Items where Author, Editor or other role is "Hammer, Martin"

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Number of items: 47.

Hammer, Martin (2020) The Realism of Gabo's 1920 Manifesto. In: Naum Gabo: Constructions for Real Life. Tate Publishing, London and St Ives, pp. 33-36. ISBN 978-1-84976-724-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80362)

Bowern, Sandra (2019) Theatre and theatricality in the work of David Hockney, 1961-1978. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:76453)

Hammer, Martin (2019) Portraiture: Seeing-As and Seeing-In. In: Maes, Hans, ed. Portraits and Philosophy. First edition. Routledge Research in Aesthetics . Routledge, New York, pp. 239-255. ISBN 978-0-367-18940-2. E-ISBN 978-0-429-19937-0. (doi:10.4324/9780429199370) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80361)

von Jungenfeld, Rocio (2018) zones of flow (iii). Item format: Light-sensitive Installation (documentation). (KAR id:73961)

Hammer, Martin (2017) David Hockney’s Early Etchings: Going Transatlantic and Being British. Tate Pepers, (27). ISSN 1753-9854. E-ISSN 1753-9854. (KAR id:61795)

Format: XML Word Processing Document (DOCX)

Hammer, Martin (2017) Photographic sources and affinities in David Hockey's art of the 1960s. In: A Bigger Picture: New Approaches to David Hockney - Tate Britain and the Paul Mellon Centre, 5 May 2017, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61348)

Hammer, Martin (2017) The photographic source and artistic affinities of David Hockney’s ‘A bigger splash’. Burlington Magazine, 159 (1370). pp. 386-393. ISSN 0007-6287. E-ISSN 2044-9925. (KAR id:61342)

Hammer, Martin (2017) Between a Rock and a Blue Chair: David Hockney’s Rocky Mountains and Tired Indians (1965). British Art Studies, (5). ISSN 2058-5462. (doi:10.17658/issn.2058-5462/issue-05/mhammer) (KAR id:61161)

Hammer, Martin (2017) Hockney as Philosophical Painter. In: Stephens, Chris and Wilson, Andrew, eds. David Hockney. Tate Publishing, London, UK, pp. 208-213. ISBN 978-1-84976-443-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60480)

Finch, James (2016) The Art Criticism of David Sylvester. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:60419)

Hammer, Martin (2016) Introduction. In: Currie, Ken and Hammer, Martin, eds. Ken Currie: Tragic Forms. Flowers Gallery, London. ISBN 978-1-906412-76-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61347)

Hammer, Martin (2016) Frank Auerbach. Review of: Frank Auerbach exhibition at Tate Britain (2016) and book Catherine Lampert, Frank Auerbach: Speaking and Painting, London 2015 by UNSPECIFIED. The Burlington Magazine, CLVIII . pp. 214-215. (KAR id:60492)

Hammer, Martin (2016) Food for Artists: the exhibition as resource. In: Exhibiting Contemporary Art in Post-War Britain, 28-29th January 2016, Tate Britain. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55939)

Hammer, Martin (2016) Crossing the border and closing the gap: David Hockney and abstraction. In: Generation Painting: Abstraction and British Art, 1955–65, 5 March 2016, Downing College, Cambridge. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55910)

Hammer, Martin (2016) Making transatlantic sense of Hockney’s A Rake’s Progress. In: History of Art department research seminar, University of York, 11 Jan 2016, York. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55946)

Hammer, Martin (2015) The Silent Kingdom of Panting: Sickert and Hopper. In: Walter Sickert: The Document and the Documentary, 4 Dec 2015, Paul Mellon Centre, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55940)

Hammer, Martin (2015) 1965; Culture and Sculpture in Britain. In: Sculpture: 1965, 25-6 September 2015, Henry Moore Institute, Leeds. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55941)

Hammer, Martin, Thomas, Ben D. H. (2015) My Generation: A Festival of British Art in the 1960s. University of Kent at Canterbury, GB, 60 pp. ISBN 978-1-902671-90-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50281)

Hammer, Martin (2015) Ambivalence and Ambiguity: David Sylvester on Henry Moore. In: Henry Moore: Sculptural Process and Public Identity. Tate Research Publication. ISBN 978-1-84976-391-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50280)

Hammer, Martin (2015) David Hockney’s Tired Indians and Rocky Mountains. In: UNSPECIFIED, 16 March 2015, National Gallery of Scotland, Edinburgh. (Unpublished) (KAR id:55948)

Hammer, Martin (2015) Francis Bacon’s ‘Crucifixion’: The presence of the Nazi past. In: UNSPECIFIED, 29 Oct 2015, Moderne Pinakothek, Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55947)

Hammer, Martin (2015) My Generation: A Festival of British Art in the 1960s. , Kent. exhibitions. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55945)

Hammer, Martin (2015) There is no such thing as British Art. British Art Studies, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55942)

Hammer, Martin (2014) The Independent Group take on Francis Bacon. Visual Culture in Britain, 15 (1). pp. 69-89. ISSN 1471-4787. E-ISSN 1941-8361. (doi:10.1080/14714787.2014.870369) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:41078)

