Items where Author, Editor or other role is "Friday, Jonathan"
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Up a levelNumber of items: 27.
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| Anscomb, Claire Rebecca (2019) On the Significance of Automaticity in Image-Making Practices. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:76754) |
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| Bustin, Wayne (2023) Understanding Zenga as Painting-Meditation. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.102712) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:102712) |
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| Castoro, Manila (2016) The decisive moment and the moment in between: Kairos, Tyche and the play of street photography. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.60420) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:60420) |
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| Debaene, Aurélie Josephine (2022) The Aesthetics of Posing. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.94029) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:94029) |
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| Deprez, Eleen M. (2018) The Curated Exhibition: A Philosophical and Historical Analysis. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.103915) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:103915) |
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| Friday, Jonathan (2007) The Art Seminar. In: Elkins, James, ed. Photographic Theory. Routledge, pp. 129-204. ISBN 0-415-97783-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6590) |
| Friday, Jonathan (2005) Andre Bazin’s ontology of film and the photographic image. Journal of Aesthetics and Art Criticism, 63 (4). pp. 339-350. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1186) |
| Friday, Jonathan (2005) Dugald Stewart on Reid, Kant and the Refutation of idealism. British Journal for the History of Philosophy, 32 (2). pp. 263-286. (doi:10.1080/09608780500069285) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1187) |
| Friday, Jonathan (2005) Stillness becoming: Reflections on Bazin, Barthes, and Photographic Stillness. In: Green, David and Lowry, Joanna, eds. Stillness and Time: Photography and the Moving Image. Brighton: Photoworks. ISBN 1-903796-18-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1190) |
| Friday, Jonathan (2004) Art and Enlightenment: Aesthetics in the 18th Century. Imprint Academic, 212 pp. ISBN 0-907845-76-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6564) |
| Friday, Jonathan (2004) Moral Theory and the Improvement of Moral Thought. Journal of Moral Education, 33 (1). pp. 23-33. ISSN 0305-7240. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6585) |
| Friday, Jonathan (2004) Moral Equality and the Foundations of Liberal Moral Theory. Journal of Value Inquiry, 38 (1). pp. 61-74. ISSN 0022-5363. (doi:10.1023/B:INQU.0000040016.68565.83) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6567) |
| Friday, Jonathan (2004) Photography and Art – Responses to questions set by Artis Svece. Res Publica, 2 . ISSN 1691-2004. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6588) |
| Friday, Jonathan (2002) Aesthetics and photography. Aldershot: Ashgate Press, 175 pp. ISBN 0-7546-0428-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1185) |
| Friday, Jonathan (2002) Demonic Curiosity and the Aesthetics of Documentary Photography. In: Rubene, Mara, ed. Homo Aestheticus. Tapals, pp. 245-266. ISBN 9984-720-00-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6583) |
| Friday, Jonathan (2001) Photography and the representation of vision. Journal of Aesthetics and Art Criticism, 59 (4). pp. 351-362. ISSN 0021-8529. (doi:10.1111/0021-8529.00037) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1189) |
| Friday, Jonathan (2000) Demonic Curiosity and the Aesthetics of Documentary Photography. British Journal of Aesthetics, 40 (3). pp. 356-375. ISSN 0007-0904. (doi:10.1093/bjaesthetics/40.3.356) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6581) |
| Friday, Jonathan (1999) Quem Tem Medo De Uma Sociedade On-line? Cadernos Da Escola Do Legislativo, . pp. 39-51. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6580) |
| Friday, Jonathan (1999) Looking at Nature Through Photographs. Journal of Aesthetic Education, 33 (1). pp. 25-35. ISSN 0021-8510. (doi:10.2307/3333733) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6576) |
| Friday, Jonathan (1998) Hume’s Sceptical Standard of Taste. Journal of the History of Philosophy, 36 (4). pp. 545-566. ISSN 0022-5053. (doi:10.1353/hph.2008.0865) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6573) |
| Friday, Jonathan (1998) Who’s Afraid of an On-line Society? Ends and Means, 3 (2). pp. 2-7. ISSN 1472-5819. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6579) |
| Friday, Jonathan (1997) Digital Imaging, Photographic Representation and Aesthetics. Ends and Means, 2 (2). pp. 7-11. ISSN 1472-5819. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6570) |
| Friday, Jonathan (1996) Transparency and the Photographic Image. British Journal of Aesthetics, 36 (1). pp. 30-42. ISSN 0007-0904. (doi:10.1093/bjaesthetics/36.1.30) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6568) |
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| Laraki, Nora (2022) Corporate Art Collections in Europe: Impact, Influences and Responsibilities in the Art World. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.93627) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:93627) |
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| Law, Jonathan (2014) Materialising the Unseen: The Multisensory Cinema of the Invisible Body. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:48182) |
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| Nydal, Anja Karina (2013) Repertoires of architects and mountaineers. A study of two professions. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.94558) (KAR id:94558) |
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| Windsor, Mark (2016) What is the Uncanny? A Philosophical Enquiry. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.61811) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:61811) |
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