Number of items at this level: 282.
Marlow-Mann, Alex and Mendik, Xavier, eds.
(2016)
European Erotic Cinema: Identity, Desire and Disgust.
Cine-Excess,
(2).
E-ISSN 2053-0706.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Mackay, James and Stirrup, David F., eds.
(2012)
European Journal of American Culture.
31
(3).
ISSN 1466-0407.
E-ISSN 1758-9118.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Mittermayer, Manfred and Blaser, Patrick and Braidt, Andrea and Holmes, Deborah, eds.
(2009)
Ikonen, Helden, Außenseiter: Film und Biographie.
Zsolnay, Vienna, Austria, 205 pp.
ISBN 978-3-552-05453-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias, ed.
(2015)
Special issue on Institutions and Agency, Part I.
Film Studies,
13
(1).
pp. 1-120.
ISSN 1469-0314.
E-ISSN 2054-2496.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias, ed.
(2016)
Special issue on Institutions and Agency, Part II.
Film Studies,
14
(1).
pp. 1-123.
ISSN 1469-0314.
E-ISSN 2054-2496.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Briggs, Joe Bob,
Hoberman, J.,
Love, D.,
Lucas, T.,
Sconce, J.,
Stanfield, Peter
(2008)
Cult Film: A Critical Symposium.
Cineaste,
34
(1).
pp. 43-50.
ISSN 0009-7004.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Choi, Jinhee and Frey, Mattias
(2014)
Introduction.
In: Choi, Jinhee and Frey, Mattias, eds.
Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship.
Routledge, New York, pp. 1-14.
ISBN 978-0-415-82125-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Church Gibson, Pamela and Jeffers McDonald, Tamar E. L.
(2012)
Costume and Adaptation.
In: Cartmell, Deborah, ed.
A Companion to Literature, Film and Adaptation.
Blackwell Companions to Literature and Culture
.
Wiley-Blackwell, Oxford, pp. 295-311.
ISBN 978-1-4443-3497-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cinquegrani, Maurizio
(2010)
The Cinematic Production of Iconic Spaces in Early Films of London.
In: Koeck, Richard and Roberts, Les, eds.
The City and the Moving Image: Urban Projections.
Palgrave Macmillan, pp. 169-182.
ISBN 978-0-230-24338-5.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Cinquegrani, Maurizio
(2011)
Empire and the City: Early Films of London.
.
Tate Britain
Online article.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2009)
Introduction to Post-Partum Document.
In: Frascina, Francis, ed.
Modern Art Culture: a reader.
Routledge, London, pp. 303-311.
ISBN 978-0-415-23151-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth
(2011)
Recording Reality, desiring the real.
Visible Evidence
.
University of Minnesota press, Minnesota, USA, 296 pp.
ISBN 978-0-8166-4549-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Da Silva, Antonio Marcio
(2015)
Review: New Trends in Argentine and Brazilian Cinema.
Review of: New Trends in Argentine and Brazilian Cinema
by Rego, Cacilda and Rocha, Carolina.
Luso-Brazilian Review,
52
(1).
pp. 152-154.
ISSN 0024-7413.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Fernández-Meneses, Jara
(2016)
Contemporary Spanish Film Policies:1982-2010.
Doctor of Philosophy (PhD) thesis, University of Kent, PhD Full Maintenance Graduate Teaching Scholarship, School of European Culture and Languages, University of Kent (2012-2015).
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2014)
Antares, Sex and International Distribution.
In: Invited speaker, Picturing Austrian Cinema, 22 September 2014, Cambridge University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2012)
Arthouse Ethics and Provocation.
In: European Network for Cinema and Media Studies (NECS) Annual Conference, 23 June 2012, Lisbon.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2014)
Authentizität und Hörbarkeit im jüngsten deutschen Geschichtsfilm.
In: Invited speaker, Film und Geschichte: Produktion und Erfahrung von Geschichte durch Bewegtbild und Ton, 8 May 2014, Universität Bremen.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2006)
Benny's Video, Caché, and the Desubstantiated Image.
