Items where Author, Editor or other role is "Guerin, Frances"

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Number of items: 69.

Guerin, Frances and Szczesniak, Magda, eds. (2024) Visual culture of post-industrial Europe. First Edition. Cities and Cultures . Amsterdam University Pres, Amsterdam, 408 pp. ISBN 978-90-485-6009-7. (KAR id:106190)

Guerin, Frances (2023) Fritz Lang’s cinema of interruption and the narrative of modernity. Screen, 64 (1). pp. 111-117. ISSN 0036-9543. (doi:10.1093/screen/hjad013) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:100731)

Guerin, Frances (2023) Cinematic Portrait Painting: (Not) About Gerhard Richter. Forthcoming (Unpublished) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:73495)

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Guerin, Frances (2022) Jacqueline Humphries. Lund Humphries, UK, 144 pp. ISBN 978-1-84822-472-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:78183)

Guerin, Frances (2022) Unsettled in the Interstices: Elias Wessel's Die Summe Meiner Daten. In: Robinson, Carl, ed. Painting, Photograph, and the Digital: Crossing the Borders of the Mediums. Cambridge Scholars Publishing, Cambridge UK, pp. 273-291. ISBN 978-1-5275-8917-9. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:99825)

Guerin, Frances (2021) Under Twilight. In: Ustarroz, César, ed. Found Footage and Collage Films. first edition. Found Footage Magazine, Spain, pp. 59-64. (KAR id:93623)

Guerin, Frances (2021) Re-presenting Histories: Documentary Film and Architectural Ruins in Brutality in Stone. Alphaville: Journal of Film and Screen Media, (21). pp. 13-34. ISSN 2009-4078. (doi:10.33178/alpha.21.01) (KAR id:89671)

Guerin, Frances (2021) The Politics of Jasper Johns’s Gray American Flags. In: Wagner, Anne and Marusek, Sarah, eds. Flags, Color, and the Legal Narrative: Public Memory, Identity, and Critique. Law and Visual Jurisprudence . Springer, pp. 621-636. ISBN 978-3-030-32864-1. E-ISBN 978-3-030-32865-8. (doi:10.1007/978-3-030-32865-8_29) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:78184)

Guerin, Frances (2020) Grieving. In: Chakravarti, Jay, ed. Lockdown Literature: Anthology of Pandemic Literature. Culture Cult Press, Calcutta. ISBN 979-8-5838-6307-5. (KAR id:85409)

Guerin, Frances (2020) Touching the Past. . Internet publication. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:83285)

Guerin, Frances (2019) Caroline. . The Ekphrastic Review, 6 pp. Internet. (KAR id:74453)

Guerin, Frances (2019) Un autre temps, un autre lieu. Retour sur les sculptures de Richard Serra dans la vallée de la Ruhr. Faces, (76). pp. 45-72. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:78181)

Guerin, Frances (2019) What Giacometti's Obsession with the Color Gray Really Meant. . Zocalo Public Square, 5 pp. Internet. (KAR id:73494)

Guerin, Frances (2019) Even If She Had Been a Criminal. A Past Unwatched. In: Baer, Nicholas and Hennefeld, Maggie and Horak, Laura and Iversen, Gunnar, eds. Unwatchable. Rutgers University Press, New Jersey. ISBN 978-0-8135-9958-8. E-ISBN 978-0-8135-9960-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:71526)

Guerin, Frances (2019) Aesthetic Spaces: The Place of Art in Film by Brigitte Peucker. Review of: Aesthetic Spaces: The Place of Film in Art by Peucker, Brigitte. Film Quarterly, 73 (1). pp. 107-109. ISSN 0015-1386. (doi:10.1525/fq.2019.73.1.107) (KAR id:76295)

Guerin, Frances (2018) Time to Leave. . online. (KAR id:70628)

Guerin, Frances (2018) Four White Walls. Hecate Journal, 44 (1). pp. 191-195. ISSN 0311-4198. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:80446)

Guerin, Frances (2018) Behind the Mask. In: Suto, Fanni, ed. Midnight Masquerade: A Masquerade Anthology. Fantasia Divinity, pp. 6-25. (KAR id:70868)

