Skip to main content

Time-lapse and the projected body’

Misek, Richard, Cameron, Allan (2014) Time-lapse and the projected body’. Moving Image Review and Art Journal, 3 (1). ISSN 2045-6298. E-ISSN 2045-6301. (doi:10.1386/miraj.3.1.38_1) (KAR id:38857)

PDF
Language: English
Download (227kB) Preview
[img]
Preview
Official URL
http://dx.doi.org/10.1386/miraj.3.1.38_1

Abstract

The technique of time-lapse, which has been applied to all manner of subjects from the cellular to the celestial, has an ambiguous relationship with the human body. Whereas slow motion typically accentuates the force and aesthetics of physical movement, time-lapse tends to decorporealize human figures, projecting bodies forward through time while turning them into phantasmal projections in space. This article examines a number of experimental films that explore the body’s precarious state within time-lapse. Here, the body is figured variously as a medium through which environmental forces are made visible, as a liminal figure that leaves traces of its presence in the landscape or as a kind of ghost suspended outside of its native temporality. These works destabilize the body both as the subject and as the object of representation, making ambiguous its place in relation to different temporal scales.

Item Type: Article
DOI/Identification number: 10.1386/miraj.3.1.38_1
Uncontrolled keywords: time,temporality,time-lapse,experimental film and video,movement,speed,embodiment
Subjects: T Technology
Divisions: Faculties > Sciences > School of Engineering and Digital Arts
Faculties > Sciences > School of Engineering and Digital Arts > Digital Media
Depositing User: Tina Thompson
Date Deposited: 21 Mar 2014 12:08 UTC
Last Modified: 06 May 2020 03:09 UTC
Resource URI: https://kar.kent.ac.uk/id/eprint/38857 (The current URI for this page, for reference purposes)
Misek, Richard: https://orcid.org/0000-0002-5870-521X
  • Depositors only (login required):

Downloads

Downloads per month over past year