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Items where Subject is "P Language and Literature > PB Modern Languages (including film, TV and radio studies) > PB2994 Film Studies"

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Number of items at this level: 276.

B

Blanchet, Robert, Vaage, Margrethe Bruun (2012) Don, Peggy, and Other Fictional Friends? Engaging with Characters in Television Series. Projections, 6 (2). pp. 18-41. ISSN 1934-9688. E-ISSN 1934-9696. (doi:10.3167/proj.2012.060203) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Briggs, Joe Bob, Hoberman, J., Love, D., Lucas, T., Sconce, J., Stanfield, Peter (2008) Cult Film: A Critical Symposium. Cineaste, 34 (1). pp. 43-50. ISSN 0009-7004. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

C

Choi, Jinhee and Frey, Mattias, eds. (2014) Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, 255 pp. ISBN 978-0-415-82125-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee and Frey, Mattias (2014) Introduction. In: Choi, Jinhee and Frey, Mattias, eds. Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, pp. 1-14. ISBN 978-0-415-82125-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Church Gibson, Pamela and Jeffers McDonald, Tamar E. L. (2012) Costume and Adaptation. In: Cartmell, Deborah, ed. A Companion to Literature, Film and Adaptation. Blackwell Companions to Literature and Culture . Wiley-Blackwell, Oxford, pp. 295-311. ISBN 978-1-4443-3497-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2010) The Cinematic Production of Iconic Spaces in Early Films of London. In: Koeck, Richard and Roberts, Les, eds. The City and the Moving Image: Urban Projections. Palgrave Macmillan, pp. 169-182. ISBN 978-0-230-24338-5. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Cinquegrani, Maurizio (2011) Empire and the City: Early Films of London. . Tate Britain Online article. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cinquegrani, Maurizio (2009) The Nexus of the Empire: Early Actuality Films of London at the Turn of the Twentieth Century. Journal of British Cinema and Television, 6 (2). pp. 207-219. ISSN 1743-4521. (doi:10.3366/E1743452109000880) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Cinquegrani, Maurizio (2010) Travel Cinematography and the Indian City: The Imperial Spectacle of Geography at the End of the Long Nineteenth Century. Nineteenth-Century Contexts, 32 (1). pp. 65-78. ISSN 0890-5495. (doi:10.1080/08905491003704053) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Cinquegrani, Maurizio (2011) ‘A fit of absence of mind’?: Empire and Urban Life. Early Popular Visual Culture, 9 (4). pp. 325-336. ISSN 1746-0654. (doi:10.1080/17460654.2011.621322) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Cowie, Elizabeth (2009) Introduction to Post-Partum Document. In: Frascina, Francis, ed. Modern Art Culture: a reader. Routledge, London, pp. 303-311. ISBN 978-0-415-23151-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2010) ‘Mourning, Loss and Trauma, and the Ambiguities of Proper and Improper Desire in Exotica (1994)'. In: Brown, Tom and Walters, James, eds. Film Moments. Palgrave/British Film Institute, London, pp. 140-143. ISBN 978-1-84457-336-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2009) On Documentary Sounds and Images in the Gallery. Screen, 50 (1). pp. 124-134. ISSN 0036-9543. (doi:10.1093/screen/hjn076) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2011) Recording Reality, desiring the real. Visible Evidence . University of Minnesota press, Minnesota, USA, 296 pp. ISBN 978-0-8166-4549-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Cowie, Elizabeth (2010) Thinking Differently: on theory now and documentary art. Differences: A Journal of Feminist Cultural Studies, 21 (1). pp. 178-193. ISSN 1040-7391. (doi:10.1215/10407391-2009-026) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

D

Da Silva, Antonio Marcio (2015) Review: New Trends in Argentine and Brazilian Cinema. Review of: New Trends in Argentine and Brazilian Cinema by Rego, Cacilda and Rocha, Carolina. Luso-Brazilian Review, 52 (1). pp. 152-154. ISSN 0024-7413. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Da Silva, Antonio Marcio (2011) Viewing the Angolan Experience of War and Peace through the Filmic Representation of Luanda in Maria João Ganga’s Na cidade vazia/ Hollow City (2004) and Zezé Gamboa’s O herói/ The Hero (2004). Journal of African Cinemas, 3 (2). pp. 187-200. ISSN 1754-9221. (doi:10.1386/jac.3.2.187_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Da Silva, Antonio Marcio (2012) A experiência angolana de guerra e paz: um olhar por meio da representação fílmica de Luanda em Na cidade vazia (2004) de Maria João Ganga, e em O herói (2004), de Zezé Gamboa’. In: Meleiros, A. and Bamba, M., eds. Filmes da África e da diáspora. EDUFBA, Salvador, pp. 19-42. ISBN 978-85-232-0999-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Da Silva, Antonio Marcio (2016) The little adults: child and teenage sexual exploitation in contemporary Brazilian cinema. Hispania, 99 (2). pp. 212-222. ISSN 0018-2133. E-ISSN 2153-6414. (doi:10.1353/hpn.2016.0057) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Da Silva, Antonio Marcio (2016) The tropical hotties: situating Brazilian Women in Prison (WIP) Film within international production. In: Baltar, Mariana, ed. E pornô, tem pornô? Panorama of Brazilian Porn. Mimesis International, Italy. ISBN 978-88-6977-023-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Declercq, Dieter (2014) 'These people are the enemy!' The moral responsibilities of film and television history as part of the humanities. In: Mee, Laura and Walker, Johnny, eds. Cinema, Television, History : New Approaches. Cambridge Scholars Press, Cambridge, pp. 105-120. ISBN 978-1-4438-5379-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Dillet, Benoît, Puri, Tara (2013) Left-over spaces: The cinema of the Dardenne brothers. Film Philosophy, 17 (1). pp. 367-382. ISSN 1466-4615.
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E

Eyuboglu, S. (1991) The authorial text and postmodernism, hitchcock 'blackmail'. Screen, 32 (1). pp. 58-78. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

F

Fernández-Meneses, Jara (2016) Contemporary Spanish Film Policies:1982-2010. Doctor of Philosophy (PhD) thesis, University of Kent, PhD Full Maintenance Graduate Teaching Scholarship, School of European Culture and Languages, University of Kent (2012-2015). (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Frey, Mattias (2012) 23 July 1991: ZDF Broadcast of Ostkreuz Initiates Darker Reckoning with the Wende. In: Richardson, Michael and Kapczynski, Jennifer, eds. A New History of German Cinema. Camden House, Rochester, NY, pp. 512-517. ISBN 1-57113-490-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2014) Antares, Sex and International Distribution. In: Invited speaker, Picturing Austrian Cinema, 22 September 2014, Cambridge University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) Art and Artifice: German Films at the 60th Berlin International Film Festival. Senses of Cinema, (55). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) Arthouse Ethics and Provocation. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 23 June 2012, Lisbon. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2018) The Authenticity Feeling: Language and Dialect in the Historical Film. Research in Film and History, 1 (1). ISSN 2627-5848.