Guerin, Frances (2018) From Colgate University to the Central African Republic. . Indiana University Press online. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:70626)

Guerin, Frances (2018) Invisibility Adores and Abhors a Photograph: Jane and Louise Wilson’s Moving Image Installations. Journal of Visual Art Practice, 17 (2-3). pp. 188-205. ISSN 1470-2029. (doi:10.1080/14702029.2018.1466453) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:55987)

Guerin, Frances (2018) Changing how we look at and think about the color grey. . online. (KAR id:70866)

Guerin, Frances (2018) The Truth is Always Grey: A History of Modernist Painting. University of Minnesota Press, Minneapolis, United States, 347 pp. ISBN 978-1-5179-0045-8. E-ISBN 978-1-4529-5724-1. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44627)

Guerin, Frances, ed. (2017) European Photography Today. Journal of European Studies, 47 (4). pp. 331-469. ISSN 0047-2441. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:70619)

Guerin, Frances (2017) Introduction: European Photography Today. Journal of European Studies, 47 (4). pp. 331-341. ISSN 0047-2441. (doi:10.1177/0047244117733893) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64153)

Guerin, Frances (2017) Physically absent, visually present: Joachim Schumacher’s photographs of Germany’s Ruhr Valley. Journal of European Studies, 47 (4). pp. 392-410. ISSN 0047-2441. (doi:10.1177/0047244117733899) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:64154)

Guerin, Frances (2017) The Ambiguity of Amateur Photography in Modern Warfare. New Literary History, 48 (1). pp. 53-74. ISSN 0028-6087. (doi:10.1353/nlh.2017.0002) (KAR id:61166)

Guerin, Frances (2016) The Revellation and Resistance of Amateur Images at War: Thessaloniki in the Byron Metos collection. In: Museum of Byzantine Culture, Thessaloniki, ed. Representations of the Nazi Occupation: Photography, History, Memory. First Edition. Museum of Byzantine Culture, Thessaloniki, Greece, pp. 62-80. ISBN 978-618-5251-02-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:55998)

Guerin, Frances (2016) Friedrich Wilhelm Murnau. In: Gabbard, Krin, ed. Oxford Bibliographies in Cinema and Media Studies. Oxford Bibliographies . Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56571)

Guerin, Frances, ed. (2015) On Not Looking:The Paradox of Contemporary Visual Culture. First Edition. Routledge Advances in Art and Visual Studies . Taylor & Francis Ltd, London, 274 pp. ISBN 978-1-138-82235-1. E-ISBN 978-1-315-74286-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45697)

Guerin, Frances (2015) Peripatetic Sculpture: The Exhaustion of Looking in the Presence of Richard Serra’s Promenade. In: Guerin, Frances, ed. On Not Looking: The Paradox of Contemporary Visual Culture. Routledge, New York, pp. 103-122. ISBN 978-1-138-82235-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45717)

Guerin, Frances (2015) While Not Looking: The Failure to See and to Know in Dr Mabuse der Spieler, and The Testament of Dr Mabuse. In: McElhaney, Joseph, ed. A Companion to Fritz Lang (Wiley Blackwell Companions to Film Directors). Wiley-Blackwell, New York, pp. 43-62. ISBN 978-0-470-67097-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44810)

Guerin, Frances (2015) Searching in Grey: Cy Twombly's Untitled Paintings. In: Wedekind, Gregor, ed. Die Farbe Grau. DeGruyter. (KAR id:44808)

Law, Jonathan (2014) Materialising the Unseen: The Multisensory Cinema of the Invisible Body. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:48182)

Guerin, Frances (2014) The Corporealization of Memory in Christian Boltanski's Installations. In: Memoryscapes. Diaphanes, Zurich, pp. 157-177. ISBN 978-3-03734-662-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44341)

Guerin, Frances (2014) FX Reflects (Blog). . Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45698)

Guerin, Frances (2014) Lotte Reiniger: in Women Film Pioneers Project. . Center for Digital Research and Scholarship online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45715)

