Items where Author, Editor or other role is "Double, Oliver"
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Up a levelNumber of items: 47.
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| Ainsworth, Adam, Double, Oliver, Peacock, Louise (2017) Editorial. Theatre, Dance and Performance Training, 8 (2). pp. 125-128. ISSN 1944-3927. E-ISSN 1944-3919. (doi:10.1080/19443927.2017.1326736) (KAR id:62372) |
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| Brooks, Helen E.M. and Double, Oliver (2022) Beyond the Binary: Performing Gender Then and Now. Beyond the Binary: Performing Gender Then and Now, 29 September 2022 - 5 May 2023, UK, Canterbury, Oxford, Liverpool, Brighton, Bristol. Live, Film, Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:101754) |
| Bolsover, Nicola (2015) Costume and Cross-Dressing in Stand-up Comedy. Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:52927) |
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| Chirapiwat, Natcha (2023) 'Play Up the Asianness': A history of East and Southeast Asian stereotypes in Western comedy and how contemporary ESEA stand-up comedians engage with them. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.100838) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:100838) |
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| Double, Oliver (2022) ‘My life fell apart. Are you happy now?’: an interview with Laura Lexx. Comedy Studies, 14 (1). pp. 133-140. ISSN 2040-610X. E-ISSN 2040-6118. (doi:10.1080/2040610X.2023.2149378) (KAR id:100581) |
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| Double, Oliver and de la Tour, Andy and Barclay, Jim and Melville, Pauline and Allen, Tony (2022) Alternative Cabaret in Conversation. In: Double, Oliver and Lockyer, Sharon, eds. Alternative Comedy Now and Then: Critical Perspectives. Palgrave Studies in Comedy . Palgrave Macmillan, London, UK, pp. 137-162. ISBN 978-3-030-97350-6. E-ISBN 978-3-030-97351-3. (doi:10.1007/978-3-030-97351-3_7) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97384) |
| Double, Oliver and Lockyer, Sharon (2022) Alternative Comedy Now and Then: An Introduction. In: Double, Oliver and Lockyer, Sharon, eds. Alternative Comedy Now and Then: Critical Perspectives. Palgrave Studies in Comedy . Palgrave Macmillan, London, UK, pp. 1-22. ISBN 978-3-030-97350-6. E-ISBN 978-3-030-97351-3. (doi:10.1007/978-3-030-97351-3_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97382) |
| Double, Oliver (2022) Alternative Comedy Timeline. In: Double, Oliver and Lockyer, Sharon, eds. Alternative Comedy Now and Then: Critical Perspectives. Palgrave Studies in Comedy . Palgrave Macmillan, London, UK, pp. 23-33. ISBN 978-3-030-97350-6. E-ISBN 978-3-030-97351-3. (doi:10.1007/978-3-030-97351-3_2) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97381) |
| Double, Oliver (2022) The Meccano Club: The Business of Alternative Comedy. In: Double, Oliver and Lockyer, Sharon, eds. Alternative Comedy Now and Then: Critical Perspectives. Palgrave Studies in Comedy . Palgrave Macmillan, London, UK, pp. 37-63. ISBN 978-3-030-97350-6. E-ISBN 978-3-030-97351-3. (doi:10.1007/978-3-030-97351-3_3) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97383) |
| Double, Oliver (2022) 'Incapable of proper action': Boris Johnson as stand-up comedian. In: Mair, John and Beck, Andrew and Connew, Paul, eds. Boris Johnson: Media Creation, Media Clown, Media Casualty. First edition. Mair Golden Moments, United Kingdom, pp. 81-85. ISBN 979-8-8408-5605-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97266) |
| Double, Oliver (2020) ‘Deliberately Shaped for Fun by the High Gods’: Little Tich, Size and Respectability in the Music Hall. In: Lee, Louise, ed. Victorian Comedy and Laughter: Conviviality, Jokes and Dissent. First edition. Palgrave Macmillan, London, UK, pp. 235-261. ISBN 978-1-137-57881-5. E-ISBN 978-1-137-57882-2. (doi:10.1057/978-1-137-57882-2_9) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82976) |
| Double, Oliver (2020) ‘If you laugh at something then I’ll potentially keep it’: the Praxis of Live Comedy. In: Peacock, Louise, ed. A Cultural History of Comedy. First edition. The Cultural Histories Series, 6 . Bloomsbury. ISBN 978-1-350-00082-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81680) |
