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Number of items at this level: 103.

A

Ainsworth, Adam, Double, Oliver, Peacock, Louise (2017) Editorial. Theatre, Dance and Performance Training, 8 (2). pp. 125-128. ISSN 1944-3927. E-ISSN 1944-3919. (doi:10.1080/19443927.2017.1326736) (KAR id:62372)
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Allain, Paul (2015) The Archive. Contemporary Theatre Review, 25 (1). pp. 32-35. ISSN 1048-6801. (doi:10.1080/10486801.2015.992233) (KAR id:47724)
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Allain, Paul, ed. (2018) The Great European Stage Directors Volume 5: Grotowski, Brook, Barba. The Great European Stage Directors, 5 . Bloomsbury, Methuen Drama, London, UK, 246 pp. ISBN 978-1-4742-5416-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:68531)
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Allain, Paul (2019) Physical actor training 2.0: new digital horizons. Theatre, Dance and Performance Training, 10 (2). pp. 169-186. ISSN 1944-3927. (doi:10.1080/19443927.2019.1609074) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:75962)
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Allain, Paul, Bennett-Worth, Stacie Lee (2018) Turning back to Training. Performance Research, 23 (4/5). pp. 240-241. ISSN 1352-8165. (doi:10.1080/13528165.2018.1524672) (KAR id:68872)
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Allain, Paul and Camilleri, Frank (2018) Physical Actor Training - an online A-Z. Bloomsbury, Methuen Drama films online. 10.5040/9790000000082.01. (doi:10.5040/9790000000082.01) (KAR id:68542)
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Allen, Richard, May, Shaun (2015) Encountering Anthropomorphism: Editorial. Performance Research, 20 (2). pp. 1-3. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49201)

Amelang, David J. (2016) Playgrounds: The Theatrical Landscape of Shakespeare's London and Lope de Vega's Madrid. Doctor of Letters (DLitt) thesis, University of Kent, Freie Universität Berlin. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59777)
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Boenisch, Peter M. (2015) Directing Scenes & Senses: The Thinking of Regie. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester, 256 pp. ISBN 978-0-7190-9719-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51637)

Boenisch, Peter M. (2016) The Theatre Of Thomas Ostermeier. Routledge, Abingdon and New York, 262 pp. ISBN 978-1-138-91447-6. E-ISBN 978-1-315-69081-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59745)
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Boenisch, Peter M. (2014) Who’s watching? Me! – Theatrality, the Žižekian Subject and Spectatorship. In: Chow, Broderick and Mangold, Alex, eds. Žižek & Performance. Performance Philosophy . Palgrave Macmillan, Basingstoke and New York, pp. 48-60. ISBN 978-1-137-41090-0. E-ISBN 978-1-137-40319-3. (doi:10.1057/9781137403193) (KAR id:54561)
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Brooks, Helen E.M. (2015) Actresses, Gender and the Eighteenth-Century Stage : Playing Women. Palgrave, Houndmills, Basingstoke, Hampshire, 201 pp. ISBN 978-1-137-48621-9. E-ISBN 978-1-137-48622-6. (doi:10.1057/9781137486226) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50465)

Brooks, Helen E.M. (2014) The Divided Heart of the Actress: Late Eighteenth-Century Actresses and the Cult of Maternity. In: Engel, Laura and McGirr, Elaine. M., eds. Stage Mothers: Women, Work and the Theatre, 1660-1830. Transits: Literature, Thought & Culture, 1650–1850 . University Press Copublishing Division / Bucknell University Press. ISBN 978-1-61148-603-2. E-ISBN 978-1-61148-604-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50464)

Brooks, Helen E.M. (2017) Great War Theatre. online. Located at: www.greatwartheatre.org.uk. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65369)

Brooks, Helen E.M. (2018) Horror on the London Stage: The Grand Guignol Season of 1915. In: Languages and the First World War, 10 Sept 2018, Europe House. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73666)

