Items where Subject is "P Language and Literature > PB Modern European Languages (inc film, TV and radio studies) > PB2994 Film Studies"

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Number of items at this level: 180.

Choi, Jinhee and Frey, Mattias, eds. (2014) Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, 255 pp. ISBN 9780415821254. (The full text of this publication is not available from this repository)

Sayad, Cecilia and Frey, Mattias, eds. (2015) Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ ISBN n/a. (In press) (The full text of this publication is not available from this repository)

Frey, Mattias and Sayad, Cecilia, eds. (2015) Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, 300 pp. (In press) (The full text of this publication is not available from this repository)

Mittermayer, Manfred and Blaser, Patrick and Braidt, Andrea and Holmes, Deborah, eds. (2009) Ikonen, Helden, Außenseiter: Film und Biographie. Zsolnay, Vienna, Austria, 205 pp. ISBN 978-3552054530. (The full text of this publication is not available from this repository)

Briggs, Joe Bob and Hoberman, J. and Love, D. and Lucas, T. and Sconce, J. and Stanfield, Peter (2008) Cult Film: A Critical Symposium. Cineaste, 34 (1). pp. 43-50. ISSN 0009-7004. (The full text of this publication is not available from this repository)

Choi, Jinhee and Frey, Mattias (2014) Introduction. In: Choi, Jinhee and Frey, Mattias, eds. Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, pp. 1-14. ISBN 9780415821254. (The full text of this publication is not available from this repository)

Church Gibson, Pamela and Jeffers McDonald, Tamar E. L. (2012) Costume and Adaptation. In: Cartmell, Deborah, ed. A Companion to Literature, Film and Adaptation. Blackwell Companions to Literature and Culture . Wiley-Blackwell, Oxford, pp. 295-311. ISBN 9781444334975 . (The full text of this publication is not available from this repository)

Cinquegrani, Maurizio (2010) The Cinematic Production of Iconic Spaces in Early Films of London. In: Koeck, Richard and Roberts, Les, eds. The City and the Moving Image: Urban Projections. Palgrave Macmillan, pp. 169-182. ISBN 9780230243385. (Access to this publication is restricted)
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Cinquegrani, Maurizio (2011) Empire and the City: Early Films of London. . Tate Britain Online article. (The full text of this publication is not available from this repository)

Cinquegrani, Maurizio (2009) The Nexus of the Empire: Early Actuality Films of London at the Turn of the Twentieth Century. Journal of British Cinema and Television, 6 (2). pp. 207-219. ISSN 1743-4521. (Access to this publication is restricted)
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Cinquegrani, Maurizio (2010) Travel Cinematography and the Indian City: The Imperial Spectacle of Geography at the End of the Long Nineteenth Century. Nineteenth-Century Contexts, 32 (1). pp. 65-78. ISSN 0890-5495. (Access to this publication is restricted)
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Cinquegrani, Maurizio (2011) ‘A fit of absence of mind’?: Empire and Urban Life. Early Popular Visual Culture, 9 (4). pp. 325-336. ISSN 1746-0654 . (Access to this publication is restricted)
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Cowie, Elizabeth (2009) Introduction to Post-Partum Document. In: Frascina, Francis, ed. Modern Art Culture: a reader. Routledge, London, pp. 303-311. ISBN 9780415231510. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2009) On Documentary Sounds and Images in the Gallery. Screen, 50 (1). pp. 124-134. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2010) Thinking Differently: on theory now and documentary art. Differences: A Journal of Feminist Cultural Studies, 21 (1). pp. 178-193. ISSN 1040-7391. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2011) Recording Reality, desiring the real. Visible Evidence . University of Minnesota press, Minnesota, USA, 296 pp. ISBN 9780816645497. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2010) ‘Mourning, Loss and Trauma, and the Ambiguities of Proper and Improper Desire in Exotica (1994)'. In: Brown, Tom and Walters, James, eds. Film Moments. Palgrave/British Film Institute, London, pp. 140-143. ISBN 9781844573363. (The full text of this publication is not available from this repository)

Dillet, Benoît and Puri, Tara (2013) Left-over spaces: The cinema of the Dardenne brothers. Film Philosophy, 17 (1). pp. 367-382. ISSN 1466-4615. (Full text available)
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Eyuboglu, S. (1991) The authorial text and postmodernism, hitchcock 'blackmail'. Screen, 32 (1). pp. 58-78. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Frey, Mattias (2006) Творчий портрет Міхаеля Ханеке. AZH . 0-0. (The full text of this publication is not available from this repository)

Frey, Mattias (2012) 23 July 1991: ZDF Broadcast of Ostkreuz Initiates Darker Reckoning with the Wende. In: Richardson, Michael and Kapczynski, Jennifer, eds. A New History of German Cinema. Camden House, Rochester, NY, pp. 512-517. ISBN 1571134905. (The full text of this publication is not available from this repository)

Frey, Mattias (2003) A Cinema of Disturbance: The Films of Michael Haneke in Context. Senses of Cinema (28). ISSN 1443-4059. (The full text of this publication is not available from this repository)

Frey, Mattias (2010) A Persistent Allure: The Reception of Michael Haneke. In: Invited speaker, On Michael Haneke, 2nd June 2010, University of Sussex. (The full text of this publication is not available from this repository)

Frey, Mattias (2014) Antares, Sex and International Distribution. In: Invited speaker, Picturing Austrian Cinema, 22 September 2014, Cambridge University. (The full text of this publication is not available from this repository)