| Double, Oliver (2020) Alternative Comedy: 1979 and the Reinvention of British Stand-Up. First edition. Cultural Histories of Theatre and Performance . Bloomsbury, London, UK, 240 pp. ISBN 978-1-350-05280-2. E-ISBN 978-1-350-05281-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81083) |
| Double, Oliver (2018) The origin of the term stand-up comedy update. Comedy Studies, 9 (2). pp. 235-237. ISSN 2040-610X. (doi:10.1080/2040610X.2018.1428427) (KAR id:66675) |
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| Double, Oliver (2017) ‘[T]his is eating your greens, this is doing your homework’: writing and rehearsing a full-length stand-up show. Comedy Studies, . pp. 137-153. ISSN 2040-610X. (doi:10.1080/2040610X.2017.1344477) (KAR id:62270) |
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| Double, Oliver (2017) 'It Feels Like a Group of Friends Messing Around Onstage': Pappy's and Live Sketch Comedy. In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Methuen Drama, London, UK; New York, USA, pp. 247-268. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81716) |
| Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. (2017) Popular Performance. Bloomsbury Methuen Drama, London, UK, 304 pp. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (doi:10.1080/14682761.2017.1363485) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61549) |
| Double, Oliver (2017) Tragedy Plus Time: Transforming Life Experience into Stand-Up Comedy. New Theatre Quarterly, 33 (2). pp. 143-155. ISSN 0266-464X. (doi:10.1017/So266464X17000057) (KAR id:61550) |
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| Double, Oliver (2017) Introduction: What is Popular Performance? In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Methuen Drama, London, UK; New York, USA, pp. 1-29. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81715) |
| Double, Oliver (2017) The origin of the term ‘stand-up comedy’. Comedy Studies, 8 (1). pp. 106-109. ISSN 2040-610X. (doi:10.1080/2040610X.2017.1279912) (KAR id:60313) |
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| Double, Oliver (2015) Break a Leg. Performance type: Other Break a Leg, 6 Dec 2015, Canterbury, UK. YouTube video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56961) |
| Double, Oliver (2015) What do you do?: Stand-up comedy versus the proper job. Ephemera: Theory & Politics in Organization, 15 (3). pp. 651-669. ISSN 2052-1499. E-ISSN 1473-2866. (KAR id:55434) |
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| Double, Oliver (2014) Getting the Joke (2nd edition)The Inner Workings of Stand-Up Comedy. 2nd edition. Bloomsbury, London and New York, 518 pp. ISBN 978-1-4081-7460-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43042) |
| Double, Oliver (2012) Britain Had Talent: A History of Variety Theatre. Palgrave Macmillan, Houndsmills, basingstoke, Hampshire, 288 pp. ISBN 9780230284593 (hbk) 9780230284609 (pbk). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31710) |
| Double, Oliver (2012) Max Miller plays with Freud's obstacle: Innuendo and performance technique in variety comedy. Comedy Studies, 3 (1). pp. 93-104. ISSN 2040-610X. (doi:10.1386/cost.3.1.93_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31708) |
| Double, Oliver (2010) Not the Definitive Version: an Interview with Ross Noble. Comedy Studies, 1 (1). pp. 5-19. ISSN 2040-610X. (doi:10.1386/cost.1.1.5/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24936) |
| Double, Oliver (2009) Teddy Brown and the Art of Performing for the British Variety Stage. New Theatre Quarterly, 25 (4). pp. 379-390. ISSN 0266-464X. (doi:10.1017/S0266464X09000669) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24938) |
| Double, Oliver, Wilson, Michael (2008) '"I am a Poor, Skinny Man": Persona and physicality in the work of Karl Valentin'. Studies in Theatre and Performance, 28 (3). pp. 213-221. ISSN 1468-2761. (doi:10.1386/stap.28.3.213/1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31337) |
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| Double, Oliver (2007) Punk rock as popular theatre. New Theatre Quarterly, 23 (1). pp. 35-48. ISSN 0266-464X. (doi:doi: 10.1017/S0266464X06000613) (KAR id:1182) |
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| Double, Oliver (2007) Saint Pancreas. Performance type: Other Saint Pancreas, 3/11/06, Horsebridge Arts Centre, Whitstable. DVD and Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2229) |
