Skip to main content
Kent Academic Repository

Items where Author, Editor or other role is "Mitchell, Roanna"

Group by: Creator's name | Item Type | Date | No Grouping
Jump to: 2022 | 2021 | 2020 | 2018 | 2016 | 2015 | 2014 | 2012
Number of items: 9.

2022

Mitchell, Roanna (2022) Not not doing therapy: Performer training and the ‘third’ space. Theatre, Dance and Performance Training, 13 (2). pp. 222-237. ISSN 1944-3927. (doi:10.1080/19443927.2022.2052173) (KAR id:91175)
Format: PDF Format: XML Word Processing Document (DOCX)

2021

Mitchell, Roanna (2021) Bodies as profit centres: Susie Orbach’s work in the context of performance and activism. In: Kahr, Brett, ed. Expanding Psychoanalysis. First edition. Routledge / Taylor and Francis Group, London, UK. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:91303)
Format: XML Word Processing Document (DOCX)

2020

Mitchell, Roanna (2020) Something in the atmosphere? Michael Chekhov, Deirdre Hurst Du Prey, and a web of practices between acting and dance. Theatre, Dance and Performance Training, 11 (3). pp. 255-273. ISSN 1944-3927. (doi:10.1080/19443927.2020.1789724) (KAR id:80673)
Format: PDF Format: Microsoft Word

Mitchell, Roanna (2020) 'The moment you are not inwardly moving and inwardly participating, you are dead' – Chekhov Technique in Actor-Movement and Dance. In: Fleming, Cass and Cornford, Tom, eds. Michael Chekhov Technique in the Twenty-first Century: New Pathways. First Edition. Bloomsbury Methuen Drama. ISBN 978-1-4742-7318-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70121)

2018

Mulvey, Shannon (2018) How is Western-Influenced Contemporary Performance Practice in Dialogue with Fifth Wave Feminism? Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:73585)
Format: PDF

2016

Mitchell, Roanna and Dennis, Krysta (2016) The Dramaturgy of Wine, the Terroir of Performance: Multi-Sensory Performance-Making in Through the Grapevine. In: Markstein, Helene Gee and Steijn, Arthur Maria, eds. Inhabiting the Meta Visual: Contemporary Performance Themes. Inter-Disciplinary Press, Oxford, UK, pp. 9-19. ISBN 978-1-84888-532-5. (doi:10.1163/9781848885325_003) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:91172)
Format: PDF

2015

Mitchell, Roanna (2015) The Body That Fits The Bill: Physical Capital and ‘Crises’ of the Body in Actor Training. About Performance, 15 (1). pp. 137-156. ISSN 1324-6089. (KAR id:70120)
Format: PDF Format: Microsoft Word

2014

Mitchell, Roanna (2014) Seen But Not Heard: An embodied account of the (student) actor’s aesthetic labour. Theatre Dance and Performance Training, 5 (1). pp. 59-73. ISSN 1944-3927. E-ISSN 1944-3919. (doi:10.1080/19443927.2013.868367) (KAR id:61048)
Format: PDF

2012

Mitchell, Roanna, Pakula, Pablo (2012) Imagining O, Encountering India: Recounting an embodied experience. Studies in South Asian Film & Media, 4 (2). pp. 179-188. ISSN 1756-4921. (doi:10.1386/safm.4.2.179_1) (KAR id:64923)
Format: Microsoft Word

This list was generated on Tue Nov 26 19:23:22 2024 GMT.