Items where Subject is "P Language and Literature > PN Literature (General) > PN1600 Drama"

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Ainsworth, Adam, Double, Oliver, Peacock, Louise (2017) Editorial. Theatre, Dance and Performance Training, 8 (2). pp. 125-128. ISSN 1944-3927. E-ISSN 1944-3919. (doi:10.1080/19443927.2017.1326736) (KAR id:62372)

Allain, Paul (2015) The Archive. Contemporary Theatre Review, 25 (1). pp. 32-35. ISSN 1048-6801. (doi:10.1080/10486801.2015.992233) (KAR id:47724)

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Allain, Paul, ed. (2018) The Great European Stage Directors Volume 5: Grotowski, Brook, Barba. The Great European Stage Directors, 5 . Bloomsbury, Methuen Drama, London, UK, 246 pp. ISBN 978-1-4742-5416-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:68531)

Allain, Paul (2019) Physical actor training 2.0: new digital horizons. Theatre, Dance and Performance Training, 10 (2). pp. 169-186. ISSN 1944-3927. (doi:10.1080/19443927.2019.1609074) (KAR id:75962)

Allain, Paul, Bennett-Worth, Stacie Lee (2018) Turning back to Training. Performance Research, 23 (4/5). pp. 240-241. ISSN 1352-8165. (doi:10.1080/13528165.2018.1524672) (KAR id:68872)

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Allain, Paul and Camilleri, Frank (2018) Physical Actor Training - an online A-Z. Bloomsbury, Methuen Drama films online. 10.5040/9790000000082.01. (doi:10.5040/9790000000082.01) (KAR id:68542)

Allen, Richard, May, Shaun (2015) Encountering Anthropomorphism: Editorial. Performance Research, 20 (2). pp. 1-3. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49201)

Amelang, David J. (2016) Playgrounds: The Theatrical Landscape of Shakespeare's London and Lope de Vega's Madrid. Doctor of Letters (DLitt) thesis, University of Kent, Freie Universität Berlin. (doi:10.22024/UniKent/01.02.59777) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59777)

Atkins, Stephen (2020) Crosspoints: An integrative acting system. Experimental Wing Publishing, London, 390 pp. ISBN 978-1-83812-560-8. E-ISBN 978-1-83812-561-5. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:87041)

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Boenisch, Peter M. (2015) Directing Scenes & Senses: The Thinking of Regie. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester, 256 pp. ISBN 978-0-7190-9719-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51637)

Boenisch, Peter M. (2016) The Theatre Of Thomas Ostermeier. Routledge, Abingdon and New York, 262 pp. ISBN 978-1-138-91447-6. E-ISBN 978-1-315-69081-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:59745)

Boenisch, Peter M. (2014) Who’s watching? Me! – Theatrality, the Žižekian Subject and Spectatorship. In: Chow, Broderick and Mangold, Alex, eds. Žižek & Performance. Performance Philosophy . Palgrave Macmillan, Basingstoke and New York, pp. 48-60. ISBN 978-1-137-41090-0. E-ISBN 978-1-137-40319-3. (doi:10.1057/9781137403193) (KAR id:54561)

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Brooks, Helen E.M. (2015) Actresses, Gender and the Eighteenth-Century Stage : Playing Women. Palgrave, Houndmills, Basingstoke, Hampshire, 201 pp. ISBN 978-1-137-48621-9. E-ISBN 978-1-137-48622-6. (doi:10.1057/9781137486226) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50465)

Brooks, Helen E.M. (2014) The Divided Heart of the Actress: Late Eighteenth-Century Actresses and the Cult of Maternity. In: Engel, Laura and McGirr, Elaine. M., eds. Stage Mothers: Women, Work and the Theatre, 1660-1830. Transits: Literature, Thought & Culture, 1650–1850 . University Press Copublishing Division / Bucknell University Press. ISBN 978-1-61148-603-2. E-ISBN 978-1-61148-604-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50464)

Brooks, Helen E.M. (2017) Great War Theatre. online. Located at: www.greatwartheatre.org.uk. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65369)

Brooks, Helen E.M. (2018) Horror on the London Stage: The Grand Guignol Season of 1915. In: Languages and the First World War, 10 Sept 2018, Europe House. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73666)

