Items where Subject is "P Language and Literature > PB Modern European Languages (inc film, TV and radio studies) > PB2994 Film Studies"

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2014 2013 2012 2011 2010 2009 2008 2007 2000 1999 1998 1997 1995 1993 1992 1991

Number of items at this level: 73.

2014

Lázaro-Reboll, Antonio (2014) Daring cycles: the Towers–Franco collaboration, 1968–70. New Review of Film and Television Studies, 11 (1). pp. 92-110. ISSN 1740-0309. The full text of this publication is not available from this repository.

2013

Frey, M. (2013) The Critical Question: Sight and Sound’s Postwar Consolidation of Liberal Taste. Screen . ISSN 0036-9543. (In press) The full text of this publication is not available from this repository.

Frey, M. (2013) Filmkritik, with and without Italics: Kracauerism and Its Limits in Postwar German Film Criticism. New German Critique . (In press) The full text of this publication is not available from this repository.

Frey, M. (2013) Postwall German Cinema: History, Film History, and Cinephilia. Film Europa . Berghahn, 228 pp. ISBN 9780857459473 . (In press) The full text of this publication is not available from this repository.

Jeffers McDonald, Tamar E. L. (2013) Bringing Up Baby: generic hybridity and Dirty Dancing. In: Tzioumakis, Yannis and Lincoln, Sian, eds. The Time of Our Lives: Dirty Dancing and Popular Culture. Wayne State University Press, Detroit. ISBN 9780814336243. The full text of this publication is not available from this repository.

Jeffers McDonald, Tamar E. L. (2013) Doris Day Confidential: Hollywood, Sex and Stardom. I B Tauris, London, 256 pp. ISBN 9781848855816. (In press) The full text of this publication is not available from this repository.

Lázaro-Reboll, Antonio (2013) Daring cycles: The Franco-Towers collaboration, 1968-1970. New Review of Film and Television Studies . ISSN 1740-0309. (In press) The full text of this publication is not available from this repository.

Sayad, Cecilia (2013) Performing Authorship: Self-inscription and Corporeality in the Cinema. Tauris World Cinema Series . I.B. Tauris, 288 pp. ISBN 9781780760056. (In press) The full text of this publication is not available from this repository.

Sayad, Cecilia (2013) Standup Auteur. In: A Companion to Woody Allen. WBCF - Wiley-Blackwell Companions to Film Directors . Wiley-Blackwell. ISBN 9781444337235. (In press) The full text of this publication is not available from this repository.

Sforza Tarabochia, Alvise (2013) Italian Neorealist Cinema - Book Review. Review of: TORUNN HAALAND, Italian Neorealist Cinema, (Edinburgh University Press: Edinburgh, 2012). by Haaland, Torunn. Historical Journal of Film, Radio and Television . ?-?. (In press) The full text of this publication is not available from this repository.

Wood, A. (2013) Contests and Simulations: Tron: Legacy and its Connections with Technologies. Journal of Film and Video . ISSN 0742-4671. (In press) The full text of this publication is not available from this repository.

Wood, A. (2013) Inception’s Timespaces. In: North, D. and Rehak, R. and Duffy, M.S., eds. Special Effects: New Histories, Theories, Contexts. BFI: Palgrave Macmillan. ISBN n/a. (In press) The full text of this publication is not available from this repository.

Wood, A. (2013) Sonic Times in Inception and Watchmen. In: Vernalis, C. and Richardson, J. and Herzog, A., eds. The Oxford Handbook of Sound and Image in Digital Media. Oxford University Press. ISBN n/a. (In press) The full text of this publication is not available from this repository.

2012

Church Gibson, Pamela and Jeffers McDonald, Tamar E. L. (2012) Costume and Adaptation. In: Cartmell, Deborah, ed. A Companion to Literature, Film and Adaptation. Blackwell Companions to Literature and Culture . Wiley-Blackwell, Oxford, pp. 295-311. ISBN 9781444334975 . The full text of this publication is not available from this repository.

