Items where Author, Editor or other role is "Smith, Murray"
Number of items: 58.
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Borge, Steffen, Morgan, William J., Smith, Murray, Weatherson, Brian (2022) Book symposium. Steffen Borge, The philosophy of football. Sport, Ethics and Philosophy, 16 (3). pp. 333-396. ISSN 1751-1321. (doi:10.1080/17511321.2021.1974531) (KAR id:104531) |
Bowman, Howard, Jones, William, Pincham, Hannah, Fleming, Steve, Cleeremans, Axel, Smith, Murray (2022) Modelling the simultaneous encoding/serial experience theory of the perceptual moment: a blink of meta-experience. Neuroscience of Consciousness, 2022 (1). ISSN 2057-2107. (doi:10.1093/nc/niac003) (KAR id:104569) |
Brown, David W R (2020) Faces Places: Cognition, Culture, and the Human Face in Narrative Cinema. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.85887) (KAR id:85887) |
Borge, Steffan, Smith, Murray, Vaage, Margrethe Bruun (2015) The Aesthetics of Football. Sport, Ethics and Philosophy, 9 (2). pp. 93-96. ISSN 1751-1321. E-ISSN 1751-133X. (doi:10.1080/17511321.2015.1048822) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61926) |
Bettinson, Gary (2006) The cinema of Wong Kar-wai: style, form and narrative meaning. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94207) (KAR id:94207) |
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Creighton, Liam (2024) Mythical Middle England: A Quest to Capture Cinematic Imagery in Suburban Worcestershire Informed by Augé's Ethnography of the Near. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.105583) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:105583) |
Cioffi, Angelo, Smith, Murray (2019) Aesthetics Naturalized: An Interview with Murray Smith. Debates in Aesthetics, 14 (1). ISSN 2514-6637. (KAR id:75146) |
Cioffi, Angelo Emanuele (2017) Political Cinema: A Philosophical Investigation. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.62055) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:62055) |
Choi, Jinhee (2006) Apperception on Display: Structural Films and Philosophy. In: Smith, Murray and Wartenberg, Thomas, eds. Thinking Through Cinema: Film as Philosophy. Blackwell, pp. 165-172. (doi:10.1111/j.0021-8529.2006.00238.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14642) |
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Dubourg, Edgar and Thouzeau, Valentin and Thomas, Beuchot and Bonard, Constant and Boyer, Pascal and Clasen, Mathias and Boon-Falleur, Melusine and Fiorio, Grégory and Fitouchi, Léo and Fisher, Maryanne L. and Gantman, Ana P. and Grant, Ania and Hye-Knudsen, Marc and Wylie, Jordan and Katiyar, Tanay and Kjeldgaard-Christiansen, Jens and Mercier, Marius and Mercier, Hugo and Morin, Olivier and Salmon, Catherine and Scrivner, Coltan and Sijilmassi, Amine and Singh, Manvir and Smith, Murray and Sobchuk, Oleg and Stubbersfield, Joseph Michael and Varnum, Michael E. W. and Verpooten, Jan and Zhong, Ying and Baumard, Nicolas (2024) The Cognitive Foundations of Fictional Stories. [Preprint] (doi:10.31219/osf.io/me6bz) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:104767) |
Dias Branco, Sergio (2010) Strung pieces: on the aesthetics of television fiction series. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86477) (KAR id:86477) |
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Eastwood, Caroline Louise (2024) Feeling sound: cinematic sound, subjective narration and embodiment. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.107217) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:107217) |
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Friend, Stacie, Nyhout, A., Smith, Murray, Ferguson, Heather J. (2024) Moral Understanding and Media: Meeting the Challenges of Interdisciplinary Research. Journal of Media Psychology, 36 (4). pp. 220-230. E-ISSN 1617-6383. (doi:10.1027/1864-1105/a000410) (KAR id:103144) |
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Irvin, Sherri, Nanay, Bence, Schellekens, Elisabeth, Smith, Murray (2019) Is Psychology Relevant to Aesthetics? Estetika: The Central European Journal of Aesthetics, . pp. 87-138. ISSN 2571-0915. E-ISSN 0014-1291. (KAR id:73454) |
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Kjeldgaard-Christiansen, Jens, Fiskaali, Anne, Høgh-Olesen, Henrik, Johnson, John A., Smith, Murray, Clasen, Mathias (2020) Do Dark Personalities Prefer Dark Characters? A Personality Psychological Approach to Positive Engagement with Fictional Villainy. Poetics, . ISSN 0304-422X. (doi:10.1016/j.poetic.2020.101511) (KAR id:84251) |
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McCartney, Neil Lorn (2018) Identity Crisis: Film and The Fractured Self. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:73301) |
