sarah and Woods, Gillian, eds. Stage Directions and Shakespearean Theatre. The Arden Shakespeare . Bloomsbury, 1 -16. ISBN 978-1-4742-5749-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Laera, Margherita (2010) Comedy, Tragedy, and 'Universal Structures': Socìetas Raffaello Sanzio's Inferno, Purgatorio, Paradiso. TheatreForum, . pp. 3-15. ISSN 1060-5320. (Full text available)
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Laera, Margherita (2018) Emma Dante and Fausto Paravidino: Families, National Identity, and International Audiences. In: Delgado, Maria and Rebellato, Dan and Lease, Bryce, eds. Contemporary European Playwrights. Routledge. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Laera, Margherita (2014) 'Expert' Dramaturgies: Helgard Haug of Remini Protokoll in Conversation with Margherita Laera. In: Laera, Margherita, ed. Theatre and Adaptation: Return, Rewrite, Repeat. Bloomsbury Methuen Drama, pp. 241-254. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2016) How to Get Your Hands Dirty: Old and New Models of 'Militant' Theatre Criticism in Italy. In: Radosavljevic, Duška, ed. Theatre Criticism: Changing Landscapes. Bloomsbury Methuen Drama, pp. 99-117. ISBN 978-1-4725-7709-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2009) Mark Ravenhill's Shoot/Get Treasure/Repeat: A Treasure Hunt in London. TheatreForum, 35 . pp. 3-9. ISSN 1060-5320. (Full text available)
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Laera, Margherita (2009) Oedipus at the National Theatre: Celebrities and the Otherness of Tragedy. Review of: Oedipus Rex, dir. Jonathan Kent, National Theatre, London, 2008 by Kent, Jonathan. Western European Stages, (21.2). pp. 73-74. ISSN 1050-1991. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2015) On Killing Children: Greek Tragedies on British Stages in 2015. Critical Stages, . ISSN 2409-7411. E-ISSN 2409-7411. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Laera, Margherita (2018) Performing Heteroglossia: The 'Translating Theatre' Project in London. Modern Drama, 61 (3). ISSN 0026-7694. E-ISSN 1712-5286. (doi:https://doi.org/10.3138/md.s0917) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Laera, Margherita (2018) Review: Greek Fragments in Postmodern Frames: Rewriting Tragedy 1970–2005. Review of: Greek Fragments in Postmodern Frames: Rewriting Tragedy 1970–2005 by Ioannidou, Eleftheria. American Journal of Philology, . ISSN 0002-9475. (Submitted) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Laera, Margherita (2019) Review: The Routledge Companion to Adaptation. Review of: The Routledge Companion to Adaptation by Cutchins, Dennis and Krebs, Katja and Voigts, Eckart. Contemporary Theatre Review, . ISSN 1048-6801. (Submitted) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Laera, Margherita (2018) Royal Court: International (Review). Review of: Royal Court: International by UNSPECIFIED. Modern Drama, 60 (2). 0-0. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2015) Subverting the 'Classics': Adaptation and Resistance. In: London Theatre Seminar, 19 Nov 2015. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Laera, Margherita (2018) Theatre & Translation. Red Globe Press (Submitted) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Laera, Margherita (2017) A Theatre Of/For Europe : Giorgio Strehler and the Dream of a United Continent. In: Finburgh, Clare and Boenisch, Peter M and Shepherd, Simon, eds. Great Stage Directors, vol. 6: Littlewood, Planchon, Strehler. Bloomsbury Methuen Drama. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Laera, Margherita (2016) A Theatre of/for Europe: Giorgio Strehler and the Dream of a United Continent. In: Quorum, 30 November 2016, Queen Mary, University of London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Loughnane, Rory (2013) The Artificial Figures in Webster’s The Duchess of Malfi. In: Rist, Thomas and Gordon, Andrew, eds. The Arts of Remembrance in Early Modern England. Ashgate, Farnham, Surrey and Burlington, VT, pp. 211-228. ISBN 978-1-4094-4657-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Loughnane, Rory (2012) The Enigma of Divine Revelation in Tourneur’s The Atheist’s Tragedy. In: Sweetnam, Mark and Cooney, Helen, eds. Enigma and Revelation in Renaissance English Literature. Four Courts Press, Dublin, Ireland, pp. 136-151. ISBN 978-1-84682-281-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Loughnane, Rory (2013) “I myself would for Caernarfonshire”: The Old Lady in King Henry VIII. In: Loughnane, Rory and Maley, Willy, eds. Celtic Shakespeare: The Bard and the Borderers. Ashgate, Farnham, Surrey and Burlington, VT, pp. 185-204. ISBN 978-1-4724-0820-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Loughnane, Rory (2019) Introduction: Stages of Normality. In: Loughnane, Rory and Semple, Edel, eds. Staged Normality in Shakespeare's England. Shakespeare Studies . Palgrave Macmillan, 1 -29. ISBN 978-3-030-00892-5. E-ISBN 978-3-030-00892-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Loughnane, Rory (2016) The Medieval Inheritance. In: Neill, Michael and Schalkwyk, David, eds. The Oxford Handbook of Shakespearean Tragedy. Oxford University Press, Oxford, UK, pp. 35-53. ISBN 978-0-19-872419-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Loughnane, Rory (2016) Re-editing Non-Shakespeare for the Modern Reader: The Murder of Mutius in Titus Andronicus. The Review of English Studies, . ISSN 0034-6551. (doi:https://doi.org/10.1093/res/hgw078) (Full text available)
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Loughnane, Rory (2014) Reputation and the Red Bull Theatre, 1625-1642. The Yearbook of English Studies, 2014, 44 . pp. 29-50. ISSN 0306-2473. (doi:https://doi.org/10.5699/yearenglstud.44.2014.0029) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Loughnane, Rory (2017) Shakespeare in the 1580s. Shakespeare Studies, 45 . pp. 121-128. ISSN 0582-9399. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Loughnane, Rory (2012) The framework for playgoer response in King Henry VIII. In: Loughnane, Rory and Power, Andrew J., eds. Late Shakespeare, 1608-1613. Cambridge University Press, Cambridge, UK, pp. 108-123. ISBN 978-1-139-78637-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Loughnane, Rory (2016) The virginity dialogue in All's Well that Ends Well: feminism, editing, and adaptation. In: Callaghan, Dympna, ed. A Feminist Companion to Shakespeare. Wiley Blackwell, Malden, MA, USA, pp. 411-427. ISBN 978-1-118-50126-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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May, Shaun (2014) Abject Metamorphosis and Mirthless Laughter: On Human-to-Animal Transitions and the 'Disease of Being Finite'. Performance Research, 19 (1). pp. 72-80. ISSN 1352-8165. (doi:https://doi.org/10.1080/13528165.2014.908086) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

