Items where Author, Editor or other role is "Vaage, M.B."

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Number of items: 48.

2024

Eastwood, Caroline Louise (2024) Feeling sound: cinematic sound, subjective narration and embodiment. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.107217) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:107217)

2022

Vaage, Margrethe Bruun (2022) Should we be against empathy? Engagement with antiheroes in fiction and the theoretical implications for empathy’s role in morality. In: Mezzenzana, Francesca and Peluso, Daniela M., eds. Conversations on Empathy: Interdisciplinary Perspectives on Imagination and Radical Othering. First edition. Routledge, pp. 116-134. ISBN 978-1-032-01915-4. (doi:10.4324/9781003189978-9) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:98211)

Czatkowska, Emilia (2022) The Call: a cinematic encounter with nonhuman animal characters and their worlds. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.96672) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:96672)

2021

Vaage, Margrethe Bruun (2021) Five theses on the difficulty of ending Quality TV series. In: Nannicelli, Ted and Pérez, Héctor J., eds. Cognition, Emotion, and Aesthetics in Contemporary Serial Television. 1st edition. Routledge, United Kingdom. ISBN 978-1-032-03715-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:89922)

2020

Brown, David W R (2020) Faces Places: Cognition, Culture, and the Human Face in Narrative Cinema. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.85887) (KAR id:85887)

2019

Vaage, Margrethe Bruun (2019) On Punishment and Why We Enjoy It in Fiction: Lisbeth Salander of the Millennium Trilogy and Eli in Let the Right One In as Scandinavian Avengers. Poetics Today: International Journal for Theory and Analysis of Literature and Communication, 40 (3). pp. 543-557. ISSN 0333-5372. E-ISSN 1527-5507. (doi:10.1215/03335372-7558136) (KAR id:70038)

Schempp, Alaina (2019) A Poetics of Time and Timing in the Moving Image. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:76810)

2018

Vaage, Margrethe Bruun (2018) Response to my critics in author-meets-critics book panel on The Antihero in American Television. In: The Society for Cognitive Studies of the Moving Image annual conference, 13.-16. June 2018, Bozeman, Montana. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71386)

Vaage, Margrethe Bruun (2018) Should we be against empathy? Theoretical implications of engagement with antiheroes in fiction for empathy’s role in morality. In: Empathy and the Arts, 20. September 2018, York. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71371)

2017

Vaage, Margrethe Bruun (2017) Book Review. Review of: Complex TV: The Poetics of Contemporary Television Storytelling by Mittell, Jason. Projections, 11 (2). pp. 105-109. ISSN 1934-9688. (doi:10.3167/proj.2017.110207) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70151)

Vaage, Margrethe Bruun (2017) On Punishment and Why We Enjoy It In Fiction: Lisbeth Salander of the Millennium trilogy and Eli in Let the Right One In as Scandinavian Avengers. In: Research seminar talk, University of East Anglia, 22. January 2018. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71388)

Vaage, Margrethe Bruun (2017) Violent Women and the Pleasures of Revenge. In: Cognitive Futures in the Arts and Humanities, 1.-4. July 2018, Canterbury. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71372)

Vaage, Margrethe Bruun (2017) From The Corner to The Wire: On Nonfiction, Fiction, and Truth. Journal of Literary Theory, 11 (2). pp. 255-271. ISSN 1862-5290. E-ISSN 1862-8990. (doi:10.1515/jlt-2017-0023) (KAR id:63546)

Vaage, Margrethe Bruun (2017) Five Theses on the Difficulty of Ending Television Series. In: Aesthetics of Television Serials, 2.-4. November 2017, Universitat Politecnica de Valencia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71389)

2016

Vaage, Margrethe Bruun (2016) Book presentation of The Antihero in American Television. In: Media Mutations 8: A Cognitive Approach to TV Series, 25.-26. May 2016, Bologna. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71391)

2015

Vaage, Margrethe Bruun (2015) The antihero in American Television: why he is not typically a utilitarian. In: Philosophy Department Seminar, 5. April 2016, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71394)

