Items where Subject is "G Geography. Anthropology. Recreation > GV Recreation. Leisure > Dance"
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Up a level- Library of Congress Subject Areas (61680)
- G Geography. Anthropology. Recreation (2756)
- GV Recreation. Leisure (332)
- Dance (45)
- GV Recreation. Leisure (332)
- G Geography. Anthropology. Recreation (2756)
Number of items at this level: 45.
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| Burridge, Stephanie A. (1997) The impact of Aboriginal dance on twentieth century Australian choreography with a practical and creative study. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.85976) (KAR id:85976) |
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| Harman, Vicki and Wong, Yen Nee Same-sex Pairings on Strictly Come Dancing: LGBTQ+ Identity and Leisure Participation in Ballroom Dancing. In: Kono, Shintaro and Beniwal, Anju and Baweja, Priyanka and Spracklen, Karl, eds. Positive Sociology of Leisure. Leisure Studies in a Global Era. Palgrave Macmillan, Cham, Switzerland. ISBN 978-3-030-41811-3. E-ISBN 978-3-030-41812-0. (doi:10.1007/978-3-030-41812-0_10) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:97771) |
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| Phan, Anh Ngoc Quynh, Pham, Linh Thi Thuy (2023) Dancing into maternity: the lived experiences of Vietnamese professional dancers. Research in Dance Education, 24 (1). pp. 72-89. (doi:10.1080/14647893.2023.2172559) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:102978) |
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| Read, Peter (2017) Cubism Breaks Cover: Picasso and "Parade" in 1917. In: Cooper, Harry, ed. The Cubism Seminars. First edition. CASVA Seminar Papers . Yale University Press, Washington D.C., pp. 252-285. ISBN 978-0-300-22618-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:61962) |
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| Regehr, Kaitlyn (2018) Miss Exotic World: Judging the Neo-Burlesque Movement. In: Dodds, Cheryl, ed. Oxford Handbook of Dance and Competition. Oxford Uniiversity Press, New York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78666) |
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| Stevenson, Sian, Westbrook, Cathy (2017) Moving, Memories, and being more ourselves. Animated magazine, (Summer). (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64995) |
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| Vass-Rhee, Freya (2007) Angoloscuro (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 03 May 2007, Frankfurt am Main, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91129) |
| Vass-Rhee, Freya (2011) Audio-Visual Stress: Cognitive Approaches to the Perceptual Performativity of William Forsythe and Ensemble. Doctor of Philosophy (PhD) thesis, University of California, Riverside. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:60508) |
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| Vass-Rhee, Freya (2018) Book review: Choreographies: Tracing the Materials of an Ephemeral Art Form by Jacky Lansley. Review of: Choreographies: Tracing the Materials of an Ephemeral Art Form by Lansley, Jacky. Dance Research, 36 (2). pp. 274-275. ISSN 0264-2875. (doi:10.3366/drs.2018.0245) (KAR id:66302) |
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| Vass-Rhee, Freya (2017) Book review: Dramaturgy in Motion: At Work on Dance and Movement Performance, by Katherine Profeta. Review of: Dramaturgy in Motion: At Work on Dance and Movement Performance by Profeta, Katherine. Theatre Research International, . pp. 197-198. ISSN 0307-8833. (doi:10.1017/S0307883317000451) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:66119) |
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| Vass-Rhee, Freya (2007) The Defenders (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 04 Nov 2007, Zürich, Switzerland. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91130) |
| Vass-Rhee, Freya (2007) Equivalence (production assistance (performance, spatial, and video installations); concept and choreography William Forsythe, The Forsythe Company). Performance type: Other , 19-21, 24-28 Oct 2007, Festspielhaus Hellerau, Dresden. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:92533) |
| Vass-Rhee, Freya (2014) Fielding Dramaturgy. In: Forsythe Lectures series, deSingel Internationale Kunstcampus, April 2014, Antwerp, Belgium. (KAR id:66120) |
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| Vass-Rhee, Freya (2018) Foreword to the Second Edition, The Neurocognition of Dance: Mind, Movement and Motor Skills. In: The Neurocognition of Dance: Mind, Movement and Motor Skills. 2nd edition. Psychology Press, xi-xii. (KAR id:66118) |
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| Vass-Rhee, Freya (2008) Giselle (dramaturgy; Chor. David Dawson, Dresden Semperoper Ballet). Performance type: Other , 09 Mar 2008, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91131) |
| Vass-Rhee, Freya (2019) Haunted by Hamlet: William Forsythe's Sider. In: McCulloch, Lynsey and Shaw, Brandon, eds. The Oxford Handbook of Shakespeare and Dance. Oxford University Press, pp. 455-475. ISBN 978-0-19-049878-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64066) |
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| Vass-Rhee, Freya (2006) Heterotopia (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , Premiere 25 Oct 2006, Zürich, Switzerland. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91128) |
| Vass-Rhee, Freya (2016) Hungry for Blue (dramaturgical consultant; Chor. Corpus Ensemble). Performance type: Other , 26 May 2016, Copenhagen, Denmark. Live performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:93013) |
| Vass-Rhee, Freya (2008) I don't believe in outer space (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , Frankfurt am Main, Germany. l. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91168) |