Frey, Mattias (2010) Art and Artifice: German Films at the 60th Berlin International Film Festival. Senses of Cinema (55). ISSN 1443-4059. (The full text of this publication is not available from this repository)

Frey, Mattias (2012) Arthouse Ethics and Provocation. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 23 June 2012, Lisbon. (The full text of this publication is not available from this repository)

Frey, Mattias (2014) Authentizität und Hörbarkeit im jüngsten deutschen Geschichtsfilm. In: Invited speaker, Film und Geschichte: Produktion und Erfahrung von Geschichte durch Bewegtbild und Ton, 8 May 2014, Universität Bremen. (The full text of this publication is not available from this repository)

Frey, Mattias (2006) Benny's Video, Caché, and the Desubstantiated Image. In: Society of Cinema and Media Studies (SCMS) Annual Conference, 2 March 2006, Vancouver. (The full text of this publication is not available from this repository)

Frey, Mattias (2008) Birth of a Nation in Sound and Colour: The Miracle of Bern (2003). In: Screen Studies Conference, 5 July 2008, University of Glasgow. (The full text of this publication is not available from this repository)

Frey, Mattias (2008) Birth of a Nation: The Miracle of Bern and Post-wall Germany's Cinema of Retro-flection. In: European Cinema Research Forum (ECRF), 12 July 2008, Institute of Technology, Dublin. (The full text of this publication is not available from this repository)

Frey, Mattias (2004) Border Zones: The Films of Ulrich Seidl. Senses of Cinema (32). ISSN 1443-4059. (The full text of this publication is not available from this repository)

Frey, Mattias (2012) British Film Culture in the Course of Time: Liberal Criticism, Sight and Sound and the British Film Institute. In: UNSPECIFIED, 18 January 2012, British Council Taipei. (The full text of this publication is not available from this repository)

Frey, Mattias (2010) A Cinema of Disturbance: The Films of Michael Haneke in Context, 2nd rev. ed. Senses of Cinema, 57 (57). n/a-n/a. ISSN 1443-4059. (The full text of this publication is not available from this repository)

Frey, Mattias (2013) Contemporary Debates on Criticism and the Spectre of the Past: A View from the UK. In: Invited speaker, Critica della critica, 1 February 2013, Università di Bologna. (The full text of this publication is not available from this repository)

Frey, Mattias (2013) Cosmopolitanism, Exoticism and the 'Sandwich Process': The Programming and Discourse of Extreme Cinema at Film Festivals. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 21 June 2013, Prague. (The full text of this publication is not available from this repository)

Frey, Mattias (2014) Creating Synergies, Building Institutions: A Perspective from (German) Film Studies. In: Invited speaker, Models for German Studies in a New Millennium, 25 April 2014, Harvard University. (The full text of this publication is not available from this repository)

Frey, Mattias (2013) The Critical Question: Sight and Sound’s Postwar Consolidation of Liberal Taste. Screen, 54 (2). pp. 194-217. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Frey, Mattias (2010) Cultural Problems of Classical Film Theory: Béla Balázs, 'Universal Language' and the Birth of National Cinema. Screen, 51 (4). pp. 324-340. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Frey, Mattias (2008) Cultural Problems of Classical Film Theory: Béla Balázs, 'Universal Language' and the Birth of National Cinema. In: Research seminar, 4 December 2008, University of Kent. (The full text of this publication is not available from this repository)

Frey, Mattias (2014) Daniel Brühl and Nichts bereuen. In: German Screen Studies Network (GSSN) symposium: Translating Stars - German Cinema in Transnational Context, 11 September 2014, University of Leeds. (Unpublished) (The full text of this publication is not available from this repository)

Frey, Mattias (2013) Der unbelehrbare Zuschauer. In: Invited speaker, 19. Bremer Filmsymposium, 20 January 2013, Universität Bremen. (The full text of this publication is not available from this repository)

Frey, Mattias (2013) Disturbing Directors, Disturbed Programmers: The Rhetoric and Reception of Extreme Cinema. In: Screen Studies Annual Conference, 29 June 2013, University of Glasgow. (The full text of this publication is not available from this repository)

Frey, Mattias (2007) Einführung in die Film Theorie. In: Invited guest lecturer, ShortShots: Programmgestaltung und Planung eines Kurzfilmfestivals, 3 May 2007, Freie Universität Berlin. (The full text of this publication is not available from this repository)

Frey, Mattias (2011) Einführung in die Filmkritik. In: Invited series of masterclasses, 28 June - 1 July 2011, Universität Passau. (The full text of this publication is not available from this repository)

Frey, Mattias (2012) Einführung in die Filmkritik. In: Invited series of masterclasses, 2-6 July 2012, Universität Passau. (The full text of this publication is not available from this repository)

Frey, Mattias (2012) Einführung in die Filmkritik. In: Invited series of masterclasses, 9-13 July 2012, Goethe-Universität Frankfurt. (The full text of this publication is not available from this repository)

Frey, Mattias (2014) Ekel und Langeweile: Der unbelehrbare Zuschauer. In: Pauleit, Winfried and Rüffert, Christina and Schmid, Karl-Heinz and Tews, Alfred and Odorico, Stefano, eds. Filmerfahrung und Zuschauer: Zwischen Kino, Museum und sozialen Netzwerken. Bertz + Fischer, Berlin, pp. 48-62. ISBN 9783865052292. (The full text of this publication is not available from this repository)