Hammer, Martin (2014) The Growth and Form of Artistic Responses to D’Arcy Thompson. In: D'Arcy Thompson's On Growth and Form. Essays on Sculpture . Henry Moore Institute, Leeds, pp. 14-29. ISBN 978-1-905462-45-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50200)

Hammer, Martin (2013) Kenneth Clark and the Death of Painting. Tate Papers, (20). ISSN 1753-9854. (KAR id:50279)

Hammer, Martin (2013) Mainly Nourishment: Echoes of Sickert in the Work of Francis Bacon and Lucian Freud. Visual Culture in Britain, 14 (1). pp. 87-100. ISSN 1471-4787. (doi:10.1080/14714787.2013.750985) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:33184)

Hammer, Martin (2012) Continuity and Contradiction in the Art of Francis Bacon. In: Arya, Rina, ed. Francis Bacon: Critical and Theoretical Perspectives. Pater Lang, pp. 121-168. ISBN 9783034308892 (pbk); 9783035303896 (eBook). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31368)

Hammer, Martin (2012) Francis Bacon and Nazi Propaganda. Tate Publishing, 224 pp. ISBN 978-1-84976-073-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31360)

Hammer, Martin (2012) Francis Bacon: Painting after Photography. In: British Art in the Cultural Field, 1939-69. Wiley-Blackwell, pp. 156-173. ISBN 978-1-118-27584-9. (doi:10.1111/j.1467-8365.2011.00890.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31364)

Hammer, Martin (2012) Francis Bacon: Back to Degas. Tate Papers, . (KAR id:31535)

Hammer, Martin (2012) ‘After Camden Town: Sickert’s Legacy since 1930’. The Camden Town Group in Context, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31533)

Hammer, Martin (2010) Found in Translation: Chaim Soutine and English Art. Modernist Cultures, 5 (2). pp. 218-242. ISSN 1753-8629. (doi:10.3366/E2041102210000195) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31362)

Hammer, Martin (2010) Francis Bacon and the Lefevre Gallery. Burlington Magazine, 152 (1286). pp. 307-312. ISSN 0007-6287. (KAR id:31537)

Hammer, Martin (2010) Francis Bacon. Dublin and Compton Verney (exhibition review). Review of: Francis Bacon: In Camera (exhibition) by UNSPECIFIED. Burlington Magazine, 152 (1282). pp. 59-61. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61351)

Hammer, Martin, Stephens, Chris (2009) Seeing the story of one’s time: appropriations from Nazi photography in the work of Francis Bacon. Visual Culture in Britain, 10 (3). pp. 315-351. ISSN 1471-4787. (doi:10.1080/14714780903263890) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61344)

Hammer, Martin (2009) Clearing away the Screens. In: Francis Bacon: Portraits and Heads. National Galleries of Scotland, Edinburgh, UK. ISBN 978-1-903278-66-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61345)

Hammer, Martin (2007) The Naked Portrait 1900 to 2007. National Galleries of Scotland, Edinburgh, UK, 176 pp. ISBN 978-1-903278-95-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55908)

Hammer, Martin (2007) The Naked Portrait. The Naked Portrait, Scottish National Portrait Gallery and Compton Verney. exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55944)

Hammer, Martin (2006) Clearing away the screens. In: Francis Bacon: Heads and Portraits. National Galleries of Scotland, Edinburgh, pp. 14-27. ISBN 978-1-903278-66-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56907)

Hammer, Martin (2005) Bacon and Sutherland : Patterns of Affinity in British Culture of the 1940s. The Paul Mellon Centre for Studies in British Art . Yale University Press, 296 pp. ISBN 978-0-300-10796-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55903)

Hammer, Martin (2005) Graham Sutherland. Graham Sutherland, 2005, Dulwich Picture Gallery and Djanogly Gallery, University of Nottingham. exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55943)

Hammer, Martin (2005) Graham Sutherland: Landscapes, War Scenes, Portraits 1924-1950. Scala, 192 pp. ISBN 978-1-85759-404-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55907)

Hammer, Martin and Lodder, Christina (2004) Dematerialising Sculpture: Methods and Motives. In: Barassi, Sebastiano, ed. Immaterial: Brancusi,Gabo,Moholy-Nagy. Kettle’s Yard, Cambridge. ISBN 978-1-904561-04-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61346)

Hammer, Martin, Lodder, Christina (2000) Gabo on Gabo: Texts and Interviews. Artists Bookworks, Forest Row, 295 pp. ISBN 978-0-946311-11-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55906)

Hammer, Martin, Lodder, Christina (2000) Constructing Modernity: the Art and Career of Naum Gabo. Yale University Press, 528 pp. ISBN 978-0-300-07688-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55904)

Hammer, Martin (1999) The Irony of Egotism. In: John Coplans: A Self-Portrait 1984-99. Dean Gallery, Edinburgh, pp. 5-14. ISBN 978-0-903598-96-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56908)

This list was generated on Tue Dec 24 20:29:11 2024 GMT.