Vaage, Margrethe Bruun (2015) Narrative Desires and the Importance of Immorality in Stories. In: Postgraduate Conference at the Dept. of Theatre, Film and Television Studies, 4.-5. May 2016, University of Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71393)

Vaage, Margrethe Bruun (2015) The Antihero in American Television. First Edition. Routledge Advances in Television Studies . Routledge ISBN 978-1-138-88597-4. E-ISBN 978-1-315-71516-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53110)

Vaage, Margrethe Bruun (2015) Narrative Desires and the Importance of Immorality in Stories. In: The Aesthetic Value And Cognitive Impact of Morality in Art, 6.-7. May 2016, Universitat Politecnica de Valencia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71392)

Vaage, Margrethe Bruun (2015) Empathy and the spectator’s engagement in fiction film and television. In: Imagination and Legal Reasoning: History, Theory, Pedagogy, 15. June 2016, Queen Mary. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71390)

Vaage, Margrethe Bruun (2015) ’Take me home. I’ve changed my mind. Take me to the office’. The antihero’s wife and female antiheroes. In: School of Arts Research Talk, 15. October 2015, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71396)

Borge, Steffan, Smith, Murray, Vaage, Margrethe Bruun (2015) The Aesthetics of Football. Sport, Ethics and Philosophy, 9 (2). pp. 93-96. ISSN 1751-1321. E-ISSN 1751-133X. (doi:10.1080/17511321.2015.1048822) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61926)

Borge, Steffen and Smith, Murray and Vaage, Margrethe Bruun, eds. (2015) The Aesthetics of Football. Sport, Ethics and Philosophy, 9 (2). pp. 93-232. ISSN 1751-1321. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71362)

Vaage, Margrethe Bruun (2015) Clusters of Imagining and the External Perspective. Comment on Kendall Walton’s In Other Shoes. In: British Society of Aesthetics Annual conference 2015, 18.-20. September 2015, Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71395)

Vaage, Margrethe Bruun (2015) The antihero in American television: why he is not typically a utilitarian. In: Society for the Cognitive Study of the Moving Image annual conference, 17-20 June 2015, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71365)

Vaage, Margrethe Bruun (2015) Narrative Desires and the Importance of Immorality in Stories. In: A Symposium on Villains, 21 May 2015, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71400)

Vaage, Margrethe Bruun (2015) On the Repulsive Rapist and the Difference between Morality in Fiction and Real Life. In: Zunshine, Lisa, ed. The Oxford Handbook of Cognitive Literary Studies. Oxford University Press. (doi:10.1093/oxfordhb/9780199978069.013.0021) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:48006)

2014

Vaage, Margrethe Bruun (2014) Comment on Stacie Friend’s Matters of Fact and Fiction (forthcoming, Oxford UP). In: Aesthetics Research Centre Book Symposium, 22. May 2014, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71397)

Vaage, Margrethe Bruun (2014) How suspense in Breaking Bad makes us root for the antihero but dislike his wife. In: London Aesthetics Forum, 14. May 2014, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71399)

Vaage, Margrethe Bruun (2014) “Blinded by Familiarity: Partiality, Morality and Engagement in Television Series”. In: Nannicelli, Ted and Taberham, Paul, eds. Cognitive Media Theory. Routledge, pp. 268-284. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50298)

2013

Vaage, Margrethe Bruun (2013) Hitchcockian suspense and moral evaluation. In: Annual Conference of the British Society of Aesthetics, 20.-22. September 2013, Cambridge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71367)

Vaage, Margrethe Bruun (2013) Token and type verisimilitude. In: Society for the Cognitive Study of the Moving Image, 12.-15. June 2013, Berlin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71368)

Vaage, Margrethe Bruun (2013) Token and type verisimilitude. In: Annual Conference of the European Society of Aesthetics, 17.-19. June 2013, Prague. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:71370)

Vaage, Margrethe Bruun (2013) Fictional reliefs and reality checks. Screen, 54 (2). pp. 218-237. ISSN 1460-2474. (doi:10.1093/screen/hjt004) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40571)

