Items where Subject is "T Technology > TR Photography"

Library of Congress Subject Areas (47186)
- T Technology (3580)
  - TR Photography (34)
    - TR897.7 Computer animation (2)

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Jump to: B | C | D | G | H | I | M | S | V | W | Z

Number of items at this level: 32.

B

Brittain-Catlin, Timothy (2005) 'Men, women and property in England 1780-1870' [etc] (reviews). Review of: 'Men, women and property in England 1780-1870' 'City of quarters' 'Turning houses into homes' 'Unmodern architecture' 'What we want' by Morris, R. J. and Bell, David and Jayne, Mark and Edwards, Clive and Ibelings, Hans and Jodice, Francesco. AA Files, (51). pp. 79-82. ISSN 0261-6823. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

C

Carney, Phil and Miller, Vincent (2009) Vague Spaces. In: Jansson, Andre and Lagerkvist, Amanda, eds. Strange Spaces: Explorations into Mediated Obscurity. Ashgate, Farnham, pp. 33-56. ISBN 978-0-7546-7461-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Connolly, Stephen (2018) The Spatial Cinema: An Encounter between Lefebvre and the Moving Image. Doctor of Philosophy (PhD) thesis, University of Kent,. (Full text available)

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D

Durrani, Osman (2007) Filmed Fausts: Cardboard Cut-Outs or Blueprints of the Soul? In: Schönfeld, Christiane and Rasche, Hermann, eds. Processes of Transposition: German Literature and Film. Amsterdamer Beiträge zur neueren Germanistik, Amster (63). Editions Rodopi BV, Amsterdam, pp. 27-38. ISBN 978-90-420-2284-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

G

Guerin, Frances (2014) The Corporealization of Memory in Christian Boltanski's Installations. In: Memoryscapes. Diaphanes, Zurich, pp. 157-177. ISBN 978-3-03734-662-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2010) Film as an Archive for Photography: The Portraitist as Witness to the Holocaust. Screening the Past, (29). ISSN 1328-9756. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2012) Frances Guerin on her book Through Amateur Eyes: Film and Photography in Nazi Germany: An Interview. . online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2007) The Gray Space Between: Gerhard Richter’s 18. Oktober 1977 (1989). In: Guerin, Frances and Hallas, Roger, eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, London, pp. 111-126. ISBN ISBN-13: 978-1905674206. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Guerin, Frances (2017) Introduction: European Photography Today. Journal of European Studies, 47 (4). pp. 1-11. ISSN 0047-2441. (doi:https://doi.org/10.1177/0047244117733893) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2013) Memory through the Perpetrator's Lens: Witnessing via Images Taken by Wehrmacht Soldiers and Officers on the Eastern Front. In: Rhetoric, Remembrance, and Visual Form: Sighting Memory. Routledge, New York, pp. 163-179. ISBN 0-415-74416-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2017) Physically absent, visually present: Joachim Schumacher’s photographs of Germany’s Ruhr Valley. Journal of European Studies, 47 (4). pp. 1-19. ISSN 0047-2441. (doi:https://doi.org/10.1177/0047244117733899) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2016) The Revellation and Resistance of Amateur Images at War: Thessaloniki in the Byron Metos collection. In: Museum of Byzantine Culture, Thessaloniki, ed. Representations of the Nazi Occupation: Photography, History, Memory. Museum of Byzantine Culture, Thessaloniki, Greece, pp. 62-80. ISBN 9786185251024. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Guerin, Frances (2011) Through Amateur Eyes: Film and Photography in Nazi Germany. University of Minnesota Press, Minneapolis, 352 pp. ISBN 978-0-8166-7006-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

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Guerin, Frances and Eisenberg, Daniel (2012) Archives and Images as Repositories of Time, Language, and Forms from the Past: A Conversation with Daniel Eisenberg. The Moving Image, 12 (1). pp. 112-118. ISSN 1542-4235. (Full text available)

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H

Hatton, Peter and Murray, Val and Pilling, Lynn (2009) Bluecoat Arts Centre Heritage Trail. Interactive Digital Archive and Heritage Trail. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