Frey, Mattias (2014) The Ethics of Extreme Cinema. In: Choi, Jinhee and Frey, Mattias, eds. Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, pp. 145-162. ISBN 9780415821254. (The full text of this publication is not available from this repository)

Frey, Mattias (2011) The Ethics of Extreme Cinema. In: Cine-Ethics, 15 June 2011, University of Kent. (The full text of this publication is not available from this repository)

Frey, Mattias (2016) Extreme Cinema: The Transgressive Rhetoric of Today's Art Film Culture. n, 308 pp. (Submitted) (The full text of this publication is not available from this repository)

Frey, Mattias (2006) Fidelio: Love, Adaptation, and Eyes Wide Shut. Literature/Film Quarterly, 34 (1). pp. 39-45. ISSN 0090-4260. (The full text of this publication is not available from this repository)

Frey, Mattias (2012) Film Criticism as Crisis History. In: Cultural Criticism in the Digital Age, 7 June 2012, University of Kent. (The full text of this publication is not available from this repository)

Frey, Mattias (2013) Filmkritik, with and without Italics: Kracauerism and Its Limits in Postwar German Film Criticism. New German Critique, 40 (3). pp. 85-110. ISSN 0094-033X. (The full text of this publication is not available from this repository)

Frey, Mattias (2008) Gazing Lessons: German Films at the 58th Berlin International Film Festival. Review of: 58th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema (47). 0-0. ISSN 1443-4059. (The full text of this publication is not available from this repository)

Frey, Mattias (2010) Goodbye Germany: Emigration, Reality TV and Schadenfreude. Jump Cut (52). ISSN 0146-5546. (The full text of this publication is not available from this repository)

Frey, Mattias (2012) Grand Finales: The International Forum of New Cinema at the 62nd Berlin International Film Festival. Senses of Cinema, 62 (62). n/a-n/a. ISSN 1443-4059. (The full text of this publication is not available from this repository)

Frey, Mattias (2013) The Greatest of These Is Love: Ulrich Seidl's Paradise Trilogy. Artforum, 51 (10). pp. 149-150. ISSN 0004-3532. (The full text of this publication is not available from this repository)

Frey, Mattias (2007) Haneke and the Painterly. In: Invited speaker, Michael Haneke - A Cinema of Provocation, 26 October 2007, Boston University. (The full text of this publication is not available from this repository)

Frey, Mattias (2007) In/Flux: German Films at the 57th Berlin International Film Festival. Review of: German Films at the 57th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema (43). 0-0. ISSN 1443-4059. (The full text of this publication is not available from this repository)

Frey, Mattias (2009) Insecure Times, Confident Localities: German Films at the 59th Berlin International Film Festival. Review of: 59th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema (50). 0-0. ISSN 1443-4059. (The full text of this publication is not available from this repository)

Frey, Mattias (2005) Interior Designs: London as Fashion(ed) Object in the 'Swinging London' Film. In: Designs for Living: Space and Place in the Cinema, 28 June 2005, Queen Mary, University of London. (The full text of this publication is not available from this repository)

Frey, Mattias (2015) Introduction. In: Frey, Mattias and Sayad, Cecilia, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ. (In press) (The full text of this publication is not available from this repository)

Frey, Mattias (2012) The Liberal Tradition of British Film Criticism: Sight and Sound, 'Restraint' and Realism. In: Invited speaker, research seminar, 15 November 2012, Waseda University Tokyo. (The full text of this publication is not available from this repository)

Frey, Mattias (2009) The Limits of Spectatorship: Towards a Theory of Walking Out. In: Emergent Encounters in Film Theory, 21 March 2009, Kings College London. (The full text of this publication is not available from this repository)

Frey, Mattias (2006) London à la Mod: Fashion, Genre, and Historical Space in Performance. Quarterly Review of Film and Video, 23 (4). pp. 369-376. ISSN 1050-9208. (The full text of this publication is not available from this repository)

Frey, Mattias (2015) The New Democracy? Rotten Tomatoes, Metacritic, Twitter, and IMDb. In: Frey, Mattias and Sayad, Cecilia, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ. (In press) (The full text of this publication is not available from this repository)

Frey, Mattias (2006) No(ir) Place to Go: Spatial Anxiety and Sartorial Intertextuality in Die Unberührbare. Cinema Journal, 45 (4). pp. 64-80. ISSN 0009-7101. (The full text of this publication is not available from this repository)

Frey, Mattias (2005) Noi(r) Place to Go: Historical Anxiety as Dramaturgical and Intertextual Space in Oskar Roehler's Die Unberührbare. In: Cinema Europe: Networks in Progress, 23 June 2005, Universiteit van Amsterdam. (The full text of this publication is not available from this repository)

Frey, Mattias (2009) The Pained Spectator. In: Images of Pain/Painful Images, 20 June 2009, Universitetet i Bergen. (The full text of this publication is not available from this repository)

Frey, Mattias (2014) The Permanent Crisis of Film Criticism: The Anxiety of Authority. Film Theory in Media History . Amsterdam University Press, Amsterdam, 232 pp. ISBN 9789089647177. (In press) (The full text of this publication is not available from this repository)

Frey, Mattias (2011) The Possibility of Desire in a Conformist World: The Cinema of Ulrich Seidl. In: Dassanowsky, Robert and Speck, Oliver, eds. New Austrian Film. Berghahn, New York, pp. 189-198. ISBN 1845457005. (The full text of this publication is not available from this repository)