Brooks, Helen E.M. (2018) The Horrors of War: Extreme violence on the Great War British Stage. In: Dramaturgies of War: Institutional Dramaturgy, Politics, and Conflict in the 19th and 20th Centuries, 25-26 January 2018, Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73670)

Brooks, Helen E.M. (2018) Keeping the War Alive: British Theatre of the 1920s. In: Theatre and Performance Research Association Conference 2018, 5-7 Sept 2018, Aberystwyth. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73668)

Brooks, Helen E.M. (2018) Peace and the Theatre: British Theatre after the Great War. In: Revival after the Great War: Repair, Rebuild, Remember, 8-9 May 2018, Leuven. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73669)

Brooks, Helen E.M. (2017) Sex and Sexuality. In: Balme, Christopher B. and Davis, Tracy C., eds. A Cultural History of Theatre. Bloomsbury. ISBN 978-1-4725-8584-4. (KAR id:64411)

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Brydon, Lavinia (2019) Storytelling, Exhibition Spaces and Site-Specific Screenings. In: NECS Annual Conference, 13-15 June 2019, Gdansk, Poland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74461)

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Cutugno, Carmela (2014) Intercultural Performance and Dialogue. From Richard Schechner Performance Studies Onwards. Doctor of Philosophy (PhD) thesis, University of Kent, University of Bologna. (KAR id:47431)

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Davies, Callan (2020) Strangeness in Jacobean Drama. Studies in Performance and Early Modern Drama . Routledge, Abingdon, UK, 214 pp. ISBN 978-0-367-50031-3. E-ISBN 978-1-00-304892-3. (doi:10.4324/9781003048923) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81482)

Double, Oliver (2020) ‘Deliberately Shaped for Fun by the High Gods’: Little Tich, Size and Respectability in the Music Hall. In: Lee, Louise, ed. Victorian Comedy and Laughter: Conviviality, Jokes and Dissent. Palgrave Macmillan, London, UK, pp. 235-261. ISBN 978-1-137-57881-5. E-ISBN 978-1-137-57882-2. (doi:10.1057/978-1-137-57882-2_9) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82976)

Double, Oliver (2017) Introduction: What is Popular Performance? In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Methuen Drama, London, UK; New York, USA, pp. 1-29. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81715)

Double, Oliver (2017) 'It Feels Like a Group of Friends Messing Around Onstage': Pappy's and Live Sketch Comedy. In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Methuen Drama, London, UK; New York, USA, pp. 247-268. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81716)

Double, Oliver (2017) ‘[T]his is eating your greens, this is doing your homework’: writing and rehearsing a full-length stand-up show. Comedy Studies, . pp. 137-153. ISSN 2040-610X. (doi:10.1080/2040610X.2017.1344477) (KAR id:62270)

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Double, Oliver (2015) What do you do?: Stand-up comedy versus the proper job. Ephemera: Theory & Politics in Organization, 15 (3). pp. 651-669. ISSN 2052-1499. E-ISSN 1473-2866. (KAR id:55434)

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Double, Oliver (2018) The origin of the term stand-up comedy update. Comedy Studies, 9 (2). pp. 235-237. ISSN 2040-610X. (doi:10.1080/2040610X.2018.1428427) (KAR id:66675)

Double, Oliver (2017) The origin of the term ‘stand-up comedy’. Comedy Studies, 8 (1). pp. 106-109. ISSN 2040-610X. (doi:10.1080/2040610X.2017.1279912) (KAR id:60313)

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Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. (2017) Popular Performance. Bloomsbury Methuen Drama, London, UK, 304 pp. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61549)

Dustagheer, Sarah (2015) Anticipating the Sam Wanamaker Playhouse. Cahiers Élisabéthains: A Biannual Journal of English Renaissance Studies, 88 (1). pp. 139-153. ISSN 0184-7678. E-ISSN 2054-4715. (doi:10.7227/CE.88.1.10) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64789)

Dustagheer, Sarah (2017) “Intimacy” at the Sam Wanamaker Playhouse. Shakespeare Bulletin, 35 (2). pp. 227-246. ISSN 0748-2558. E-ISSN 1931-1427. (doi:10.1353/shb.2017.0015) (KAR id:64787)

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Dustagheer, Sarah (2019) New Directions: Performing The Changeling, 2006-15. In: Hutchings, Mark, ed. The Changeling: A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury. ISBN 978-1-350-01139-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84377)

