Items where Author, Editor or other role is "Misek, Richard"

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Number of items: 54.

A

Alharthi, Walaa (2015) Investigation into the Impact of Using Virtual Heritage to Depict the Historical City of Al Madinah. Doctor of Philosophy (PhD) thesis, University of Kent. (KAR id:55671)

L

Lewis-Smith, Christopher (2018) The Dancer and the Looking Glass. Doctor of Philosophy (PhD) thesis, University of Kent, N/A. (KAR id:65808)

M

Maragkos, Aristotelis (2022) The Timekeepers of Eternity: Cinematic Ballard and Ballardian Cinema. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.94892) (KAR id:94892)

Misek, Richard (2021) Is the future of digital theatre in the balance? . Website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91800)

Misek, Richard (2021) Why We Need Hybrid Film Festivals. Hyperallergic, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91799)

Misek, Richard (2021) VR's Missing Audience. . Website. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91802)

Misek, Richard (2020) "All I have to offer is myself”: the film-maker as narrator. In: Vassilieva, Julia and Williams, Deane, eds. Beyond the Essay Film: Subjectivity, Textuality and Technology. Bloomsbury, London, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72001)

Misek, Richard (2020) ‘Real-time’ virtual reality and the limits of immersion. Screen, 61 (4). pp. 615-624. ISSN 0036-9543. (doi:10.1093/screen/hjaa058) (KAR id:86952)

Misek, Richard and Shackleton, Charlie and Raby, Oscar (2019) A Machine for Viewing. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:83240)

Misek, Richard (2018) Notes on Rohmer. In: Zomer Film College, Royal Belgian Film Archive, 14 July 2018, Antwerp, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72002)

Misek, Richard (2018) Six of Seven Things I Know About The Video Essay. In: UNSPECIFIED, 12 April 2018, Monash University, Melbourne, Australia. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72003)

Misek, Richard (2017) Black White Colour. In: Experience Colours!, 7 Nov 2018, Aalto University, Helsinki, Finland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72000)

Misek, Richard and Beugnet, Martine (2017) In Praise of Blur. Ghent Film Festival DCP. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:63445)

Misek, Richard (2017) The Black Screen. In: Beugnet, Martine and Cameron, Allan and Fetveit, Arild, eds. Indefinite Visions: CInema and the Attractions of Uncertainty. Edinburgh Studies in Film and Intermediality . Edinburgh University Press, Edinburgh, pp. 38-52. ISBN 978-1-4744-0712-0. E-ISBN 978-1-4744-0715-1. (KAR id:52381)

Format: XML Word Processing Document (DOCX)

Misek, Richard (2017) All talk: Matias Piñeiro’s verbal narratives. In: Games People Play: The Cinema of Matias Pineiro, 7 Nov 2017, Royal Belgian Film Archive, Brussels, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72004)

Misek, Richard (2017) Why I 'pirate' films. In: TEDx, 13 May 2017, Canterbury, United Kingdom. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61732)

Misek, Richard (2017) The Black Screen. Alchemy Film and Moving Image Festival DCP. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61733)

Misek, Richard (2016) Détournement. In: Forms of Criticism, 30 Jun 2016, Parasol Unit, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72006)

Misek, Richard (2015) The Stolen Film. In: Cinematic Bricoleurs: Remixing, restyling and repurposing in contemporary filmmaking practice, 8 Jan 2016, King's College, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72007)

Misek, Richard (2015) Trespassing Hollywood: Property, Space, and the “Appropriation Film”. October, 153 . pp. 132-148. ISSN 0162-2870. E-ISSN 1536-013X. (doi:10.1162/OCTO_a_00230) (KAR id:50318)

Misek, Richard (2015) The Definition of Film. InTransition: Journal of Videographic Film & Moving Image Studies (2.2, 2015) Online video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:52380)

Misek, Richard (2015) ‘Learning from Fair Use’. Besides the Screen: Piracy in Theory and Practice. In: Coventry University Disruptive Media Centre,, April 2015, Coventry University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50597)

Misek, Richard (2015) The Black Screen. In: Indefinite Visions, June, 2016, Whitechapel Art Gallery. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:52839)

Misek, Richard (2014) What is Montage? In: European Network for Cinema and Media Studies annual conference. . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44143)

Misek, Richard, Cameron, Allan (2014) Time-lapse and the projected body’. Moving Image Review and Art Journal, 3 (1). ISSN 2045-6298. E-ISSN 2045-6301. (doi:10.1386/miraj.3.1.38_1) (KAR id:38857)

Misek, Richard (2014) Colour Films in Britain: the negotiation of innovation 1900-1955 by Sarah Street. Historical Journal of Film, Radio and Television, 34 (1). pp. 31-33. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45005)

Misek, Richard and Cameron, Allan (2014) ‘Modular Spacetime in the “Intelligent” Blockbuster: Inception and Source Code’. In: Buckland, Warren, ed. Hollywood Puzzle Films. AFI Film Readers . Routledge. ISBN 978-0-415-62245-5. (KAR id:38855)

Misek, Richard (2013) The Death of Remix Cinema. In: RENEW. . (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44144)