Frey, Mattias (2013) Postwall German Cinema: History, Film History, and Cinephilia. Film Europa . Berghahn, 228 pp. ISBN 9780857459473 . (The full text of this publication is not available from this repository)

Frey, Mattias (2008) Postwall Germany's Cinema of Retro-flection. In: Cultural Memory: Forgetting to Remember/Remembering to Forget, 11 September 2008, University of Kent. (The full text of this publication is not available from this repository)

Frey, Mattias (2011) Postwar British Film Criticism's Reaction to Cahiers du cinéma: Sight and Sound and the Establishment of Middlebrow Taste. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 25 June 2011, London. (The full text of this publication is not available from this repository)

Frey, Mattias (2005) Re-Connecting the Body 'in' to the Body 'of' Pasolini. In: Il testo in movimento: Themes and Techniques in Italian Film and Literature, 5 February 2005, Harvard University. (The full text of this publication is not available from this repository)

Frey, Mattias (2004) Re-Connecting the Body 'in' to the Body 'of' Pasolini. In: Screen Media and Sexual Politics, 9 October 2004, Plymouth State University. (The full text of this publication is not available from this repository)

Frey, Mattias (2014) 'Real' Sex by 'Real' People: Realist Aesthetics and Celebrity Couples in the Marketing of Extreme Cinema. In: Society of Cinema and Media Studies (SCMS) Annual Conference, 21 March 2014, Seattle. (The full text of this publication is not available from this repository)

Frey, Mattias (2004) The Renaissance of New Austrian Film? The Example of Michael Haneke. In: German Projections, Foreign Reflections: Film, Narrative and the Creation of Historical Memory, 3 April 2004, University of Pennsylvania. (The full text of this publication is not available from this repository)

Frey, Mattias (2012) Review of: A Companion to Michael Haneke, ed. Roy Grundmann. Review of: A Companion to Michael Haneke by Grundmann, Roy. Historical Journal of Film, Radio and Television, 32 (1). pp. 127-129. ISSN 0143-9685. (The full text of this publication is not available from this repository)

Frey, Mattias (2012) The Role of Criticism in Britain Today. In: UNSPECIFIED, 17 November 2012, British Council Tokyo. (The full text of this publication is not available from this repository)

Frey, Mattias (2013) The Role of Violence and Sex in Recent Austrian Cinema. In: Invited speaker, research seminar, 27 November 2013, Kings College London. (The full text of this publication is not available from this repository)

Frey, Mattias (2011) Searches for Identity: German Films at the 61st Berlin International Film Festival. Senses of Cinema, 58 (58). n/a-n/a. ISSN 1443-4059. (The full text of this publication is not available from this repository)

Frey, Mattias (2004) Sebald's Cinémathèque: Theorizing Cinema in Sebald and Sebald with 'Cinema'. In: Approaching W. G. Sebald, 27 March 2004, Yale University. (The full text of this publication is not available from this repository)

Frey, Mattias (2005) A Star in Our Stratosphere: Introductory Remarks to the Daniel Brühl Film Series. In: Daniel Brühl Film Series, 15 September 2005, Museum of Fine Arts, Boston. (The full text of this publication is not available from this repository)

Frey, Mattias (2012) Suburban Violence in German-Language Film. In: Invited speaker, Political Cultures/Cultural Politics of Germany in the 21st Century, 8 December 2012, University of Birmingham. (The full text of this publication is not available from this repository)

Frey, Mattias (2002) Supermodernity, Capital, and Narcissus: The French Connection to Michael Haneke’s Benny’s Video. Cinetext . ISSN 1605-6035. (The full text of this publication is not available from this repository)

Frey, Mattias (2012) Supermodernity, Sick Eros and the Video Narcissus: Benny's Video in the Context of Theory and Time. In: McCann, Benjamin and Sorfa, David, eds. The Cinema of Michael Haneke: Europe Utopia. Wallflower, London, pp. 151-161. ISBN 1906660301. (The full text of this publication is not available from this repository)

Frey, Mattias (2006) Supermodernost, kapital i narcis: Francuska veza filma Bennyev Michaela Hanekea. Item format: Croatian National Radio. (The full text of this publication is not available from this repository)

Frey, Mattias (2005) Supermodernost, kapital i narcis: Francuska veza filma Bennyev video Michaela Hanekea. Item format: Croation National Radio. (The full text of this publication is not available from this repository)

Frey, Mattias (2007) The End of Innocence: Scandinavian Films at the 30th Gothenburg International Film Festival. Review of: Scandinavian Films at the 30th Gothenburg International Film Festival by UNSPECIFIED. Senses of Cinema (43). 0-0. ISSN 1443-4059. (The full text of this publication is not available from this repository)

Frey, Mattias (2015) Theorizing Cinema in Sebald and Sebald with Cinema (Polish Translation). Konteksty, 68 (3-4). ?-?. ISSN 1230-6142. (In press) (The full text of this publication is not available from this repository)

Frey, Mattias (2012) Tuning Out, Turning In, Walking Off: The Spectator in Pain. In: Gronstad, Asbjorn and Gustafsson, Henrik, eds. Ethics and Images of Pain. Routledge, London, pp. 93-111. ISBN 0415893824. (The full text of this publication is not available from this repository)

Frey, Mattias (2008) A Universal Language Not Yet Understood: The Inscription of National Difference in Early Film Theory. In: Permanent Seminar on the History of Film Theory, 3 March 2008, Università degli studi di Udine. (The full text of this publication is not available from this repository)