In: Society of Cinema and Media Studies (SCMS) Annual Conference, 2 March 2006, Vancouver.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2004)
Border Zones: The Films of Ulrich Seidl.
Senses of Cinema,
(32).
ISSN 1443-4059.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2015)
Critical Questions.
In: Frey, Mattias and Sayad, Cecilia, eds.
Film Criticism in the Digital Age.
Rutgers University Press, New Brunswick, NJ, pp. 1-20.
ISBN 978-0-8135-7072-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2014)
Daniel Brühl and Nichts bereuen.
In: German Screen Studies Network (GSSN) symposium: Translating Stars - German Cinema in Transnational Context, 11 September 2014, University of Leeds.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2013)
Der unbelehrbare Zuschauer.
In: Invited speaker, 19. Bremer Filmsymposium, 20 January 2013, Universität Bremen.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2007)
Einführung in die Film Theorie.
In: Invited guest lecturer, ShortShots: Programmgestaltung und Planung eines Kurzfilmfestivals, 3 May 2007, Freie Universität Berlin.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2011)
Einführung in die Filmkritik.
In: Invited series of masterclasses, 28 June - 1 July 2011, Universität Passau.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2012)
Einführung in die Filmkritik.
In: Invited series of masterclasses, 2-6 July 2012, Universität Passau.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2012)
Einführung in die Filmkritik.
In: Invited series of masterclasses, 9-13 July 2012, Goethe-Universität Frankfurt.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2015)
Ekel im Kino.
In: Invited Speaker, 'Angustia', Deutsches Filmmuseum, Frankfurt, 23 January 2015, Deutsches Filmmuseum Frankfurt.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2014)
Ekel und Langeweile: Der unbelehrbare Zuschauer.
In: Pauleit, Winfried and Rüffert, Christina and Schmid, Karl-Heinz and Tews, Alfred and Odorico, Stefano, eds.
Filmerfahrung und Zuschauer: Zwischen Kino, Museum und sozialen Netzwerken.
Bertz + Fischer, Berlin, pp. 48-62.
ISBN 978-3-86505-229-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2014)
The Ethics of Extreme Cinema.
In: Choi, Jinhee and Frey, Mattias, eds.
Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship.
Routledge, New York, pp. 145-162.
ISBN 978-0-415-82125-4.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2011)
The Ethics of Extreme Cinema.
In: Cine-Ethics, 15 June 2011, University of Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2017)
Fassbinder, the art film and popular genre: Whity.
In: Invited Masterclass, British Film Institute, BFI Fassbinder: The Many Faces of R. W. Fassbinder, 27 April 2017, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2006)
Fidelio: Love, Adaptation, and Eyes Wide Shut.
Literature/Film Quarterly,
34
(1).
pp. 39-45.
ISSN 0090-4260.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2012)
Film Criticism as Crisis History.
In: Cultural Criticism in the Digital Age, 7 June 2012, University of Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2007)
Haneke and the Painterly.
In: Invited speaker, Michael Haneke - A Cinema of Provocation, 26 October 2007, Boston University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2007)
In/Flux: German Films at the 57th Berlin International Film Festival.
Review of: German Films at the 57th Berlin International Film Festival
by UNSPECIFIED.
Senses of Cinema,
43
(1).
0-0.
ISSN 1443-4059.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2015)
The New Democracy? Rotten Tomatoes, Metacritic, Twitter, and IMDb.
In: Frey, Mattias and Sayad, Cecilia, eds.
Film Criticism in the Digital Age.
Rutgers University Press, New Brunswick, NJ, pp. 81-98.
ISBN 978-0-8135-7072-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2009)
The Pained Spectator.
In: Images of Pain/Painful Images, 20 June 2009, Universitetet i Bergen.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2015)
The Permanent Crisis of Film Criticism: The Anxiety of Authority.
Film Theory in Media History
.
Amsterdam University Press, Amsterdam, 195 pp.
ISBN 978-90-8964-717-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2010)
A Persistent Allure: The Reception of Michael Haneke.