| Vass-Rhee, Freya (2006) Integrating Dance and Cognitive Science: Toward Emancipatory Research. In: Continuing Dance Culture Dialogues, 38th Annual Conference of the Congress on Research in Dance. (KAR id:60514) |
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| Vass-Rhee, Freya (2016) Melding an Ensemble at Memory’s Limits: William Forsythe’s Whole in the Head. In: Congress on Research in Dance/Society of Dance History Scholars Joint Conference "Authenticity and Appropriation", 3-6 Nov 2016, Pomona College, Claremont, California. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:65700) |
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| Vass-Rhee, Freya (2008) Reconciling Giselle (Giselle Aussöhnen): dramaturg's note. Semperoper Dresden. (KAR id:66298) |
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| Vass-Rhee, Freya (2009) The Returns (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 24 Jun 2009, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91169) |
| Vass-Rhee, Freya (2018) Schooling an ensemble: The Forsythe Company’s Whole in the Head. Journal of Dance and Somatic Practices, 10 (2). pp. 219-233. ISSN 1757-1871. (doi:10.1386/jdsp.10.2.219_1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:68963) |
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| Vass-Rhee, Freya (2013) Selon (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 17 May 2013, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91178) |
| Vass-Rhee, Freya (2011) Sider (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 16 Jun 2011, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91159) |
| Vass-Rhee, Freya (2012) Still failing after all these years: William Forsythe’s Yes We Can’t: dramaturg's note. The Forsythe Company. (KAR id:66300) |
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| Vass-Rhee, Freya (2012) Study #3 (dramaturgy; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 20 Apr 2012, Brescia, Italy. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91180) |
| Vass-Rhee, Freya (2017) The Vampire Revolution (dramaturgical consultant; Dir./Chor. Christian Lollike and Tim Matiakis, Corpus Ensemble). Performance type: Other , 13 Dec 2017, Aarhus/Copenhagen, Denmark. Live performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:93014) |
| Vass-Rhee, Freya (2012) William Forsythe’s I don’t believe in outer space: dramaturg’s note. The Forsythe Company. (KAR id:66301) |
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| Vass-Rhee, Freya (2008) Yes We Can't (production assistance; Chor. William Forsythe/The Forsythe Company). Performance type: Other , 05 Mar 2008, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91158) |
| Vass, Freya (1996) American Rhapsody (dramaturgy/choreographic assistance; Chor. Peter Breuer). Performance type: Other , 6 May 1996, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91160) |
| Vass, Freya (1996) Carmina Burana (choreographic assistance; Chor. Peter Breuer). Performance type: Other , 22 Jul 1996, Greifswald, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91161) |
| Vass, Freya (1992) Die Geschichte vom Soldaten (choreography; Dir. Dominik Wilgenbus). Performance type: Other , 20 Feb 1992, Munich, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91167) |
| Vass, Freya (2021) The Disappearance of Poetry and the Very, Very Good Idea. In: Farrugia-Kriel, Kathrina and Nunes Jensen, Jill, eds. The Oxford Handbook of Contemporary Ballet. Oxford University Press, pp. 754-771. ISBN 978-0-19-087149-9. (KAR id:68484) |
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| Vass, Freya (1995) Dornröschen (dramaturgy/choreographic assistance; Chor. Peter Breuer). Performance type: Other , 7 Dec 1995, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91170) |
| Vass, Freya (1997) Du Bist Ein Vulkan (choreography; Dir. Michael Worsch). Performance type: Other , 14 Nov 1997, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91165) |
| Vass, Freya (1997) Fremd bin ich eingezogen (choreographic assistance; Chor. Peter Breuer). Performance type: Other , 22 Mar 1997, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91162) |
| Vass, Freya (1997) Katzen (choreography; Dir. Irmgard Lübke). Performance type: Other , 19 Oct 1997, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91164) |
| Vass, Freya (1997) Nomi (dramaturgy/choreographic assistance; Chor. Peter Breuer). Performance type: Other , 24 Nov 1997, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91163) |
| Vass, Freya (2022) Romeo und Julia (dramaturgy; Chor. David Dawson, Dresden Semperoper Ballet). Performance type: Live play , 5 Nov 2022, Dresden, Germany. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:95135) |
| Vass, Freya (1996) Sturzflüge im Zuschauerraum (movement direction; Dir. G.H. Seebach). Performance type: Other , 8 Nov 1996, Salzburg, Austria. Live performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91166) |
| Vass, Freya (2023) William Forsythe’s Postdramatic Dance Theater: Unsettling Perception. Cognitive Studies in Literature and Performance . Palgrave Macmillan, 282 pp. ISBN 978-3-031-26657-7. E-ISBN 978-3-031-26658-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:91223) |
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| Wong, Yen Nee (2023) Gender and Sexuality Performances Among LGBT+ Equality Dancers: Photo-Elicitation as a Method of Inquiry. International Journal of Qualitative Methods, 22 . Article Number 1609406923. ISSN 1609-4069. (doi:10.1177/16094069231182015) (KAR id:102226) |
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| Wong, Yen Nee, Harman, Vicki, Owen, Craig (2021) Analysing Media Reactions to Male/Male Dance Partnerships On British Reality TV Shows: Inclusive Masculinity in Strictly Come Dancing and Dancing On Ice. International journal of the Sociology of Leisure, 4 . pp. 397-413. ISSN 2520-8683. (doi:10.1007/s41978-021-00087-2) (KAR id:97267) |
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