Frey, Mattias (2013) Why Is Cinema Violent? In: UNSPECIFIED, 1 May 2013, British Council Tokyo. (The full text of this publication is not available from this repository)

Frey, Mattias (2013) Why the Arts Matter, or: The Role of Violence in Film and Media. In: UNSPECIFIED, 18 October 2013, Kaywon School of Art and Design, Seoul. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2000) Tropical multiculturalism: A comparative history of race in Brazilian cinema and culture. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Grant, Michael (1999) Bad girls and sick boys: Fantasies in contemporary art and culture. Review of: Bad girls and sick boys: Fantasies in contemporary art and culture by Kauffman, L.S. Sight and Sound, 9 (2). p. 30. ISSN 0037-4806. (The full text of this publication is not available from this repository)

Grant, Michael (1998) Crimes of the future (David Cronenberg, 'Crash'). Screen, 39 (2). pp. 180-185. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Grant, Michael (1999) Early cinema in Russia and its cultural reception. Review of: Early cinema in Russia and its cultural reception by Tsivisn , Y. Sight and Sound, 9 (2). p. 32. ISSN 0037-4806. (The full text of this publication is not available from this repository)

Grant, Michael (1998) Fake, fact and fantasy: Children's interpretations of television reality. Sight and Sound, 8 (8). pp. 28-29. ISSN 0037-4806. (The full text of this publication is not available from this repository)

Grant, Michael (1998) Meat is murder: An illustrated guide to cannibal culture. Review of: Meat is murder: An illustrated guide to cannibal culture by Mikita , Brottman. Sight and Sound, 8 (8). p. 29. ISSN 0037-4806. (The full text of this publication is not available from this repository)

Grant, Michael (1999) The Eisenstein reader. Review of: The Eisenstein reader by Taylor , R. Sight and Sound, 9 (2). p. 30. ISSN 0037-4806. (The full text of this publication is not available from this repository)

Grant, Michael (1999) The Western reader. Review of: The Western reader by Kitses, J. Sight and Sound, 9 (2). pp. 31-32. ISSN 0037-4806. (The full text of this publication is not available from this repository)

Grant, Michael (1999) The erotic anime movie guide. Review of: The erotic anime movie guide by McCarthy, Helen and Clements, Jonathan. Sight and Sound, 9 (5). p. 33. ISSN 0037-4806. (The full text of this publication is not available from this repository)

Grant, Michael (1998) Video critical: Children, the environment and media power. Review of: Video Critical: Children, the Environment and Media Power by Gauntlett, D.. Sight and Sound, 8 (8). pp. 28-29. ISSN 0037-4806. (The full text of this publication is not available from this repository)

Grieveson, Lee (1997) Policing the cinema: 'Traffic in Souls' at Ellis Island, 1913. Screen, 38 (2). pp. 149-171. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Jeffers McDonald, Tamar E. L. (2011) Against Male Elegance. In: Modemuseum, ., ed. Symposium 2 - Seam & Star: Male Elegance. Modemuseum, Antwerp, Antwerp, Belgium. ISBN 9789079269044. (Full text available)
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Jeffers McDonald, Tamar E. L. (2013) Bringing Up Baby: generic hybridity and Dirty Dancing. In: Tzioumakis, Yannis and Lincoln, Sian, eds. The Time of Our Lives: Dirty Dancing and Popular Culture. Wayne State University Press, Detroit. ISBN 9780814336243. (The full text of this publication is not available from this repository)

Jeffers McDonald, Tamar E. L. (2013) Doris Day Confidential: Hollywood, Sex and Stardom. I B Tauris, London, 256 pp. ISBN 9781848855816. (In press) (The full text of this publication is not available from this repository)

Jeffers McDonald, Tamar E. L. (2010) Hollywood Catwalk: Exploring Costume and Transformation in American Film. International Library of Cultural Studies . I B Tauris, London, 256 pp. ISBN 9781848850408. (The full text of this publication is not available from this repository)

Jeffers McDonald, Tamar E. L. (2008) Homme-com: engendering change in contemporary romantic comedy. In: Abbot, Stacey and Jermyn, Deborah, eds. Falling in Love Again: Romantic Comedy in Contemporary Cinema. I B Tauris, London, pp. 146-159. ISBN 9781845117719 . (Full text available)
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Jeffers McDonald, Tamar E. L. (2011) Mad Men and Career Women. In: Stoddart, Scott.F., ed. Analyzing Mad Men: Critical Essays on the AMC Series. McFarland & Co., Jefferson, North Carolina, USA, pp. 117-135. ISBN 9780786447381. (Full text available)
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Jeffers McDonald, Tamar E. L. (2009) Mother’s Day: Taking the mother out of motherhood in The Thrill of it All. In: Addison, Heather and Goodwin-Kelly, Mary-Kate and Roth, Elaine, eds. Motherhood Misconceived: Representing the Maternal in US Films. State University of New York Press, New York, pp. 29-42. ISBN 9781438428123. (Full text available)
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Jeffers McDonald, Tamar E. L. (2010) Performances of desire and inexperience: Doris Day’s fluctuating filmic virginity. In: Jeffers McDonald, Tamar E. L., ed. Virgin Territory: Representing Sexual Innocence in Film. Contemporary Approaches to Film and Television Series . Wayne State University Press, Detroit, USA, pp. 103-122. ISBN 9780814333181. (The full text of this publication is not available from this repository)