I

Illingworth, Shona (2014) Amnesia Lab - exhibition. Amnesia Lab, 20 September to 8 November, UNSW Galleries, Sydney. Drawing, Sound installation, video, photography, 3D immersive environment. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Illingworth, Shona (2014) Amnesia Lab - symposium. National Institute for Experimental Arts (NIEA) at University of New South Wales (UNSW), Sydney, Australia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Illingworth, Shona (2008) War and Memory. In: War and Memory. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

M

Mikuriya, Junko Theresa (2013) In the Dark Places of Photography. In: Green, David, ed. In the Spirit of Creation: Readings in Art, Magic and the Occult. Mandrake, Oxford. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Mikuriya, Junko Theresa (2013) The Spell of Photography: A Philosophical History since Plato. I.B. Tauris, London ISBN NA. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

S

Sforza Tarabochia, Alvise (2018) Il realismo di Morire di classe. Forme di impegno postmoderno in fotografia e psichiatria. In: Fotografia e scienze della mente tra storia, rappresentazione e terapia. Aracne, pp. 195-220. ISBN 978-88-255-1838-2. (doi:https://doi.org/10.4399/97888255183829) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Strangleman, Tim (2008) The Remembrance of a Lost Work: Nostalgia, labour and the visual. In: Whipps, S., ed. Ming Jue: Photographs of Longbridge and Nanjing. The New Art Gallery Walsall, Walsall. ISBN 978-0-946652-89-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Strangleman, Tim (2008) Representations of labour: Visual sociology and work. Sociological Compass, 2 (5). pp. 1491-1505. (doi:https://doi.org/10.1111/j.1751-9020.2008.00149.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Strangleman, Tim (2006) Work, Sociology and the Visual. In: Vroege, B., ed. Changing Faces/Work In Progress. Steidl, Göttinggen, pp. 172-181. ISBN 3-86521-211-5. (doi:3865212115) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

V

von Jungenfeld, Rocio (2010) Wool & Skin_Ink (interactive AV poems) and Pielhache (print). The Arts Society, Newnham College Women and the Arts II (journal) and http://bodiesofwork.ingo (website no longer available). (Full text available)

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W

Wilson, Colette E. (2005) Memory and the politics of forgetting: Paris, the Commune and the 1878 Exposition universelle. Journal of European Studies, 35 (1/2). pp. 47-64. ISSN 0047-2441. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wilson, Colette E. (2007) Paris Photography after the Commune: remembering to forget. In: Photography: theory, practice, debate, 22 October 2007, Institute of Germanic & Romance Studies, School of Advanced Study, University of London, Stewart House, Russell Square.. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wilson, Colette E. (2007) Paris and the Commune 1871-78: the politics of forgetting. Cultural HIstory of Modern War . Manchester University Press and Palgrave in the USA, Manchester and New York, 236 pp. ISBN 978-0-7190-7476-9. (Full text available)

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Wilson, Colette E. (2008) Photography & Cultural Memory: Four Contemporary Photographers. Cultural Memory Conference: Forgetting to Remember/Remembering to Forget, Conference 10-12 September. Exhibition 10 Sept to 28 October 2008, Keynes College, University of Kent, Canterbury, UK. Number of pieces: 36. Paper-based catalogue. ISBN 978-1-902671-58-1. (Full text available)

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Wilson, Colette E. (2004) The Politics and Aesthetics of a Phantom Palace: Le Palais des Tuileries in Charles Soulier’s Paris incendié, mai 1871. Romance Studies, 22 (3). pp. 197-207. ISSN 0263-9904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Wilson, Colette E., ed. (2008) The Well-travelled lens: studies in photography and cultural encounter, memory and identity. Journal of Romance Studies, 8 Issu . Berghahn Books (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Z

Zeitlyn, David (2005) Introduction. In: Swenson, Ingrid, ed. Joseph Chila and Samuel Finlak. Two Portrait Photographers in Cameroon. Peer, London, pp. 4-8. ISBN 978-0-9539772-6-0. (Full text available)

This list was generated on Wed Jan 16 00:18:30 2019 GMT.