Vaage, Margrethe Bruun (2013) The Imagined Observer Hypothesis. In: Branigan, Edward and Buckland, Warren, eds. The Routledge Encyclopedia of Film Theory. Routledge, pp. 258-262. ISBN 978-0-415-78180-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50301)

Vaage, Margrethe Bruun (2013) Point of View. In: Branigan, Edward and Buckland, Warren, eds. The Routledge Encyclopedia of Film Theory. Routledge, pp. 371-375. ISBN 978-0-415-78180-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70145)

2012

Blanchet, Robert, Vaage, Margrethe Bruun (2012) Don, Peggy, and Other Fictional Friends? Engaging with Characters in Television Series. Projections, 6 (2). pp. 18-41. ISSN 1934-9688. E-ISSN 1934-9696. (doi:10.3167/proj.2012.060203) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56202)

2010

Vaage, Margrethe Bruun (2010) Our Man Omar: Warum die Figur Omar Little aus THE WIRE so beliebt ist. In: Blanchet, Robert and Smid, Tereza and Köhler, Kristina and Zutavern, Julia, eds. Serielle Formen. Von den frühen Film-Serials zu aktuellen Quality-TV- und Online-Serien. Zürcher Filmstudien . Schüren, pp. 211-227. ISBN 978-3-89472-525-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70143)

Vaage, Margrethe Bruun (2010) Fiction Film and the Varieties of Empathic Engagement. Midwest Studies In Philosophy, 34 (1). pp. 158-179. ISSN 0363-6550. (doi:10.1111/j.1475-4975.2010.00200.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40572)

2009

Vaage, Margrethe Bruun (2009) The Role of Empathy in Gregory Currie's Philosophy of Film. British Journal of Aesthetics, 49 (2). pp. 109-128. ISSN 0007-0904. (doi:10.1093/aesthj/ayp005) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40573)

Vaage, Margrethe Bruun (2009) Self-Reflection: Beyond Conventional Fiction Film Engagement. Nordicom Review, 30 (2). pp. 159-178. ISSN 1403-1108. (KAR id:56203)

2007

Vaage, Margrethe Bruun (2007) Empathy and the Episodic Structure of Engagement in Fiction Film. In: Anderson, Joseph D. and Fisher Anderson, Barbara, eds. Narration and Spectatorship in Moving Images. Cambridge Scholars Publishing, pp. 186-203. ISBN 978-1-84718-309-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70144)

Vaage, Margrethe Bruun (2007) Levende bilder: Hvorfor empati er viktig for vellykket innlevelse i fiksjonsfilm. Norsk medietidsskrift, 14 (1). pp. 27-48. ISSN 0804-8452. (KAR id:70147)

Vaage, Margrethe Bruun (2007) Empathie. Zur episodischen Struktur der Teilhabe am Spielfilm. Montage A/V, 16 (1). pp. 101-120. ISSN 0942-4954. (KAR id:56204)

Vaage, Margrethe Bruun (2007) "Hold pusten når jeg teller til tre!" Om ulike tilskuerposisjoner og emosjonelle reaksjoner på fiksjonsfilm. In: Solum, Ove and Erstad, Ola, eds. Følelser for film. Gyldendal Akademisk Forlag, pp. 31-49. ISBN 978-82-05-37777-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70150)

2006

Vaage, Margrethe Bruun (2006) The Empathetic Film Spectator in Analytic Philosophy and Naturalized Phenomenology. Film and Philosophy, 10 (21). ISSN 1073-0427. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70141)

2005

Vaage, Margrethe Bruun (2005) Fiksjon, innlevelse og selvreferanse. Norsk Filosofisk Tidsskrift, 40 (2). pp. 124-137. ISSN 0029-1943. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70148)

2004

Vaage, Margrethe Bruun (2004) Sansning, tenkning, teknologi: Hvordanfungerer Stella Polaris? Norsk medietidsskrift, 11 (1). pp. 6-23. ISSN 0804-8452. (KAR id:70149)

This list was generated on Fri Nov 29 20:26:39 2024 GMT.