Jeffers McDonald, Tamar E. L. (2012) The View from the Man Cave: Comedy in the Contemporary 'Homme-com' cycle. In: Horton, Andrew and Rapf, Joanne E., eds. A Companion to Film Comedy. John Wiley & Sons, Chichester, West Sussex, pp. 217-235. ISBN 9781444338591 . (The full text of this publication is not available from this repository)

Laera, Margherita (2010) The Wedding at Cana. In: Greenaway, Peter, ed. Veronese - The Wedding at Cana. A vision by Peter Greenaway. Charta Art Books, Milan. ISBN 9788881587575. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2014) Daring Cycles: the Towers–Franco Collaboration, 1968–70. New Review of Film and Television Studies, 11 (1). pp. 92-110. ISSN 1740-0309. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2012) Film Noir, the Thriller, and Horror (Chapter 9). In: Labanyi, Jo and Pavlovic, Tatjana, eds. A Companion to Spanish Cinema. Wiley-Blackwell, Oxford, pp. 259-290. ISBN ISBN: 978-1-4051-9438-9. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2012) Spanish Horror Film. Edinburgh University Press, Edinburgh, 256 pp. ISBN 9780748636389. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2012) Strategic Auteurism (Chapter 6). In: Labanyi, Jo and Pavlovic, Tatjana, eds. A Companion to Spanish Cinema. Wiley-Blackwell, Oxford, pp. 152-190. ISBN 978-1-4051-9438-9. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2008) ‘Now Playing Everywhere’: Spanish Horror Film in the Marketplace. In: Beck, Jay and Rodriguez Ortega, Vicente, eds. Contemporary Spanish Cinema and Genre. Manchester University Press, Manchester, pp. 65-83. ISBN 9780719077753. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2009) “Perversa América Latina”: the reception of Latin American exploitation cinemas in Spanish subcultures. In: Ruetalo, Victoria and Tierney, Dolores, eds. Latsploitation, Exploitation Cinemas and Latin America. Routledge Advances in Film Studies . Routledge, London, pp. 37-54. ISBN 9780415993869. (The full text of this publication is not available from this repository)

Neale, Steve (1995) The story of Custer in everything but name, colonel-Thursday and 'fort apache'. Journal of Film and Video, 47 (1-3). pp. 26-32. ISSN 0742-4671. (The full text of this publication is not available from this repository)

Pitts, Virginia (2010) From Process to Product: Intercultural Collaboration in the Making of Whale Rider. In: Impure Cinema: Interdisciplinary and Intercultural Approaches to World Cinema. (Unpublished) (Full text available)
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Pitts, Virginia (2011) Technologies of Culture: Digital Feature Filmmaking in New Zealand. New Cinemas: Journal of Contemporary Film, 9 (1). pp. 3-17. ISSN 1474-2756. (Full text available)
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Sayad, Cecilia (2006) Authorship in the Interstices of History, Biography, Reality and Memory: Histoire(s) du cinéma and Cabra Marcado para Morrer. Significação: Revista Brasileira de Semiótica (26). pp. 139-172. ISSN 15164330. (The full text of this publication is not available from this repository)

Sayad, Cecilia (2006) Mutant Authors and Cross-Pollinating Texts in Charlie Kaufman’s Adaptation. In: Housel, Rebecca, ed. From Camera Lens to Critical Lens: A Collection of Best Essays on Film Adaptation. Cambridge Scholars Press, Cambridge, p. 123. ISBN 978-1847180315. (The full text of this publication is not available from this repository)

Sayad, Cecilia (2010) Review of After Hitchcock: Influence, Imitation, and Intertextuality, David Boyd and R. Barton Palmer (eds.). Review of: After Hitchcock: Influence, Imitation, and Intertextuality by Boyd, David and Barton Palmer, R.. Journal of Adaptation in Film and Performance, 3 (2). pp. 119-121. ISSN 1753-6421. (The full text of this publication is not available from this repository)

Sayad, Cecilia (2015) Afterword. In: Sayad, Cecilia and Frey, Mattias, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ. (In press) (The full text of this publication is not available from this repository)

Sayad, Cecilia (2009) The Auteur as Fool. In: Screen Studies Conference: 50th Anniversary, July 2009, University of Glasgow. (Unpublished) (The full text of this publication is not available from this repository)

Sayad, Cecilia (2009) Border crossing, corporality and performance: a study of authorial self-inscription in the cinema. In: Centre for World Cinemas – WUN series, October 2009, University of Leeds. (Unpublished) (The full text of this publication is not available from this repository)

Sayad, Cecilia (2009) A Cinema of Presence: the author and the body in the documentaries of Eduardo Coutinho. In: Performing Presence, March 2009, Exeter. (Unpublished) (The full text of this publication is not available from this repository)

Sayad, Cecilia (2015) Critics Through Authors: Dialogues, Similarities, and the Sense of a Crisis. In: Sayad, Cecilia and Frey, Mattias, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ. ISBN n/a. (In press) (The full text of this publication is not available from this repository)

Sayad, Cecilia (2004) Da poesia à cafajestagem. Review of: The Brown Bunny by Gallo, Vincent. Tropico . p. 1. (Full text available)
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Sayad, Cecilia (2004) Deconstructing God. Reverse Shot, Spring . (The full text of this publication is not available from this repository)

Sayad, Cecilia (2014) Discussion of Performing Authorship. In: The Self-Portrait in the Moving Image, 28 February-1 March 2014, Birckbeck; London. (Unpublished) (The full text of this publication is not available from this repository)