Brooks, Helen E.M. (2018) The Horrors of War: Extreme violence on the Great War British Stage. In: Dramaturgies of War: Institutional Dramaturgy, Politics, and Conflict in the 19th and 20th Centuries, 25-26 January 2018, Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73670)

Brooks, Helen E.M. (2018) Keeping the War Alive: British Theatre of the 1920s. In: Theatre and Performance Research Association Conference 2018, 5-7 Sept 2018, Aberystwyth. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73668)

Brooks, Helen E.M. (2018) Peace and the Theatre: British Theatre after the Great War. In: Revival after the Great War: Repair, Rebuild, Remember, 8-9 May 2018, Leuven. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73669)

Brooks, Helen E.M. (2017) Sex and Sexuality. In: Balme, Christopher B. and Davis, Tracy C., eds. A Cultural History of Theatre. Bloomsbury. ISBN 978-1-4725-8584-4. (KAR id:64411)
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Brydon, Lavinia (2019) Storytelling, Exhibition Spaces and Site-Specific Screenings. In: NECS Annual Conference, 13-15 June 2019, Gdansk, Poland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74461)

C

Cutugno, Carmela (2014) Intercultural Performance and Dialogue. From Richard Schechner Performance Studies Onwards. Doctor of Philosophy (PhD) thesis, University of Kent, University of Bologna. (KAR id:47431)
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Davies, Callan (2020) Strangeness in Jacobean Drama. Studies in Performance and Early Modern Drama . Routledge, Abingdon, UK, 240 pp. ISBN 978-0-367-50031-3. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81482)

Double, Oliver (2017) Introduction: What is Popular Performance? In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Methuen Drama, London, UK; New York, USA, pp. 1-29. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81715)

Double, Oliver (2017) 'It Feels Like a Group of Friends Messing Around Onstage': Pappy's and Live Sketch Comedy. In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Methuen Drama, London, UK; New York, USA, pp. 247-268. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81716)

Double, Oliver (2017) ‘[T]his is eating your greens, this is doing your homework’: writing and rehearsing a full-length stand-up show. Comedy Studies, . pp. 137-153. ISSN 2040-610X. (doi:10.1080/2040610X.2017.1344477) (KAR id:62270)
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Double, Oliver (2015) What do you do?: Stand-up comedy versus the proper job. Ephemera: Theory & Politics in Organization, 15 (3). pp. 651-669. ISSN 2052-1499. E-ISSN 1473-2866. (KAR id:55434)
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Double, Oliver (2018) The origin of the term stand-up comedy update. Comedy Studies, 9 (2). Article Number UNSPECIFIED. ISSN 2040-610X. (doi:10.1080/2040610X.2018.1428427) (KAR id:66675)
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Double, Oliver (2017) The origin of the term ‘stand-up comedy’. Comedy Studies, 8 (1). 1 -4. ISSN 2040-610X. (doi:10.1080/2040610X.2017.1279912) (KAR id:60313)
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Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. (2017) Popular Performance. Bloomsbury Methuen Drama, London, UK, 304 pp. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61549)

Dustagheer, Sarah (2015) Anticipating the Sam Wanamaker Playhouse. Cahiers Élisabéthains: A Biannual Journal of English Renaissance Studies, 88 (1). pp. 139-153. ISSN 0184-7678. E-ISSN 2054-4715. (doi:10.7227/CE.88.1.10) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64789)

Dustagheer, Sarah (2017) “Intimacy” at the Sam Wanamaker Playhouse. Shakespeare Bulletin, 35 (2). pp. 227-246. ISSN 0748-2558. E-ISSN 1931-1427. (doi:10.1353/shb.2017.0015) (KAR id:64787)
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Dustagheer, Sarah (2012) Sarah Dustagheer exposes the innovation of The Tempest, Shakespeare’s ‘first’ play in two parts. . Royal Shakespeare Company: MyShakespeare Blog Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64824)