Jeffers McDonald, Tamar E. L. (2012) The View from the Man Cave: Comedy in the Contemporary 'Homme-com' cycle. In: Horton, Andrew and Rapf, Joanne E., eds. A Companion to Film Comedy. John Wiley & Sons, Chichester, West Sussex, pp. 217-235. ISBN 9781444338591 . The full text of this publication is not available from this repository.

Lázaro-Reboll, Antonio (2012) Spanish Horror Film. Edinburgh University Press, Edinburgh, 256 pp. ISBN 9780748636389. The full text of this publication is not available from this repository.

Wood, A. (2012) Recursive space: play and creating space. Games and Culture, 7 (1). pp. 87-105. ISSN 1555-4120. (In press)

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Wood, A. (2012) Where Codes Collide: the Emergent Ecology of Avatar. Animation: An Interdisciplinary Journal, 7 (3). pp. 309-322. ISSN 1746-8477 . The full text of this publication is not available from this repository.

2011

Cinquegrani, Maurizio (2011) Empire and the City: Early Films of London. . Tate Britain Online article. The full text of this publication is not available from this repository.

Cinquegrani, Maurizio (2011) ‘A fit of absence of mind’?: Empire and Urban Life. Early Popular Visual Culture, 9 (4). pp. 325-336. ISSN 1746-0654 . Access to this publication is restricted.

Cowie, Elizabeth (2011) Recording Reality, desiring the real. Visible Evidence . University of Minnesota press, Minnesota, USA, 296 pp. ISBN 9780816645497. The full text of this publication is not available from this repository.

Jeffers McDonald, Tamar E. L. (2011) Against Male Elegance. In: Modemuseum, ., ed. Symposium 2 - Seam & Star: Male Elegance. Modemuseum, Antwerp, Antwerp, Belgium. ISBN 9789079269044.

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Jeffers McDonald, Tamar E. L. (2011) Mad Men and Career Women. In: Stoddart, Scott.F., ed. Analyzing Mad Men: Critical Essays on the AMC Series. McFarland & Co., Jefferson, North Carolina, USA, pp. 117-135. ISBN 9780786447381.

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Pitts, V.T (2011) Technologies of Culture: Digital Feature Filmmaking in New Zealand. New Cinemas: Journal of Contemporary Film, 9 (1). pp. 3-17. ISSN 1474-2756.

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Sayad, Cecilia (2011) The Auteur as Fool: Bakhtin, Barthes, and the Screen Performances of Woody Allen and Jean-Luc Godard. Journal of Film and Video, 63 (4). pp. 21-34. ISSN 0742-4671.

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Sayad, Cecilia (2011) The Persistence of Auteurism in Brazilian Cinema. In: Issues of Auteurism in Latin American Cinema - SCMS, 10-13 March 2011, Ritz-Carlton, New Orleans. The full text of this publication is not available from this repository.

Smith, Murray (2011) Triangulating Aesthetic Experience. In: Shimamura, Arthur P. and Palmer, Stephen E., eds. Aesthetic Science: Connecting Minds, Brains, and Experience. Oxford University Press, New York, pp. 80-102. ISBN 9780199732142 . The full text of this publication is not available from this repository.

Stanfield, Peter (2011) Maximum Movies -- Pulp Fictions: Film Culture and the Worlds of Samuel Fuller, Mickey Spillane and Jim Thompson. Other. Rutgers University Press, New Jersey The full text of this publication is not available from this repository.

Wood, A. (2011) Digital afx: digital dressing and affective shifts in Sin City and 300. New Review of Film and Television Studies, 9 (3). pp. 283-295. ISSN 1740-0309.

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2010

Cinquegrani, Maurizio (2010) The Cinematic Production of Iconic Spaces in Early Films of London. In: Koeck, Richard and Roberts, Les, eds. The City and the Moving Image: Urban Projections. Palgrave Macmillan, pp. 169-182. ISBN 9780230243385. Access to this publication is restricted.