In: Invited speaker, On Michael Haneke, 2nd June 2010, University of Sussex.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2008)
Postwall Germany's Cinema of Retro-flection.
In: Cultural Memory: Forgetting to Remember/Remembering to Forget, 11 September 2008, University of Kent.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2005)
Re-Connecting the Body 'in' to the Body 'of' Pasolini.
In: Il testo in movimento: Themes and Techniques in Italian Film and Literature, 5 February 2005, Harvard University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2004)
Re-Connecting the Body 'in' to the Body 'of' Pasolini.
In: Screen Media and Sexual Politics, 9 October 2004, Plymouth State University.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2004)
The Renaissance of New Austrian Film? The Example of Michael Haneke.
In: German Projections, Foreign Reflections: Film, Narrative and the Creation of Historical Memory, 3 April 2004, University of Pennsylvania.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2012)
Review of: A Companion to Michael Haneke, ed. Roy Grundmann.
Review of: A Companion to Michael Haneke
by Grundmann, Roy.
Historical Journal of Film, Radio and Television,
32
(1).
pp. 127-129.
ISSN 0143-9685.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2012)
The Role of Criticism in Britain Today.
In: British Council, public lecture, 17 November 2012, Tokyo.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2013)
The Role of Violence and Sex in Recent Austrian Cinema.
In: Invited speaker, research seminar, 27 November 2013, Kings College London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2012)
Suburban Violence in German-Language Film.
In: Invited speaker, Political Cultures/Cultural Politics of Germany in the 21st Century, 8 December 2012, University of Birmingham.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2014)
Teoretyzowanie kina u Sebalda i Sebalda poprez kino.
Konteksty,
68
(3-4).
pp. 135-144.
ISSN 1230-6142.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2012)
Tuning Out, Turning In, Walking Off: The Spectator in Pain.
In: Gronstad, Asbjorn and Gustafsson, Henrik, eds.
Ethics and Images of Pain.
Routledge, London, pp. 93-111.
ISBN 0415893824.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias
(2013)
Why Is Cinema Violent?
In: British Council, public lecture, 1 May 2013, Tokyo.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Frey, Mattias and Sayad, Cecilia, eds.
(2015)
Film Criticism in the Digital Age.
Rutgers University Press, New Brunswick, NJ, 273 pp.
ISBN 978-0-8135-7072-3.
E-ISBN 978-0-8135-7364-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Michael
(1999)
Bad girls and sick boys: Fantasies in contemporary art and culture.
Review of: Bad girls and sick boys: Fantasies in contemporary art and culture
by Kauffman, L.S.
Sight and Sound,
9
(2).
p. 30.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Michael
(1998)
Crimes of the future (David Cronenberg, 'Crash').
Screen,
39
(2).
pp. 180-185.
ISSN 0036-9543.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Michael
(1999)
Early cinema in Russia and its cultural reception.
Review of: Early cinema in Russia and its cultural reception
by Tsivisn, Y.
Sight and Sound,
9
(2).
p. 32.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Michael
(1999)
The Eisenstein reader.
Review of: The Eisenstein reader
by Taylor, R.
Sight and Sound,
9
(2).
p. 30.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Michael
(1998)
Meat is murder: An illustrated guide to cannibal culture.
Review of: Meat is murder: An illustrated guide to cannibal culture
by Mikita, Brottman.
Sight and Sound,
8
(8).
p. 29.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Michael
(1998)
Video critical: Children, the environment and media power.
Review of: Video Critical: Children, the Environment and Media Power
by Gauntlett, D..
Sight and Sound,
8
(8).
pp. 28-29.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Michael
(1999)
The Western reader.
Review of: The Western reader
by Kitses, J.
Sight and Sound,
9
(2).
pp. 31-32.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Grant, Michael
(1999)
The erotic anime movie guide.
Review of: The erotic anime movie guide
by McCarthy, Helen and Clements, Jonathan.
Sight and Sound,
9
(5).
p. 33.
ISSN 0037-4806.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2019)
Even If She Had Been a Criminal. A Past Unwatched.