Dustagheer, Sarah (2021) Original Practices: Old Ways and New Directions. In: Kirwan, Peter and Prince, Kathryn, eds. The Arden Research Handbook of Shakespeare and Contemporary Performance. Arden Shakespeare Handbooks . Bloomsbury. ISBN 978-1-350-08067-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84376)

Dustagheer, Sarah (2012) Sarah Dustagheer exposes the innovation of The Tempest, Shakespeare’s ‘first’ play in two parts. . Royal Shakespeare Company: MyShakespeare Blog Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64824)

Dustagheer, Sarah (2017) Shakespeare's Two Playhouses: Repertory and Theatre Space at the Globe and the Blackfriars, 1599–1613. Cambridge University Press, Cambridge, UK, 236 pp. ISBN 978-1-107-19016-0. E-ISBN 978-1-316-99687-4. (doi:10.1017/9781316996874) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64786)

Woods, Gillian and Dustagheer, Sarah, eds. (2017) Stage Directions and Shakespearean Theatre. The Arden Shakespeare . Bloomsbury, London. UK, 368 pp. ISBN 978-1-4742-5749-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64792)

Dustagheer, Sarah (2018) Upstart Crow: Shakespeare sitcom is really quite educational. Metro, 2018 (Aug.29). (KAR id:84379)

Dustagheer, Sarah and Bird, Philip (2017) Strikes Open a Curtain Where Appears a Body: Discovering Death in Stage Directions. In: Dustagheer, Sarah and Woods, Gillian, eds. Stage Directions and Shakespearean Theatre. The Arden Shakespeare . Bloomsbury, pp. 213-237. ISBN 978-1-4742-5749-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64794)

Dustagheer, Sarah, Jones, Oliver, Rycroft, Eleanor (2017) (Re)constructed Spaces for Early Modern Drama: Research in Practice. Shakespeare Bulletin, 35 (2). pp. 173-185. ISSN 0748-2558. E-ISSN 1931-1427. (doi:10.1353/shb.2017.0012) (KAR id:64788)

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Dustagheer, Sarah and Woods, Gillian (2017) Introduction. In: Dustagheer, Sarah and Woods, Gillian, eds. Stage Directions and Shakespearean Theatre. The Arden Shakespeare . Bloomsbury, 1 -16. ISBN 978-1-4742-5749-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64793)

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Falk, Michael (2020) Sad Realities: The Romantic Tragedies of Charles Harpur. Romantic Textualities, 23 . pp. 200-217. E-ISSN 1748-0116. (doi:10.18573/n.2017.10148) (KAR id:82574)

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Lavery, Carl and Finburgh, Clare, eds. (2015) Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage. Methuen Drama Engage . Bloomsbury ISBN 978-1-4725-1320-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:58955)

Flusfeder, David (2019) Army of Lovers. Muscaliet Press, Colchester, UK, 44 pp. ISBN 978-1-912616-06-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:90008)

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Laera, Margherita, ed. (2017) Black Tenderness: The Passion of Mary Stuart. Cue Press, Imola ISBN 978-88-99737-24-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59122)

Laera, Margherita (2010) Comedy, Tragedy, and 'Universal Structures': Socìetas Raffaello Sanzio's Inferno, Purgatorio, Paradiso. TheatreForum, . pp. 3-15. ISSN 1060-5320. (KAR id:57303)

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Laera, Margherita (2020) Contemporary Playwriting and Theatre Translation Cultures in Europe: A Report on Current Systems, Conventions and Perceptions. Project report. Critical Stages (KAR id:84759)

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Laera, Margherita (2020) Emma Dante and Fausto Paravidino: Families, National Identity, and International Audiences. In: Delgado, Maria and Lease, Bryce and Rebellato, Dan, eds. Contemporary European Playwrights. Routledge. ISBN 978-1-138-08421-6. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:72167)

Laera, Margherita (2014) 'Expert' Dramaturgies: Helgard Haug of Remini Protokoll in Conversation with Margherita Laera. In: Laera, Margherita, ed. Theatre and Adaptation: Return, Rewrite, Repeat. Bloomsbury Methuen Drama, pp. 241-254. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59229)

Laera, Margherita, ed. (2017) Gliwice Hamlet : Rehearsal of Touch Through The Pane. Cue Press, Imola (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59124)