Cinquegrani, Maurizio (2010) Travel Cinematography and the Indian City: The Imperial Spectacle of Geography at the End of the Long Nineteenth Century. Nineteenth-Century Contexts, 32 (1). pp. 65-78. ISSN 0890-5495. Access to this publication is restricted.

Cowie, Elizabeth (2010) Thinking Differently: on theory now and documentary art. Differences: A Journal of Feminist Cultural Studies, 21 (1). pp. 178-193. ISSN 1040-7391. The full text of this publication is not available from this repository.

Cowie, Elizabeth (2010) ‘Mourning, Loss and Trauma, and the Ambiguities of Proper and Improper Desire in Exotica (1994)'. In: Brown, Tom and Walters, James, eds. Film Moments. Palgrave/British Film Institute, London, pp. 140-143. ISBN 9781844573363. The full text of this publication is not available from this repository.

Frey, Mattias (2010) “Cultural Problems of Classical Film Theory: Béla Balázs, 'Universal Language' and the Birth of National Cinema.”. Screen, 51 (4). pp. 324-340. ISSN 0036-9543. The full text of this publication is not available from this repository.

Jeffers McDonald, Tamar E. L. (2010) Hollywood Catwalk: Exploring Costume and Transformation in American Film. I B Tauris, London, 256 pp. ISBN 9781848850408. (Submitted) The full text of this publication is not available from this repository.

Jeffers McDonald, Tamar E. L. (2010) Performances of desire and inexperience: Doris Day’s fluctuating filmic virginity. In: Jeffers McDonald, Tamar E. L., ed. Virgin Territory: Representing Sexual Innocence in Film. Contemporary Approaches to Film and Television Series . Wayne State University Press, Detroit, USA, pp. 103-122. ISBN 9780814333181. The full text of this publication is not available from this repository.

Laera, Margherita (2010) The Wedding at Cana. In: Greenaway, Peter, ed. Veronese - The Wedding at Cana. A vision by Peter Greenaway. Charta Art Books, Milan. ISBN 9788881587575. The full text of this publication is not available from this repository.

Pitts, V. (2010) From Process to Product: Intercultural Collaboration in the Making of Whale Rider. In: Impure Cinema: Interdisciplinary and Intercultural Approaches to World Cinema. (Unpublished)

Sayad, Cecilia (2010) Review of After Hitchcock: Influence, Imitation, and Intertextuality, David Boyd and R. Barton Palmer (eds.). Review of: After Hitchcock: Influence, Imitation, and Intertextuality by Boyd, David and Barton Palmer, R.. Journal of Adaptation in Film and Performance, 3 (2). pp. 119-121. ISSN 1753-6421. The full text of this publication is not available from this repository.

Sayad, Cecilia (2010) Flesh for the Author: Filmic Presence in the Documentaries of Eduardo Coutinho. Framework: The Journal of Cinema and Media, 51 (1). pp. 134-150. ISSN 0306-7661.

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2009

Cinquegrani, Maurizio (2009) The Nexus of the Empire: Early Actuality Films of London at the Turn of the Twentieth Century. Journal of British Cinema and Television, 6 (2). pp. 207-219. ISSN 1743-4521. Access to this publication is restricted.

Cowie, Elizabeth (2009) Introduction to Post-Partum Document. In: Frascina, Francis, ed. Modern Art Culture: a reader. Routledge, London, pp. 303-311. ISBN 9780415231510. The full text of this publication is not available from this repository.

Cowie, Elizabeth (2009) On Documentary Sounds and Images in the Gallery. Screen, 50 (1). pp. 124-134. ISSN 0036-9543. The full text of this publication is not available from this repository.

