Items where Author, Editor or other role is "Newall, Michael"
![[up]](/style/images/multi_up.png)
Up a levelNumber of items: 22.
A
| Anscomb, Claire Rebecca (2019) On the Significance of Automaticity in Image-Making Practices. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:76754) |
|
G
| Geary, James Bernard (2017) A Defence of the Study of Visual Perception in Art. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:63885) |
|
M
| Moser, Shelby (2017) Digitally Interactive Works and Video Games: A Philosophical Exploration. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:66616) |
|
N
| Newall, Michael (2022) A Study in brown. Synthese, 200 (6). Article Number 487. ISSN 1573-0964. (doi:10.1007/s11229-022-03956-9) (KAR id:99456) |
|
| Newall, Michael (2019) Cries, Consensus and Criticality: Making Artists in the Contemporary Art School. In: Brisbin, Chris and Thiessen, Myra, eds. The Routledge Companion to Criticality in Art, Architecture and Design. First edition. Routledge, London and New York, pp. 14-31. ISBN 978-1-138-18923-2. E-ISBN 978-1-315-62341-2. (KAR id:75412) |
|
| Newall, Michael (2019) Art and the Approval of Nature: Philosophical Reflections on Tom Roberts, Holiday Sketch at Coogee (1888). Curator: The Museum Journal, 62 (1). pp. 53-60. ISSN 0011-3069. (doi:10.1111/cura.12287) (KAR id:74369) |
|
| Newall, Michael (2018) A Philosophy of the Art School. First edition. Routledge Research in Aesthetics . Routledge, New York and London, 192 pp. ISBN 978-1-138-61598-4. E-ISBN 978-0-429-46255-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70012) |
| Newall, M B (2018) The Crit: Toward a theory of the contemporary art school. In: Brisban, Chris and Thiessen, Myra, eds. Routledge Companion to Criticality in Art, Architecture and Design. First edition. Routledge. ISBN 978-1-317-22593-5. E-ISBN 978-1-315-62341-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60715) |
| Newall, Michael (2018) Pyke's Portraits of Philosophers. . blog post. (KAR id:71403) |
|
| Newall, Michael (2015) Is Seeing-in a Transparency Effect? British Journal of Aesthetics, 55 (2). pp. 131-156. ISSN 0007-0904. E-ISSN 1468-2842. (doi:10.1093/aesthj/ayu101) (KAR id:60714) |
|
| Newall, Michael (2015) Painterly and Planar: Wölfflinian Analysis Beyond Classical and Baroque. The Journal of Aesthetics and Art Criticism, 73 (2). pp. 171-178. (doi:10.1111/jaac.12156) (KAR id:60713) |
|
| Newall, Michael (2012) An Aesthetics of Transgressive Pornography. In: Maes, Hans R.V. and Levinson, Jerrold, eds. Art and Pornography: Philosophical Essays. Oxford University Press, Oxford, pp. 206-228. ISBN 978-0-19-960958-1. (doi:10.1093/acprof:oso/9780199609581.003.0011) (KAR id:31635) |
|
| Newall, Michael (2012) Book review: Philosophical Perspectives on Depiction. Review of: Philosophical Perspectives on Depiction by Abell, C. Analysis, 72 (2). pp. 408-410. ISSN 2196-6753. (doi:10.1093/analys/ans004) (KAR id:71402) |
|
| Newall, Michael (2012) Seeing-in is a Transparency Effect (draft paper). . (Unpublished) (KAR id:31873) |
|
| Newall, Michael (2010) What is a Picture? : Depiction, Realism, Abstraction. Palgrave Macmillan, Basingstoke, 248 pp. ISBN 978-0-230-27655-0. (KAR id:31670) |
|
| Newall, Michael (2010) Pictorial Resemblance. Journal of Aesthetics and Art Criticism, 68 (2). pp. 91-103. ISSN 0021-8529. (doi:10.1111/j.1540-6245.2010.01395.x) (KAR id:31634) |
|
| Newall, Michael (2009) Pictorial Experience and Seeing. British Journal of Aesthetics, 49 (2). pp. 129-141. ISSN 0007-0904. (doi:10.1093/aesthj/ayp002) (KAR id:31630) |
|
| Newall, Michael (2006) 'Pictures, Colours and Resemblance'. Philosophical Quarterly, 56 (225). pp. 587-595. ISSN 0031-8094. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2241) |
| Newall, Michael (2005) Picturing pictures: reply to Dilworth. Journal of Aesthetics and Art Criticism, 60 (1). 70 -73. ISSN 0021-8529. (doi:10.1111/j.0021-8529.2005.0182b.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1232) |
| Newall, Michael (2003) A restriction for pictures and some consequences for theories of depiction. Journal of Aesthetics and Art Criticism, 61 (4). pp. 381-394. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1230) |
W
| Walker, Mike (2017) Object-Images: The Exposed Paintings of Callum Innes and the Phenomenology of Non Representational Painting. Doctor of Philosophy (PhD) thesis, University of Kent, University of Kent. (KAR id:62716) |
|
| Windsor, Mark (2016) What is the Uncanny? A Philosophical Enquiry. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.61811) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:61811) |
|