May, Shaun (2017) Autism and comedy: using theatre workshops to explore humour with adolescents on the spectrum. Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (3). pp. 436-445. ISSN 1356-9783. (doi:https://doi.org/10.1080/13569783.2017.1329651) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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May, Shaun (2013) Comedy on the Spectrum: An Interview with Aspergers Are Us. Comedy Studies, 4 (1). pp. 103-110. ISSN 2040-610X. E-ISSN 2040-6118. (doi:https://doi.org/10.1386/cost.4.1.103_7) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

May, Shaun (2012) Embodiment, Transparency and the Disclosiveness of Failure. Body, Space and Technology, 11 (1). pp. 1-8. ISSN 1470-9120. (Full text available)
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May, Shaun (2018) On Silence and Autism. Performance Research: A Journal of the Performing Arts, 23 (4). ISSN 1352-8165. (doi:https://doi.org/10.1080/13528165.2018.1507716) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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May, Shaun (2015) A Philosophy of Comedy on Stage and Screen: You Have to 'Be There'. Bloomsbury Methuen Drama, London, 224 pp. ISBN 978-1-4725-8043-6. E-ISBN 978-1-4725-8046-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

May, Shaun (2017) Reader in comedy: an anthology of theory & criticism. Review of: Reader in Comedy: An Anthology of Theory and Criticism by Romanska, Magda and Ackerman, Alan. Studies in Theatre and Performance, . pp. 1-2. ISSN 1468-2761. (doi:https://doi.org/10.1080/14682761.2017.1359892) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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May, Shaun (2015) Rethinking Practice as Research and the Cognitive Turn. Palgrave Macmillan, Basingstoke, UK, 176 pp. ISBN 978-1-137-52272-6. E-ISBN 978-1-137-52273-3. (doi:https://doi.org/10.1057/9781137522733) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

May, Shaun (2013) Take My Gag, Please!Joke Theft and Copyright in Stand-up Comedy. Comedy Studies, 4 (2). pp. 195-203. ISSN 2040-610X. (doi:https://doi.org/10.1386/cost.4.2.195_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