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Smith, Murray (2024) Artistic Freedom Realised. European Journal of Analytic Philosophy, . ISSN 1845-8475. E-ISSN 1849-0514. (In press) (doi:10.31820/ejap.20.2.1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:107763) |
Smith, Murray (2024) Imagination and Creativity in Film. In: Oxford Handbook of Imagination and Creativity. Oxford University Press. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:107236) |
Smith, Murray (2022) Engaging Characters: Fiction, Emotion, and the Cinema. Revised and expanded 2nd edn. Oxford University Press, 304 pp. ISBN 978-0-19-887107-1. E-ISBN 978-0-19-191413-3. (doi:10.1093/oso/9780198871071.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:104887) |
Smith, Murray (2022) Triangulation Revisited. Projections, 16 (1). pp. 11-24. ISSN 1934-9688. (doi:10.3167/proj.2022.160102) (KAR id:104493) |
Smith, Murray (2021) Trainspotting. 2nd edn. BFI Film Classics . British Film Institute/Bloomsbury, 104 pp. ISBN 978-1-83902-216-6. E-ISBN 978-1-83902-218-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:104889) |
Smith, Murray (2020) BerlInversions. Projections, 14 (2). pp. 56-65. ISSN 1934-9688. (doi:10.3167/proj.2020.140205) (KAR id:104567) |
Smith, Murray (2019) Foreword: Consorting with Characters. In: Riis, Johannes and Taylor, Aaron, eds. Screening Characters: Theories of Character in Film, Television, and Interactive Media. AFI Film Readers . Routledge. ISBN 978-1-138-39182-6. (doi:10.22024/UniKent/01.02.74283) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74283) |
Schempp, Alaina (2019) A Poetics of Time and Timing in the Moving Image. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:76810) |
Smith, Murray (2018) Film, Art, and the Third Culture: A Naturalized Aesthetics of Film — Précis. Projections, 12 (2). pp. 1-8. ISSN 1934-9688. (doi:10.3167/proj.2018.120202) (KAR id:72056) |
Smith, Murray (2018) Film, Art, and the Third Culture: A Response. Projections, 12 (2). pp. 111-136. ISSN 1934-9688. (doi:10.3167/proj.2018.120214) (KAR id:72057) |
Smith, Murray (2018) The Kuleshov Fallacy. . Oxford University Press online publication. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74288) |
Smith, Murray (2018) A Tale of Two Gaps. Australasian Philosophical Review, 2 (2). pp. 189-193. ISSN 2474-0500. (doi:10.1080/24740500.2018.1552095) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74282) |
Smith, Murray (2017) Smile like you mean it. . Oxford University Press internet blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74286) |
Smith, Murray (2017) Lives of the Aestheticians: introductory foreward. In: Maes, Hans R.V., ed. Conversations on Art and Aesthetics. Oxford University Press, Oxford. ISBN 978-0-19-968610-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61924) |
Smith, Murray (2017) Experience and Explanation in the Cinema. In: Herzogenrath, Bernd, ed. Film as Philosophy. University of Minnesota Press. ISBN 978-1-5179-0051-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61925) |
Smith, Murray (2017) Film, Art, and the Third Culture: A Naturalized Aesthetics of Film. Oxford University Press, Oxford, 320 pp. ISBN 978-0-19-879064-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61922) |
Smith, Murray (2017) Review of: Materialisation, Emotion, & Attention: Tracking Sound’s Perceptual Effects in Film (video essay). Review of: Materialisation, Emotion, & Attention: Tracking Sound’s Perceptual Effects in Film by Verhagen, Darrin. Journal of Videographic Film & Moving Image Studies, 4 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74290) |
Smith, Murray (2017) Review of: The Ear That Dreams: Eye Tracking Sound in the Moving Image (video essay). Review of: The Ear That Dreams: Eye Tracking Sound in the Moving Image by Redmond, Sean. Journal of Videographic Film & Moving Image Studies, 4 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:74291) |
Smith, Murray (2016) Film, Philosophy, and the Varieties of Artistic Value. In: Thomson-Jones, Katherine, ed. Current Controversies in Philosophy of Film. Routledge, Abingdon, Oxfordshire, pp. 182-202. ISBN 978-1-138-78951-7. E-ISBN 978-1-315-76488-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60031) |
Smith, Murray (2014) Against Nature? or, Confessions of a Darwinian Modernist. Royal Institute of Philosophy Supplement, 75 . pp. 151-182. ISSN 1358-2461. (doi:10.1017/S1358246114000174) (KAR id:57522) |
Smith, Murray (2011) Just What Is It That Makes Tony Soprano Such an Appealing, Attractive Murderer? In: Jones, Ward and Vice, Samantha, eds. Ethics at the Cinema. Oxford University Press, Oxford, pp. 66-90. ISBN 9780195320398 (hbk); 9780195320404 (pbk). (doi:10.1093/acprof:oso/9780195320398.003.0003) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31407) |
Smith, Murray (2011) Triangulating Aesthetic Experience. In: Shimamura, Arthur P. and Palmer, Stephen E., eds. Aesthetic Science: Connecting Minds, Brains, and Experience. Oxford University Press, New York, pp. 80-102. ISBN 978-0-19-973214-2. (doi:10.1093/acprof:oso/9780199732142.003.0026) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31449) |