Sayad, Cecilia (2014) Do Critics Need Authors? In: Critica 2.0, 18-19 February 2014, Bologna, Italy. (Unpublished) (The full text of this publication is not available from this repository)

Sayad, Cecilia (2010) Documenting Presence: the author, the body and the nation in the films of Eduardo Coutinho. In: Society for Cinema and Media Studies 2010, March 2010, Los Angeles, CA. (Unpublished) (The full text of this publication is not available from this repository)

Sayad, Cecilia (2014) Eduardo Coutinho's Films Were About Gaps and Creative Frictions. Mediático, n/a (n/a). n/a-n/a. ISSN n/a. (Full text available)
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Sayad, Cecilia (2010) Flesh for the Author: Filmic Presence in the Documentaries of Eduardo Coutinho. Framework: The Journal of Cinema and Media, 51 (1). pp. 134-150. ISSN 0306-7661. (Full text available)
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Sayad, Cecilia (2016) Found-Footage Horror and the Frame's Undoing. Cinema Journal . ISSN 0009-7101. (In press) (The full text of this publication is not available from this repository)

Sayad, Cecilia (2014) Framing the Found Footage Horror Film. In: Society for Cinema and Media Studies Conference 2014, 18-23 March 2014, Seattle, USA. (Unpublished) (The full text of this publication is not available from this repository)

Sayad, Cecilia (2005) Fresh Flesh for the Author: The Effects of Directorial Self-Inscription in the Films of Jean-Luc Godard and Eduardo Coutinho. In: Society for Cinema and Media Studies Conference 2005 (London), April 2005, London, UK. (Unpublished) (The full text of this publication is not available from this repository)

Sayad, Cecilia (2009) Godard and the frame: the author as trespasser. In: Film Research Seminar, May 2009, University of Kent. (Unpublished) (The full text of this publication is not available from this repository)

Sayad, Cecilia (2005) The Issue of Authorship in Adaptation. In: Popular Culture Association/American Culture Association, March 2005, San Diego, CA, United States. (Unpublished) (The full text of this publication is not available from this repository)

Sayad, Cecilia (2014) Narrative, Visibility and Trauma in Bus 174. In: Navarro, Vinicius and Rodriguez, Juan Carlos, eds. New Documentaries in Latin America. Palgrave McMillan. ISBN n/a. (The full text of this publication is not available from this repository)

Sayad, Cecilia (2006) Performance as shortcut: truth’s paths in Santo Forte and Bus 174. In: XIII Visible Evidence Conference, August 2006, Sao Paulo, Brazil. (Unpublished) (The full text of this publication is not available from this repository)

Sayad, Cecilia (2013) Performing Authorship: Self-inscription and Corporeality in the Cinema. Tauris World Cinema Series . I.B. Tauris, 288 pp. ISBN 9781780760056. (The full text of this publication is not available from this repository)

Sayad, Cecilia (2013) Shifting Approaches: How Performance Revives the Author. In: Society for Cinema and Media Studies Conference 2013, March 2013, Chicago, IL. (Unpublished) (The full text of this publication is not available from this repository)

Sayad, Cecilia (2013) The Stand-up Auteur. In: A Companion to Woody Allen. WBCF - Wiley-Blackwell Companions to Film Directors . Wiley-Blackwell. ISBN 9781444337235. (The full text of this publication is not available from this repository)

Sayad, Cecilia (2011) The Auteur as Fool: Bakhtin, Barthes, and the Screen Performances of Woody Allen and Jean-Luc Godard. Journal of Film and Video, 63 (4). pp. 21-34. ISSN 0742-4671. (Full text available)
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Sayad, Cecilia (2011) The Persistence of Auteurism in Brazilian Cinema. In: Issues of Auteurism in Latin American Cinema - SCMS, 10-13 March 2011, Ritz-Carlton, New Orleans. (The full text of this publication is not available from this repository)

Sayad, Cecilia (2005) Traumas paralelos. Review of: Mysterious Skin (Gregg Araki, 2004) by Araki, Gregg. Tropico . p. 1. (Full text available)
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Sayad, Cecilia (2007) Um cinema desenquadrado: a política da linguagem e a linguagem da política em Duas ou três coisas que eu sei dela. In: XI Encontro Internacional Socine: Sociedade Brasileira de Estudos de Cinema e Audiovisual, October 2007, Rio de Janeiro, Brazil. (Unpublished) (The full text of this publication is not available from this repository)

Sayad, Cecilia (2005) Um cinema hiperbólico. Review of: Old Boy (Chan-Wook Park, 2004) by Park, Chan-Wook. Tropico . p. 1. (Full text available)
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Sayad, Cecilia (2007) With a Little Help from Fiction: Performing for Life in Bus 174. In: Society for Cinema and Media Studies Conference 2007 (Chicago), March 2007, Chicago. (Unpublished) (The full text of this publication is not available from this repository)

Sayad, Cecilia (2005) A história sem fim. Review of: Moments choisis des Histoire(s) du cinéma (Jean-Luc Godard, 2005) by Godard, Jean-Luc. Tropico . p. 1. (Full text available)
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Sayad, Cecilia (2005) A saga de Garganta Profunda. Review of: Inside Deep Throat (Fenton Bailey and Randy Barbato, 2005) by Bailey, Fenton and Barbato, Randy. Tropico . p. 1. (Full text available)
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Schaffner, Anna Katharina (2009) Fantasmatic Splittings and Destructive Desires: Lynch's Lost Highway, Mulholland Drive and Inland Empire. Forum for Modern Language Studies, 45 (3). pp. 270-291. ISSN 0015-8518. (The full text of this publication is not available from this repository)