May, Shaun and Fletcher-Watson, Ben (2018) Enhancing Relaxed Performance: Evaluating an Autism Arts Festival. Research in Drama Education: The Journal of Applied Theatre and Performance, . ISSN 1356-9783. (doi:https://doi.org/10.1080/13569783.2018.1468243) (Full text available)
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Mitchell, Roanna (2018) Chekhov’s Technique in Actor-Movement and Dance. In: Fleming, Cass and Cornford, Tom, eds. Michael Chekhov Technique in the Twenty-first Century: New Pathways. Bloomsbury Methuen Drama. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Richardson, Catherine (2013) ‘City comedy and material life’: Things in The Dutch Courtesan. . web page. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Richardson, Catherine (2011) Domestic Life. In: Kinney, Arthur, ed. The Oxford Handbook of Shakespeare. 848 . Oxford University Press, Oxford. ISBN 978-0-19-956610-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Richardson, Catherine (2015) Honest Clothes in The Merry Wives of Windsor. In: Mirabella, Bella and Lennox, Patricia, eds. Shakespeare and Costume. Arden Shakespeare . Bloomsbury, London. ISBN 978-1-4725-2507-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Richardson, Catherine (2016) Shakespearean Comedy and Domestic Encounters. In: Hirschfield, Heather, ed. The Oxford Handbook of Shakespearean Comedy. Oxford University Press. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Richardson, Catherine (2010) The stage, costume and fashion. In: McNeil, Peter and Riello, Giorgio, eds. The Fashion History Reader. Routledge, London, pp. 132-134. ISBN 978-0-415-49323-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Shaughnessy, Nicola and Turner, Sarah (2016) Imagining Autism: Now I see the World. Routledge, Taylor and Francis DVD. (Full text available)
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Trimingham, Melissa F. and Shaughnessy, Nicola (2016) Material Voices: intermediality and autism. Research in Drama Education, 21 (3). pp. 293-308. ISSN 1356-9783. E-ISSN 1470-112X. (doi:https://doi.org/10.1080/13569783.2016.1194748) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Vass-Rhee, Freya (2019) Haunted by Hamlet: William Forsythe's Sider. In: The Oxford Handbook of Shakespeare and Dance. Oxford University Press, pp. 455-475. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Wollen, Will (2016) Action and the Mask: Mr S and the paper bag. In: The S Word, 18-20 Mar 2016, Sidcup, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wollen, Will (2017) Book Review: Becoming an Actor-Creator by Nikolai Demidov. Review of: Becoming an Actor-Creator by Demidov, Nikolai. Stanislavski Studies, 5 (1). pp. 133-134. ISSN 2054-4170. (doi:https://doi.org/10.1080/20567790.2017.1296223) (Full text available)
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Wollen, Will (2016) Hard rigour, soft assessment, putting the student first: What can Universities learn from Conservatoires? In: Labanarium, 6 Jan 2017, Guildford, Surrey, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wollen, Will (2017) Planes and Quests. In: Thinking Movement, Moving Thought, Guildford, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wollen, Will (2016) The active text: unlocking plays through physical theatre. Review of: The Active Text: Unlocking Plays Through Physical Theatre by Dymphna Callery, London, Nick Hern Books, 2015, 224 pp., ISBN 978-1-84842-127-1 by Callery, Dymphna. Stanislavski Studies, 4 (1). pp. 83-84. ISSN 2054-4170. E-ISSN 2054-4170. (doi:https://doi.org/10.1080/20567790.2016.1155370) (Full text available)
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Wright, Clare (2012) Acoustic Tyranny: Metre, Alliteration and Voice in York’s Christ before Herod’. Medieval English Theare, 34 . pp. 3-29. ISSN 0143-3784. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wright, Clare (2014) Body, Site and Memory in the Croxton Play of the Sacrament. In: Bennett, Susan and Polito, Mary, eds. Performing Environments: Site-Specificty in Medieval and Early Modern English Drama. Palgrave Macmillan, Basingstoke, UK and New York, pp. 159-179. ISBN 978-1-137-32016-2. E-ISBN 978-1-137-32017-9. (doi:https://doi.org/10.1057/9781137320179) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wright, Clare (2019) Enculturated, Embodied, Social: Medieval Drama and Cognitive Integration. In: Anderson, Miranda and Wheeler, Michael, eds. Distributed Cognition in Medieval and Renaissance Culture. The Edinburgh History of Distributed Cognition . Edinburgh University Press, Edinburgh, UK. ISBN 978-1-4744-3813-1. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wright, Clare (2017) Ontologies of Play: Reconstructing the Relationship between Audience and Act in Early English Drama. Shakespeare Bulletin, 35 (2). pp. 187-206. ISSN 0748-2558. E-ISSN 1931-1427. (doi:https://doi.org/10.1353/shb.2017.0013) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Wyles, Rosie (2016) Ancient Drama in the French Renaissance and up to Louis XIV. In: van Zyl Smit, Betine, ed. A Handbook to the Reception of Greek Drama. Wiley, pp. 154-172. ISBN 978-1-118-34775-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

This list was generated on Wed May 22 18:31:48 2019 BST.
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