In: Baer, Nicholas and Hennefeld, Maggie and Horak, Laura and Iversen, Gunnar, eds.
Unwatchable.
Rutgers University Press, New Jersey.
ISBN 978-0-8135-9958-8.
E-ISBN 978-0-8135-9960-1.
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Guerin, Frances
(2014)
FX Reflects (Blog).
.
Blog.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Guerin, Frances, ed.
(2015)
On Not Looking:The Paradox of Contemporary Visual Culture.
Routledge Advances in Art and Visual Studies
.
Taylor & Francis Ltd, London
ISBN 978-1-138-82235-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Jeffers McDonald, Tamar
(2015)
When Harry Met Sally...
Palgrave Macmillan/BFI, London, 96 pp.
ISBN 978-1-84457-907-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Jeffers McDonald, Tamar E. L.
(2011)
Against Male Elegance.
In: Modemuseum, ., ed.
Symposium 2 - Seam & Star: Male Elegance.
Modemuseum, Antwerp, Antwerp, Belgium.
ISBN 978-90-79269-04-4.
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Jeffers McDonald, Tamar E. L.
(2013)
Bringing Up Baby: generic hybridity and Dirty Dancing.
In: Tzioumakis, Yannis and Lincoln, Sian, eds.
The Time of Our Lives: Dirty Dancing and Popular Culture.
Wayne State University Press, Detroit.
ISBN 978-0-8143-3624-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Jeffers McDonald, Tamar E. L.
(2013)
Doris Day Confidential: Hollywood, Sex and Stardom.
I B Tauris, London, 256 pp.
ISBN 978-1-84885-581-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Jeffers McDonald, Tamar E. L.
(2011)
Mad Men and Career Women.
In: Stoddart, Scott.F., ed.
Analyzing Mad Men: Critical Essays on the AMC Series.
McFarland & Co., Jefferson, North Carolina, USA, pp. 117-135.
ISBN 978-0-7864-4738-1.
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Jeffers McDonald, Tamar E. L.
(2010)
Performances of desire and inexperience: Doris Day’s fluctuating filmic virginity.
In: Jeffers McDonald, Tamar E. L., ed.
Virgin Territory: Representing Sexual Innocence in Film.
Contemporary Approaches to Film and Television Series
.
Wayne State University Press, Detroit, USA, pp. 103-122.
ISBN 978-0-8143-3318-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Jeffers McDonald, Tamar E. L.
(2012)
The View from the Man Cave: Comedy in the Contemporary 'Homme-com' cycle.
In: Horton, Andrew and Rapf, Joanne E., eds.
A Companion to Film Comedy.
John Wiley & Sons, Chichester, West Sussex, pp. 217-235.
ISBN 978-1-4443-3859-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Laera, Margherita
(2010)
The Wedding at Cana.
Charta Art Books, Milan.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Lazaro-Reboll, A
(2018)
Sex Scene: Media and the Sexual Revolution.
Review of: Sex Scene: Media and the Sexual Revolution
by Lázaro-Reboll, Antonio.
Film Studies,
18
(Spring).
pp. 114-118.
ISSN 1469-0314.
E-ISSN 2054-2496.
(doi:10.1249/MSS.0b013e31822cb0d2)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Lazaro-Reboll, Antonio
(2019)
Alejandro Jodorowsky and El Topo.
In:
The Routledge Companion to Cult Cinema.
Routledge Media and Cultural Studies Companions
.
Routledge, UK.
ISBN 978-1-138-95027-6.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Lázaro-Reboll, Antonio
(2018)
Endless Re-View: Jess Franco in Video Watchdog and Eyeball.
In: Lázaro-Reboll, Antonio and Olney, Ian, eds.
The Films of Jess Franco.
Contemporary Approaches to Film and media Series
.
Wayne State University Press, Chicago, Detroit, pp. 242-264.
ISBN 978-0-8143-4316-6.
E-ISBN 978-0-8143-4317-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Lázaro-Reboll, Antonio
(2012)
Film Noir, the Thriller, and Horror (Chapter 9).