Dustagheer, Sarah (2017) Shakespeare's Two Playhouses: Repertory and Theatre Space at the Globe and the Blackfriars, 1599–1613. Cambridge University Press, Cambridge, UK, 236 pp. ISBN 978-1-107-19016-0. E-ISBN 978-1-316-99687-4. (doi:10.1017/9781316996874) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64786)

Woods, Gillian and Dustagheer, Sarah, eds. (2017) Stage Directions and Shakespearean Theatre. The Arden Shakespeare . Bloomsbury, London. UK, 368 pp. ISBN 978-1-4742-5749-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64792)

Dustagheer, Sarah and Bird, Philip (2017) Strikes Open a Curtain Where Appears a Body: Discovering Death in Stage Directions. In: Dustagheer, Sarah and Woods, Gillian, eds. Stage Directions and Shakespearean Theatre. The Arden Shakespeare . Bloomsbury, pp. 213-237. ISBN 978-1-4742-5749-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64794)

Dustagheer, Sarah, Jones, Oliver, Rycroft, Eleanor (2017) (Re)constructed Spaces for Early Modern Drama: Research in Practice. Shakespeare Bulletin, 35 (2). pp. 173-185. ISSN 0748-2558. E-ISSN 1931-1427. (doi:10.1353/shb.2017.0012) (KAR id:64788)
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Dustagheer, Sarah and Woods, Gillian (2017) Introduction. In: Dustagheer, Sarah and Woods, Gillian, eds. Stage Directions and Shakespearean Theatre. The Arden Shakespeare . Bloomsbury, 1 -16. ISBN 978-1-4742-5749-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64793)

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Lavery, Carl and Finburgh, Clare, eds. (2015) Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage. Methuen Drama Engage . Bloomsbury ISBN 978-1-4725-1320-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:58955)

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Laera, Margherita, ed. (2017) Black Tenderness: The Passion of Mary Stuart. Cue Press, Imola ISBN 978-88-99737-24-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59122)

Laera, Margherita (2010) Comedy, Tragedy, and 'Universal Structures': Socìetas Raffaello Sanzio's Inferno, Purgatorio, Paradiso. TheatreForum, . pp. 3-15. ISSN 1060-5320. (KAR id:57303)
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Laera, Margherita (2020) Emma Dante and Fausto Paravidino: Families, National Identity, and International Audiences. In: Delgado, Maria and Lease, Bryce and Rebellato, Dan, eds. Contemporary European Playwrights. Routledge. ISBN 978-1-138-08421-6. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:72167)
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Laera, Margherita (2014) 'Expert' Dramaturgies: Helgard Haug of Remini Protokoll in Conversation with Margherita Laera. In: Laera, Margherita, ed. Theatre and Adaptation: Return, Rewrite, Repeat. Bloomsbury Methuen Drama, pp. 241-254. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59229)

Laera, Margherita, ed. (2017) Gliwice Hamlet : Rehearsal of Touch Through The Pane. Cue Press, Imola (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59124)

Laera, Margherita (2016) How to Get Your Hands Dirty: Old and New Models of 'Militant' Theatre Criticism in Italy. In: Radosavljevic, Duška, ed. Theatre Criticism: Changing Landscapes. Bloomsbury Methuen Drama, pp. 99-117. ISBN 978-1-4725-7709-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56852)

Laera, Margherita (2009) Mark Ravenhill's Shoot/Get Treasure/Repeat: A Treasure Hunt in London. TheatreForum, 35 . pp. 3-9. ISSN 1060-5320. (KAR id:57302)
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Laera, Margherita (2009) Oedipus at the National Theatre: Celebrities and the Otherness of Tragedy. Review of: Oedipus Rex, dir. Jonathan Kent, National Theatre, London, 2008 by Kent, Jonathan. Western European Stages, (21.2). pp. 73-74. ISSN 1050-1991. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57304)

