Items where Author, Editor or other role is "Mitchell, Roanna"
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Number of items: 9.
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| Mitchell, Roanna (2022) Not not doing therapy: Performer training and the ‘third’ space. Theatre, Dance and Performance Training, 13 (2). pp. 222-237. ISSN 1944-3927. (doi:10.1080/19443927.2022.2052173) (KAR id:91175) |
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| Mitchell, Roanna (2021) Bodies as profit centres: Susie Orbach’s work in the context of performance and activism. In: Kahr, Brett, ed. Expanding Psychoanalysis. First edition. Routledge / Taylor and Francis Group, London, UK. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:91303) |
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| Mitchell, Roanna (2020) Something in the atmosphere? Michael Chekhov, Deirdre Hurst Du Prey, and a web of practices between acting and dance. Theatre, Dance and Performance Training, 11 (3). pp. 255-273. ISSN 1944-3927. (doi:10.1080/19443927.2020.1789724) (KAR id:80673) |
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| Mitchell, Roanna (2020) 'The moment you are not inwardly moving and inwardly participating, you are dead' – Chekhov Technique in Actor-Movement and Dance. In: Fleming, Cass and Cornford, Tom, eds. Michael Chekhov Technique in the Twenty-first Century: New Pathways. First Edition. Bloomsbury Methuen Drama. ISBN 978-1-4742-7318-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70121) |
| Mulvey, Shannon (2018) How is Western-Influenced Contemporary Performance Practice in Dialogue with Fifth Wave Feminism? Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:73585) |
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| Mitchell, Roanna and Dennis, Krysta (2016) The Dramaturgy of Wine, the Terroir of Performance: Multi-Sensory Performance-Making in Through the Grapevine. In: Markstein, Helene Gee and Steijn, Arthur Maria, eds. Inhabiting the Meta Visual: Contemporary Performance Themes. Inter-Disciplinary Press, Oxford, UK, pp. 9-19. ISBN 978-1-84888-532-5. (doi:10.1163/9781848885325_003) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:91172) |
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| Mitchell, Roanna (2015) The Body That Fits The Bill: Physical Capital and ‘Crises’ of the Body in Actor Training. About Performance, 15 (1). pp. 137-156. ISSN 1324-6089. (KAR id:70120) |
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| Mitchell, Roanna (2014) Seen But Not Heard: An embodied account of the (student) actor’s aesthetic labour. Theatre Dance and Performance Training, 5 (1). pp. 59-73. ISSN 1944-3927. E-ISSN 1944-3919. (doi:10.1080/19443927.2013.868367) (KAR id:61048) |
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| Mitchell, Roanna, Pakula, Pablo (2012) Imagining O, Encountering India: Recounting an embodied experience. Studies in South Asian Film & Media, 4 (2). pp. 179-188. ISSN 1756-4921. (doi:10.1386/safm.4.2.179_1) (KAR id:64923) |
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