Guerin, Frances (2013) Memory through the Perpetrator's Lens: Witnessing via Images Taken by Wehrmacht Soldiers and Officers on the Eastern Front. In: Rhetoric, Remembrance, and Visual Form: Sighting Memory. Routledge, New York, pp. 163-179. ISBN 0-415-74416-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43416)

Guerin, Frances (2013) En Grisaille nowadays. . Catalogue and exhibition blurb. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45712)

Guerin, Frances (2012) Frances Guerin on her book Through Amateur Eyes: Film and Photography in Nazi Germany: An Interview. . online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45713)

Guerin, Frances (2012) Dislocations: videograms of a revolution and the search for images. In: Ginsberg, Terri and Mensch, Andrea, eds. A Companion to German Cinema. CNCZ - The Wiley-Blackwell Companions to National Cinemas . Wiley-Blackwell, New York, pp. 483-506. ISBN 978-1-4051-9436-5. (KAR id:1211)

Guerin, Frances (2012) A Generation Later and Still Unrepresentable? Fassbinder and the Red Army Fraction. In: A Companion to Rainer Werner Fassbinder. WBCF - Wiley-Blackwell Companions to Film Directors . Wiley-Blackwell, New York, pp. 441-460. ISBN 978-1-4051-9163-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31703)

Guerin, Frances, Eisenberg, Daniel (2012) Archives and Images as Repositories of Time, Language, and Forms from the Past: A Conversation with Daniel Eisenberg. The Moving Image, 12 (1). pp. 112-118. ISSN 1542-4235. (doi:10.1353/mov.2012.0025) (KAR id:43438)

Guerin, Frances (2012) Obfuscations of the Visible: Creating Memory through not looking at Christian Boltanski’s Archives. Cinema e Cie: International Film Studies Journal, (9). pp. 279-284. ISSN 2035-5270. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45487)

Guerin, Frances (2011) Through Amateur Eyes: Film and Photography in Nazi Germany. University of Minnesota Press, Minneapolis, 352 pp. ISBN 978-0-8166-7006-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31701)

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Guerin, Frances (2011) The Placement of Shadows: What’s inside William Kentridge’s Black Box/Chambre Noire? In: Rhodes, John David and Gorfinkel, Elena, eds. Taking Place: Location and the Moving Image. University of Minnesota Press, Minneapolis, pp. 233-254. ISBN 978-0-8166-6517-4. (doi:10.5749/minnesota/9780816665167.003.0010) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31702)

Guerin, Frances (2011) Locating Shadows: What’s inside William Kentridge’s Black Box? In: John David, Rhodes, ed. Taking Place: Location and the Moving Image. University of Minnesota Press, Minneapolis, pp. 233-253. ISBN 0-8166-6517-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44814)

Guerin, Frances (2011) Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement. Review of: Vanessa Corby, Eva Hesse: Longing, Belonging and Displacement by UNSPECIFIED. Holocaust Studies: A Journal of Culture and History, 17 (1). pp. 137-139. ISSN 1359-1371. E-ISSN 2048-4887. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45493)

Guerin, Frances (2010) Film as an Archive for Photography: The Portraitist as Witness to the Holocaust. Screening the Past, (29). ISSN 1328-9756. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44287)

Guerin, Frances (2009) Photographs that Forget: Contemporary Recyclings of the Hitler-Hoffmann Rednerposen. In: Plate, Liedeke and Smelik, Anneke, eds. Technologies of Memory in the Arts. Palgrave Macmillan, Basingstoke, pp. 150-165. ISBN 978-0-230-57567-7. E-ISBN 978-0-230-23956-2. (doi:10.1057/9780230239562_10) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43415)

Guerin, Frances (2009) Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema,. Review of: Kristen Whissel, Picturing American Modernity: Traffic, Technology, and the Silent Cinema, by UNSPECIFIED. Screening the Past, n/a (26). n/a-n/a. ISSN 1328-9756. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45499)

Guerin, Frances (2008) Infinite Rotations in a Finite Frame: A Tacita Dean Tryptich. Cinéma e Cie: International Film Studies Journal, N/A (8). pp. 119-134. ISSN 2035-5270. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43596)