Misek, Richard (2013) The True Colours of the Universe. In: CHROMA symposium, University of Florence, September 2013, Florence, Italy. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44222)

Misek, Richard (2013) Urban amnesia: development, destruction and documentation’. In: European Network for Cinema and Media Studies annual conference, June 2013, Prague. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44201)

Misek, Richard (2013) Remixing the City: public and private media space in Los Angeles Plays Itself. In: The Spectacular / Contested / Ordinary Media City Symposium, May 2013, Helsinki. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44203)

Misek, Richard (2013) Rohmer in Paris. Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:38905)

Misek, Richard (2012) Dead Time: Cinema, Heidegger, and Boredom. In: Vassilieva, Julia and Verevis, Con, eds. After Taste: Cultural Value and the Moving Image. Routledge, Abingdon, New York, pp. 133-142. ISBN 978-0-415-67926-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:52382)

Misek, Richard (2012) The Algorithmic Image: screen savers, visualisers, and structuralist film’. In: European Network for Cinema and Media Studies annual conference, June 2012, Lisbon. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44204)

Misek, Richard (2012) Mapping Rohmer: cinematic cartography in post-war Paris. In: Roberts, Les, ed. Mapping Cultures: Place, Practice, Performance. Palgrave-Macmillan, pp. 68-84. ISBN 978-0-230-30113-9. (doi:10.1057/9781137025050_3) (KAR id:38854)

Misek, Richard (2012) Mapping Rohmer: a video essay. Video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:38903)

Misek, Richard (2011) The Mortal Sensibility of Time-Lapse: Speed, Stillness, and Decay. In: Society for Cinema and Media Studies annual conference, March 2011, New Orleans, USA. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44207)

Misek, Richard (2011) Rohmer Remixed. In: Remix Cinema symposium, March 2011, Oxford, United Kingdon. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44206)

Misek, Richard (2010) Chromatic Cinema: A History of Screen Colour. Wiley-Blackwell, Chichester, West Sussex, 240 pp. ISBN 978-1-4443-3239-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40190)

Misek, Richard (2010) Mapping Rohmer: cinematic cartography and geo-tagging in post-war Paris. In: Mapping the City in Film, February 2010, Liverpool, United Kingdom. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44208)

Misek, Richard (2010) Dead time: Cinema, Heidegger, and boredom. Continuum, 24 (5). pp. 777-785. ISSN 1030-4312. (doi:10.1080/10304312.2010.505331) (KAR id:35712)

Misek, Richard (2010) The invisible ideology of white light. New Review of Film and Television Studies, 8 (2). pp. 125-143. ISSN 1740-0309. (doi:10.1080/17400301003700160) (KAR id:35717)

Misek, Richard (2010) The 'look' and how to keep it: cinematography, postproduction and digital colour. Screen, 51 (4). pp. 404-409. ISSN 0036-9543. (doi:10.1093/screen/hjq045) (KAR id:35716)

Misek, Richard (2009) Cinema’s Imaginary Art History’. In: Colour and the Moving Image conference, July 2009, Bristol, United Kingdom. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44218)

Misek, Richard (2009) Theorising Boredom. In: Screen annual conference, July 2009, Glasgow. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44216)

Misek, Richard (2009) Cinema’s Imaginary Art History. In: European Network for Cinema and Media Studies, June 2009, Sweden. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44217)

Misek, Richard (2009) Boredom, Boringness, and Badness’. In: B for BAD cinema: aesthetics, politics and cultural value conference, April 2009, Malaysia. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44219)

Misek, Richard (2009) Film Practice as Film Studies. In: Teaching Film symposium. School of Modern Languages, University of Bristol, April 2009, Bristol, United Kingdom. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44220)

Misek, Richard (2008) Exploding Binaries: Point-of-View and Combat inThe Thin Red Line. Quarterly Review of Film and Video, 25 (2). pp. 116-123. ISSN 1050-9208. (doi:10.1080/10509200601074710) (KAR id:35699)

Misek, Richard (2008) A Parallax View of 'Psycho'. International Journal of Zizek Studies, 2 (1). ISSN 1751-8229. (KAR id:38856)

Misek, Richard (2007) Wrong Geometries in The Third Man. Rouge, . (KAR id:38858)

Misek, Richard (2007) Last of the Kodak”: Andrei Tarkovsky’s Struggle With Colour’. In: Everett, Wendy, ed. Questions of Colour in Cinema: From Paintbrush to Pixel. New Studies in European Cinema . Peter Lang Publishing Group, pp. 161-168. ISBN 978-3-03911-353-8. (KAR id:38853)

Misek, Richard (2006) European Cinema: Face to Face with Hollywood by Thomas Elsaesser. Review of: European Cinema: Face to Face with Hollywood by Elsaesser, Thomas. Senses of Cinema, (40). 0-0. ISSN 1443-4059. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:52383)

Misek, Richard (2005) Analogue Film, Digital Discourse. Review of: The Cinema Effect by Cubitt, Sean. Film-Philosophy, 9 (29). 0-0. ISSN 1466-4615. (KAR id:52384)

This list was generated on Wed May 1 19:52:53 2024 BST.