In: Labanyi, Jo and Pavlovic, Tatjana, eds.
A Companion to Spanish Cinema.
Wiley-Blackwell, Oxford, pp. 259-290.
ISBN 978-1-4051-9438-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Lázaro-Reboll, Antonio and Olney, Ian, eds.
(2018)
The Films of Jess Franco.
Contemporary Approaches to Film and Media
.
Wayne State University Press, Detroit, Michigan, USA, 372 pp.
ISBN 978-0-8143-4316-6.
E-ISBN 978-0-8143-4317-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Lázaro-Reboll, Antonio
(2017)
Generating Fear: From Fantastic Factory (2000-2005) to [REC] (2007-2014).
In: Mari, Jorge, ed.
Tracing the Borders of Spanish Horror Cinema and Television.
Routledge Research in Cultural and Media Studies
.
Routledge, New York, US and London, UK, pp. 161-189.
ISBN 978-0-415-34863-8.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Lázaro-Reboll, Antonio
(2008)
‘Now Playing Everywhere’: Spanish Horror Film in the Marketplace.
In: Beck, Jay and Rodriguez Ortega, Vicente, eds.
Contemporary Spanish Cinema and Genre.
Manchester University Press, Manchester, pp. 65-83.
ISBN 978-0-7190-7775-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Lázaro-Reboll, Antonio
(2017)
Sexual Horror Stories: The Eroticisation of Spanish Horror Film (1969–75).
In: Fouz-Hernandez, Santiago, ed.
Spanish Erotic Cinema.
Edinburgh University Press, Edinburgh, UK, pp. 74-91.
ISBN 978-1-4744-0047-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Lázaro-Reboll, Antonio
(2012)
Spanish Horror Film.
Edinburgh University Press, Edinburgh, 256 pp.
ISBN 978-0-7486-3638-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Lázaro-Reboll, Antonio
(2012)
Strategic Auteurism (Chapter 6).
In: Labanyi, Jo and Pavlovic, Tatjana, eds.
A Companion to Spanish Cinema.
Wiley-Blackwell, Oxford, pp. 152-190.
ISBN 978-1-4051-9438-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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March-Russell, Paul
(2017)
High-Rise.
Review of: High-Rise
by UNSPECIFIED.
Vector,
(285).
pp. 14-15.
ISSN 0505-0448.
|
Preview |
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March-Russell, Paul
(2018)
Star Wars: The Last Jedi.
Review of: Star Wars: The Last Jedi
by UNSPECIFIED.
Vector,
(287).
pp. 34-35.
ISSN 0505-0448.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Marlow-Mann, Alex
(2002)
British Series and Serials in the Silent Era.
In: Higson, Andrew, ed.
Young And Innocent? The Cinema in Britain, 1896-1930.
University of Exeter Press, Exeter, pp. 147-161.
ISBN 978-0-85989-659-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Marlow-Mann, Alex
(2010)
Character Engagement and Alienation in the Cinema of Paolo Sorrentino.
In: Hope, William, ed.
Italian Film Directors in the New Millennium.
Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 161-173.
ISBN 978-1-4438-2075-2.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Marlow-Mann, Alex, ed.
(2013)
Film Festival Yearbook 5: Archival Film Festivals.
Film Festival Yearbook
.
St Andrews Film Studies, 412 pp.
ISBN 978-1-908437-07-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Marlow-Mann, Alex
(2011)
Gothic Horror.
In: Bayman, Louis, ed.
Directory of World Cinema: Italy.
Directory of World Cinema
.
Intellect, pp. 154-175.
ISBN 978-1-84150-400-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Marlow-Mann, Alex
(2012)
Italy.
In: Creekmur, Corey and Mokdad, Linda, eds.
The International Film Musical.
Traditions in World Cinema, 1
.
Edinburgh University Press, pp. 80-91.
ISBN 978-0-7486-3476-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Marlow-Mann, Alex
(2017)
Regional Cinema: Micro-mapping and Glocalisation.
