Items where Author, Editor or other role is "Kear, J."

Group by: Creator's name | Item Type | Date | No Grouping

Jump to: A | K | P | T

Number of items: 51.

A

Amirkhani, Jordan Haleh (2015) 'I am Failure's Success': Francis Picabia and the Enactment of Refusal. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.48374) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:48374)

Format: XML Word Processing Document (DOCX)

Antal Mavity, Imola (2008) From tradition to modernism: British landscape painting in the postwar period. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94175) (KAR id:94175)

K

Kear, Jon (2013) A Judgment on Judgment: Milosevic On Trial. In: Rothermel, Dennis, ed. A Critique of Judgment on Film and Television. Palgrave, pp. 142-163. ISBN 978-1-137-01418-4. (KAR id:31661)

Kear, Jon, Thomas, Ben D. H. (2010) In Elysium: Prints by James Barry. Studio 3 Gallery, University of Kent, Canterbury, UK, 63 pp. ISBN 978-1-902671-69-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64918)

Kear, Jon (2009) The Melancholy Image: Chris Marker’s Cine-Essays and the Ontology of the Photograph. In: Tormey, Jane and Whiteley, Gillian, eds. Telling Stories: Countering Narrative in Art, Theory and Film. Cambridge Scholars Press. ISBN 978-1-4438-0532-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4667)

Kear, Jon (2009) Spectres of the Past, Inhabitations of the Present’: Jochen Gerz’s Public Monuments'. In: Lamberti, Eleanora and Fortunati, Vita, eds. Memories and Representations of War: The Case of World War I and World War II. Textxet Studies in Comparative Literature . Rodopi, Netherlands, pp. 33-49. ISBN 978-90-420-2521-9. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31510)

Kear, Jon (2008) The Treasures of the Impressionists. Andre Deutsch, 88 pp. ISBN 978-0-233-00234-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4665)

Kear, Jon (2008) L'Origine del frammento ne Il capolavoro sconosciuto di Balzac. In: Cattani, Francesca and Meneghelli, Donata, eds. La Rappresentazione all specchio. Testo letterario e testo pittorico. Meltemi, Rome, pp. 55-68. ISBN 978-88-8353-671-7. (KAR id:31662)

Kear, Jon (2007) Une Chambre Mentale: Proust's Solitude. In: Hendrix, Harald, ed. Writers' Houses and the Making of Memory. Routledge, New York/Oxon, pp. 221-235. ISBN 978-0-415-95742-7. (KAR id:31663)

Kear, Jon (2007) Marker’s Bergson. In: Invited Talk, 29th November 2007, University of Leeds. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7962)

Kear, Jon (2007) In the Net of Brute Sense: Merleau Ponty’s Aesthetics. In: Weller, Shane and Baldwin, Thomas and Fowler, James, eds. Flesh In The Text. Peter Lang. ISBN 978-3-03911-102-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4671)

Kear, Jon (2007) In the Brute Net of Sense: Merleau-Ponty’s Aesthetics. In: The Flesh in the Text, 2 day Conference, October 2007, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7965)

Kear, Jon (2007) A Game That Must Be Lost: Chris Marker Replays Alain Resnais' Hiroshima mon amour. In: Guerin, Frances and Hallas, Roger, eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, pp. 129-142. ISBN 978-1-905674-20-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5697)

Kear, Jon (2007) The Origin of the Fragment in Balzac’s Le Chef d’oeuvre inconnu. In: ‘The Fragment’ 3 day conference, 28th-30th June 2007, University of Aberysthwyth. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7958)

Kear, Jon (2007) Melancholy Images: Chris Marker’s Cine-Essays and the Ontology of the Photography. In: The Cine-Essay symposium, 8th February 2007, Loughborough University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7960)

Kear, Jon (2007) Spectres of Painting. University of Kent Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4663)

Kear, Jon (2006) Frenhofer C’est Moi; Cézanne and Balzac’s Le Chief d’oeuvre inconnu. Cambridge Quarterly, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5699)

Kear, Jon (2005) The Clothing of Clio: Chris Marker’s Poetics and the Politics of Representing History. Film Studies: An International Review, 6 . pp. 49-63. ISSN 1469-0314. (doi:10.7227/fs.6.6) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1325)

Kear, Jon (2004) Death and the Maiden: Cindy Sherman's Untitled Film Stills. In: Fortunati, Vita and Lamarra, Annamaria and Federici, Eleonora, eds. The Controversial Women's Body: Images and Representations in Literature and Art. Bononia University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5702)

Kear, Jon (2004) Spectres of the past: Jochen Gerz’s public monuments. In: Lamberti, Eleonora, ed. Representing Cultural Memory. University of Bologna Press, pp. 122-146. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1275)

Kear, Jon (2004) Through A Veil: Reflections on the History of Australian Landscape Painting. In: Balbari, M., ed. Paesaggi australiani: Australian Landscapes. Pendragon Press, pp. 36-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5703)

