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Items where Subject is "G Geography. Anthropology. Recreation > GV Recreation. Leisure > Dance"

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Number of items at this level: 15.

R

Read, Peter (2017) Cubism Breaks Cover: Picasso and "Parade" in 1917. In: Cooper, Harry and Braun, Emily and Florman, Lisa and Goddard, Linda and Gough, Maria and Karmel, Pepe and Léal, Brigitte and Palermo, Charles and Poggi, Christine and Read, Peter and Zeidler, Sebastian and Cropper, Elizabeth, eds. The Cubism Seminars. CASVA Seminar Papers . Yale University Press, Washington D.C., pp. 252-285. ISBN 978-0-300-22618-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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S

Stevenson, Sian, Westbrook, Cathy (2017) Moving, Memories, and being more ourselves. Animated magazine, (Summer). (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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V

Vass-Rhee, Freya (2011) Audio-Visual Stress: Cognitive Approaches to the Perceptual Performativity of William Forsythe and Ensemble. Doctor of Philosophy (PhD) thesis, University of California, Riverside. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Vass-Rhee, Freya (2018) Book review: Choreographies: Tracing the Materials of an Ephemeral Art Form by Jacky Lansley. Review of: Choreographies: Tracing the Materials of an Ephemeral Art Form by Lansley, Jacky. Dance Research, 36 (2). pp. 274-275. ISSN 0264-2875. (doi:10.3366/drs.2018.0245)
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Vass-Rhee, Freya (2017) Book review: Dramaturgy in Motion: At Work on Dance and Movement Performance, by Katherine Profeta. Review of: Dramaturgy in Motion: At Work on Dance and Movement Performance by Profeta, Katherine. Theatre Research International, . pp. 197-198. ISSN 0307-8833. (doi:10.1017/S0307883317000451) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Vass-Rhee, Freya (2018) The Disappearance of Poetry and the Very, Very Good Idea. In: The Oxford Handbook of Contemporary Ballet. Oxford University Press. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Vass-Rhee, Freya (2014) Fielding Dramaturgy. In: Forsythe Lectures series, deSingel Internationale Kunstcampus, April 2014, Antwerp, Belgium.
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Vass-Rhee, Freya (2018) Foreword to the Second Edition, The Neurocognition of Dance: Mind, Movement and Motor Skills. In: The Neurocognition of Dance: Mind, Movement and Motor Skills. Psychology Press.
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Vass-Rhee, Freya (2019) Haunted by Hamlet: William Forsythe's Sider. In: The Oxford Handbook of Shakespeare and Dance. Oxford University Press, pp. 455-475. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Vass-Rhee, Freya (2006) Integrating Dance and Cognitive Science: Toward Emancipatory Research. In: Continuing Dance Culture Dialogues, 38th Annual Conference of the Congress on Research in Dance.
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Vass-Rhee, Freya (2016) Melding an Ensemble at Memory’s Limits: William Forsythe’s Whole in the Head. In: Congress on Research in Dance/Society of Dance History Scholars Joint Conference "Authenticity and Appropriation", 3-6 Nov 2016, Pomona College, Claremont, California. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Vass-Rhee, Freya (2008) Reconciling Giselle (Giselle Aussöhnen): dramaturg's note. Semperoper Dresden.
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Vass-Rhee, Freya (2018) Schooling an ensemble: The Forsythe Company’s Whole in the Head. Journal of Dance and Somatic Practices, 10 (2). pp. 219-233. ISSN 1757-1871. (doi:10.1386/jdsp.10.2.219_1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Vass-Rhee, Freya (2012) Still failing after all these years: William Forsythe’s Yes We Can’t: dramaturg's note. The Forsythe Company.
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Vass-Rhee, Freya (2012) William Forsythe’s I don’t believe in outer space: dramaturg’s note. The Forsythe Company.
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This list was generated on Tue Nov 12 22:38:32 2019 GMT.