Items where Subject is "G Geography. Anthropology. Recreation > GV Recreation. Leisure > Dance"
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Up a level- Library of Congress Subject Areas (65677)
- G Geography. Anthropology. Recreation (2974)
- GV Recreation. Leisure (372)
- Dance (46)
- GV Recreation. Leisure (372)
- G Geography. Anthropology. Recreation (2974)
Jump to: Article | Conference proceeding | Conference item | Book | Book section | Review | Thesis | Performance | Other
Number of items at this level: 46.
Article
| Phan, Anh Ngoc Quynh, Pham, Linh Thi Thuy (2023) Dancing into maternity: the lived experiences of Vietnamese professional dancers. Research in Dance Education, 24 (1). pp. 72-89. (doi:10.1080/14647893.2023.2172559) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:102978) |
| Stevenson, Sian, Westbrook, Cathy (2017) Moving, Memories, and being more ourselves. Animated magazine, (Summer). (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64995) |
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| Vass-Rhee, Freya (2018) Schooling an ensemble: The Forsythe Company’s Whole in the Head. Journal of Dance and Somatic Practices, 10 (2). pp. 219-233. ISSN 1757-1871. (doi:10.1386/jdsp.10.2.219_1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:68963) |
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| Wong, Yen Nee (2023) Gender and Sexuality Performances Among LGBT+ Equality Dancers: Photo-Elicitation as a Method of Inquiry. International Journal of Qualitative Methods, 22 . Article Number 1609406923. ISSN 1609-4069. (doi:10.1177/16094069231182015) (KAR id:102226) |
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| Wong, Yen Nee, Harman, Vicki, Owen, Craig (2021) Analysing Media Reactions to Male/Male Dance Partnerships On British Reality TV Shows: Inclusive Masculinity in Strictly Come Dancing and Dancing On Ice. International journal of the Sociology of Leisure, 4 . pp. 397-413. ISSN 2520-8683. (doi:10.1007/s41978-021-00087-2) (KAR id:97267) |
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Conference proceeding
| Vass-Rhee, Freya (2014) Fielding Dramaturgy. In: Forsythe Lectures series, deSingel Internationale Kunstcampus, April 2014, Antwerp, Belgium. (KAR id:66120) |
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| Vass-Rhee, Freya (2006) Integrating Dance and Cognitive Science: Toward Emancipatory Research. In: Continuing Dance Culture Dialogues, 38th Annual Conference of the Congress on Research in Dance. (KAR id:60514) |
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| Vass-Rhee, Freya (2016) Melding an Ensemble at Memory’s Limits: William Forsythe’s Whole in the Head. In: Congress on Research in Dance/Society of Dance History Scholars Joint Conference "Authenticity and Appropriation", 3-6 Nov 2016, Pomona College, Claremont, California. (KAR id:65700) |
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Conference item
| Vass, Freya (2023) The Square Tango for thirty years: Curating successful aging at tea dances. [Conference item] (Unpublished) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:113108) |
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Book
| Vass, Freya (2023) William Forsythe’s Postdramatic Dance Theater: Unsettling Perception. Cognitive Studies in Literature and Performance . Palgrave Macmillan, 282 pp. ISBN 978-3-031-26657-7. E-ISBN 978-3-031-26658-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:91223) |
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Book section
| Harman, Vicki and Wong, Yen Nee Same-sex Pairings on Strictly Come Dancing: LGBTQ+ Identity and Leisure Participation in Ballroom Dancing. In: Kono, Shintaro and Beniwal, Anju and Baweja, Priyanka and Spracklen, Karl, eds. Positive Sociology of Leisure. Leisure Studies in a Global Era. Palgrave Macmillan, Cham, Switzerland. ISBN 978-3-030-41811-3. E-ISBN 978-3-030-41812-0. (doi:10.1007/978-3-030-41812-0_10) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:97771) |
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| Read, Peter (2017) Cubism Breaks Cover: Picasso and "Parade" in 1917. In: Cooper, Harry, ed. The Cubism Seminars. First edition. CASVA Seminar Papers . Yale University Press, Washington D.C., pp. 252-285. ISBN 978-0-300-22618-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:61962) |
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| Regehr, Kaitlyn (2018) Miss Exotic World: Judging the Neo-Burlesque Movement. In: Dodds, Cheryl, ed. Oxford Handbook of Dance and Competition. Oxford Uniiversity Press, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78666) |
| Vass-Rhee, Freya (2018) Foreword to the Second Edition, The Neurocognition of Dance: Mind, Movement and Motor Skills. In: The Neurocognition of Dance: Mind, Movement and Motor Skills. 2nd edition. Psychology Press, xi-xii. (KAR id:66118) |
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| Vass-Rhee, Freya (2019) Haunted by Hamlet: William Forsythe's Sider. In: McCulloch, Lynsey and Shaw, Brandon, eds. The Oxford Handbook of Shakespeare and Dance. Oxford University Press, pp. 455-475. ISBN 978-0-19-049878-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64066) |
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| Vass, Freya (2021) The Disappearance of Poetry and the Very, Very Good Idea. In: Farrugia-Kriel, Kathrina and Nunes Jensen, Jill, eds. The Oxford Handbook of Contemporary Ballet. Oxford University Press, pp. 754-771. ISBN 978-0-19-087149-9. (KAR id:68484) |
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Review
| Vass-Rhee, Freya (2018) Book review: Choreographies: Tracing the Materials of an Ephemeral Art Form by Jacky Lansley. Review of: Choreographies: Tracing the Materials of an Ephemeral Art Form by Lansley, Jacky. Dance Research, 36 (2). pp. 274-275. ISSN 0264-2875. (doi:10.3366/drs.2018.0245) (KAR id:66302) |
