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Items where Author, Editor or other role is "Double, Oliver"

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Number of items: 37.

2022

Wilson, Edward (2022) "See What I'm Doing": Metacomedy in Contemporary UK Stand-up. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:95155)
Format: PDF

2021

Wassell, Ashley Steven (2021) Operation IRIS: How Commercialisation has Impacted Creativity with British Stand-Up Comedy. Master of Arts by Research (MARes) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.88279) (KAR id:88279)
Format: PDF

2020

Double, Oliver (2020) ‘Deliberately Shaped for Fun by the High Gods’: Little Tich, Size and Respectability in the Music Hall. In: Lee, Louise, ed. Victorian Comedy and Laughter: Conviviality, Jokes and Dissent. Palgrave Macmillan, London, UK, pp. 235-261. ISBN 978-1-137-57881-5. E-ISBN 978-1-137-57882-2. (doi:10.1057/978-1-137-57882-2_9) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:82976)

Double, Oliver (2020) ‘If you laugh at something then I’ll potentially keep it’: the Praxis of Live Comedy. In: Peacock, Louise, ed. A Cultural History of Comedy. The Cultural Histories Series, 6 . Bloomsbury. ISBN 978-1-350-00082-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81680)

Double, Oliver (2020) Alternative Comedy: 1979 and the Reinvention of British Stand-Up. Cultural Histories of Theatre and Performance . Bloomsbury, London, UK, 240 pp. ISBN 978-1-350-05280-2. E-ISBN 978-1-350-05281-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81083)

2019

Gillespie, Tory (2019) Empathy and intimacy in stand-up comedy: how can the performer negotiate with an audience in order to encourage empathy and intimacy in stand-up comedy? Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:81735)
Format: PDF

2018

Double, Oliver (2018) The origin of the term stand-up comedy update. Comedy Studies, 9 (2). pp. 235-237. ISSN 2040-610X. (doi:10.1080/2040610X.2018.1428427) (KAR id:66675)
Format: Microsoft Word

2017

Double, Oliver (2017) ‘[T]his is eating your greens, this is doing your homework’: writing and rehearsing a full-length stand-up show. Comedy Studies, . pp. 137-153. ISSN 2040-610X. (doi:10.1080/2040610X.2017.1344477) (KAR id:62270)
Format: PDF Format: Microsoft Word

Double, Oliver (2017) 'It Feels Like a Group of Friends Messing Around Onstage': Pappy's and Live Sketch Comedy. In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Methuen Drama, London, UK; New York, USA, pp. 247-268. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81716)

Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. (2017) Popular Performance. Bloomsbury Methuen Drama, London, UK, 304 pp. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61549)

Quirk, Sophie (2017) What's Special About Stand-up Comedy? Josie Long's Lost Treasures of the Black Heart. In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Bloomsbury, pp. 223-246. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60710)

Double, Oliver (2017) Tragedy Plus Time: Transforming Life Experience into Stand-Up Comedy. New Theatre Quarterly, 33 (2). pp. 143-155. ISSN 0266-464X. (doi:10.1017/So266464X17000057) (KAR id:61550)
Format: PDF Format: Microsoft Word

Double, Oliver (2017) Introduction: What is Popular Performance? In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Methuen Drama, London, UK; New York, USA, pp. 1-29. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81715)

Ainsworth, Adam, Double, Oliver, Peacock, Louise (2017) Editorial. Theatre, Dance and Performance Training, 8 (2). pp. 125-128. ISSN 1944-3927. E-ISSN 1944-3919. (doi:10.1080/19443927.2017.1326736) (KAR id:62372)
Format: Microsoft Word

Double, Oliver (2017) The origin of the term ‘stand-up comedy’. Comedy Studies, 8 (1). pp. 106-109. ISSN 2040-610X. (doi:10.1080/2040610X.2017.1279912) (KAR id:60313)
Format: PDF Format: XML Word Processing Document (DOCX)

2015

Double, Oliver (2015) Break a Leg. Performance type: Other Break a Leg, 6 Dec 2015, Canterbury, UK. YouTube video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56961)

Double, Oliver (2015) What do you do?: Stand-up comedy versus the proper job. Ephemera: Theory & Politics in Organization, 15 (3). pp. 651-669. ISSN 2052-1499. E-ISSN 1473-2866. (KAR id:55434)
Format: PDF Format: HTML

Bolsover, Nicola (2015) Costume and Cross-Dressing in Stand-up Comedy. Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:52927)
Format: PDF