In: Stone, Rob and Cooke, Paul and Dennison, Stephanie and Marlow-Mann, Alex, eds.
The Routledge Companion to World Cinema.
Routledge.
ISBN 978-1-138-91880-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Stone, Rob and Cooke, Paul and Dennison, Stephanie and Marlow-Mann, Alex, eds.
(2017)
The Routledge Companion to World Cinema.
Routledge
ISBN 978-1-138-91880-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Marlow-Mann, Alex
(2006)
Un cinema di nicchia: le fortune in Gran Bretagna.
In: Zagarrio, Vito, ed.
La meglio gioventù: Nuovo cinema italiano 2000-2006.
Marsilio, pp. 292-296.
ISBN 883178995.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Marlow-Mann, Alex,
Marcus, Millicent,
Antonello, Pierpaolo
(2010)
Il Divo: A Discussion.
The Italianist,
30
(2).
pp. 245-271.
ISSN 0261-4340.
(doi:10.1179/026143410X12724449730213)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
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May, Shaun
(2013)
Rise of Being-in-the-World.
In: Huss, John, ed.
Planet of the Ape and Philosophy.
Open Court, Chicago, pp. 255-262.
E-ISBN 978-0-8126-9822-0.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard
(2018)
"All I have to offer is myself”: the film-maker as narrator.
In: Vassilieva, Julia and Williams, Deane, eds.
Beyond the Essay Film: Subjectivity, Textuality and Technology.
Bloomsbury, London, UK.
(In press)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard
(2017)
All talk: Matias Piñeiro’s verbal narratives.
In: Games People Play: The Cinema of Matias Pineiro, 7 Nov 2017, Royal Belgian Film Archive, Brussels, Belgium.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard
(2017)
The Black Screen.
Alchemy Film and Moving Image Festival
DCP.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard
(2017)
Black White Colour.
In: Experience Colours!, 7 Nov 2018, Aalto University, Helsinki, Finland.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard
(2018)
Notes on Rohmer.
In: Zomer Film College, Royal Belgian Film Archive, 14 July 2018, Antwerp, Belgium.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard
(2018)
Six of Seven Things I Know About The Video Essay.
In: UNSPECIFIED, 12 April 2018, Monash University, Melbourne, Australia.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard
(2015)
The Stolen Film.
In: Cinematic Bricoleurs: Remixing, restyling and repurposing in contemporary filmmaking practice, 8 Jan 2016, King's College, London, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Misek, Richard and Beugnet, Martine
(2017)
In Praise of Blur.
Ghent Film Festival
DCP.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
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Misek, Richard and Beugnet, Martine
(2017)
In Praise of Blur.
Ghent Film Festival
DCP.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
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Newton, James
(2019)
The Anarchist Cinema.
Intellect, Bristol, Uk, 173 pp.
ISBN 978-1-78938-003-3.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
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Sayad, Cecilia
(2015)
Afterword in Film Criticism in the Digital Age.
In: Sayad, Cecilia and Frey, Mattias, eds.
Film Criticism in the Digital Age.
Rutgers University Press, New Brunswick, NJ, pp. 243-247.
ISBN 978-0-8135-7072-3.
E-ISBN 978-0-8135-7364-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2009)
The Auteur as Fool.
In: Screen Studies Conference: 50th Anniversary, July 2009, University of Glasgow.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2017)
Beyond Film: A New Place for Reality in Horror.
In: The Moving Form of Film Conference, 6-8 November 2017, Reading, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2016)
Cameras and Ghosts.
Cinema Journal,
55
(2).
ISSN 0009-7101.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
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Sayad, Cecilia
(2015)
Critics Through Authors: Dialogues, Similarities, and the Sense of a Crisis.
In: Sayad, Cecilia and Frey, Mattias, eds.
Film Criticism in the Digital Age.
Rutgers University Press, New Brunswick, NJ, pp. 41-59.
ISBN 978-0-8135-7072-3.
E-ISBN 978-0-8135-7364-9.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2004)
Da poesia à cafajestagem.
Review of: The Brown Bunny
by Gallo, Vincent.
