Items where Author, Editor or other role is "Vass, Freya"

Article

Vass, Freya (2022) Leidenschaft, die bewegt: David Dawsons Romeo und Julia. Semper! Magazin, 2022 (2). (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:97931)

Hansen, Pil, Vass, Freya (2022) Editorial: On Perception. Performance Research, 26 (3). pp. 1-8. ISSN 1352-8165. (doi:10.1080/13528165.2021.1977483) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:90019)

Vass-Rhee, Freya (2018) Schooling an ensemble: The Forsythe Company’s Whole in the Head. Journal of Dance and Somatic Practices, 10 (2). pp. 219-233. ISSN 1757-1871. (doi:10.1386/jdsp.10.2.219_1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:68963)

Vass-Rhee, Freya (2010) Auditory Turn: William Forsythe's Vocal Choreography. Dance Chronicle, 33 (3). pp. 388-413. ISSN 0147-2526. E-ISSN 1532-4257. (doi:10.1080/01472526.2010.517495) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54523)

Conference proceeding

Vass-Rhee, Freya (2016) Melding an Ensemble at Memory’s Limits: William Forsythe’s Whole in the Head. In: Congress on Research in Dance/Society of Dance History Scholars Joint Conference "Authenticity and Appropriation", 3-6 Nov 2016, Pomona College, Claremont, California. (KAR id:65700)

Vass-Rhee, Freya (2014) Fielding Dramaturgy. In: Forsythe Lectures series, deSingel Internationale Kunstcampus, April 2014, Antwerp, Belgium. (KAR id:66120)

Vass-Rhee, Freya (2007) Motion/Perception: William Forsythe's Spectatorial Shifts. In: Congress on Research in Dance Conference Proceedings. (doi:10.1017/s2049125500000340) (KAR id:60512)

Vass-Rhee, Freya (2006) Integrating Dance and Cognitive Science: Toward Emancipatory Research. In: Continuing Dance Culture Dialogues, 38th Annual Conference of the Congress on Research in Dance. (KAR id:60514)

Conference item

Vass, Freya (2025) Prima la musica: developing a quadruple-threat pedagogy for the musician-actor. [Conference item] (Unpublished) (KAR id:113104)

Vass, Freya (2023) The Square Tango for thirty years: Curating successful aging at tea dances. [Conference item] (Unpublished) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:113108)

Edited Journal

Hansen, Pil and Vass, Freya, eds. (2022) "On Perception," special issue of Performance Research. Performance Research, 26 (3). ISSN 1352-8165. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:90018)

Book

Vass, Freya (2023) William Forsythe’s Postdramatic Dance Theater: Unsettling Perception. Cognitive Studies in Literature and Performance . Palgrave Macmillan, 282 pp. ISBN 978-3-031-26657-7. E-ISBN 978-3-031-26658-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:91223)

Book section

Vass, Freya (2025) A bell waiting to ring: defying language and embodying meaning. In: Embodied Dramaturgy: Liminal Movement in Dance and Theatre. Routledge. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:109463)

Vass, Freya (2021) The Disappearance of Poetry and the Very, Very Good Idea. In: Farrugia-Kriel, Kathrina and Nunes Jensen, Jill, eds. The Oxford Handbook of Contemporary Ballet. Oxford University Press, pp. 754-771. ISBN 978-0-19-087149-9. (KAR id:68484)

Vass-Rhee, Freya (2019) Haunted by Hamlet: William Forsythe's Sider. In: McCulloch, Lynsey and Shaw, Brandon, eds. The Oxford Handbook of Shakespeare and Dance. Oxford University Press, pp. 455-475. ISBN 978-0-19-049878-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64066)

Vass-Rhee, Freya (2018) Foreword to the Second Edition, The Neurocognition of Dance: Mind, Movement and Motor Skills. In: The Neurocognition of Dance: Mind, Movement and Motor Skills. 2nd edition. Psychology Press, xi-xii. (KAR id:66118)

Vass-Rhee, Freya (2015) Distributed Dramaturgies: Navigating with Boundary Objects. In: Hansen, Pil and Callison, Darcey, eds. Dance dramaturgy: modes of agency, awareness and engagement. New world choreographies . Palgrave Macmillan, Basingstoke, Hampshire, pp. 87-105. ISBN 978-1-137-37321-2. (doi:10.1057/9781137373229_5) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:52447)

Review

Vass-Rhee, Freya (2018) Book review: Choreographies: Tracing the Materials of an Ephemeral Art Form by Jacky Lansley. Review of: Choreographies: Tracing the Materials of an Ephemeral Art Form by Lansley, Jacky. Dance Research, 36 (2). pp. 274-275. ISSN 0264-2875. (doi:10.3366/drs.2018.0245) (KAR id:66302)

+1 more...

Vass-Rhee, Freya (2017) Book review: Dramaturgy in Motion: At Work on Dance and Movement Performance, by Katherine Profeta. Review of: Dramaturgy in Motion: At Work on Dance and Movement Performance by Profeta, Katherine. Theatre Research International, . pp. 197-198. ISSN 0307-8833. (doi:10.1017/S0307883317000451) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:66119)

Vass-Rhee, Freya (2017) Book review: Clelia Falletti, Gabriele Sofia, and Victor Jacono, ed. Theatre and Cognitive Neuroscience. Review of: Theatre and Cognitive Neuroscience by UNSPECIFIED. New Theatre Quarterly, 33 (3). p. 300. ISSN 0266-464X. (doi:10.1017/S0266464X17000355) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:65756)

Thesis

Strandberg-Long, Philippa (2019) Beyond Repetition: Investigating how Sanford Meisner’s training process diminishes self-consciousness and enhances spontaneity in actors. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:82259)

Drury, Lindsey (2019) Three Imagined Dances: the somatics of early modern textual mediation. Doctor of Philosophy (PhD) thesis, University of Kent, Freie Universität Berlin. (KAR id:77089)

Passfield, Sarah (2019) Affective Dramaturgies in Contemporary Dance Leaky Encounters and Turbulent Spectating. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:75767)

Wilson, Robbie Zachariah (2018) Towards a Ludic Ecology: Popular Participatory Peripatetic Performance. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:69349)

Vivas, Judita (2016) The Pageantry of Western Bodies: Material Practices, Intercorporealities and Cultural Recycling in the Twenty-First Century. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:55329)

Vass-Rhee, Freya (2011) Audio-Visual Stress: Cognitive Approaches to the Perceptual Performativity of William Forsythe and Ensemble. Doctor of Philosophy (PhD) thesis, University of California, Riverside. (KAR id:60508)

Performance

Other

Vass, Freya (2022) All the hues of love: David Dawson's Romeo and Juliet, dramaturg's note. Semperoper Dresden. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:97930)

Vass-Rhee, Freya (2012) Still failing after all these years: William Forsythe’s Yes We Can’t: dramaturg's note. The Forsythe Company. (KAR id:66300)

Vass-Rhee, Freya (2012) William Forsythe’s I don’t believe in outer space: dramaturg’s note. The Forsythe Company. (KAR id:66301)

Vass-Rhee, Freya (2008) Reconciling Giselle (Giselle Aussöhnen): dramaturg's note. Semperoper Dresden. (KAR id:66298)