| Double, Oliver (2007) Karl Valentin’s “Father and Son Discuss the War". Studies in Theatre and Performance, 27 (1). pp. 5-11. (doi:10.1386/stap.27.1.5_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2440) |
| Double, Oliver and Wilson, Michael (2006) Brecht and cabaret. In: Thomson, Peter and Sacks, Glendyr, eds. Cambridge Companion to Brecht, 2nd Edition. Cambridge University Press. ISBN 978-0-521-67384-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1180) |
| Double, Oliver (2005) Getting the joke: The inner workings of stand-up comedy. London: Methuen, 320 pp. ISBN 0-413-77476-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1178) |
| Double, Oliver, Wilson, Michael (2004) Karl Valentin's illogical subversion: stand-up comedy and the alienation effect. New Theatre Quarterly, XX (3). pp. 203-215. ISSN 0-521-60328-5. (KAR id:1179) |
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| Double, Oliver (2000) Characterization in stand-up comedy: From Ted Ray to Billy Connolly, via Bertolt Brecht. New Theatre Quarterly, 16 (64). pp. 315-323. ISSN 0266-464X. (doi:10.1017/S0266464X00014068) (KAR id:16397) |
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| Double, Oliver (2000) Teaching Stand-Up Comedy. A Mission: Impossible? Studies in Theatre and Performance, 20 (1). pp. 14-23. (doi:10.1080/14682761.2000.10807020) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20310) |
| Double, Oliver (1997) Stand-Up! On Being a Comedian. Methuen Drama, London, 262 pp. ISBN 0-413-70320-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44579) |
| Double, Oliver (1996) Alternative comedy: from radicalism to commercialism. In: Merkin, Ros, ed. Popular Theatres? Liverpool John Moores University, Liverpool, pp. 127-139. ISBN 0-9527978-0-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44576) |
| Double, Oliver (1994) Laughing all the way to the bank? Alternative comedy in the provinces. New Theatre Quarterly, X (39). pp. 255-262. ISSN 0266-464X. (doi:10.1017/S0266464X00000555) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44571) |
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| Gillespie, Tory (2019) Empathy and intimacy in stand-up comedy: how can the performer negotiate with an audience in order to encourage empathy and intimacy in stand-up comedy? Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:81735) |
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| Hudson, Ben (2015) The New Comedian: Media and Technology in Stand-up Comedy. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.50238) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:50238) |
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| Parsons, Jane Semane (2023) 'The All-Excelling Actress Blushing Bow'd': A Practice-as-Research Exploration of the Performance of Gender in 'Restoration Theatre' by Mid-Eighteenth-Century Actresses. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.104707) (KAR id:104707) |
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| Quirk, Sophie and Wilson, Ed (2022) New Alternative Comedy: Productive Crises c.2005-Present. In: Double, Oliver and Lockyer, Sharon, eds. Alternative Comedy Now and Then: Critical Perspectives. Palgrave Studies in Comedy . Palgrave, Switzerland, pp. 271-292. E-ISBN 978-3-030-97351-3. (doi:10.1007/978-3-030-97351-3_12) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:97479) |
| Quirk, Sophie (2017) What's Special About Stand-up Comedy? Josie Long's Lost Treasures of the Black Heart. In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. 1st. Bloomsbury, pp. 223-246. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60710) |
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| Sleigh, Charlotte (2009) Charles Darwin Presents ... Saint-Saens' Carnival of the Animals. , Gulbenkian Theatre. Dramatic performance with music. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53203) |
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| Wilson, Edward (2022) "See What I'm Doing": Metacomedy in Contemporary UK Stand-up. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.95155) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:95155) |
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| Wassell, Ashley Steven (2021) Operation IRIS: How Commercialisation has Impacted Creativity with British Stand-Up Comedy. Master of Arts by Research (MARes) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.88279) (KAR id:88279) |
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