Jeffers McDonald, Tamar E. L. (2009) Mother’s Day: Taking the mother out of motherhood in The Thrill of it All. In: Addison, Heather and Goodwin-Kelly, Mary-Kate and Roth, Elaine, eds. Motherhood Misconceived: Representing the Maternal in US Films. State University of New York Press, New York, pp. 29-42. ISBN 9781438428123.

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Lázaro-Reboll, Antonio (2009) “Perversa América Latina”: the reception of Latin American exploitation cinemas in Spanish subcultures. In: Ruetalo, Victoria and Tierney, Dolores, eds. Latsploitation, Exploitation Cinemas and Latin America. Routledge Advances in Film Studies . Routledge, London, pp. 37-54. ISBN 9780415993869. The full text of this publication is not available from this repository.

Smith, Murray (2009) Consciousness. In: Livingston, Paisley and Plantinga, Carl, eds. The Routledge Companion to Philosophy and Film. Routledge, London and New York, pp. 39-51. ISBN 10:0-415-77166-8. The full text of this publication is not available from this repository.

Smith, Murray (2009) Double Trouble: On Film, Fiction, and Narrative. StoryWorlds: A Journal of Narrative Studies, 1 (1). pp. 1-23. ISSN 2156-7204. The full text of this publication is not available from this repository.

2008

Briggs, J.B. and Hoberman, J. and Love, D. and Lucas, T. and Sconce, J. and Stanfield, P. (2008) Cult Film: A Critical Symposium. Cineaste, 34 (1). pp. 43-50. ISSN 0009-7004. The full text of this publication is not available from this repository.

Jeffers McDonald, Tamar E. L. (2008) Homme-com: engendering change in contemporary romantic comedy. In: Abbot, Stacey and Jermyn, Deborah, eds. Falling in Love Again: Romantic Comedy in Contemporary Cinema. I B Tauris, London, pp. 146-159. ISBN 9781845117719 .

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Lázaro-Reboll, Antonio (2008) ‘Now Playing Everywhere’: Spanish Horror Film in the Marketplace. In: Beck, Jay and Rodriguez Ortega, Vicente, eds. Contemporary Spanish Cinema and Genre. Manchester University Press, Manchester, pp. 65-83. ISBN 9780719077753. The full text of this publication is not available from this repository.

Wood, A. (2008) Encounter at the Interface: Distributed Attention and Digital Embodiments. Quarterly Review of Film and Video, 25 (3). pp. 219-229. ISSN 1050-9208. Access to this publication is restricted.

2007

Smith, Murray (2007) Was macht es fur einen Unterschied ? Wissenschaft, Gefuhl und Film. In: Bartsch, Anne and Eder, Jens and Fahlenbrach, Kathrin, eds. Audiovisuelle Emotionen:Emotionsdarstellung und Emotionsvermittlung durch audiovisuelle Medienangebote. Herbert von Halem, Cologne, pp. 39-59. ISBN 978-3-938258-30-9.

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2000

Grant, C.A. (2000) Tropical multiculturalism: A comparative history of race in Brazilian cinema and culture. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. The full text of this publication is not available from this repository.

Welch, D. (2000) News into the next century: Introduction. Historical Journal of Film Radio and Television, 20 (1). pp. 5-13. ISSN 0143-9685. The full text of this publication is not available from this repository.

1999

Grant, M. (1999) Bad girls and sick boys: Fantasies in contemporary art and culture. Review of: Bad girls and sick boys: Fantasies in contemporary art and culture by Kauffman, L.S. Sight and Sound, 9 (2). p. 30. ISSN 0037-4806. The full text of this publication is not available from this repository.

Grant, M. (1999) Early cinema in Russia and its cultural reception. Review of: Early cinema in Russia and its cultural reception by Tsivisn , Y. Sight and Sound, 9 (2). p. 32. ISSN 0037-4806. The full text of this publication is not available from this repository.

Grant, M. (1999) The Eisenstein reader. Review of: The Eisenstein reader by Taylor , R. Sight and Sound, 9 (2). p. 30. ISSN 0037-4806. The full text of this publication is not available from this repository.