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Frey, Mattias (2014) Authentizität und Hörbarkeit im jüngsten deutschen Geschichtsfilm. In: Invited speaker, Film und Geschichte: Produktion und Erfahrung von Geschichte durch Bewegtbild und Ton, 8 May 2014, Universität Bremen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) Benny's Video, Caché, and the Desubstantiated Image. In: Society of Cinema and Media Studies (SCMS) Annual Conference, 2 March 2006, Vancouver. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2008) Birth of a Nation in Sound and Colour: The Miracle of Bern (2003). In: Screen Studies Conference, 5 July 2008, University of Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2008) Birth of a Nation: The Miracle of Bern and Post-wall Germany's Cinema of Retro-flection. In: European Cinema Research Forum (ECRF), 12 July 2008, Institute of Technology, Dublin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2004) Border Zones: The Films of Ulrich Seidl. Senses of Cinema, (32). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) British Film Culture in the Course of Time: Liberal Criticism, Sight and Sound and the British Film Institute. In: British council, public lecture, 18 January 2012, Taipei. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) A Cinema of Disturbance: The Films of Michael Haneke in Context, 2nd rev. ed. Senses of Cinema, 57 (57). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2003) A Cinema of Disturbance: The Films of Michael Haneke in Context. Senses of Cinema, (28). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) Contemporary Debates on Criticism and the Spectre of the Past: A View from the UK. In: Invited speaker, Critica della critica, 1 February 2013, Università di Bologna. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) Cosmopolitanism, Exoticism and the 'Sandwich Process': The Programming and Discourse of Extreme Cinema at Film Festivals. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 21 June 2013, Prague. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2014) Creating Synergies, Building Institutions: A Perspective from (German) Film Studies. In: Invited speaker, Models for German Studies in a New Millennium, 25 April 2014, Harvard University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) The Critical Question: Sight and Sound’s Postwar Consolidation of Liberal Taste. Screen, 54 (2). pp. 194-217. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2015) Critical Questions. In: Frey, Mattias and Sayad, Cecilia, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, pp. 1-20. ISBN 978-0-8135-7072-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) Cultural Problems of Classical Film Theory: Béla Balázs, 'Universal Language' and the Birth of National Cinema. Screen, 51 (4). pp. 324-340. ISSN 0036-9543. (doi:10.1093/screen/hjq028) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2008) Cultural Problems of Classical Film Theory: Béla Balázs, 'Universal Language' and the Birth of National Cinema. In: Research seminar, 4 December 2008, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2014) Daniel Brühl and Nichts bereuen. In: German Screen Studies Network (GSSN) symposium: Translating Stars - German Cinema in Transnational Context, 11 September 2014, University of Leeds. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) Der unbelehrbare Zuschauer. In: Invited speaker, 19. Bremer Filmsymposium, 20 January 2013, Universität Bremen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) Disturbing Directors, Disturbed Programmers: The Rhetoric and Reception of Extreme Cinema. In: Screen Studies Annual Conference, 29 June 2013, University of Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2016) Editorial: Institutions and Agency (Part II). Film Studies, 14 . pp. 1-4. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.14.0001)
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Frey, Mattias (2007) Einführung in die Film Theorie. In: Invited guest lecturer, ShortShots: Programmgestaltung und Planung eines Kurzfilmfestivals, 3 May 2007, Freie Universität Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2011) Einführung in die Filmkritik. In: Invited series of masterclasses, 28 June - 1 July 2011, Universität Passau. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) Einführung in die Filmkritik. In: Invited series of masterclasses, 2-6 July 2012, Universität Passau. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) Einführung in die Filmkritik. In: Invited series of masterclasses, 9-13 July 2012, Goethe-Universität Frankfurt. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2015) Ekel im Kino. In: Invited Speaker, 'Angustia', Deutsches Filmmuseum, Frankfurt, 23 January 2015, Deutsches Filmmuseum Frankfurt. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2014) Ekel und Langeweile: Der unbelehrbare Zuschauer. In: Pauleit, Winfried and Rüffert, Christina and Schmid, Karl-Heinz and Tews, Alfred and Odorico, Stefano, eds. Filmerfahrung und Zuschauer: Zwischen Kino, Museum und sozialen Netzwerken. Bertz + Fischer, Berlin, pp. 48-62. ISBN 978-3-86505-229-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2007) The End of Innocence: Scandinavian Films at the 30th Gothenburg International Film Festival. Review of: Scandinavian Films at the 30th Gothenburg International Film Festival by UNSPECIFIED. Senses of Cinema, 43 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2014) The Ethics of Extreme Cinema. In: Choi, Jinhee and Frey, Mattias, eds. Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, pp. 145-162. ISBN 978-0-415-82125-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2011) The Ethics of Extreme Cinema. In: Cine-Ethics, 15 June 2011, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2016) Extreme Cinema: The Transgressive Rhetoric of Today's Art Film Culture. Rutgers University Press, New Brunswick, NJ, 288 pp. ISBN 978-0-8135-7649-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2017) Fassbinder, the art film and popular genre: Whity. In: Invited Masterclass, British Film Institute, BFI Fassbinder: The Many Faces of R. W. Fassbinder, 27 April 2017, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) Fidelio: Love, Adaptation, and Eyes Wide Shut. Literature/Film Quarterly, 34 (1). pp. 39-45. ISSN 0090-4260. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) Film Criticism as Crisis History. In: Cultural Criticism in the Digital Age, 7 June 2012, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) Filmkritik, with and without Italics: Kracauerism and Its Limits in Postwar German Film Criticism. New German Critique, 40 (3). pp. 85-110. ISSN 0094-033X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2008) Gazing Lessons: German Films at the 58th Berlin International Film Festival. Review of: 58th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, 47 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) Goodbye Germany: Emigration, Reality TV and Schadenfreude. Jump Cut, (52). ISSN 0146-5546. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) Grand Finales: The International Forum of New Cinema at the 62nd Berlin International Film Festival. Senses of Cinema, 62 (62). n/a-n/a. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) The Greatest of These Is Love: Ulrich Seidl's Paradise Trilogy. Artforum, 51 (10). pp. 149-150. ISSN 0004-3532. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2007) Haneke and the Painterly. In: Invited speaker, Michael Haneke - A Cinema of Provocation, 26 October 2007, Boston University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2007) In/Flux: German Films at the 57th Berlin International Film Festival. Review of: German Films at the 57th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, 43 (1). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2009) Insecure Times, Confident Localities: German Films at the 59th Berlin International Film Festival. Review of: 59th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema, (50). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2005) Interior Designs: London as Fashion(ed) Object in the 'Swinging London' Film. In: Designs for Living: Space and Place in the Cinema, 28 June 2005, Queen Mary, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) The Liberal Tradition of British Film Criticism: Sight and Sound, 'Restraint' and Realism. In: Invited speaker, research seminar, 15 November 2012, Waseda University Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2009) The Limits of Spectatorship: Towards a Theory of Walking Out. In: Emergent Encounters in Film Theory, 21 March 2009, Kings College London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) London à la Mod: Fashion, Genre, and Historical Space in Performance. Quarterly Review of Film and Video, 23 (4). pp. 369-376. ISSN 1050-9208. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2016) Netflix Crit in the Twenty-First Century. Film Criticism, 40 (1). ISSN 0163-5069. E-ISSN 2471-4364. (doi:10.3998/fc.13761232.0040.111)
