Items where Subject is "T Technology > TR Photography"
![[up]](/style/images/multi_up.png)
Up a level- Library of Congress Subject Areas (52928)
- T Technology (4084)
- TR Photography (49)
- T Technology (4084)
Number of items at this level: 44.
B
| Brittain-Catlin, Timothy (2005) 'Men, women and property in England 1780-1870' [etc] (reviews). Review of: 'Men, women and property in England 1780-1870' 'City of quarters' 'Turning houses into homes' 'Unmodern architecture' 'What we want' by Morris, R. J. and Bell, David and Jayne, Mark and Edwards, Clive and Ibelings, Hans and Jodice, Francesco. AA Files, (51). pp. 79-82. ISSN 0261-6823. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10033) |
C
| Carney, Phil and Miller, Vincent (2009) Vague Spaces. In: Jansson, Andre and Lagerkvist, Amanda, eds. Strange Spaces: Explorations into Mediated Obscurity. Ashgate, Farnham, pp. 33-56. ISBN 978-0-7546-7461-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31740) |
![[thumbnail of CarneyMiller Vague Spaces.doc]](/style/images/fileicons/application_msword.png)
|
| Cinquegrani, Maurizio (2019) Agnafit. Anima Loci, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75520) |
| Connolly, Stephen (2018) The Spatial Cinema: An Encounter between Lefebvre and the Moving Image. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:68457) |
Preview Preview |
D
| Durrani, Osman (2007) Filmed Fausts: Cardboard Cut-Outs or Blueprints of the Soul? In: Schönfeld, Christiane and Rasche, Hermann, eds. Processes of Transposition: German Literature and Film. Amsterdamer Beiträge zur neueren Germanistik, Amster (63). Editions Rodopi BV, Amsterdam, pp. 27-38. ISBN 978-90-420-2284-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10106) |
G
| Giles, Ken (2018) Urbus: Located in the Urban. SB Contemporary - Art, 10 Jan 2018 - 10 Feb 2018, Windsor, Ontario. Photography. (KAR id:76786) |
Preview |
| Guerin, Frances (2014) The Corporealization of Memory in Christian Boltanski's Installations. In: Memoryscapes. Diaphanes, Zurich, pp. 157-177. ISBN 978-3-03734-662-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44341) |
| Guerin, Frances (2010) Film as an Archive for Photography: The Portraitist as Witness to the Holocaust. Screening the Past, (29). ISSN 1328-9756. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44287) |
![[thumbnail of Film as an Archive for photography - Restricted]](/style/images/fileicons/text_html.png)
|
| Guerin, Frances (2012) Frances Guerin on her book Through Amateur Eyes: Film and Photography in Nazi Germany: An Interview. . online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45713) |
| Guerin, Frances (2007) The Gray Space Between: Gerhard Richter’s 18. Oktober 1977 (1989). In: Guerin, Frances and Hallas, Roger, eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, London, pp. 111-126. ISBN ISBN-13: 978-1905674206. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45716) |
| Guerin, Frances (2017) Introduction: European Photography Today. Journal of European Studies, 47 (4). pp. 331-341. ISSN 0047-2441. (doi:10.1177/0047244117733893) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64153) |
![[thumbnail of Introduction.pdf]](/style/images/fileicons/application_pdf.png)
|
| Guerin, Frances (2013) Memory through the Perpetrator's Lens: Witnessing via Images Taken by Wehrmacht Soldiers and Officers on the Eastern Front. In: Rhetoric, Remembrance, and Visual Form: Sighting Memory. Routledge, New York, pp. 163-179. ISBN 0-415-74416-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43416) |
![[thumbnail of Memory through the Perpetrator's Lens]](/style/images/fileicons/image.png)
|
| Guerin, Frances (2017) Physically absent, visually present: Joachim Schumacher’s photographs of Germany’s Ruhr Valley. Journal of European Studies, 47 (4). pp. 392-410. ISSN 0047-2441. (doi:10.1177/0047244117733899) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64154) |
|
| Guerin, Frances (2016) The Revellation and Resistance of Amateur Images at War: Thessaloniki in the Byron Metos collection. In: Museum of Byzantine Culture, Thessaloniki, ed. Representations of the Nazi Occupation: Photography, History, Memory. Museum of Byzantine Culture, Thessaloniki, Greece, pp. 62-80. ISBN 978-618-5251-02-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:55998) |
|
| Guerin, Frances (2011) Through Amateur Eyes: Film and Photography in Nazi Germany. University of Minnesota Press, Minneapolis, 352 pp. ISBN 978-0-8166-7006-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31701) |
|
| Guerin, Frances, Eisenberg, Daniel (2012) Archives and Images as Repositories of Time, Language, and Forms from the Past: A Conversation with Daniel Eisenberg. The Moving Image, 12 (1). pp. 112-118. ISSN 1542-4235. (KAR id:43438) |
Preview |
H
| Hatton, Peter and Murray, Val and Pilling, Lynn (2009) Bluecoat Arts Centre Heritage Trail. Interactive Digital Archive and Heritage Trail. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31689) |
I
| Illingworth, Shona (2014) Amnesia Lab - exhibition. Amnesia Lab, 20 September to 8 November, UNSW Galleries, Sydney. Drawing, Sound installation, video, photography, 3D immersive environment. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45411) |
| Illingworth, Shona (2014) Amnesia Lab - symposium. National Institute for Experimental Arts (NIEA) at University of New South Wales (UNSW), Sydney, Australia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45158) |