Grant, M. (1999) The Western reader. Review of: The Western reader by Kitses, J. Sight and Sound, 9 (2). pp. 31-32. ISSN 0037-4806. The full text of this publication is not available from this repository.

Grant, M. (1999) The erotic anime movie guide. Review of: The erotic anime movie guide by McCarthy, Helen and Clements, Jonathan. Sight and Sound, 9 (5). p. 33. ISSN 0037-4806. The full text of this publication is not available from this repository.

Smith, Murray (1999) (Dis)engaging characters: a response to Lynne Pearce's review. Screen, 40 (3). pp. 358-362. ISSN 0036-9543. The full text of this publication is not available from this repository.

Williams, J.S. (1999) The signs amongst us: Jean-Luc Godard's 'Histoire(s) du cinema'. Screen, 40 (3). pp. 306-315. ISSN 0036-9543. The full text of this publication is not available from this repository.

1998

Grant, M. (1998) Crimes of the future (David Cronenberg, 'Crash'). Screen, 39 (2). pp. 180-185. ISSN 0036-9543. The full text of this publication is not available from this repository.

Grant, M. (1998) Fake, fact and fantasy: Children's interpretations of television reality. Sight and Sound, 8 (8). pp. 28-29. ISSN 0037-4806. The full text of this publication is not available from this repository.

Grant, M. (1998) Meat is murder: An illustrated guide to cannibal culture. Review of: Meat is murder: An illustrated guide to cannibal culture by Mikita , Brottman. Sight and Sound, 8 (8). p. 29. ISSN 0037-4806. The full text of this publication is not available from this repository.

Grant, M. (1998) Video critical: Children, the environment and media power. Review of: Video Critical: Children, the Environment and Media Power by Gauntlett, D.. Sight and Sound, 8 (8). pp. 28-29. ISSN 0037-4806. The full text of this publication is not available from this repository.

Smith, Murray (1998) Image and mind: Film, philosophy, and cognition science. Review of: Image and Mind: Film, Philosophy, and Cognitive Science. by Currie, Gregory. British Journal of Aesthetics, 38 (3). pp. 325-327. ISSN 0007-0904. The full text of this publication is not available from this repository.

Smith, Murray (1998) Regarding film spectatorship: A reply to Richard Allen. Journal of Aesthetics and Art Criticism, 56 (1). pp. 63-65. ISSN 0021-8529. The full text of this publication is not available from this repository.

1997

Grieveson, L. (1997) Policing the cinema: 'Traffic in Souls' at Ellis Island, 1913. Screen, 38 (2). pp. 149-171. ISSN 0036-9543. The full text of this publication is not available from this repository.

1995

Neale, S. (1995) The story of Custer in everything but name, colonel-Thursday and 'fort apache'. Journal of Film and Video, 47 (1-3). pp. 26-32. ISSN 0742-4671. The full text of this publication is not available from this repository.

1993

Welch, C. (1993) Political 're-education' and the use of radio in Germany after 1945. Historical Journal of Film Radio and Television, 13 (1). pp. 75-81. ISSN 0143-9685. The full text of this publication is not available from this repository.

1992

Sharman, L.F. (1992) Cohl,emile, caricature, and film - crafton,d. Screen, 33 (4). pp. 441-445. ISSN 0036-9543. The full text of this publication is not available from this repository.

Smith, Murray (1992) Society-for-cinema-studies conference, pittsburgh, 30-april 3-may, 1992. Screen, 33 (4). pp. 436-438. ISSN 0036-9543. The full text of this publication is not available from this repository.

1991

Eyuboglu, S. (1991) The authorial text and postmodernism, hitchcock 'blackmail'. Screen, 32 (1). pp. 58-78. ISSN 0036-9543. The full text of this publication is not available from this repository.

This list was generated on Sat May 25 11:09:00 2013 BST.