Laera, Margherita (2016) How to Get Your Hands Dirty: Old and New Models of 'Militant' Theatre Criticism in Italy. In: Radosavljevic, Duška, ed. Theatre Criticism: Changing Landscapes. Bloomsbury Methuen Drama, pp. 99-117. ISBN 978-1-4725-7709-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56852)

Laera, Margherita (2009) Mark Ravenhill's Shoot/Get Treasure/Repeat: A Treasure Hunt in London. TheatreForum, 35 . pp. 3-9. ISSN 1060-5320. (KAR id:57302)

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Laera, Margherita (2009) Oedipus at the National Theatre: Celebrities and the Otherness of Tragedy. Review of: Oedipus Rex, dir. Jonathan Kent, National Theatre, London, 2008 by Kent, Jonathan. Western European Stages, (21.2). pp. 73-74. ISSN 1050-1991. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57304)

Laera, Margherita (2015) On Killing Children: Greek Tragedies on British Stages in 2015. Critical Stages, . ISSN 2409-7411. E-ISSN 2409-7411. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:56855)

Laera, Margherita (2018) Performing Heteroglossia: The 'Translating Theatre' Project in London. Modern Drama, 61 (3). pp. 380-410. ISSN 0026-7694. E-ISSN 1712-5286. (doi:10.3138/md.s0917) (KAR id:62385)

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Laera, Margherita (2018) Review: Greek Fragments in Postmodern Frames: Rewriting Tragedy 1970–2005. Review of: Greek Fragments in Postmodern Frames: Rewriting Tragedy 1970–2005 by Ioannidou, Eleftheria. American Journal of Philology, . ISSN 0002-9475. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:72168)

Laera, Margherita (2019) Review: The Routledge Companion to Adaptation. Review of: The Routledge Companion to Adaptation by Cutchins, Dennis and Krebs, Katja and Voigts, Eckart. Contemporary Theatre Review, . ISSN 1048-6801. (KAR id:72170)

Laera, Margherita (2018) Royal Court: International (Review). Review of: Royal Court: International by UNSPECIFIED. Modern Drama, 60 (2). 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59120)

Laera, Margherita, ed. (2017) The Snakes. Cue Press, Imola (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59123)

Laera, Margherita (2015) Subverting the 'Classics': Adaptation and Resistance. In: London Theatre Seminar, 19 Nov 2015. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56853)

Laera, Margherita (2019) Theatre & Translation. Theatre & . Red Globe Press / Macmillan ISBN 978-1-137-61161-1. E-ISBN 978-1-137-61162-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:72171)

Laera, Margherita (2017) A Theatre Of/For Europe : Giorgio Strehler and the Dream of a United Continent. In: Finburgh, Clare and Boenisch, Peter M and Shepherd, Simon, eds. Great Stage Directors, vol. 6: Littlewood, Planchon, Strehler. Bloomsbury Methuen Drama. (KAR id:58080)

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Laera, Margherita (2016) A Theatre of/for Europe: Giorgio Strehler and the Dream of a United Continent. In: Quorum, 30 November 2016, Queen Mary, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59125)

Leveroy, Deborah (2013) Enabling performance : dyslexia and acting practice. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86524) (KAR id:86524)

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Loughnane, Rory (2013) The Artificial Figures in Webster’s The Duchess of Malfi. In: Rist, Thomas and Gordon, Andrew, eds. The Arts of Remembrance in Early Modern England. Ashgate, Farnham, Surrey and Burlington, VT, pp. 211-228. ISBN 978-1-4094-4657-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57435)

Maley, Willy and Loughnane, Rory, eds. (2013) Celtic Shakespeare: The Bard and the Borderers. Ashgate, Farnham, Surrey and Burlington, VT ISBN 978-1-4094-2259-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57428)

Loughnane, Rory (2012) The Enigma of Divine Revelation in Tourneur’s The Atheist’s Tragedy. In: Sweetnam, Mark and Cooney, Helen, eds. Enigma and Revelation in Renaissance English Literature. Four Courts Press, Dublin, Ireland, pp. 136-151. ISBN 978-1-84682-281-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57436)

