Items where Author, Editor or other role is "Vass, Freya"

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Number of items: 54.

Vass, Freya (2023) William Forsythe’s Postdramatic Dance Theater: Unsettling Perception. Cognitive Studies in Literature and Performance . Palgrave Macmillan, 282 pp. ISBN 978-3-031-26657-7. E-ISBN 978-3-031-26658-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:91223)

Vass, Freya (2022) All the hues of love: David Dawson's Romeo and Juliet, dramaturg's note. Semperoper Dresden. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:97930)

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Vass, Freya (2022) Romeo und Julia (dramaturgy; Chor. David Dawson, Dresden Semperoper Ballet). Performance type: Live play , 5 Nov 2022, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:95135)

Vass, Freya (2022) Leidenschaft, die bewegt: David Dawsons Romeo und Julia. Semper! Magazin, 2022 (2). (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:97931)

Hansen, Pil, Vass, Freya (2021) Editorial: On Perception. Performance Research, 26 (3). pp. 1-8. ISSN 1352-8165. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:90019)

Hansen, Pil and Vass, Freya, eds. (2021) "On Perception," special issue of Performance Research. Performance Research, 26 (3). ISSN 1352-8165. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:90018)

Vass, Freya (2021) The Disappearance of Poetry and the Very, Very Good Idea. In: Farrugia-Kriel, Kathrina and Nunes Jensen, Jill, eds. The Oxford Handbook of Contemporary Ballet. Oxford University Press, pp. 754-771. ISBN 978-0-19-087149-9. (KAR id:68484)

Strandberg-Long, Philippa (2019) Beyond Repetition: Investigating how Sanford Meisner’s training process diminishes self-consciousness and enhances spontaneity in actors. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:82259)

Drury, Lindsey (2019) Three Imagined Dances: the somatics of early modern textual mediation. Doctor of Philosophy (PhD) thesis, University of Kent, Freie Universität Berlin. (KAR id:77089)

Passfield, Sarah (2019) Affective Dramaturgies in Contemporary Dance Leaky Encounters and Turbulent Spectating. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:75767)

Vass-Rhee, Freya (2019) Haunted by Hamlet: William Forsythe's Sider. In: McCulloch, Lynsey and Shaw, Brandon, eds. The Oxford Handbook of Shakespeare and Dance. Oxford University Press, pp. 455-475. ISBN 978-0-19-049878-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64066)

Vass-Rhee, Freya (2018) Schooling an ensemble: The Forsythe Company’s Whole in the Head. Journal of Dance and Somatic Practices, 10 (2). pp. 219-233. ISSN 1757-1871. (doi:10.1386/jdsp.10.2.219_1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:68963)

Vass-Rhee, Freya (2018) Book review: Choreographies: Tracing the Materials of an Ephemeral Art Form by Jacky Lansley. Review of: Choreographies: Tracing the Materials of an Ephemeral Art Form by Lansley, Jacky. Dance Research, 36 (2). pp. 274-275. ISSN 0264-2875. (doi:10.3366/drs.2018.0245) (KAR id:66302)

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Wilson, Robbie Zachariah (2018) Towards a Ludic Ecology: Popular Participatory Peripatetic Performance. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:69349)

Vass-Rhee, Freya (2018) Foreword to the Second Edition, The Neurocognition of Dance: Mind, Movement and Motor Skills. In: The Neurocognition of Dance: Mind, Movement and Motor Skills. 2nd edition. Psychology Press, xi-xii. (KAR id:66118)

Vass-Rhee, Freya (2017) The Vampire Revolution (dramaturgical consultant; Dir./Chor. Christian Lollike and Tim Matiakis, Corpus Ensemble). Performance type: Other , 13 Dec 2017, Aarhus/Copenhagen, Denmark. Live performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:93014)

