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Items where Author, Editor or other role is "Topp, Dominic"

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Number of items: 20.

2022

Topp, Dominic, Brydon, Lavinia (2022) Audience Engagement and Development at a Town and Gown Cinema. In: The Formation of Film Audiences: Conference Proceedings. . (KAR id:93556)
Format: PDF

2021

Topp, Dominic (2021) Storytelling in Transit: Transnational Creative Exchange in the Case of Postwar French Cinema. In: NECS Annual Conference: Transitions: Moving Images and Bodies, 7-13 June 2021. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88854)

Topp, Dominic (2021) Middlebrow Modernism and Formal Play in Postwar French Cinema. In: SCSMI Annual Conference, 9-11 June 2021. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88853)

Topp, Dominic (2021) Moments of Truth: Temporal Reordering in Postwar French Cinema. In: BAFTSS Annual Conference: Time and the Body in Film, TV and Screen Studies, 7-9 April 2021, Southampton, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88852)

Topp, Dominic (2021) A Star Is Drawn: The Passion of Dora and Popular Cinephilia in Postwar French Movie Magazines. In: Returning to the Page: Visualising Design and Desire in Fan Magazines Conference, 8-12 February 2021, Canterbury, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88850)

2020

Topp, Dominic (2020) Beyond Bazin: French Visions of Postwar Italian Cinema. In: Society for Italian Studies Themed Conference: Visions of Italy, 10-11 September 2020, Canterbury, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88849)

Topp, Dominic (2020) “How’s Your Sense of Direction?” Studying Audiences’ Perception of Classical Hollywood Directors, 1934-1943. In: Biltereyst, Daniel and Van de Vijver, Lies, eds. Mapping Movie Magazines: Digitization, Periodicals and Cinema History. Global Cinema . Palgrave Macmillan, pp. 257-278. ISBN 978-3-030-33276-1. E-ISBN 978-3-030-33277-8. (doi:10.1007/978-3-030-33277-8_13) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:81601)

2019

Topp, Dominic (2019) Cinéma Militant: Political Filmmaking and May 1968 by Paul Douglas Grant. Review of: Cinéma Militant: Political Filmmaking and May 1968 by Grant, Paul Douglas. Studies in European Cinema, 16 (2). pp. 169-170. ISSN 1741-1548. (doi:10.1080/17411548.2017.1363499) (KAR id:76471)
Format: PDF Format: Microsoft Word

Topp, Dominic (2019) Film Rhythm after Sound: Technology, Music, and Performance by Lea Jacobs. Review of: Film Rhythm after Sound: Technology, Music, and Performance by Jacobs, Lea. Projections, 13 (1). pp. 96-101. ISSN 1934-9688. E-ISSN 1934-9696. (doi:10.3167/proj.2019.130106) (KAR id:76468)
Format: PDF Format: Microsoft Word

2018

Topp, Dominic (2018) Putting the Culture into Bioculturalism: A Naturalized Aesthetics and the Challenge of Modernism. Projections, 12 (2). pp. 101-110. ISSN 1934-9688. E-ISSN 1934-9696. (doi:10.3167/proj.2018.120213) (KAR id:76469)
Format: PDF Format: Microsoft Word

Topp, Dominic (2018) La Composición Pictórica en el Cine de John Ford. In: Simposio Internacional Homenaje a John Ford, Festival Internacional de Cine Recobrado de Valparaíso, 22-26 October 2018, Valparaíso, Chile. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76473)

Topp, Dominic (2018) “Revolución Escritura”: los ciné-tracts de Jean- Luc Godard y el arte de mayo de 1968. Significação: Revista de Cultura Audiovisual, 45 (50). pp. 22-43. ISSN 1516-4330. (doi:10.11606/issn.2316-7114.sig.2018.141980) (KAR id:76470)
Format: PDF Format: Microsoft Word

2017

Topp, Dominic (2017) Retrospective 2017: Future Imperfect. Science · Fiction · Film 67th Berlin International Film Festival, Berlin, Germany, 9–19 February 2017. Review of: 67th Berlin International Film Festival by UNSPECIFIED. Alphaville: Journal of Film and Screen Media, 13 . pp. 189-194. ISSN 2009-4078. (KAR id:76472)
Format: PDF

Topp, Dominic (2017) Not Reconciled? A Naturalized Aesthetics and the Challenge of Modernism. In: Aesthetics Today symposium, Aesthetics Research Centre, University of Kent, 5 June 2017, Canterbury, Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76474)

2016

Topp, Dominic (2016) “Disconnect a Certain Reality in Order to Reconnect It in Another Way”: New Image Relations in the Films of the Dziga Vertov Group. In: NECS conference, 28-30 July 2016, Potsdam, Germany. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76475)

2015

Topp, Dominic (2015) Nouveau cinéma: From Fragmentation to Unity. In: Aesthetics Research Centre research seminar, 9 December 2015. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88856)

Topp, Dominic (2015) Auteurs avant la lettre? Using Digital Movie Magazine Collections to Study Audiences’ Perception of Classical Hollywood Directors. In: Turning the Page: Digitalization, Movie Magazines and Historical Audience Studies Conference:, 12-14 November 2015, Ghent, Netherlands. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88858)

Topp, Dominic (2015) 'We’re Gonna Need a Montage': Understanding the Hollywood Montage Sequence. In: SCSMI Annual Conference, 17-20 June 2015, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88930)

2012

Topp, Dominic (2012) Description of a Struggle: Lotte in Italia and Intellectual Montage. In: Marx at the Movies Conference, University of Central Lancashire, 16-17 March 2012. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88935)

2011

Topp, Dominic (2011) Word Play: Language Games in Jean-Luc Godard’s Le Gai Savoir. In: SCSMI Annual Conference, 8-11 June 2011, Budapest, Hungary. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:88936)

This list was generated on Fri Nov 22 19:27:17 2024 GMT.