Laera, Margherita (2015) On Killing Children: Greek Tragedies on British Stages in 2015. Critical Stages, . Article Number UNSPECIFIED. ISSN 2409-7411. E-ISSN 2409-7411. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:56855)
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Laera, Margherita (2018) Performing Heteroglossia: The 'Translating Theatre' Project in London. Modern Drama, 61 (3). Article Number UNSPECIFIED. ISSN 0026-7694. E-ISSN 1712-5286. (doi:10.3138/md.s0917) (KAR id:62385)
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Laera, Margherita (2018) Review: Greek Fragments in Postmodern Frames: Rewriting Tragedy 1970–2005. Review of: Greek Fragments in Postmodern Frames: Rewriting Tragedy 1970–2005 by Ioannidou, Eleftheria. American Journal of Philology, . Article Number UNSPECIFIED. ISSN 0002-9475. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:72168)
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Laera, Margherita (2019) Review: The Routledge Companion to Adaptation. Review of: The Routledge Companion to Adaptation by Cutchins, Dennis and Krebs, Katja and Voigts, Eckart. Contemporary Theatre Review, . Article Number UNSPECIFIED. ISSN 1048-6801. (KAR id:72170)
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Laera, Margherita (2018) Royal Court: International (Review). Review of: Royal Court: International by UNSPECIFIED. Modern Drama, 60 (2). 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59120)

Laera, Margherita, ed. (2017) The Snakes. Cue Press, Imola (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59123)

Laera, Margherita (2015) Subverting the 'Classics': Adaptation and Resistance. In: London Theatre Seminar, 19 Nov 2015. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56853)

Laera, Margherita (2019) Theatre & Translation. Theatre & . Red Globe Press / Macmillan ISBN 978-1-137-61161-1. E-ISBN 978-1-137-61162-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:72171)
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Laera, Margherita (2017) A Theatre Of/For Europe : Giorgio Strehler and the Dream of a United Continent. In: Finburgh, Clare and Boenisch, Peter M and Shepherd, Simon, eds. Great Stage Directors, vol. 6: Littlewood, Planchon, Strehler. Bloomsbury Methuen Drama. (KAR id:58080)
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Laera, Margherita (2016) A Theatre of/for Europe: Giorgio Strehler and the Dream of a United Continent. In: Quorum, 30 November 2016, Queen Mary, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59125)

Loughnane, Rory (2013) The Artificial Figures in Webster’s The Duchess of Malfi. In: Rist, Thomas and Gordon, Andrew, eds. The Arts of Remembrance in Early Modern England. Ashgate, Farnham, Surrey and Burlington, VT, pp. 211-228. ISBN 978-1-4094-4657-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57435)

Maley, Willy and Loughnane, Rory, eds. (2013) Celtic Shakespeare: The Bard and the Borderers. Ashgate, Farnham, Surrey and Burlington, VT ISBN 978-1-4094-2259-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57428)

Loughnane, Rory (2012) The Enigma of Divine Revelation in Tourneur’s The Atheist’s Tragedy. In: Sweetnam, Mark and Cooney, Helen, eds. Enigma and Revelation in Renaissance English Literature. Four Courts Press, Dublin, Ireland, pp. 136-151. ISBN 978-1-84682-281-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57436)

Loughnane, Rory (2013) “I myself would for Caernarfonshire”: The Old Lady in King Henry VIII. In: Loughnane, Rory and Maley, Willy, eds. Celtic Shakespeare: The Bard and the Borderers. Ashgate, Farnham, Surrey and Burlington, VT, pp. 185-204. ISBN 978-1-4724-0820-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57438)

Loughnane, Rory (2019) Introduction: Stages of Normality. In: Loughnane, Rory and Semple, Edel, eds. Staged Normality in Shakespeare's England. Shakespeare Studies . Palgrave Macmillan, 1 -29. ISBN 978-3-030-00892-5. E-ISBN 978-3-030-00892-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71575)