Loughnane, Rory (2013) “I myself would for Caernarfonshire”: The Old Lady in King Henry VIII. In: Loughnane, Rory and Maley, Willy, eds. Celtic Shakespeare: The Bard and the Borderers. Ashgate, Farnham, Surrey and Burlington, VT, pp. 185-204. ISBN 978-1-4724-0820-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57438)

Loughnane, Rory (2019) Introduction: Stages of Normality. In: Loughnane, Rory and Semple, Edel, eds. Staged Normality in Shakespeare's England. Shakespeare Studies . Palgrave Macmillan, 1 -29. ISBN 978-3-030-00892-5. E-ISBN 978-3-030-00892-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71575)

Loughnane, Rory and Power, Andrew J., eds. (2012) Late Shakespeare, 1608-1613. Cambridge University Press, Cambridge UK ISBN 978-1-139-78637-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57426)

Loughnane, Rory (2016) The Medieval Inheritance. In: Neill, Michael and Schalkwyk, David, eds. The Oxford Handbook of Shakespearean Tragedy. Oxford University Press, Oxford, UK, pp. 35-53. ISBN 978-0-19-872419-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57433)

Loughnane, Rory (2017) Re-editing Non-Shakespeare for the Modern Reader: The Murder of Mutius in Titus Andronicus. The Review of English Studies, 68 (284). pp. 268-295. ISSN 0034-6551. (doi:10.1093/res/hgw078) (KAR id:57431)

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Loughnane, Rory (2014) Reputation and the Red Bull Theatre, 1625-1642. The Yearbook of English Studies, 2014, 44 . pp. 29-50. ISSN 0306-2473. (doi:10.5699/yearenglstud.44.2014.0029) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57434)

Loughnane, Rory (2017) Shakespeare in the 1580s. Shakespeare Studies, 45 . pp. 121-128. ISSN 0582-9399. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64229)

Loughnane, Rory, ed. (2013) Staged Transgression in Shakespeare's England. Shakespeare Studies . Palgrave MacMillan, Basingstoke, UK ISBN 978-1-137-34934-7. E-ISBN 978-1-137-34935-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57429)

Loughnane, Rory (2012) The framework for playgoer response in King Henry VIII. In: Loughnane, Rory and Power, Andrew J., eds. Late Shakespeare, 1608-1613. Cambridge University Press, Cambridge, UK, pp. 108-123. ISBN 978-1-139-78637-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57437)

Loughnane, Rory (2016) The virginity dialogue in All's Well that Ends Well: feminism, editing, and adaptation. In: Callaghan, Dympna, ed. A Feminist Companion to Shakespeare. Wiley Blackwell, Malden, MA, USA, pp. 411-427. ISBN 978-1-118-50126-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57432)

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May, Shaun (2014) Abject Metamorphosis and Mirthless Laughter: On Human-to-Animal Transitions and the 'Disease of Being Finite'. Performance Research, 19 (1). pp. 72-80. ISSN 1352-8165. (doi:10.1080/13528165.2014.908086) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49199)

May, Shaun (2017) Autism and comedy: using theatre workshops to explore humour with adolescents on the spectrum. Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (3). pp. 436-445. ISSN 1356-9783. (doi:10.1080/13569783.2017.1329651) (KAR id:62266)

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May, Shaun (2013) Comedy on the Spectrum: An Interview with Aspergers Are Us. Comedy Studies, 4 (1). pp. 103-110. ISSN 2040-610X. E-ISSN 2040-6118. (doi:10.1386/cost.4.1.103_7) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54026)

May, Shaun (2012) Embodiment, Transparency and the Disclosiveness of Failure. Body, Space and Technology, 11 (1). pp. 1-8. ISSN 1470-9120. (KAR id:54027)

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May, Shaun (2018) On Silence and Autism. Performance Research: A Journal of the Performing Arts, 23 (4-5). pp. 425-427. ISSN 1352-8165. (doi:10.1080/13528165.2018.1507716) (KAR id:68556)

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May, Shaun (2015) A Philosophy of Comedy on Stage and Screen: You Have to Be There. Bloomsbury Methuen Drama, London, 224 pp. ISBN 978-1-4725-8043-6. E-ISBN 978-1-4725-8046-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53838)

May, Shaun (2017) Reader in comedy: an anthology of theory & criticism. Review of: Reader in Comedy: An Anthology of Theory and Criticism by Romanska, Magda and Ackerman, Alan. Studies in Theatre and Performance, . pp. 1-2. ISSN 1468-2761. (doi:10.1080/14682761.2017.1359892) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:62568)