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| Vass-Rhee, Freya (2017) Book review: Dramaturgy in Motion: At Work on Dance and Movement Performance, by Katherine Profeta. Review of: Dramaturgy in Motion: At Work on Dance and Movement Performance by Profeta, Katherine. Theatre Research International, . pp. 197-198. ISSN 0307-8833. (doi:10.1017/S0307883317000451) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:66119) |
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Thesis
| Burridge, Stephanie A. (1997) The impact of Aboriginal dance on twentieth century Australian choreography with a practical and creative study. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.85976) (KAR id:85976) |
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| Vass-Rhee, Freya (2011) Audio-Visual Stress: Cognitive Approaches to the Perceptual Performativity of William Forsythe and Ensemble. Doctor of Philosophy (PhD) thesis, University of California, Riverside. (KAR id:60508) |
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Performance
| Vass-Rhee, Freya (2007) Angoloscuro (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 03 May 2007, Frankfurt am Main, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91129) |
| Vass-Rhee, Freya (2007) The Defenders (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 04 Nov 2007, Zürich, Switzerland. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91130) |
| Vass-Rhee, Freya (2007) Equivalence (production assistance (performance, spatial, and video installations); concept and choreography William Forsythe/The Forsythe Company). Performance type: Other , 19-21, 24-28 Oct 2007, Festspielhaus Hellerau, Dresden. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:92533) |
| Vass-Rhee, Freya (2008) Giselle (dramaturgy; Chor. David Dawson, Dresden Semperoper Ballet). Performance type: Other , 09 Mar 2008, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91131) |
| Vass-Rhee, Freya (2006) Heterotopia (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , Premiere 25 Oct 2006, Zürich, Switzerland. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91128) |
| Vass-Rhee, Freya (2016) Hungry for Blue (dramaturgical consultant; Chor. Corpus Ensemble). Performance type: Other , 26 May 2016, Copenhagen, Denmark. Live performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:93013) |
| Vass-Rhee, Freya (2008) I don't believe in outer space (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , Frankfurt am Main, Germany. l. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91168) |
| Vass-Rhee, Freya (2009) The Returns (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 24 Jun 2009, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91169) |
| Vass-Rhee, Freya (2013) Selon (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 17 May 2013, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91178) |
| Vass-Rhee, Freya (2011) Sider (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 16 Jun 2011, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91159) |
| Vass-Rhee, Freya (2012) Study #3 (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 20 Apr 2012, Brescia, Italy. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91180) |
| Vass-Rhee, Freya (2017) The Vampire Revolution (dramaturgical consultant; Dir./Chor. Christian Lollike and Tim Matiakis, Corpus Ensemble). Performance type: Other , 13 Dec 2017, Aarhus/Copenhagen, Denmark. Live performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:93014) |
| Vass-Rhee, Freya (2008) Yes We Can't (production assistance; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 05 Mar 2008, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91158) |
| Vass, Freya (1996) American Rhapsody (dramaturgy/choreographic assistance; Chor. Peter Breuer). Performance type: Other , 6 May 1996, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91160) |
| Vass, Freya (1996) Carmina Burana (choreographic assistance; Chor. Peter Breuer). Performance type: Other , 22 Jul 1996, Greifswald, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91161) |
| Vass, Freya (1992) Die Geschichte vom Soldaten (choreography; Dir. Dominik Wilgenbus). Performance type: Other , 20 Feb 1992, Munich, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91167) |
| Vass, Freya (1995) Dornröschen (dramaturgy/choreographic assistance; Chor. Peter Breuer). Performance type: Other , 7 Dec 1995, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91170) |
| Vass, Freya (1997) Du Bist Ein Vulkan (choreography; Dir. Michael Worsch). Performance type: Other , 14 Nov 1997, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91165) |
| Vass, Freya (1997) Fremd bin ich eingezogen (choreographic assistance; Chor. Peter Breuer). Performance type: Other , 22 Mar 1997, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91162) |
| Vass, Freya (1997) Katzen (choreography; Dir. Irmgard Lübke). Performance type: Other , 19 Oct 1997, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91164) |
| Vass, Freya (1997) Nomi (dramaturgy/choreographic assistance; Chor. Peter Breuer). Performance type: Other , 24 Nov 1997, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91163) |
| Vass, Freya (2022) Romeo und Julia (dramaturgy; Chor. David Dawson, Dresden Semperoper Ballet). Performance type: Live play , 5 Nov 2022, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:95135) |
| Vass, Freya (1996) Sturzflüge im Zuschauerraum (movement direction; Dir. G.H. Seebach). Performance type: Other , 8 Nov 1996, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91166) |
Other
| Vass-Rhee, Freya (2008) Reconciling Giselle (Giselle Aussöhnen): dramaturg's note. Semperoper Dresden. (KAR id:66298) |
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| Vass-Rhee, Freya (2012) Still failing after all these years: William Forsythe’s Yes We Can’t: dramaturg's note. The Forsythe Company. (KAR id:66300) |
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| Vass-Rhee, Freya (2012) William Forsythe’s I don’t believe in outer space: dramaturg’s note. The Forsythe Company. (KAR id:66301) |
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