Kear, Jon (2003) Leaving L’Estaque: Cézanne’s Representations of Provence in the 1880s. Art on the Line, . pp. 1-20. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5706)

Kear, Jon (2003) The Spiral of Time: Memory, Temporality and Subjectivity in Chris Marker’s La Jetée’. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities: Intersections of Photography and Narrative. University of New Mexico Press, New Mexico USA, 0-0. ISBN 0-8263-2825-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1357)

Kear, Jon (2002) Le Sang Provençal. Journal of European Studies, . pp. 32-45. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1273)

Kear, Jon (2002) Masters of Colour: From Derain to Kandinsky. Royal Academy. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5707)

Kear, Jon (2002) Le Sang Provençal: Joachim Gasquet’s Cézanne. Journal of European Studies, 32 (125-6). pp. 135-150. ISSN 0047 2441. (doi:10.1177/004724410203212504) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1319)

Kear, Jon (2002) In the spiral of time. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities. University of New Mexico Press, pp. 199-233. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1274)

Kear, Jon (2001) “Cézanne". In: The Oxford Companion to Western Art. Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5709)

Kear, Jon (1999) Manet's Modernism. Burlington Magazine, . pp. 139-144. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5713)

Kear, Jon (1999) Manet's modernism or, the face of painting in the 1860s. Review of: Manet's Modernism: or, The Face of Painting in the 1860s by UNSPECIFIED. Burlington Magazine, 141 (1154). pp. 294-296. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16883)

Kear, Jon, Turci, Monica (1999) Absorbing Mythologies: Michael Ondaatje's Bill the Kid. Englishes, 4 (2). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5711)

Kear, Jon (1998) Sunless (Chris Marker). Flicks Books (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:4662)

Kear, Jon (1997) Seurat's Bathers at Asnières. Burlington Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5715)

Kear, Jon (1997) Seurat and The 'Bathers'. Magazine, 139 (1135). pp. 709-711. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:18138)

Kear, Jon (1996) Modernism Revisited. Review of: Early modernism by Butler, Christopher. Oxford Art Journal, 19 (2). pp. 119-121. ISSN 0142-6540. (doi:10.1093/oaj/19.2.119) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19273)

Kear, Jon (1996) Black Vénus:Josephine Baker at the Follies- Bergère. In: Sheringham, Michael, ed. Parisian Fields. Reaktion, pp. 46-71. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5718)

Kear, Jon (1996) Claude Monet; Life and art - Tucker,PH. Burlington Magazine, 138 (1122). pp. 610-612. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19275)

Kear, Jon (1996) The Exposition Universelle of 1900. In: Banham, Joanna, ed. History of Interior Design. Fitzroy Dearborn. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5728)

Kear, Jon (1996) Monet Re-viewed. Burlington Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5735)

Kear, Jon (1996) Monet on the Normandy coast; Tourism and painting, 1867-1886 - Herbert,RL. Burlington Magazine, 138 (1122). pp. 610-612. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19274)

Kear, Jon (1996) Odd Man Out; Cézanne in Context. LQ, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5733)

Kear, Jon (1996) Viewfinders: Looking at the Overlooked: Black Women photographers. Wasafiri, . pp. 72-73. ISSN 0269-0055. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5722)

Kear, Jon (1995) Montage, Modernism and its Histories. Word & Image, . pp. 320-326. ISSN 0266-6286. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5738)

Kear, Jon (1995) Travellin' Light. Wasafiri, . ISSN 0269-0055. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5745)

Kear, Jon (1995) Street Noises -Parisian Pleasure,1900-1940 - RIFKIN,A. Art History, 18 (1). pp. 112-118. ISSN 0141-6790. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:19640)

Kear, Jon (1995) Review of Nineteenth Century Painting: A Critical History. Review of: Nineteenth Century Painting: A Critical History by Eisenmann, Stephen F.. Apollo, . pp. 60-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5742)

Kear, Jon (1994) Watching the Detectives. Art History, . pp. 112-118. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5747)

Kear, Jon (1991) Making Hay with Monet; Monets of the 90s. Art History, . pp. 593-599. (doi:10.1111/j.1467-8365.1991.tb00459.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5750)

P

Pelacchi, Laetitia (2014) Gustave Caillebotte and Visual Representation: Perspective, Photography and Movement. Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:48027)

T

Tavassoli Zea, Zahra (2016) La Bande Des Quatre: Nineteenth-century Artistic and Literary Sources in Late Nouvelle Vague Filmmaking. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:61010)

Thomas, Ben D. H. and Kear, Jon (2010) In Elysium: Prints by James Barry. In Elysium: Prints by James Barry, 4 October - 17 December 2010, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64919)

This list was generated on Fri Apr 19 19:21:48 2024 BST.