May, Shaun (2015) Rethinking Practice as Research and the Cognitive Turn. Palgrave Macmillan, Basingstoke, UK, 176 pp. ISBN 978-1-137-52272-6. E-ISBN 978-1-137-52273-3. (doi:10.1057/9781137522733) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53839)

May, Shaun (2013) Take My Gag, Please!Joke Theft and Copyright in Stand-up Comedy. Comedy Studies, 4 (2). pp. 195-203. ISSN 2040-610X. (doi:10.1386/cost.4.2.195_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49200)

May, Shaun, Fletcher-Watson, Ben (2018) Enhancing Relaxed Performance: Evaluating an Autism Arts Festival. Research in Drama Education: The Journal of Applied Theatre and Performance, . ISSN 1356-9783. (doi:10.1080/13569783.2018.1468243) (KAR id:64666)

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Mitchell, Roanna (2020) 'The moment you are not inwardly moving and inwardly participating, you are dead' – Chekhov Technique in Actor-Movement and Dance. In: Fleming, Cass and Cornford, Tom, eds. Michael Chekhov Technique in the Twenty-first Century: New Pathways. Bloomsbury Methuen Drama. ISBN 978-1-4742-7318-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70121)

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Novillo-Corvalan, Patricia (2009) The Theatre of Marina Carr: A Latin American Reading, Interview, and Translation. Irish Migration Studies in Latin America: Literature, Art and Culture (special edition), 7 (2). pp. 145-153. ISSN 1661-6065. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41940)

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Padwick, Steuart (2019) Voice over performance in Talk To Me. Performance type: Other designjunction 2019, 13-22 Sep 2019, London, United Kingdom. Audio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78730)

Pavarini, Gabriella, Smith, Lindsay, Shaughnessy, Nicola, Mankee-Williams, Anna, Thirumalai, Josita Kavitha, Russell, Natalie, Bhui, Kamaldeep (2021) Ethical issues in participatory arts methods for young people with adverse childhood experiences. Health Expectations, . E-ISSN 1369-7625. (doi:10.1111/hex.13314) (KAR id:89729)

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Richardson, Catherine (2013) ‘City comedy and material life’: Things in The Dutch Courtesan. . web page. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51797)

Richardson, Catherine (2011) Domestic Life. In: Kinney, Arthur, ed. The Oxford Handbook of Shakespeare. 848 . Oxford University Press, Oxford. ISBN 978-0-19-956610-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51371)

Richardson, Catherine (2015) Honest Clothes in The Merry Wives of Windsor. In: Lennox, Patricia and Mirabella, Bella, eds. Shakespeare and Costume. Arden Shakespeare . Bloomsbury, London, UK. ISBN 978-1-4725-2507-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51365)

Richardson, Catherine (2019) Scene of the murder: Arden of Faversham and local performance cultures. Early Modern Literary Studies, (28). Article Number 3. ISSN 1201-2459. (KAR id:86795)

Richardson, Catherine (2016) Shakespearean Comedy and Domestic Encounters. In: Hirschfield, Heather, ed. The Oxford Handbook of Shakespearean Comedy. Oxford University Press. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51381)

Richardson, Catherine (2010) The stage, costume and fashion. In: McNeil, Peter and Riello, Giorgio, eds. The Fashion History Reader. Routledge, London, pp. 132-134. ISBN 978-0-415-49323-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:51377)

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Shaughnessy, NK and Trimingham, M and Williams, E (2020) I Feel Different: Autistic Girls. BBC film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:89716)

Shaughnessy, Nicola (2020) Acting in a world of difference: Drama, Autism and Gender. Biblioteca Teatrale, 133 (1). pp. 41-62. ISSN 0045-1959. (doi:10.1400/278392) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:89742)

Shaughnessy, Nicola and Turner, Sarah (2016) Imagining Autism: Now I see the World. Routledge, Taylor and Francis DVD. (KAR id:59751)

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Trimingham, Melissa F., Shaughnessy, Nicola (2016) Material Voices: intermediality and autism. Research in Drama Education, 21 (3). pp. 293-308. ISSN 1356-9783. E-ISSN 1470-112X. (doi:10.1080/13569783.2016.1194748) (KAR id:56933)