| Illingworth, Shona (2008) War and Memory. In: War and Memory. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45406) |
R
| Rahman, Kaz (2013) Argo, Orient Yourself! Review of: Argo Film by UNSPECIFIED. Projectorhead, (9). (KAR id:88214) |
Preview |
| Rahman, Kaz (2011) Dil Se... Projectorhead, (3). Article Number 4. ISSN 2348-0505. (KAR id:88209) |
Preview |
| Rahman, Kaz (2005) Flood in the Sky at State Gallery of Fine Arts. , 10 March- 15 April 2005, Hyderabad, India. Exhibition and Catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88198) |
| Rahman, Kaz (2017) Islamic Art and Modernism: Formal Elements in Painting, Architecture and Film. Western Studies Center Research Reports . New East Foundation, Istanbul, Turkey, 173 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88192) |
| Rahman, Kaz (2011) An Islamic Reading of Kiarostami’s Closeup. Projectorhead, (1). Article Number 4. ISSN 2348-0505. (KAR id:88210) |
Preview |
| Rahman, Kaz (2016) Istanbul and Contemporary Islamic Art. . Politics Today Website. (KAR id:88207) |
Preview |
| Rahman, Kaz (2011) Salaat Multimedia Installation at Galeria Alejo Carpentier. Festival Internacional VIDEOARTE, 25-29 November 2011, Camaguey, Cuba. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88195) |
| Rahman, Kaz (2016) Turkey 2016: Black Dogs and a Vanquished Coup. . Politics Today Website. (KAR id:88204) |
Preview |
| Rahman, Kaz (2011) Underground: Music as a Door through the Absurd World of Yugoslavian History. Projectorhead, (4). Article Number 5. ISSN 2348-0505. (KAR id:88208) |
Preview |
| Rahman, Kaz (2020) Utopian Landscapes. Directions, Plymouth, UK. (KAR id:88216) |
Preview |
| Rahman, Kaz (2016) The Weaver of Details: An Interview with Reza Mirkarimi. Projectorhead, . Article Number 13. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88206) |
S
| Sforza Tarabochia, Alvise (2018) Il realismo di Morire di classe. Forme di impegno postmoderno in fotografia e psichiatria. In: Fotografia e scienze della mente tra storia, rappresentazione e terapia. Aracne, pp. 195-220. ISBN 978-88-255-1838-2. (doi:10.4399/97888255183829) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64648) |
![[thumbnail of Il realismo di Morire di classe.docx]](/style/images/fileicons/other.png)
|
| Sforza Tarabochia, Alvise (2018) Photography, Psychiatry, and Impegno. Morire di Classe (1969) Between Neorealism and Postmodernism. Italianist, 38 (1). pp. 48-69. ISSN 0261-4340. (doi:10.1080/02614340.2018.1409923) (KAR id:62174) |
Preview |
| Strangleman, Tim (2008) The Remembrance of a Lost Work: Nostalgia, labour and the visual. In: Whipps, S., ed. Ming Jue: Photographs of Longbridge and Nanjing. The New Art Gallery Walsall, Walsall. ISBN 978-0-946652-89-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13430) |
| Strangleman, Tim (2008) Representations of labour: Visual sociology and work. Sociological Compass, 2 (5). pp. 1491-1505. (doi:10.1111/j.1751-9020.2008.00149.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13320) |
| Strangleman, Tim (2006) Work, Sociology and the Visual. In: Vroege, B., ed. Changing Faces/Work In Progress. Steidl, Göttinggen, pp. 172-181. ISBN 3-86521-211-5. (doi:3865212115) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13431) |
V
| von Jungenfeld, Rocio (2010) Wool & Skin_Ink (interactive poems) and Pielhache (print). The Arts Society, Newnham College Item format: Women and the Arts II (journal). (KAR id:58666) |
|
W
| Wilson, Colette E. (2005) Memory and the politics of forgetting: Paris, the Commune and the 1878 Exposition universelle. Journal of European Studies, 35 (1/2). pp. 47-64. ISSN 0047-2441. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9656) |
| Wilson, Colette E. (2007) Paris Photography after the Commune: remembering to forget. In: Photography: theory, practice, debate, 22 October 2007, Institute of Germanic & Romance Studies, School of Advanced Study, University of London, Stewart House, Russell Square.. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2811) |
| Wilson, Colette E. (2007) Paris and the Commune 1871-78: the politics of forgetting. Cultural HIstory of Modern War . Manchester University Press and Palgrave in the USA, Manchester and New York, 236 pp. ISBN 978-0-7190-7476-9. (KAR id:2787) |
Preview |
| Wilson, Colette E. (2008) Photography & Cultural Memory: Four Contemporary Photographers. Cultural Memory Conference: Forgetting to Remember/Remembering to Forget, Conference 10-12 September. Exhibition 10 Sept to 28 October 2008, Keynes College, University of Kent, Canterbury, UK. Number of pieces: 36. Paper-based catalogue. ISBN 978-1-902671-58-1. (KAR id:13115) |
Preview |
| Wilson, Colette E. (2004) The Politics and Aesthetics of a Phantom Palace: Le Palais des Tuileries in Charles Soulier’s Paris incendié, mai 1871. Romance Studies, 22 (3). pp. 197-207. ISSN 0263-9904. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9657) |
| Wilson, Colette E., ed. (2008) The Well-travelled lens: studies in photography and cultural encounter, memory and identity. Journal of Romance Studies, 8 Issu . Berghahn Books (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:13116) |
Z
| Zeitlyn, David (2005) Introduction. In: Swenson, Ingrid, ed. Joseph Chila and Samuel Finlak. Two Portrait Photographers in Cameroon. Peer, London, pp. 4-8. ISBN 978-0-9539772-6-0. (KAR id:3686) |
Preview |