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Frey, Mattias (2015) The New Democracy? Rotten Tomatoes, Metacritic, Twitter, and IMDb. In: Frey, Mattias and Sayad, Cecilia, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, pp. 81-98. ISBN 978-0-8135-7072-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) No(ir) Place to Go: Spatial Anxiety and Sartorial Intertextuality in Die Unberührbare. Cinema Journal, 45 (4). pp. 64-80. ISSN 0009-7101. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2005) Noi(r) Place to Go: Historical Anxiety as Dramaturgical and Intertextual Space in Oskar Roehler's Die Unberührbare. In: Cinema Europe: Networks in Progress, 23 June 2005, Universiteit van Amsterdam. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2009) The Pained Spectator. In: Images of Pain/Painful Images, 20 June 2009, Universitetet i Bergen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2015) The Permanent Crisis of Film Criticism: The Anxiety of Authority. Film Theory in Media History . Amsterdam University Press, Amsterdam, 195 pp. ISBN 978-90-8964-717-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2010) A Persistent Allure: The Reception of Michael Haneke. In: Invited speaker, On Michael Haneke, 2nd June 2010, University of Sussex. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2011) The Possibility of Desire in a Conformist World: The Cinema of Ulrich Seidl. In: Dassanowsky, Robert and Speck, Oliver, eds. New Austrian Film. Berghahn, New York, pp. 189-198. ISBN 1-84545-700-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) Postwall German Cinema: History, Film History, and Cinephilia. Film Europa . Berghahn, Oxford/New York, 206 pp. ISBN 978-0-85745-947-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2008) Postwall Germany's Cinema of Retro-flection. In: Cultural Memory: Forgetting to Remember/Remembering to Forget, 11 September 2008, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2011) Postwar British Film Criticism's Reaction to Cahiers du cinéma: Sight and Sound and the Establishment of Middlebrow Taste. In: European Network for Cinema and Media Studies (NECS) Annual Conference, 25 June 2011, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2005) Re-Connecting the Body 'in' to the Body 'of' Pasolini. In: Il testo in movimento: Themes and Techniques in Italian Film and Literature, 5 February 2005, Harvard University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2004) Re-Connecting the Body 'in' to the Body 'of' Pasolini. In: Screen Media and Sexual Politics, 9 October 2004, Plymouth State University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2014) 'Real' Sex by 'Real' People: Realist Aesthetics and Celebrity Couples in the Marketing of Extreme Cinema. In: Society of Cinema and Media Studies (SCMS) Annual Conference, 21 March 2014, Seattle. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2015) The Recalcitrant Discipline. Film Studies, 12 (1). 10 -18. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.12.0003)
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Frey, Mattias (2004) The Renaissance of New Austrian Film? The Example of Michael Haneke. In: German Projections, Foreign Reflections: Film, Narrative and the Creation of Historical Memory, 3 April 2004, University of Pennsylvania. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) Review of: A Companion to Michael Haneke, ed. Roy Grundmann. Review of: A Companion to Michael Haneke by Grundmann, Roy. Historical Journal of Film, Radio and Television, 32 (1). pp. 127-129. ISSN 0143-9685. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) The Role of Criticism in Britain Today. In: British Council, public lecture, 17 November 2012, Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) The Role of Violence and Sex in Recent Austrian Cinema. In: Invited speaker, research seminar, 27 November 2013, Kings College London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2011) Searches for Identity: German Films at the 61st Berlin International Film Festival. Senses of Cinema, 58 (58). ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2004) Sebald's Cinémathèque: Theorizing Cinema in Sebald and Sebald with 'Cinema'. In: Approaching W. G. Sebald, 27 March 2004, Yale University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2005) A Star in Our Stratosphere: Introductory Remarks to the Daniel Brühl Film Series. In: Daniel Brühl Film Series, 15 September 2005, Museum of Fine Arts, Boston. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) Suburban Violence in German-Language Film. In: Invited speaker, Political Cultures/Cultural Politics of Germany in the 21st Century, 8 December 2012, University of Birmingham. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2002) Supermodernity, Capital, and Narcissus: The French Connection to Michael Haneke’s Benny’s Video. Cinetext, . ISSN 1605-6035. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) Supermodernity, Sick Eros and the Video Narcissus: Benny's Video in the Context of Theory and Time. In: McCann, Benjamin and Sorfa, David, eds. The Cinema of Michael Haneke: Europe Utopia. Wallflower, London, pp. 151-161. ISBN 1-906660-30-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) Supermodernost, kapital i narcis: Francuska veza filma Bennyev Michaela Hanekea. Item format: Croatian National Radio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2005) Supermodernost, kapital i narcis: Francuska veza filma Bennyev video Michaela Hanekea. Item format: Croation National Radio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2014) Teoretyzowanie kina u Sebalda i Sebalda poprez kino. Konteksty, 68 (3-4). pp. 135-144. ISSN 1230-6142. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2012) Tuning Out, Turning In, Walking Off: The Spectator in Pain. In: Gronstad, Asbjorn and Gustafsson, Henrik, eds. Ethics and Images of Pain. Routledge, London, pp. 93-111. ISBN 0415893824. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2006) ??????? ??????? ??????? ??????: Ukranian translation of Michael Haneke: A Cinema of Disturbance (2003). AZH, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2008) A Universal Language Not Yet Understood: The Inscription of National Difference in Early Film Theory. In: Permanent Seminar on the History of Film Theory, 3 March 2008, Università degli studi di Udine. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) Why Is Cinema Violent? In: British Council, public lecture, 1 May 2013, Tokyo. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2013) Why the Arts Matter, or: The Role of Violence in Film and Media. In: Kaywon School of Art and Design, public lecture, 18 October 2013, Seoul. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias and Sayad, Cecilia, eds. (2015) Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, 273 pp. ISBN 978-0-8135-7072-3. E-ISBN 978-0-8135-7364-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Grant, Catherine A. (2000) Tropical multiculturalism: A comparative history of race in Brazilian cinema and culture. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Michael (1999) Bad girls and sick boys: Fantasies in contemporary art and culture. Review of: Bad girls and sick boys: Fantasies in contemporary art and culture by Kauffman, L.S. Sight and Sound, 9 (2). p. 30. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Michael (1998) Crimes of the future (David Cronenberg, 'Crash'). Screen, 39 (2). pp. 180-185. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Michael (1999) Early cinema in Russia and its cultural reception. Review of: Early cinema in Russia and its cultural reception by Tsivisn, Y. Sight and Sound, 9 (2). p. 32. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Michael (1999) The Eisenstein reader. Review of: The Eisenstein reader by Taylor, R. Sight and Sound, 9 (2). p. 30. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Michael (1998) Fake, fact and fantasy: Children's interpretations of television reality. Sight and Sound, 8 (8). pp. 28-29. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Michael (1998) Meat is murder: An illustrated guide to cannibal culture. Review of: Meat is murder: An illustrated guide to cannibal culture by Mikita, Brottman. Sight and Sound, 8 (8). p. 29. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Michael (1998) Video critical: Children, the environment and media power. Review of: Video Critical: Children, the Environment and Media Power by Gauntlett, D.. Sight and Sound, 8 (8). pp. 28-29. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Michael (1999) The Western reader. Review of: The Western reader by Kitses, J. Sight and Sound, 9 (2). pp. 31-32. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grant, Michael (1999) The erotic anime movie guide. Review of: The erotic anime movie guide by McCarthy, Helen and Clements, Jonathan. Sight and Sound, 9 (5). p. 33. ISSN 0037-4806. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grieveson, Lee (1997) Policing the cinema: 'Traffic in Souls' at Ellis Island, 1913. Screen, 38 (2). pp. 149-171. ISSN 0036-9543. (doi:10.1093/screen/38.2.149) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2019) Even If She Had Been a Criminal. A Past Unwatched. In: Baer, Nicholas and Hennefeld, Maggie and Horak, Laura and Iversen, Gunnar, eds. Unwatchable. Rutgers University Press, New Jersey. ISBN 978-0-8135-9958-8. E-ISBN 978-0-8135-9960-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Guerin, Frances (2014) FX Reflects (Blog). . Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2018) From Colgate University to the Central African Republic. . Indiana University Press online. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Guerin, Frances, ed. (2015) On Not Looking:The Paradox of Contemporary Visual Culture. Routledge Advances in Art and Visual Studies . Taylor & Francis Ltd, London ISBN 978-1-138-82235-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Jeffers McDonald, Tamar (2015) When Harry Met Sally... Palgrave Macmillan/BFI, London, 96 pp. ISBN 978-1-84457-907-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2011) Against Male Elegance. In: Modemuseum, ., ed. Symposium 2 - Seam & Star: Male Elegance. Modemuseum, Antwerp, Antwerp, Belgium. ISBN 978-90-79269-04-4.
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Jeffers McDonald, Tamar E. L. (2013) Bringing Up Baby: generic hybridity and Dirty Dancing. In: Tzioumakis, Yannis and Lincoln, Sian, eds. The Time of Our Lives: Dirty Dancing and Popular Culture. Wayne State University Press, Detroit. ISBN 978-0-8143-3624-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2013) Doris Day Confidential: Hollywood, Sex and Stardom. I B Tauris, London, 256 pp. ISBN 978-1-84885-581-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2010) Hollywood Catwalk: Exploring Costume and Transformation in American Film. International Library of Cultural Studies . I B Tauris, London, 256 pp. ISBN 978-1-84885-040-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2008) Homme-com: engendering change in contemporary romantic comedy. In: Abbot, Stacey and Jermyn, Deborah, eds. Falling in Love Again: Romantic Comedy in Contemporary Cinema. I B Tauris, London, pp. 146-159. ISBN 978-1-84511-771-9.
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Jeffers McDonald, Tamar E. L. (2011) Mad Men and Career Women. In: Stoddart, Scott.F., ed. Analyzing Mad Men: Critical Essays on the AMC Series. McFarland & Co., Jefferson, North Carolina, USA, pp. 117-135. ISBN 978-0-7864-4738-1.
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Jeffers McDonald, Tamar E. L. (2009) Mother’s Day: Taking the mother out of motherhood in The Thrill of it All. In: Addison, Heather and Goodwin-Kelly, Mary-Kate and Roth, Elaine, eds. Motherhood Misconceived: Representing the Maternal in US Films. State University of New York Press, New York, pp. 29-42. ISBN 978-1-4384-2812-3.
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Jeffers McDonald, Tamar E. L. (2010) Performances of desire and inexperience: Doris Day’s fluctuating filmic virginity. In: Jeffers McDonald, Tamar E. L., ed. Virgin Territory: Representing Sexual Innocence in Film. Contemporary Approaches to Film and Television Series . Wayne State University Press, Detroit, USA, pp. 103-122. ISBN 978-0-8143-3318-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Jeffers McDonald, Tamar E. L. (2012) The View from the Man Cave: Comedy in the Contemporary 'Homme-com' cycle. In: Horton, Andrew and Rapf, Joanne E., eds. A Companion to Film Comedy. John Wiley & Sons, Chichester, West Sussex, pp. 217-235. ISBN 978-1-4443-3859-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Laera, Margherita (2010) The Wedding at Cana. Charta Art Books, Milan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Law, Jonathan (2014) Materialising the Unseen: The Multisensory Cinema of the Invisible Body. Doctor of Philosophy (PhD) thesis, University of Kent,.
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Lazaro-Reboll, A (2018) Sex Scene: Media and the Sexual Revolution. Review of: Sex Scene: Media and the Sexual Revolution by Lázaro-Reboll, Antonio. Film Studies, 18 (Spring). pp. 114-118. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.1249/MSS.0b013e31822cb0d2) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lazaro-Reboll, Antonio (2019) Alejandro Jodorowsky and El Topo. In: The Routledge Companion to Cult Cinema. Routledge Media and Cultural Studies Companions . Routledge, UK. ISBN 978-1-138-95027-6. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2014) Daring Cycles: the Towers–Franco Collaboration, 1968–70. New Review of Film and Television Studies, 11 (1). pp. 92-110. ISSN 1740-0309. (doi:10.1080/17400309.2012.740595) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2018) Endless Re-View: Jess Franco in Video Watchdog and Eyeball. In: Lázaro-Reboll, Antonio and Olney, Ian, eds. The Films of Jess Franco. Contemporary Approaches to Film and media Series . Wayne State University Press, Chicago, Detroit, pp. 242-264. ISBN 978-0-8143-4316-6. E-ISBN 978-0-8143-4317-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2012) Film Noir, the Thriller, and Horror (Chapter 9). In: Labanyi, Jo and Pavlovic, Tatjana, eds. A Companion to Spanish Cinema. Wiley-Blackwell, Oxford, pp. 259-290. ISBN 978-1-4051-9438-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio and Olney, Ian, eds. (2018) The Films of Jess Franco. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, Michigan, USA, 372 pp. ISBN 978-0-8143-4316-6. E-ISBN 978-0-8143-4317-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2017) Generating Fear: From Fantastic Factory (2000-2005) to [REC] (2007-2014). In: Mari, Jorge, ed. Tracing the Borders of Spanish Horror Cinema and Television. Routledge Research in Cultural and Media Studies . Routledge, New York, US and London, UK, pp. 161-189. ISBN 978-0-415-34863-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2016) Making Zines: Re-Reading European Trash Cinema (1988-1998). Film Studies, 15 (1). pp. 30-53. ISSN 1469-0314. (doi:10.7227/FS.0007)
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Lázaro-Reboll, Antonio (2008) ‘Now Playing Everywhere’: Spanish Horror Film in the Marketplace. In: Beck, Jay and Rodriguez Ortega, Vicente, eds. Contemporary Spanish Cinema and Genre. Manchester University Press, Manchester, pp. 65-83. ISBN 978-0-7190-7775-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2009) “Perversa América Latina”: The Reception of Latin American Exploitation Cinemas in Spanish Subcultures. In: Ruetalo, Victoria and Tierney, Dolores, eds. Latsploitation, Exploitation Cinemas and Latin America. Routledge Advances in Film Studies . Routledge, London, pp. 37-54. ISBN 978-0-415-99386-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2018) Sex Scene: Media and the Sexual Revolution. Review of: Sex Scene: Media and the Sexual Revolution by UNSPECIFIED. Film Studies, 18 (1). pp. 114-118. ISSN 1469-0314. E-ISSN 2054-2496. (doi:10.7227/FS.18.0007)
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Lázaro-Reboll, Antonio (2017) Sexual Horror Stories: The Eroticisation of Spanish Horror Film (1969–75). In: Fouz-Hernandez, Santiago, ed. Spanish Erotic Cinema. Edinburgh University Press, Edinburgh, UK, pp. 74-91. ISBN 978-1-4744-0047-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2012) Spanish Horror Film. Edinburgh University Press, Edinburgh, 256 pp. ISBN 978-0-7486-3638-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Lázaro-Reboll, Antonio (2012) Strategic Auteurism (Chapter 6). In: Labanyi, Jo and Pavlovic, Tatjana, eds. A Companion to Spanish Cinema. Wiley-Blackwell, Oxford, pp. 152-190. ISBN 978-1-4051-9438-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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March-Russell, Paul (2017) High-Rise. Review of: High-Rise by UNSPECIFIED. Vector, (285). pp. 14-15. ISSN 0505-0448.