Hudson, Ben (2015) The New Comedian: Media and Technology in Stand-up Comedy. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.50238) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:50238)
Format: PDF

2014

Double, Oliver (2014) Getting the Joke (2nd edition)The Inner Workings of Stand-Up Comedy. Bloomsbury, London and New York, 518 pp. ISBN 978-1-4081-7460-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43042)

2012

Double, Oliver (2012) Britain Had Talent: A History of Variety Theatre. Palgrave Macmillan, Houndsmills, basingstoke, Hampshire, 288 pp. ISBN 9780230284593 (hbk) 9780230284609 (pbk). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31710)

Double, Oliver (2012) Max Miller plays with Freud's obstacle: Innuendo and performance technique in variety comedy. Comedy Studies, 3 (1). pp. 93-104. ISSN 2040-610X. (doi:10.1386/cost.3.1.93_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31708)

2010

Double, Oliver (2010) Not the Definitive Version: an Interview with Ross Noble. Comedy Studies, 1 (1). pp. 5-19. ISSN 2040-610X. (doi:10.1386/cost.1.1.5/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24936)

2009

Double, Oliver (2009) Teddy Brown and the Art of Performing for the British Variety Stage. New Theatre Quarterly, 25 (4). pp. 379-390. ISSN 0266-464X. (doi:10.1017/S0266464X09000669) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24938)

Sleigh, Charlotte (2009) Charles Darwin Presents ... Saint-Saens' Carnival of the Animals. , Gulbenkian Theatre. Dramatic performance with music. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53203)

2008

Double, Oliver, Wilson, Michael (2008) '"I am a Poor, Skinny Man": Persona and physicality in the work of Karl Valentin'. Studies in Theatre and Performance, 28 (3). pp. 213-221. ISSN 1468-2761. (doi:10.1386/stap.28.3.213/1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31337)
Format: PDF

2007

Double, Oliver (2007) Punk rock as popular theatre. New Theatre Quarterly, 23 (1). pp. 35-48. ISSN 0266-464X. (doi:doi: 10.1017/S0266464X06000613) (KAR id:1182)
Format: PDF

Double, Oliver (2007) Saint Pancreas. Performance type: Other Saint Pancreas, 3/11/06, Horsebridge Arts Centre, Whitstable. DVD and Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2229)

Double, Oliver (2007) Karl Valentin’s “Father and Son Discuss the War". Studies in Theatre and Performance, 27 (1). pp. 5-11. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2440)

2006

Double, Oliver and Wilson, Michael (2006) Brecht and cabaret. In: Thomson, Peter and Sacks, Glendyr, eds. Cambridge Companion to Brecht, 2nd Edition. Cambridge University Press. ISBN 978-0-521-67384-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1180)

2005

Double, Oliver (2005) Getting the joke: The inner workings of stand-up comedy. London: Methuen, 320 pp. ISBN 0-413-77476-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1178)

2004

Double, Oliver, Wilson, Michael (2004) Karl Valentin's illogical subversion: stand-up comedy and the alienation effect. New Theatre Quarterly, XX (3). pp. 203-215. ISSN 0-521-60328-5. (KAR id:1179)
Format: Microsoft Word

2000

Double, Oliver (2000) Characterization in stand-up comedy: From Ted Ray to Billy Connolly, via Bertolt Brecht. New Theatre Quarterly, 16 (64). pp. 315-323. ISSN 0266-464X. (doi:10.1017/S0266464X00014068) (KAR id:16397)
Format: Microsoft Word Format: XML Word Processing Document (DOCX)

Double, Oliver (2000) Teaching Stand-Up Comedy. A Mission: Impossible? Studies in Theatre and Performance, 20 (1). pp. 14-23. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20310)

1997

Double, Oliver (1997) Stand-Up! On Being a Comedian. Methuen Drama, London, 262 pp. ISBN 0-413-70320-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44579)

1996

Double, Oliver (1996) Alternative comedy: from radicalism to commercialism. In: Merkin, Ros, ed. Popular Theatres? Liverpool John Moores University, Liverpool, pp. 127-139. ISBN 0-9527978-0-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44576)

1994

Double, Oliver (1994) Laughing all the way to the bank? Alternative comedy in the provinces. New Theatre Quarterly, X (39). pp. 255-262. ISSN 0266-464X. (doi:10.1017/S0266464X00000555) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44571)

This list was generated on Sat May 28 19:58:46 2022 BST.