Loughnane, Rory and Power, Andrew J., eds. (2012) Late Shakespeare, 1608-1613. Cambridge University Press, Cambridge UK ISBN 978-1-139-78637-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57426)

Loughnane, Rory (2016) The Medieval Inheritance. In: Neill, Michael and Schalkwyk, David, eds. The Oxford Handbook of Shakespearean Tragedy. Oxford University Press, Oxford, UK, pp. 35-53. ISBN 978-0-19-872419-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57433)

Loughnane, Rory (2017) Re-editing Non-Shakespeare for the Modern Reader: The Murder of Mutius in Titus Andronicus. The Review of English Studies, 68 (284). pp. 268-295. ISSN 0034-6551. (doi:10.1093/res/hgw078) (KAR id:57431)
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Loughnane, Rory (2014) Reputation and the Red Bull Theatre, 1625-1642. The Yearbook of English Studies, 2014, 44 . pp. 29-50. ISSN 0306-2473. (doi:10.5699/yearenglstud.44.2014.0029) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57434)

Loughnane, Rory (2017) Shakespeare in the 1580s. Shakespeare Studies, 45 . pp. 121-128. ISSN 0582-9399. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64229)

Loughnane, Rory, ed. (2013) Staged Transgression in Shakespeare's England. Shakespeare Studies . Palgrave MacMillan, Basingstoke, UK ISBN 978-1-137-34934-7. E-ISBN 978-1-137-34935-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57429)

Loughnane, Rory (2012) The framework for playgoer response in King Henry VIII. In: Loughnane, Rory and Power, Andrew J., eds. Late Shakespeare, 1608-1613. Cambridge University Press, Cambridge, UK, pp. 108-123. ISBN 978-1-139-78637-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57437)

Loughnane, Rory (2016) The virginity dialogue in All's Well that Ends Well: feminism, editing, and adaptation. In: Callaghan, Dympna, ed. A Feminist Companion to Shakespeare. Wiley Blackwell, Malden, MA, USA, pp. 411-427. ISBN 978-1-118-50126-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57432)

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May, Shaun (2014) Abject Metamorphosis and Mirthless Laughter: On Human-to-Animal Transitions and the 'Disease of Being Finite'. Performance Research, 19 (1). pp. 72-80. ISSN 1352-8165. (doi:10.1080/13528165.2014.908086) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49199)

May, Shaun (2017) Autism and comedy: using theatre workshops to explore humour with adolescents on the spectrum. Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (3). pp. 436-445. ISSN 1356-9783. (doi:10.1080/13569783.2017.1329651) (KAR id:62266)
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May, Shaun (2013) Comedy on the Spectrum: An Interview with Aspergers Are Us. Comedy Studies, 4 (1). pp. 103-110. ISSN 2040-610X. E-ISSN 2040-6118. (doi:10.1386/cost.4.1.103_7) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54026)

May, Shaun (2012) Embodiment, Transparency and the Disclosiveness of Failure. Body, Space and Technology, 11 (1). pp. 1-8. ISSN 1470-9120. (KAR id:54027)
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May, Shaun (2018) On Silence and Autism. Performance Research: A Journal of the Performing Arts, 23 (4). Article Number UNSPECIFIED. ISSN 1352-8165. (doi:10.1080/13528165.2018.1507716) (KAR id:68556)
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May, Shaun (2015) A Philosophy of Comedy on Stage and Screen: You Have to Be There. Bloomsbury Methuen Drama, London, 224 pp. ISBN 978-1-4725-8043-6. E-ISBN 978-1-4725-8046-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53838)