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March-Russell, Paul (2018) Star Wars: The Last Jedi. Review of: Star Wars: The Last Jedi by UNSPECIFIED. Vector, (287). pp. 34-35. ISSN 0505-0448. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Marlow-Mann, Alex (2002) British Series and Serials in the Silent Era. In: Higson, Andrew, ed. Young And Innocent? The Cinema in Britain, 1896-1930. University of Exeter Press, Exeter, pp. 147-161. ISBN 978-0-85989-659-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Marlow-Mann, Alex (2010) Character Engagement and Alienation in the Cinema of Paolo Sorrentino. In: Hope, William, ed. Italian Film Directors in the New Millennium. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 161-173. ISBN 978-1-4438-2075-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Marlow-Mann, Alex, ed. (2013) Film Festival Yearbook 5: Archival Film Festivals. Film Festival Yearbook . St Andrews Film Studies, 412 pp. ISBN 978-1-908437-07-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Marlow-Mann, Alex (2001) Gli ultimi giorni di Pompei or the Evolution of the Italian Historical Epic (1908-1926). La Valle dell’Eden, (6). pp. 67-78. ISSN 8848900666. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Marlow-Mann, Alex (2011) Gothic Horror. In: Bayman, Louis, ed. Directory of World Cinema: Italy. Directory of World Cinema . Intellect, pp. 154-175. ISBN 978-1-84150-400-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Marlow-Mann, Alex (2012) Italy. In: Creekmur, Corey and Mokdad, Linda, eds. The International Film Musical. Traditions in World Cinema, 1 . Edinburgh University Press, pp. 80-91. ISBN 978-0-7486-3476-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Marlow-Mann, Alex (2011) The New Neapolitan Cinema. Traditions in World Cinema . Edinburgh University Press, 256 pp. ISBN 978-0-7486-4066-9. (doi:10.3366/edinburgh/9780748640669.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Marlow-Mann, Alex (2017) Regional Cinema: Micro-mapping and Glocalisation. In: Stone, Rob and Cooke, Paul and Dennison, Stephanie and Marlow-Mann, Alex, eds. The Routledge Companion to World Cinema. Routledge. ISBN 978-1-138-91880-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stone, Rob and Cooke, Paul and Dennison, Stephanie and Marlow-Mann, Alex, eds. (2017) The Routledge Companion to World Cinema. Routledge ISBN 978-1-138-91880-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Marlow-Mann, Alex (2013) Strategies of Tension: Towards a Re-Interpretation of Enzo G. Castellari's The Big Racket and The Italian Crime Film. In: Bayman, Louis and Rigoletto, Sergio, eds. Popular Italian Cinema. Palgrave Macmillan, pp. 133-146. ISBN 978-0-230-30016-3. E-ISBN 978-1-137-30565-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Marlow-Mann, Alex (2014) Subjectivity and the Ethnographic Gaze in Antonio Capuano’s 'Vito e gli altri'. In: Hipkins, Danielle and Pitt, Roger, eds. New Visions of the Child in Italian Cinema. Italian Modernities . Peter Lang, pp. 267-284. ISBN 978-3-0343-0269-2. (doi:10.3726/978-3-0353-0629-3) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Marlow-Mann, Alex (2006) Un cinema di nicchia: le fortune in Gran Bretagna. In: Zagarrio, Vito, ed. La meglio gioventù: Nuovo cinema italiano 2000-2006. Marsilio, pp. 292-296. ISBN 883178995. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Marlow-Mann, Alex (2016) Whose Heritage?: Noi credevamo (We Believed) and the National, Regional and Transnational Dynamics of the Risorgimento Film. In: Screening European Heritage: Creating and Consuming History on Film. Palgrave European Film and Media Studies . Palgrave MacMillan, London, UK, pp. 45-60. ISBN 978-1-137-52279-5. E-ISBN 978-1-137-52280-1. (doi:10.1057/978-1-137-52280-1_3) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Marlow-Mann, Alex, Marcus, Millicent, Antonello, Pierpaolo (2010) Il Divo: A Discussion. The Italianist, 30 (2). pp. 245-271. ISSN 0261-4340. (doi:10.1179/026143410X12724449730213) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Marlow-Mann, Alex, Mendik, Xavier (2016) Death, Desire and Dania: Satire, Sexuality and Erotic Mobility in 1970s and 1980s Italy. Cine-Excess, (2). E-ISSN 2053-0706. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

May, Shaun (2014) Abject Metamorphosis and Mirthless Laughter: On Human-to-Animal Transitions and the 'Disease of Being Finite'. Performance Research, 19 (1). pp. 72-80. ISSN 1352-8165. (doi:10.1080/13528165.2014.908086) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

May, Shaun (2015) A Philosophy of Comedy on Stage and Screen: You Have to 'Be There'. Bloomsbury Methuen Drama, London, 224 pp. ISBN 978-1-4725-8043-6. E-ISBN 978-1-4725-8046-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

May, Shaun (2013) Rise of Being-in-the-World. In: Huss, John, ed. Planet of the Ape and Philosophy. Open Court, Chicago, pp. 255-262. E-ISBN 978-0-8126-9822-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Misek, Richard (2018) "All I have to offer is myself”: the film-maker as narrator. In: Vassilieva, Julia and Williams, Deane, eds. Beyond the Essay Film: Subjectivity, Textuality and Technology. Bloomsbury, London, UK. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Misek, Richard (2017) All talk: Matias Piñeiro’s verbal narratives. In: Games People Play: The Cinema of Matias Pineiro, 7 Nov 2017, Royal Belgian Film Archive, Brussels, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Misek, Richard (2017) The Black Screen. Alchemy Film and Moving Image Festival DCP. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Misek, Richard (2017) Black White Colour. In: Experience Colours!, 7 Nov 2018, Aalto University, Helsinki, Finland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Misek, Richard (2018) Notes on Rohmer. In: Zomer Film College, Royal Belgian Film Archive, 14 July 2018, Antwerp, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Misek, Richard (2018) Six of Seven Things I Know About The Video Essay. In: UNSPECIFIED, 12 April 2018, Monash University, Melbourne, Australia. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Misek, Richard (2015) The Stolen Film. In: Cinematic Bricoleurs: Remixing, restyling and repurposing in contemporary filmmaking practice, 8 Jan 2016, King's College, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Misek, Richard and Beugnet, Martine (2017) In Praise of Blur. Ghent Film Festival DCP. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Misek, Richard and Beugnet, Martine (2017) In Praise of Blur. Ghent Film Festival DCP. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Neale, Steve (1995) The story of Custer in everything but name, colonel-Thursday and 'fort apache'. Journal of Film and Video, 47 (1-3). pp. 26-32. ISSN 0742-4671. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Newton, James (2019) The Anarchist Cinema. Intellect, Bristol, Uk, 173 pp. ISBN 978-1-78938-003-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Pitts, Virginia (2010) From Process to Product: Intercultural Collaboration in the Making of Whale Rider. In: Impure Cinema: Interdisciplinary and Intercultural Approaches to World Cinema. (Unpublished)
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Pitts, Virginia (2011) Technologies of Culture: Digital Feature Filmmaking in New Zealand. New Cinemas: Journal of Contemporary Film, 9 (1). pp. 3-17. ISSN 1474-2756. (doi:10.1386/ncin.9.1.3_1)
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Sayad, Cecilia (2015) Afterword in Film Criticism in the Digital Age. In: Sayad, Cecilia and Frey, Mattias, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, pp. 243-247. ISBN 978-0-8135-7072-3. E-ISBN 978-0-8135-7364-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2009) The Auteur as Fool. In: Screen Studies Conference: 50th Anniversary, July 2009, University of Glasgow. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2011) The Auteur as Fool: Bakhtin, Barthes, and the Screen Performances of Woody Allen and Jean-Luc Godard. Journal of Film and Video, 63 (4). pp. 21-34. ISSN 0742-4671. (doi:10.5406/jfilmvideo.63.4.0021)
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Sayad, Cecilia (2006) Authorship in the Interstices of History, Biography, Reality and Memory: Histoire(s) du cinéma and Cabra Marcado para Morrer. Significação: Revista Brasileira de Semiótica, (26). pp. 139-172. ISSN 1516-4330.
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Sayad, Cecilia (2017) Beyond Film: A New Place for Reality in Horror. In: The Moving Form of Film Conference, 6-8 November 2017, Reading, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2009) Border crossing, corporality and performance: a study of authorial self-inscription in the cinema. In: Centre for World Cinemas – WUN series, October 2009, University of Leeds. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2016) Cameras and Ghosts. Cinema Journal, 55 (2). ISSN 0009-7101. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2009) A Cinema of Presence: the author and the body in the documentaries of Eduardo Coutinho. In: Performing Presence, March 2009, Exeter. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2015) Critics Through Authors: Dialogues, Similarities, and the Sense of a Crisis. In: Sayad, Cecilia and Frey, Mattias, eds. Film Criticism in the Digital Age. Rutgers University Press, New Brunswick, NJ, pp. 41-59. ISBN 978-0-8135-7072-3. E-ISBN 978-0-8135-7364-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2004) Da poesia à cafajestagem. Review of: The Brown Bunny by Gallo, Vincent. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2004) Deconstructing God. Reverse Shot, Spring . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2017) Digital Ghosts: Rethinking the relationship between horror and reality. In: British Association of Film, Television and Screen Studies Conference, 20-21 April 2017, Bristol. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2014) Discussion of Performing Authorship. In: The Self-Portrait in the Moving Image, 28 February-1 March 2014, Birckbeck; London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2014) Do Critics Need Authors? In: Critica 2.0, 18-19 February 2014, Bologna, Italy. (Unpublished)
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Sayad, Cecilia (2016) Documenting Ghosts in the Post-Truth Era. In: University of Warwick Research Seminar Series, Coventry, UK. (Unpublished) (doi:https://warwick.ac.uk/fac/arts/news/events/?calendarItem=8a17841a5fd9d400015fda6091651653) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2010) Documenting Presence: the author, the body and the nation in the films of Eduardo Coutinho. In: Society for Cinema and Media Studies 2010, March 2010, Los Angeles, CA. (Unpublished)
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Sayad, Cecilia (2014) Eduardo Coutinho's Films Were About Gaps and Creative Frictions. Mediático, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2010) Flesh for the Author: Filmic Presence in the Documentaries of Eduardo Coutinho. Framework: The Journal of Cinema and Media, 51 (1). pp. 134-150. ISSN 0306-7661. (doi:10.1353/frm.0.0061)
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Sayad, Cecilia (2016) Found-Footage Horror and the Frame's Undoing. Cinema Journal, . ISSN 0009-7101.