Guerin, Frances (2008) Radical Aspirations Historicized: The European Commitment to Political Documentary. In: Kolker, Robert, ed. The Oxford Handbook of Film and Media Studies. Oxford university Press, New York, pp. 114-151. ISBN 0-19-517596-4. (doi:10.1093/oxfordhb/9780195175967.013.0005) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44815)

Guerin, Frances (2008) www.artslant.com. . online. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45711)

Guerin, Frances (2008) www.francesguerin.com. . website. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45710)

Guerin, Frances and Hallas, Roger (2007) Introduction to The Image and the Witness. In: The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, London. ISBN 978-1-905674-20-6. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43364)

Kear, Jon (2007) A Game That Must Be Lost: Chris Marker Replays Alain Resnais' Hiroshima mon amour. In: Guerin, Frances and Hallas, Roger, eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, pp. 129-142. ISBN 978-1-905674-20-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5697)

Guerin, Frances (2007) The Gray Space Between: Gerhard Richter’s 18. Oktober 1977 (1989). In: Guerin, Frances and Hallas, Roger, eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, London, pp. 111-126. ISBN ISBN-13: 978-1905674206. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45716)

Hallas, Roger and Guerin, Frances, eds. (2007) The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, 252 pp. ISBN 978-1-905674-19-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2230)

Guerin, Frances (2006) McCormick and Guenther-Pal, eds, German Essays on Film (2004). Review of: McCormick and Guenther-Pal, eds, German Essays on Film (2004) by McCormick, Richard. Film-Philosophy, 10 (3). pp. 95-100. ISSN 1466-4615. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45500)

Guerin, Frances (2006) The Perpetrator in Focus: Turn of the Century Holocaust Remembrance in "The Specialist". Law Text Culture, 10 . pp. 167-193. ISSN 1332-9060. (KAR id:43380)

Guerin, Frances (2005) A Culture of light: cinema and technology in 1920s Germany. University of Minnesota Press, Minneapolis, 314 pp. ISBN 978-1-4529-0671-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1207)

Guerin, Frances (2004) The energy of disappearing: problems of recycling Nazi amateur film footage. Screening the Past, (17). 0-0. ISSN 1328-9756. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1208)

Guerin, Frances (2004) Explorations of Light and Lighting in Und das Licht Erlosch (1914). In: Gaudreault, André, ed. The Cinema: A New Technology for the 20th Century. Payot, Lausanne, pp. 219-228. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45485)

Guerin, Frances (2004) When Beginnings and Endings Distort the Past. In: Limina/le Soglie del Film. Lithostampa, Pasian di Prato, Udine, pp. 247-254. ISBN 978-88-8420-191-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44337)

Guerin, Frances (2003) Dazzled by the Light. Cinema Journal, 42 (4). pp. 98-115. ISSN 0009-7101. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45489)

Guerin, Frances (2003) Opposite or Complementary Conceptions? What do Rudolf Arnheim and Michel Chion have in Common? Cinema e Cie: International Film Studies Journal, 32 (2). pp. 129-140. ISSN 2035-5270. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45490)

Guerin, Frances (2003) Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002. Review of: Weltwunder der Kinematographie. Film History auf DVD, Polzer Media Group, Potsdam, 2002 by Hoffmann, Kay. The Moving Image: Association of Moving Image Archivists, 4 (2). pp. 123-126. ISSN 2167-8464. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45501)

Guerin, Frances (2002) Reframing the Photographer and his Photographs: Photographer (1995). Film and History: An Interdisciplinary Journal of Film and Television Studies, 32 (1). pp. 43-54. ISSN 0360-3695. (doi:10.1353/flm.2002.0064) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:43403)

Guerin, Frances (1994) Enduring the Vagaries: The Viewer as Master and Slave in Pasolini's Salò,. Melbourne Journal of Politics, 22 (N/A). pp. 45-65. ISSN 0085-3224. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44338)

This list was generated on Tue Nov 26 19:20:58 2024 GMT.