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Vass-Rhee, Freya (2019) Haunted by Hamlet: William Forsythe's Sider. In: McCulloch, Lynsey and Shaw, Brandon, eds. The Oxford Handbook of Shakespeare and Dance. Oxford University Press, pp. 455-475. ISBN 978-0-19-049878-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64066)

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Wollen, Will (2016) Action and the Mask: Mr S and the paper bag. In: The S Word, 18-20 Mar 2016, Sidcup, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57032)

Wollen, Will (2019) Book Review: Acting & Being: explorations in embodied performance by Elizabeth Hess. Review of: Acting & Being: explorations in embodied performance by Hess, Elizabeth. Journal of Stanislavski Studies, 7 (1). pp. 135-136. ISSN 2056-7790. (doi:10.1080/20567790.2019.1644745) (KAR id:75800)

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Wollen, Will (2017) Book Review: Becoming an Actor-Creator by Nikolai Demidov. Review of: Becoming an Actor-Creator by Demidov, Nikolai. Stanislavski Studies, 5 (1). pp. 133-134. ISSN 2054-4170. (doi:10.1080/20567790.2017.1296223) (KAR id:60794)

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Wollen, Will (2016) Hard rigour, soft assessment, putting the student first: What can Universities learn from Conservatoires? In: Labanarium, 6 Jan 2017, Guildford, Surrey, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:59805)

Wollen, Will (2019) A Peopled Labyrinth: the histrionic sense: an analysis of the actor’s craft. Review of: A Peopled Labyrinth: the histrionic sense: an analysis of the actor’s craft by Fettes, Christopher. Stanislavski Studies, 7 (2). pp. 261-263. ISSN 2056-7790. E-ISSN 2054-4170. (doi:10.1080/20567790.2019.1644745) (KAR id:75806)

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Wollen, Will (2017) Planes and Quests. In: Thinking Movement, Moving Thought, Guildford, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64068)

Wollen, Will (2005) Role of Vogon Soldiers in Hitchhikers Guide to the Galaxy (Disney 2005 dir. Garth Jennings). Performance type: Video/Film (fiction) The Hitchhiker's Guide to the Galaxy, Worldwide release. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78731)

Wollen, Will (2016) The active text: unlocking plays through physical theatre. Review of: The Active Text: Unlocking Plays Through Physical Theatre by Dymphna Callery, London, Nick Hern Books, 2015, 224 pp., ISBN 978-1-84842-127-1 by Callery, Dymphna. Stanislavski Studies, 4 (1). pp. 83-84. ISSN 2054-4170. E-ISSN 2054-4170. (doi:10.1080/20567790.2016.1155370) (KAR id:54592)

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Wright, Clare (2012) Acoustic Tyranny: Metre, Alliteration and Voice in York’s Christ before Herod’. Medieval English Theare, 34 . pp. 3-29. ISSN 0143-3784. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54967)

Wright, Clare (2014) Body, Site and Memory in the Croxton Play of the Sacrament. In: Bennett, Susan and Polito, Mary, eds. Performing Environments: Site-Specificty in Medieval and Early Modern English Drama. Palgrave Macmillan, Basingstoke, UK and New York, pp. 159-179. ISBN 978-1-137-32016-2. E-ISBN 978-1-137-32017-9. (doi:10.1057/9781137320179) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54972)

Wright, Clare (2019) Enculturated, Embodied, Social: Medieval Drama and Cognitive Integration. In: Anderson, Miranda and Wheeler, Michael, eds. Distributed Cognition in Medieval and Renaissance Culture. The Edinburgh History of Distributed Cognition . Edinburgh University Press, Edinburgh, UK. ISBN 978-1-4744-3813-1. E-ISBN 978-1-4744-3816-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57607)

Wright, Clare (2017) Ontologies of Play: Reconstructing the Relationship between Audience and Act in Early English Drama. Shakespeare Bulletin, 35 (2). pp. 187-206. ISSN 0748-2558. E-ISSN 1931-1427. (doi:10.1353/shb.2017.0013) (KAR id:55648)

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Wyles, Rosie (2016) Ancient Drama in the French Renaissance and up to Louis XIV. In: van Zyl Smit, Betine, ed. A Handbook to the Reception of Greek Drama. Wiley, pp. 154-172. ISBN 978-1-118-34775-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57653)