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Sayad, Cecilia (2014) Framing the Found Footage Horror Film. In: Society for Cinema and Media Studies Conference 2014, 18-23 March 2014, Seattle, USA. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2005) Fresh Flesh for the Author: The Effects of Directorial Self-Inscription in the Films of Jean-Luc Godard and Eduardo Coutinho. In: Society for Cinema and Media Studies Conference 2005 (London), April 2005, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2017) Ghost Images: Horror, documentary and the supernatural. In: School of Media, Film and Music Research Seminar, University of Sussex, 29 March 2017, Brighton. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2017) The Ghosts and the Machines. In: At Home with Horror?, 27-29 October 2017, Canterbury, Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2009) Godard and the frame: the author as trespasser. In: Film Research Seminar, May 2009, University of Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2005) The Issue of Authorship in Adaptation. In: Popular Culture Association/American Culture Association, March 2005, San Diego, CA, United States. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2016) A Matter of (Informed) Taste. Film Criticism, 40 (1). ISSN 0163-5069. (doi:10.3998/fc.13761232.0040.129)
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Sayad, Cecilia (2016) Millennial Ghosts: Factual Representations of the Supernatural. In: Religious Studies Research Seminar Series, 2 November 2016, Canterbury, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2015) Monsters and Everyday Life. In: Screen Studies Conference, 26/006/2015-28/06/2015, University of Glasgow. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2006) Mutant Authors and Cross-Pollinating Texts in Charlie Kaufman’s Adaptation. In: Housel, Rebecca, ed. From Camera Lens to Critical Lens: A Collection of Best Essays on Film Adaptation. Cambridge Scholars Press, Cambridge, p. 123. ISBN 978-1-84718-031-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2014) Narrative, Visibility and Trauma in Bus 174. In: Navarro, Vinicius and Rodriguez, Juan Carlos, eds. New Documentaries in Latin America. Palgrave McMillan. ISBN n/a. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2018) Parapsychology and Ghost Hunting on TV. In: Sci/Film Series, 4 May 2018, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2006) Performance as shortcut: truth’s paths in Santo Forte and Bus 174. In: XIII Visible Evidence Conference, August 2006, Sao Paulo, Brazil. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2013) Performing Authorship: Self-inscription and Corporeality in the Cinema. Tauris World Cinema Series . I.B. Tauris, 288 pp. ISBN 978-1-78076-005-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2011) The Persistence of Auteurism in Brazilian Cinema. In: Issues of Auteurism in Latin American Cinema - SCMS, 10-13 March 2011, Ritz-Carlton, New Orleans. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2015) Playing and the Loose Boundaries Between Inner and Outer Selves. In: World Cinema and the Essay Film, 30/04/2015-2/05-2015, University of Reading, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2019) Reality TV, Ghosts, and the Index. Screen, . ISSN 0036-9543. E-ISSN 1460-2474. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Sayad, Cecilia (2015) Reality TV, Mock Found-Footage, and Horror’s Changing Relationship to Reality. In: King's College Research Seminar, 11 March, 2015, King's College London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2010) Review of After Hitchcock: Influence, Imitation, and Intertextuality, David Boyd and R. Barton Palmer (eds.). Review of: After Hitchcock: Influence, Imitation, and Intertextuality by Boyd, David and Barton Palmer, R.. Journal of Adaptation in Film and Performance, 3 (2). pp. 119-121. ISSN 1753-6421. (doi:10.1386/jafp.3.2.213_4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2013) Shifting Approaches. In: Society for Cinema and Media Studies Conference 2013, March 2013, Chicago, IL. (Unpublished)
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Sayad, Cecilia (2013) The Stand-up Auteur. In: A Companion to Woody Allen. WBCF - Wiley-Blackwell Companions to Film Directors . Wiley-Blackwell. ISBN 978-1-4443-3723-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2005) Traumas paralelos. Review of: Mysterious Skin (Gregg Araki, 2004) by Araki, Gregg. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2007) Um cinema desenquadrado: a política da linguagem e a linguagem da política em Duas ou três coisas que eu sei dela. In: XI Encontro Internacional Socine: Sociedade Brasileira de Estudos de Cinema e Audiovisual, October 2007, Rio de Janeiro, Brazil. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2005) Um cinema hiperbólico. Review of: Old Boy (Chan-Wook Park, 2004) by Park, Chan-Wook. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2016) Variations on the Author. Film Quarterly, 69 (3). pp. 12-18. ISSN 0015-1386. E-ISSN 1533-8630. (doi:10.1525/FQ.2016.69.3.12)
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Sayad, Cecilia (2007) With a Little Help from Fiction: Performing for Life in Bus 174. In: Society for Cinema and Media Studies Conference 2007 (Chicago), March 2007, Chicago. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2005) A história sem fim. Review of: Moments choisis des Histoire(s) du cinéma (Jean-Luc Godard, 2005) by Godard, Jean-Luc. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sayad, Cecilia (2005) A saga de Garganta Profunda. Review of: Inside Deep Throat (Fenton Bailey and Randy Barbato, 2005) by Bailey, Fenton and Barbato, Randy. Tropico, . p. 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Schaffner, Anna Katharina (2009) Fantasmatic Splittings and Destructive Desires: Lynch's Lost Highway, Mulholland Drive and Inland Empire. Forum for Modern Language Studies, 45 (3). pp. 270-291. ISSN 0015-8518. (doi:10.1093/fmls/cqp105) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sforza Tarabochia, Alvise (2013) Review of Torunn Haaland, 'Italian Neorealist Cinema'. Review of: Italian Neorealist Cinema (Edinburgh University Press, 2012) by Haaland, Torunn. Historical Journal of Film, Radio and Television, 33 (2). pp. 343-346. ISSN 0143-9685. (doi:10.1080/01439685.2013.782623) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sharman, L.F. (1992) Cohl,emile, caricature, and film - crafton,d. Screen, 33 (4). pp. 441-445. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2014) Against Nature? or, Confessions of a Darwinian Modernist. Royal Institute of Philosophy Supplement, 75 . pp. 151-182. ISSN 1358-2461. (doi:10.1017/S1358246114000174)
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Smith, Murray (2009) Consciousness. In: Livingston, Paisley and Plantinga, Carl, eds. The Routledge Companion to Philosophy and Film. Routledge Philosophy Companions . Routledge, London and New York, pp. 39-51. ISBN 978-0-415-77166-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (1999) (Dis)engaging characters: a response to Lynne Pearce's review. Screen, 40 (3). pp. 358-362. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2009) Double Trouble: On Film, Fiction, and Narrative. StoryWorlds: A Journal of Narrative Studies, 1 (1). pp. 1-23. ISSN 2156-7204. (doi:10.1353/stw.0.0014) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (1998) Image and mind: Film, philosophy, and cognition science. Review of: Image and Mind: Film, Philosophy, and Cognitive Science. by Currie, Gregory. British Journal of Aesthetics, 38 (3). pp. 325-327. ISSN 0007-0904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2018) The Kuleshov Fallacy. . Oxford University Press online publication. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (1998) Regarding film spectatorship: A reply to Richard Allen. Journal of Aesthetics and Art Criticism, 56 (1). pp. 63-65. ISSN 0021-8529. (doi:10.2307/431952) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (1992) Society-for-cinema-studies conference, pittsburgh, 30-april 3-may, 1992. Screen, 33 (4). pp. 436-438. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2011) Triangulating Aesthetic Experience. In: Shimamura, Arthur P. and Palmer, Stephen E., eds. Aesthetic Science: Connecting Minds, Brains, and Experience. Oxford University Press, New York, pp. 80-102. ISBN 978-0-19-973214-2. (doi:10.1093/acprof:oso/9780199732142.003.0026) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Smith, Murray (2007) Was macht es fur einen Unterschied ? Wissenschaft, Gefuhl und Film. In: Bartsch, Anne and Eder, Jens and Fahlenbrach, Kathrin, eds. Audiovisuelle Emotionen:Emotionsdarstellung und Emotionsvermittlung durch audiovisuelle Medienangebote. Herbert von Halem, Cologne, pp. 39-59. ISBN 978-3-938258-30-9.