Vass-Rhee, Freya (2017) Book review: Dramaturgy in Motion: At Work on Dance and Movement Performance, by Katherine Profeta. Review of: Dramaturgy in Motion: At Work on Dance and Movement Performance by Profeta, Katherine. Theatre Research International, . pp. 197-198. ISSN 0307-8833. (doi:10.1017/S0307883317000451) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:66119)

Vass-Rhee, Freya (2017) Book review: Clelia Falletti, Gabriele Sofia, and Victor Jacono, ed. Theatre and Cognitive Neuroscience. Review of: Theatre and Cognitive Neuroscience by UNSPECIFIED. New Theatre Quarterly, 33 (3). p. 300. ISSN 0266-464X. (doi:10.1017/S0266464X17000355) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:65756)

Vass-Rhee, Freya (2016) Hungry for Blue (dramaturgical consultant; Chor. Corpus Ensemble). Performance type: Other , 26 May 2016, Copenhagen, Denmark. Live performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:93013)

Vivas, Judita (2016) The Pageantry of Western Bodies: Material Practices, Intercorporealities and Cultural Recycling in the Twenty-First Century. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:55329)

Vass-Rhee, Freya (2016) Melding an Ensemble at Memory’s Limits: William Forsythe’s Whole in the Head. In: Congress on Research in Dance/Society of Dance History Scholars Joint Conference "Authenticity and Appropriation", 3-6 Nov 2016, Pomona College, Claremont, California. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:65700)

Vass-Rhee, Freya (2015) Distributed Dramaturgies: Navigating with Boundary Objects. In: Hansen, Pil and Callison, Darcey, eds. Dance dramaturgy: modes of agency, awareness and engagement. New world choreographies . Palgrave Macmillan, Basingstoke, Hampshire, pp. 87-105. ISBN 978-1-137-37321-2. (doi:10.1057/9781137373229_5) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:52447)

Vass-Rhee, Freya (2014) Fielding Dramaturgy. In: Forsythe Lectures series, deSingel Internationale Kunstcampus, April 2014, Antwerp, Belgium. (KAR id:66120)

Vass-Rhee, Freya (2013) Selon (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 17 May 2013, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91178)

Vass-Rhee, Freya (2013) Promising Research, Questioning Education: The 'Dance Engaging Science' Workshops. In: Boxberger, Edith and Wittmann, Gabriele, eds. pARTnering documentation: approaching dance. heritage. culture. 3rd Dance Education Biennale, Frankfurt am Main. epodium Verlag, pp. 50-53. ISBN 978-3-940388-26-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60513)

Vass-Rhee, Freya (2012) Study #3 (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 20 Apr 2012, Brescia, Italy. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91180)

Vass-Rhee, Freya (2012) Still failing after all these years: William Forsythe’s Yes We Can’t: dramaturg's note. The Forsythe Company. (KAR id:66300)

Vass-Rhee, Freya (2012) William Forsythe’s I don’t believe in outer space: dramaturg’s note. The Forsythe Company. (KAR id:66301)

Vass-Rhee, Freya (2011) Now This When Not That (production assistance; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 5 Oct 2011, Bochum, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91179)

Vass-Rhee, Freya (2011) Sider (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 16 Jun 2011, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91159)

Vass-Rhee, Freya (2011) Dancing Music: The Intermodality of The Forsythe Company. In: Spier, Steven, ed. William Forsythe and the Practice of Choreography: It Starts From Any Point. Routledge, Abingdon, Oxfordshire, pp. 73-89. ISBN 978-0-415-97823-1. E-ISBN 978-0-203-83223-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60511)

Vass-Rhee, Freya (2011) Audio-Visual Stress: Cognitive Approaches to the Perceptual Performativity of William Forsythe and Ensemble. Doctor of Philosophy (PhD) thesis, University of California, Riverside. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:60508)

Vass-Rhee, Freya (2010) Auditory Turn: William Forsythe's Vocal Choreography. Dance Chronicle, 33 (3). pp. 388-413. ISSN 0147-2526. E-ISSN 1532-4257. (doi:10.1080/01472526.2010.517495) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54523)