Smith, Murray (2009) Consciousness. In: Livingston, Paisley and Plantinga, Carl, eds. The Routledge Companion to Philosophy and Film. Routledge Philosophy Companions . Routledge, London and New York, pp. 39-51. ISBN 978-0-415-77166-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31406) |
Smith, Murray (2009) Double Trouble: On Film, Fiction, and Narrative. StoryWorlds: A Journal of Narrative Studies, 1 (1). pp. 1-23. ISSN 2156-7204. (doi:10.1353/stw.0.0014) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31412) |
Smith, Murray (2007) Was macht es fur einen Unterschied ? Wissenschaft, Gefuhl und Film. In: Bartsch, Anne and Eder, Jens and Fahlenbrach, Kathrin, eds. Audiovisuelle Emotionen:Emotionsdarstellung und Emotionsvermittlung durch audiovisuelle Medienangebote. Herbert von Halem, Cologne, pp. 39-59. ISBN 978-3-938258-30-9. (KAR id:12940) |
Smith, Murray (2006) My Dinner with Noel; or, Can We Forget the Medium ? Film Studies: An International Review, 8 . pp. 140-148. ISSN 1469-0314. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:12924) |
Smith, Murray (2005) What Difference Does it Make. In: Representing and Conveying Emotions in Audio-Visual Forms of Media. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3099) |
Smith, Murray (2005) Against Nature. In: The Cognitive Neuroscience of Film. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3098) |
Smith, Murray (2005) Cinema and Cognition. In: Cinema and Cognition, Society for Cinema and Media Studies. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3097) |
Smith, Murray (2005) Who’s afraid of Charles Darwin? The art of film in the age of evolution. In: Brutsch, Matthias, ed. Emotionalität und Film. Marburg: Schüren, pp. 287-310. ISBN 978-3-89472-512-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1250) |
Smith, Murray (2003) A reasonable guide to horrible noise (Part 2) – listening to Lost Highway. In: Hojbjerg, Lennard and Schepelern, Peter, eds. Film Style and Story: A Tribute to Torben Groda. Copenhagen: Museum Tusculanum Press, University of Copenhagen, pp. 153-170. ISBN 87-7289-851-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1251) |
Smith, Murray (2002) Trainspotting. BFI Modern Classics, 95 pp. ISBN 0-85170-870-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1255) |
Smith, Murray (1999) (Dis)engaging characters: a response to Lynne Pearce's review. Screen, 40 (3). pp. 358-362. ISSN 0036-9543. (doi:10.1093/screen/40.3.358) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16635) |
Smith, Murray (1998) Image and mind: Film, philosophy, and cognition science. Review of: Image and Mind: Film, Philosophy, and Cognitive Science. by Currie, Gregory. British Journal of Aesthetics, 38 (3). pp. 325-327. ISSN 0007-0904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17151) |
Smith, Murray (1998) Regarding film spectatorship: A reply to Richard Allen. Journal of Aesthetics and Art Criticism, 56 (1). pp. 63-65. ISSN 0021-8529. (doi:10.2307/431952) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17153) |
Smith, Murray (1995) Engaging Characters: Fiction, Emotion, and the Cinema. 2nd edn. Oxford: Clarendon Press, 265 pp. ISBN 978-0-19-818347-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3096) |
Smith, Murray (1995) Film Spectatorship and the Institution of Fiction. Journal of Aesthetics and Art Criticism, 53 (2). pp. 113-127. ISSN 0021-8529. (doi:10.2307/431540) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19059) |
Smith, Murray (1994) Altered States: Character and Emotional Response in the Cinema. Cinema Journal, 33 (4). pp. 34-56. ISSN 0009-7101. (KAR id:20046) |
Smith, Murray (1992) Coming to terms - the rhetoric of narrative in fiction and film - Chatman,S. Journal of Aesthetics and Art Criticism, 50 (3). pp. 253-254. ISSN 0021-8529. (doi:10.2307/431236) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22237) |
Smith, Murray (1992) Society-for-cinema-studies conference, pittsburgh, 30-april 3-may, 1992. Screen, 33 (4). pp. 436-438. ISSN 0036-9543. (doi:10.1093/screen/33.4.436) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22236) |
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Topp, Dominic (2014) The Representation of Politics: The Films of Jean-Luc Godard and the Dziga Vertov Group, 1967-1972. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.47917) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:47917) |
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Wible, Zoe Ninon (2024) Fantastikaracters and Folkbiology: A Cognitive Approach to Imaginary Creatures in Fiction Film. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.107398) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:107398) |