May, Shaun (2017) Reader in comedy: an anthology of theory & criticism. Review of: Reader in Comedy: An Anthology of Theory and Criticism by Romanska, Magda and Ackerman, Alan. Studies in Theatre and Performance, . pp. 1-2. ISSN 1468-2761. (doi:10.1080/14682761.2017.1359892) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:62568)
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May, Shaun (2015) Rethinking Practice as Research and the Cognitive Turn. Palgrave Macmillan, Basingstoke, UK, 176 pp. ISBN 978-1-137-52272-6. E-ISBN 978-1-137-52273-3. (doi:10.1057/9781137522733) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53839)

May, Shaun (2013) Take My Gag, Please!Joke Theft and Copyright in Stand-up Comedy. Comedy Studies, 4 (2). pp. 195-203. ISSN 2040-610X. (doi:10.1386/cost.4.2.195_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49200)

May, Shaun, Fletcher-Watson, Ben (2018) Enhancing Relaxed Performance: Evaluating an Autism Arts Festival. Research in Drama Education: The Journal of Applied Theatre and Performance, . Article Number UNSPECIFIED. ISSN 1356-9783. (doi:10.1080/13569783.2018.1468243) (KAR id:64666)
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Mitchell, Roanna (2020) 'The moment you are not inwardly moving and inwardly participating, you are dead' – Chekhov Technique in Actor-Movement and Dance. In: Fleming, Cass and Cornford, Tom, eds. Michael Chekhov Technique in the Twenty-first Century: New Pathways. Bloomsbury Methuen Drama. ISBN 978-1-4742-7318-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70121)

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Novillo-Corvalan, Patricia (2009) The Theatre of Marina Carr: A Latin American Reading, Interview, and Translation. Irish Migration Studies in Latin America: Literature, Art and Culture (special edition), 7 (2). pp. 145-153. ISSN 1661-6065. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41940)

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Padwick, Steuart (2019) Voice over performance in Talk To Me. Performance type: Other designjunction 2019, 13-22 Sep 2019, London, United Kingdom. Audio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78730)

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Richardson, Catherine (2013) ‘City comedy and material life’: Things in The Dutch Courtesan. . web page. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51797)

Richardson, Catherine (2011) Domestic Life. In: Kinney, Arthur, ed. The Oxford Handbook of Shakespeare. 848 . Oxford University Press, Oxford. ISBN 978-0-19-956610-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51371)

Richardson, Catherine (2015) Honest Clothes in The Merry Wives of Windsor. In: Lennox, Patricia and Mirabella, Bella, eds. Shakespeare and Costume. Arden Shakespeare . Bloomsbury, London, UK. ISBN 978-1-4725-2507-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51365)

Richardson, Catherine (2016) Shakespearean Comedy and Domestic Encounters. In: Hirschfield, Heather, ed. The Oxford Handbook of Shakespearean Comedy. Oxford University Press. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51381)

Richardson, Catherine (2010) The stage, costume and fashion. In: McNeil, Peter and Riello, Giorgio, eds. The Fashion History Reader. Routledge, London, pp. 132-134. ISBN 978-0-415-49323-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51377)

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Shaughnessy, Nicola and Turner, Sarah (2016) Imagining Autism: Now I see the World. Routledge, Taylor and Francis DVD. (KAR id:59751)
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Trimingham, Melissa F., Shaughnessy, Nicola (2016) Material Voices: intermediality and autism. Research in Drama Education, 21 (3). pp. 293-308. ISSN 1356-9783. E-ISSN 1470-112X. (doi:10.1080/13569783.2016.1194748) (KAR id:56933)
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Vass-Rhee, Freya (2019) Haunted by Hamlet: William Forsythe's Sider. In: McCulloch, Lynsey and Shaw, Brandon, eds. The Oxford Handbook of Shakespeare and Dance. Oxford University Press, pp. 455-475. ISBN 978-0-19-049878-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64066)
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Wollen, Will (2016) Action and the Mask: Mr S and the paper bag. In: The S Word, 18-20 Mar 2016, Sidcup, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57032)