Vass-Rhee, Freya (2010) Turning the Tables: William Forsythe’s Antipodes I/II. In: Brandstetter, Gabriele and Wiens, Birgit, eds. Theater Ohne Fluchtpunkt: Das Erbe Adolphe Appias: Szenographie und Choreographie im Zeitgenössischen Theater. Alexander Verlag, Berlin, pp. 293-301. ISBN 978-3-89581-227-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60510)

Vass-Rhee, Freya (2009) The Returns (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 24 Jun 2009, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91169)

Vass-Rhee, Freya (2008) I don't believe in outer space (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , Frankfurt am Main, Germany. l. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91168)

Vass-Rhee, Freya (2008) Giselle (dramaturgy; Chor. David Dawson, Dresden Semperoper Ballet). Performance type: Other , 09 Mar 2008, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91131)

Vass-Rhee, Freya (2008) Yes We Can't (production assistance; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 05 Mar 2008, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91158)

Vass-Rhee, Freya (2008) Reconciling Giselle (Giselle Aussöhnen): dramaturg's note. Semperoper Dresden. (KAR id:66298)

Vass-Rhee, Freya (2007) The Defenders (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 04 Nov 2007, Zürich, Switzerland. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91130)

Vass-Rhee, Freya (2007) Equivalence (production assistance (performance, spatial, and video installations); concept and choreography William Forsythe, The Forsythe Company). Performance type: Other , 19-21, 24-28 Oct 2007, Festspielhaus Hellerau, Dresden. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:92533)

Vass-Rhee, Freya (2007) Angoloscuro (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 03 May 2007, Frankfurt am Main, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91129)

Vass-Rhee, Freya (2007) Motion/Perception: William Forsythe's Spectatorial Shifts. In: Congress on Research in Dance Conference Proceedings. (doi:10.1017/s2049125500000340) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60512)

Vass-Rhee, Freya (2006) Heterotopia (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , Premiere 25 Oct 2006, Zürich, Switzerland. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91128)

Vass-Rhee, Freya (2006) Integrating Dance and Cognitive Science: Toward Emancipatory Research. In: Continuing Dance Culture Dialogues, 38th Annual Conference of the Congress on Research in Dance. (KAR id:60514)

Vass, Freya (1997) Nomi (dramaturgy/choreographic assistance; Chor. Peter Breuer). Performance type: Other , 24 Nov 1997, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91163)

Vass, Freya (1997) Du Bist Ein Vulkan (choreography; Dir. Michael Worsch). Performance type: Other , 14 Nov 1997, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91165)

Vass, Freya (1997) Katzen (choreography; Dir. Irmgard Lübke). Performance type: Other , 19 Oct 1997, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91164)

Vass, Freya (1997) Fremd bin ich eingezogen (choreographic assistance; Chor. Peter Breuer). Performance type: Other , 22 Mar 1997, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91162)

Vass, Freya (1996) Sturzflüge im Zuschauerraum (movement direction; Dir. G.H. Seebach). Performance type: Other , 8 Nov 1996, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91166)

Vass, Freya (1996) Carmina Burana (choreographic assistance; Chor. Peter Breuer). Performance type: Other , 22 Jul 1996, Greifswald, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91161)

Vass, Freya (1996) American Rhapsody (dramaturgy/choreographic assistance; Chor. Peter Breuer). Performance type: Other , 6 May 1996, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91160)

Vass, Freya (1995) Dornröschen (dramaturgy/choreographic assistance; Chor. Peter Breuer). Performance type: Other , 7 Dec 1995, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91170)

Vass, Freya (1992) Die Geschichte vom Soldaten (choreography; Dir. Dominik Wilgenbus). Performance type: Other , 20 Feb 1992, Munich, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91167)

This list was generated on Tue Nov 26 19:16:51 2024 GMT.