Sforza Tarabochia, Alvise (2013) Italian Neorealist Cinema. Review of: Italian Neorealist Cinema (Edinburgh University Press, 2012) by Haaland, Torunn. Historical Journal of Film, Radio and Television, 33 (2). pp. 343-346. ISSN 0143-9685. (The full text of this publication is not available from this repository)

Sharman, L.F. (1992) Cohl,emile, caricature, and film - crafton,d. Screen, 33 (4). pp. 441-445. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Smith, Murray (1999) (Dis)engaging characters: a response to Lynne Pearce's review. Screen, 40 (3). pp. 358-362. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Smith, Murray (2009) Consciousness. In: Livingston, Paisley and Plantinga, Carl, eds. The Routledge Companion to Philosophy and Film. Routledge Philosophy Companions . Routledge, London and New York, pp. 39-51. ISBN 9780415771665. (The full text of this publication is not available from this repository)

Smith, Murray (2009) Double Trouble: On Film, Fiction, and Narrative. StoryWorlds: A Journal of Narrative Studies, 1 (1). pp. 1-23. ISSN 2156-7204. (The full text of this publication is not available from this repository)

Smith, Murray (1998) Image and mind: Film, philosophy, and cognition science. Review of: Image and Mind: Film, Philosophy, and Cognitive Science. by Currie, Gregory. British Journal of Aesthetics, 38 (3). pp. 325-327. ISSN 0007-0904. (The full text of this publication is not available from this repository)

Smith, Murray (1998) Regarding film spectatorship: A reply to Richard Allen. Journal of Aesthetics and Art Criticism, 56 (1). pp. 63-65. ISSN 0021-8529. (The full text of this publication is not available from this repository)

Smith, Murray (1992) Society-for-cinema-studies conference, pittsburgh, 30-april 3-may, 1992. Screen, 33 (4). pp. 436-438. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Smith, Murray (2011) Triangulating Aesthetic Experience. In: Shimamura, Arthur P. and Palmer, Stephen E., eds. Aesthetic Science: Connecting Minds, Brains, and Experience. Oxford University Press, New York, pp. 80-102. ISBN 9780199732142 . (The full text of this publication is not available from this repository)

Smith, Murray (2007) Was macht es fur einen Unterschied ? Wissenschaft, Gefuhl und Film. In: Bartsch, Anne and Eder, Jens and Fahlenbrach, Kathrin, eds. Audiovisuelle Emotionen:Emotionsdarstellung und Emotionsvermittlung durch audiovisuelle Medienangebote. Herbert von Halem, Cologne, pp. 39-59. ISBN 978-3-938258-30-9. (Full text available)
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Stanfield, Peter (2011) Maximum Movies -- Pulp Fictions: Film Culture and the Worlds of Samuel Fuller, Mickey Spillane and Jim Thompson. Other. Rutgers University Press, New Jersey (The full text of this publication is not available from this repository)

Welch, David (2000) News into the next century: Introduction. Historical Journal of Film, Radio and Television, 20 (1). pp. 5-13. ISSN 0143-9685. (The full text of this publication is not available from this repository)

Welch, David (1993) Political 're-education' and the use of radio in Germany after 1945. Historical Journal of Film, Radio and Television, 13 (1). pp. 75-81. ISSN 0143-9685. (The full text of this publication is not available from this repository)

Williams, J.S. (1999) The signs amongst us: Jean-Luc Godard's 'Histoire(s) du cinema'. Screen, 40 (3). pp. 306-315. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Wood, Aylish (2013) Contests and Simulations: Tron: Legacy and its Connections with Technologies. Journal of Film and Video . ISSN 0742-4671. (In press) (The full text of this publication is not available from this repository)

Wood, Aylish (2011) Digital afx: digital dressing and affective shifts in Sin City and 300. New Review of Film and Television Studies, 9 (3). pp. 283-295. ISSN 1740-0309. (Full text available)
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Wood, Aylish (2008) Encounter at the Interface: Distributed Attention and Digital Embodiments. Quarterly Review of Film and Video, 25 (3). pp. 219-229. ISSN 1050-9208. (Access to this publication is restricted)
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Wood, Aylish (2013) Inception’s Timespaces. In: North, D. and Rehak, R. and Duffy, M.S., eds. Special Effects: New Histories, Theories, Contexts. BFI: Palgrave Macmillan. ISBN n/a. (In press) (The full text of this publication is not available from this repository)

Wood, Aylish (2012) Recursive space: play and creating space. Games and Culture, 7 (1). pp. 87-105. ISSN 1555-4120. (Full text available)
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Wood, Aylish (2013) Sonic Times in Inception and Watchmen. In: Vernalis, Carol and Richardson, John and Herzog, Amy, eds. The Oxford Handbook of Sound and Image in Digital Media. Oxford University Press. ISBN n/a. (In press) (The full text of this publication is not available from this repository)

Wood, Aylish (2012) Where Codes Collide: the Emergent Ecology of Avatar. Animation: An Interdisciplinary Journal, 7 (3). pp. 309-322. ISSN 1746-8477 . (The full text of this publication is not available from this repository)

This list was generated on Thu Sep 18 01:02:27 2014 BST.