Tropico,
.
p. 1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2004)
Deconstructing God.
Reverse Shot,
Spring
.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2014)
Discussion of Performing Authorship.
In: The Self-Portrait in the Moving Image, 28 February-1 March 2014, Birckbeck; London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2016)
Documenting Ghosts in the Post-Truth Era.
In: University of Warwick Research Seminar Series, Coventry, UK.
(Unpublished)
(doi:https://warwick.ac.uk/fac/arts/news/events/?calendarItem=8a17841a5fd9d400015fda6091651653)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2014)
Framing the Found Footage Horror Film.
In: Society for Cinema and Media Studies Conference 2014, 18-23 March 2014, Seattle, USA.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2017)
Ghost Images: Horror, documentary and the supernatural.
In: School of Media, Film and Music Research Seminar, University of Sussex, 29 March 2017, Brighton.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2017)
The Ghosts and the Machines.
In: At Home with Horror?, 27-29 October 2017, Canterbury, Kent.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2009)
Godard and the frame: the author as trespasser.
In: Film Research Seminar, May 2009, University of Kent.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2005)
The Issue of Authorship in Adaptation.
In: Popular Culture Association/American Culture Association, March 2005, San Diego, CA, United States.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2016)
Millennial Ghosts: Factual Representations of the Supernatural.
In: Religious Studies Research Seminar Series, 2 November 2016, Canterbury, UK.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2015)
Monsters and Everyday Life.
In: Screen Studies Conference, 26/006/2015-28/06/2015, University of Glasgow.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2006)
Mutant Authors and Cross-Pollinating Texts in Charlie Kaufman’s Adaptation.
In: Housel, Rebecca, ed.
From Camera Lens to Critical Lens: A Collection of Best Essays on Film Adaptation.
Cambridge Scholars Press, Cambridge, p. 123.
ISBN 978-1-84718-031-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2014)
Narrative, Visibility and Trauma in Bus 174.
In: Navarro, Vinicius and Rodriguez, Juan Carlos, eds.
New Documentaries in Latin America.
Palgrave McMillan.
ISBN n/a.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2018)
Parapsychology and Ghost Hunting on TV.
In: Sci/Film Series, 4 May 2018, London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
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Sayad, Cecilia
(2011)
The Persistence of Auteurism in Brazilian Cinema.
In: Issues of Auteurism in Latin American Cinema - SCMS, 10-13 March 2011, Ritz-Carlton, New Orleans.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2015)
Playing and the Loose Boundaries Between Inner and Outer Selves.
In: World Cinema and the Essay Film, 30/04/2015-2/05-2015, University of Reading, London.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
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Sayad, Cecilia
(2019)
Reality TV, Ghosts, and the Index.
Screen,
.
ISSN 0036-9543.
E-ISSN 1460-2474.
(In press)
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
|
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Sayad, Cecilia
(2013)
Shifting Approaches.
In: Society for Cinema and Media Studies Conference 2013, March 2013, Chicago, IL.
(Unpublished)
|
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Sayad, Cecilia
(2013)
The Stand-up Auteur.
In:
A Companion to Woody Allen.
WBCF - Wiley-Blackwell Companions to Film Directors
.
Wiley-Blackwell.
ISBN 978-1-4443-3723-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2005)
Traumas paralelos.
Review of: Mysterious Skin (Gregg Araki, 2004)
by Araki, Gregg.
Tropico,
.
p. 1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
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Sayad, Cecilia
(2005)
Um cinema hiperbólico.
Review of: Old Boy (Chan-Wook Park, 2004)
by Park, Chan-Wook.
Tropico,
.
p. 1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
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Sayad, Cecilia
(2007)
With a Little Help from Fiction: Performing for Life in Bus 174.
In: Society for Cinema and Media Studies Conference 2007 (Chicago), March 2007, Chicago.
(Unpublished)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2005)
A história sem fim.
Review of: Moments choisis des Histoire(s) du cinéma (Jean-Luc Godard, 2005)
by Godard, Jean-Luc.