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Stanfield, Peter (2018) Hoodlum Movies: Seriality and the Outlaw Biker Film Cycle, 1966-1972. Rutgers University Press, New Jersey, USA, 214 pp. ISBN 978-0-8135-9901-4. E-ISBN 978-0-8135-9903-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stanfield, Peter (2011) Maximum Movies -- Pulp Fictions: Film Culture and the Worlds of Samuel Fuller, Mickey Spillane and Jim Thompson. Rutgers University Press, New Jersey, 256 pp. ISBN 978-0-8135-5062-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Stirrup, David F. (2015) "Wild West in the Mild West: Reading the Canadian Anti-Western through The Englishman’s Boy". In: Leo, John R. and Paryz, Marek, eds. The Post-2000 Film Western: Contexts, Transnationality, Hybridity. Palgrave. ISBN 978-1-137-53127-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Tavassoli Zea, Zahra (2016) LA BANDE DES QUATRE: Nineteenth-century Artistic and Literary Sources in Late Nouvelle Vague Filmmaking. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Triana Toribio, Núria (2017) En un lugar cualquiera de América del Norte: En la carretera transnacional con Isabel Coixet. In: Zecchi, Barbara, ed. Tras las lentes de Isabel Coixet: Cine, Compromiso y Feminismo. Prensas de la Universidad de Zaragoza, Spain, pp. 37-66. ISBN 978-84-16935-73-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Triana Toribio, Núria (2016) Spanish Film Cultures:The Making and Unmaking of Spanish Cinema. Cultural Histories of Cinema . Palgrave: British Film Institute (changed Bloomsbury), 168 pp. ISBN 978-1-84457-822-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Turner, Caleb (2016) Spectacular Rhythms: Cultural Conflict in the Contemporary Superhero Film. Doctor of Philosophy (PhD) thesis, University of Kent, -. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Vaage, Margrethe Bruun (2007) Empathie. Zur episodischen Struktur der Teilhabe am Spielfilm. Montage A/V, 16 (1). pp. 101-120. ISSN 0942-4954.
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Vaage, Margrethe Bruun (2017) From The Corner to The Wire: On Nonfiction, Fiction, and Truth. Journal of Literary Theory, 11 (2). ISSN 1862-5290. E-ISSN 1862-8990. (doi:10.1515/jlt-2017-0023)
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Vaage, Margrethe Bruun (2009) Self-Reflection: Beyond Conventional Fiction Film Engagement. Nordicom Review, 30 (2). pp. 159-178. ISSN 1403-1108.
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von Jungenfeld, Rocio (2011) Intersubjectivity and Intermediality in the Work of Serra. CLCWeb: Comparative Literature and Culture, 13 (3). ISSN 1481-4374. (doi:10.7771/1481-4374.1810) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

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Welch, David (2000) News into the next century: Introduction. Historical Journal of Film, Radio and Television, 20 (1). pp. 5-13. ISSN 0143-9685. (doi:10.1080/01439680099975) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Welch, David (1993) Political 're-education' and the use of radio in Germany after 1945. Historical Journal of Film, Radio and Television, 13 (1). pp. 75-81. ISSN 0143-9685. (doi:10.1080/01439689300260501) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Williams, J.S. (1999) The signs amongst us: Jean-Luc Godard's 'Histoire(s) du cinema'. Screen, 40 (3). pp. 306-315. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2015) Aardman! In an Adventure with CGI! In: Aardman Workshop, July 2015, University of Surrey. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2014) Behind the Scenes: A Study of Autodesk Maya. Animation: An Interdisciplinary Journal, 9 (3). pp. 317-332. ISSN 1746-8477. (doi:10.1177/1746847714546247) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Wood, Aylish (2014) Contests and Simulations: Tron: Legacy and its Connections with Technologies. Journal of Film and Video, . ISSN 0742-4671. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Wood, Aylish (2016) Digital Contours, Chases and Spaces: thinking about space through software. In: The Magic of Special Effects. University of Chicago Press (unconfirmed). (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2011) Digital afx: digital dressing and affective shifts in Sin City and 300. New Review of Film and Television Studies, 9 (3). pp. 283-295. ISSN 1740-0309. (doi:10.1080/17400309.2011.585860) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Wood, Aylish (2008) Encounter at the Interface: Distributed Attention and Digital Embodiments. Quarterly Review of Film and Video, 25 (3). pp. 219-229. ISSN 1050-9208. (doi:10.1080/10509200601091490) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Wood, Aylish (2015) Excavating Software Algorithms. In: Society for the Cognitive Study of the Moving Image, June 2015, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2014) Gravity. Review of: Gravity by Cuaron, Alfonso. Science Fiction Film and Television, 7 (3). pp. 441-444. ISSN 1754-3770. E-ISSN 1754-3789. (doi:10.3828/sfftv.2014.25) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Wood, Aylish (2013) Hugo and 3D Space: tracing digital contours. In: Society for Cinema and Media Studies Conference 2013, March 2013, Chicago, IL. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2015) Inception’s Timespaces. In: North, D. and Rehak, R. and Duffy, M.S., eds. Special Effects: New Histories, Theories, Contexts. BFI: Palgrave Macmillan, pp. 254-266. ISBN 978-1-84457-517-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2013) Intangible Spaces: Tracing Technologies in the 3-D Space of Hugo. In: CRASSH: Joining the Dots, April 2013, University of Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2013) Introducing 'more-than-representational space: software and visual effects. In: The Magic of Special Effects, November 2013, Montreal. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2015) Making Movements: Technological Imaginations of Animators and Algorithms. In: Society for Animation Studies 2015, July 2015, Christchurch College Canterbury. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2012) Recursive space: play and creating space. Games and Culture, 7 (1). pp. 87-105. ISSN 1555-4120. (doi:10.1177/1555412012440310) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Wood, Aylish (2014) Software and Visual Effects. In: Society for Animation Studies, June 2014, Toronto. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2014) Software, Animation and Autodesk Maya. In: Digital in Depth, May 2014, University of Warwick. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2014) Software, Animation and the Moving Image: What’s in the Box? In: Creative Animation Knowledge Exchange Conference, July 2014, Edge Hill. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2015) Software, Animation, and the Moving Image: What's in the Box? Pivot . Palgrave MacMillan, Basingstoke, 120 pp. ISBN 978-1-137-44884-2. (doi:10.1057/9781137448859.0004.) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2013) Sonic Times in Inception and Watchmen. In: Vernalis, Carol and Richardson, John and Herzog, Amy, eds. The Oxford Handbook of Sound and Image in Digital Media. Oxford University Press, Oxford, pp. 417-437. ISBN 978-0-19-025817-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2014) What’s in the Box? In: BAFTSS Annual Conference, April 2014, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wood, Aylish (2012) Where Codes Collide: the Emergent Ecology of Avatar. Animation: An Interdisciplinary Journal, 7 (3). pp. 309-322. ISSN 1746-8477. (doi:10.1177/1746847712456261) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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This list was generated on Wed Sep 25 21:58:15 2019 BST.