Wollen, Will (2019) Book Review: Acting & Being: explorations in embodied performance by Elizabeth Hess. Review of: Acting & Being: explorations in embodied performance by Hess, Elizabeth. Journal of Stanislavski Studies, 7 (1). pp. 135-136. ISSN 2056-7790. (doi:10.1080/20567790.2019.1644745) (KAR id:75800)
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Wollen, Will (2017) Book Review: Becoming an Actor-Creator by Nikolai Demidov. Review of: Becoming an Actor-Creator by Demidov, Nikolai. Stanislavski Studies, 5 (1). pp. 133-134. ISSN 2054-4170. (doi:10.1080/20567790.2017.1296223) (KAR id:60794)
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Wollen, Will (2016) Hard rigour, soft assessment, putting the student first: What can Universities learn from Conservatoires? In: Labanarium, 6 Jan 2017, Guildford, Surrey, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59805)

Wollen, Will (2019) A Peopled Labyrinth: the histrionic sense: an analysis of the actor’s craft. Review of: A Peopled Labyrinth: the histrionic sense: an analysis of the actor’s craft by Fettes, Christopher. Stanislavski Studies, 7 (2). pp. 261-263. ISSN 2056-7790. E-ISSN 2054-4170. (doi:10.1080/20567790.2019.1644745) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:75806)
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Wollen, Will (2017) Planes and Quests. In: Thinking Movement, Moving Thought, Guildford, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64068)

Wollen, Will (2005) Role of Vogon Soldiers in Hitchhikers Guide to the Galaxy (Disney 2005 dir. Garth Jennings). Performance type: Video/Film (fiction) The Hitchhiker's Guide to the Galaxy, Worldwide release. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78731)

Wollen, Will (2016) The active text: unlocking plays through physical theatre. Review of: The Active Text: Unlocking Plays Through Physical Theatre by Dymphna Callery, London, Nick Hern Books, 2015, 224 pp., ISBN 978-1-84842-127-1 by Callery, Dymphna. Stanislavski Studies, 4 (1). pp. 83-84. ISSN 2054-4170. E-ISSN 2054-4170. (doi:10.1080/20567790.2016.1155370) (KAR id:54592)
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Wright, Clare (2012) Acoustic Tyranny: Metre, Alliteration and Voice in York’s Christ before Herod’. Medieval English Theare, 34 . pp. 3-29. ISSN 0143-3784. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54967)

Wright, Clare (2014) Body, Site and Memory in the Croxton Play of the Sacrament. In: Bennett, Susan and Polito, Mary, eds. Performing Environments: Site-Specificty in Medieval and Early Modern English Drama. Palgrave Macmillan, Basingstoke, UK and New York, pp. 159-179. ISBN 978-1-137-32016-2. E-ISBN 978-1-137-32017-9. (doi:10.1057/9781137320179) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54972)

Wright, Clare (2019) Enculturated, Embodied, Social: Medieval Drama and Cognitive Integration. In: Anderson, Miranda and Wheeler, Michael, eds. Distributed Cognition in Medieval and Renaissance Culture. The Edinburgh History of Distributed Cognition . Edinburgh University Press, Edinburgh, UK. ISBN 978-1-4744-3813-1. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57607)

Wright, Clare (2017) Ontologies of Play: Reconstructing the Relationship between Audience and Act in Early English Drama. Shakespeare Bulletin, 35 (2). pp. 187-206. ISSN 0748-2558. E-ISSN 1931-1427. (doi:10.1353/shb.2017.0013) (KAR id:55648)
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Wyles, Rosie (2016) Ancient Drama in the French Renaissance and up to Louis XIV. In: van Zyl Smit, Betine, ed. A Handbook to the Reception of Greek Drama. Wiley, pp. 154-172. ISBN 978-1-118-34775-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57653)

This list was generated on Thu Aug 6 23:03:18 2020 BST.