Tropico,
.
p. 1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia
(2005)
A saga de Garganta Profunda.
Review of: Inside Deep Throat (Fenton Bailey and Randy Barbato, 2005)
by Bailey, Fenton and Barbato, Randy.
Tropico,
.
p. 1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sforza Tarabochia, Alvise
(2013)
Review of Torunn Haaland, 'Italian Neorealist Cinema'.
Review of: Italian Neorealist Cinema (Edinburgh University Press, 2012)
by Haaland, Torunn.
Historical Journal of Film, Radio and Television,
33
(2).
pp. 343-346.
ISSN 0143-9685.
(doi:10.1080/01439685.2013.782623)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Sharman, L.F.
(1992)
Cohl,emile, caricature, and film - crafton,d.
Screen,
33
(4).
pp. 441-445.
ISSN 0036-9543.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Smith, Murray
(2009)
Consciousness.
In: Livingston, Paisley and Plantinga, Carl, eds.
The Routledge Companion to Philosophy and Film.
Routledge Philosophy Companions
.
Routledge, London and New York, pp. 39-51.
ISBN 978-0-415-77166-5.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Smith, Murray
(1998)
Image and mind: Film, philosophy, and cognition science.
Review of: Image and Mind: Film, Philosophy, and Cognitive Science.
by Currie, Gregory.
British Journal of Aesthetics,
38
(3).
pp. 325-327.
ISSN 0007-0904.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Smith, Murray
(2018)
The Kuleshov Fallacy.
.
Oxford University Press
online publication.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
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Smith, Murray
(2011)
Triangulating Aesthetic Experience.
In: Shimamura, Arthur P. and Palmer, Stephen E., eds.
Aesthetic Science: Connecting Minds, Brains, and Experience.
Oxford University Press, New York, pp. 80-102.
ISBN 978-0-19-973214-2.
(doi:10.1093/acprof:oso/9780199732142.003.0026)
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
Triana Toribio, Núria
(2016)
Spanish Film Cultures:The Making and Unmaking of Spanish Cinema.
Cultural Histories of Cinema
.
Palgrave: British Film Institute (changed Bloomsbury), 168 pp.
ISBN 978-1-84457-822-1.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2015)
Aardman! In an Adventure with CGI!
In: Aardman Workshop, July 2015, University of Surrey.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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Wood, Aylish
(2015)
Excavating Software Algorithms.
In: Society for the Cognitive Study of the Moving Image, June 2015, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
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Wood, Aylish
(2014)
Gravity.
Review of: Gravity
by Cuaron, Alfonso.
Science Fiction Film and Television,
7
(3).
pp. 441-444.
ISSN 1754-3770.
E-ISSN 1754-3789.
(doi:10.3828/sfftv.2014.25)
(Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
|
|
Wood, Aylish
(2013)
Hugo and 3D Space: tracing digital contours.
In: Society for Cinema and Media Studies Conference 2013, March 2013, Chicago, IL.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
Wood, Aylish
(2015)
Inception’s Timespaces.
In: North, D. and Rehak, R. and Duffy, M.S., eds.
Special Effects: New Histories, Theories, Contexts.
BFI: Palgrave Macmillan, pp. 254-266.
ISBN 978-1-84457-517-6.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
Wood, Aylish
(2014)
Software and Visual Effects.
In: Society for Animation Studies, June 2014, Toronto.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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|
Wood, Aylish
(2014)
Software, Animation and Autodesk Maya.
In: Digital in Depth, May 2014, University of Warwick.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
Wood, Aylish
(2013)
Sonic Times in Inception and Watchmen.
In: Vernalis, Carol and Richardson, John and Herzog, Amy, eds.
The Oxford Handbook of Sound and Image in Digital Media.
Oxford University Press, Oxford, pp. 417-437.
ISBN 978-0-19-025817-7.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
|
|
Wood, Aylish
(2014)
What’s in the Box?
In: BAFTSS Annual Conference, April 2014, London.
(The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)
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This list was generated on Wed Sep 25 21:58:15 2019 BST.