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Items where Author, Editor or other role is "Cowie, Elizabeth"

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Number of items: 62.

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Cowie, Elizabeth (2015) The difference in figuring women now. Moving Image Review & Art Journal, 4 (1-2). pp. 46-61. ISSN 2045-6298. (doi:10.1386/miraj.4.1-2.46_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61757)

Cowie, Elizabeth (2014) The time of gesture in cinema and its ethics. Journal for Cultural Research, 19 (1). pp. 82-95. ISSN 1479-7585. E-ISSN 1740-1666. (doi:10.1080/14797585.2014.920181) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61756)

Cowie, Elizabeth (2012) Road Race. In: Corkish, Alan and Chell, Edward and Taylor, Andrew, eds. In the Company of Ghosts: The Poetics of the Motorway. Erbacce press, Liverpool, pp. 41-46. ISBN 978-1-907878-42-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31623)

Cowie, Elizabeth (2012) Citizenship, agency and subjectivity: art, documentary, and politics. Other. Manchester Univeristy Press, Manchester (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31729)

Cowie, Elizabeth (2011) Recording Reality, desiring the real. Visible Evidence . University of Minnesota press, Minnesota, USA, 296 pp. ISBN 978-0-8166-4549-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31728)

Cowie, Elizabeth (2011) Documentary Space, Place, and Landscape. Media Fields Journal, (3). pp. 1-21. ISSN 2159-7553. (KAR id:31626)
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Cowie, Elizabeth (2010) Thinking Differently: on theory now and documentary art. Differences: A Journal of Feminist Cultural Studies, 21 (1). pp. 178-193. ISSN 1040-7391. (doi:10.1215/10407391-2009-026) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26335)

Cowie, Elizabeth (2010) Das Verhältnis von Unterhaltung und Erkenntnis. Schnitt, 58 (2). pp. 18-21. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26334)

Cowie, Elizabeth (2010) ‘Mourning, Loss and Trauma, and the Ambiguities of Proper and Improper Desire in Exotica (1994)'. In: Brown, Tom and Walters, James, eds. Film Moments. Palgrave/British Film Institute, London, pp. 140-143. ISBN 978-1-84457-336-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26333)

Cowie, Elizabeth (2009) On Documentary Sounds and Images in the Gallery. Screen, 50 (1). pp. 124-134. ISSN 0036-9543. (doi:10.1093/screen/hjn076) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26337)

Cowie, Elizabeth (2009) Introduction to Post-Partum Document. In: Frascina, Francis, ed. Modern Art Culture: a reader. Routledge, London, pp. 303-311. ISBN 978-0-415-23151-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26339)

Cowie, Elizabeth (2007) Real time viewing of images of time past and present: documentary in the gallery 'becoming art'. In: Visible Evidence 14, 18th - 21st December 2007, Bochum, Germany. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12966)

Cowie, Elizabeth (2007) Documentary film as flashback and the 'real' of reality in the temporality of representation. In: Real Things: Matter, Materiality, Representation, 1880 to the Present Conference, 5th - 8th July 2007, University of York. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12965)

Cowie, Elizabeth (2007) Specters of the Real: Documentary Time and Art. Differences: A Journal of Feminist Cultural Studies, 18 (1). pp. 87-127. ISSN 1040-7391. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2227)

Cowie, Elizabeth (2007) Possession, paranoia and the experience of art. In: Freud Museum Symposium: Observing Paranoia in Clinical Practice, Art and Anthropology, March 3rd, 10am - 5pm, 2007, Tavistock Clinic, London NW3. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12967)

Cowie, Elizabeth (2007) Ways of Seeing and Knowing: Documentary Film and the Surreal of Reality. In: Ten Brink, Joram, ed. Building Bridges: The Cinema of Jean Rouch. Wallflower Press, pp. 201-218. ISBN 978-1-905674-47-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2228)

Cowie, Elizabeth (2007) ‘What do you see? Would you like to move on to another image? Yes’. In: Barnard, Clio H., ed. Road Race and Dark Glass Catalogue. Herbert Read Gallery. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2990)

Cowie, Elizabeth (2006) ‘The Art of Paranoia’. In: Pajdic, Predrag and Pasolini, Antonio and Ryan, Paul, eds. Paranoia. Southend/Leeds/London, London, pp. 138-148. ISBN 139780955330902. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2991)

Cowie, Elizabeth (2005) 'Dokumentarische Kunst: das Reale begehren, der Wirklichkeit eine Stimme geben' (‘Desiring the Real, Voicing Reality in Documentry Art'). In: Gludovatz, Karin, ed. Auf den Spuren des Realen Kunst und Dokumentarismus. Museum Moderner Kunst Stiftung Ludwig, Wien, pp. 15-41. ISBN 3-902490-05-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2993)

Cowie, Elizabeth (2005) On Rear Window. In: Rutsky, R.L. and Geiger, Jeffrey, eds. Film Analysis: A Reader. W. W. Norton & Company, pp. 475-493. ISBN 0-393-97983-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1176)

Cowie, Elizabeth (2005) Seeing and hearing for ourselves: the spectacle of reality in the Holocaust Documentary. In: Haggith, Toby and Newman, Joanna, eds. The Holocaust and the Moving Image: Film and Television Representations Since 1933. Wallflower Press, pp. 182-188. ISBN 1-904764-51-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2992)

Cowie, Elizabeth (2004) A commentary on Juan delGado’s video work, ‘Who are You Entertaining To?’. Aspect DVD Journal DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3051)

Cowie, Elizabeth (2003) Cinematic dream-work of Ingmar Bergman’s Wild Strawberries. In: Sabbadini, Andrea, ed. The Couch and the Silver Screen. Psychoanalytic Analytic Reflections on European Cinema. Brenner-Routledge, pp. 181-201. ISBN 1-58391-952-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1175)

Cowie, Elizabeth (2003) The lived nightmare: trauma, anxiety, and the ethical aesthetics of horror. In: Schneider, Steven Jay and Shaw, Daniel, eds. Dark Thoughts: Philosophic Reflections on Cinematic Horror. Lanham, MD: Scarecrow Press, pp. 25-46. ISBN 0-8108-4792-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1174)

Cowie, Elizabeth (2001) The Enigma of the Message. Review of: Essays on Otherness by Laplanche, Jean. New Formations, (43). pp. 148-150. ISSN 0950-2378. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3043)

Cowie, Elizabeth (2001) Identifizierung mit dem Realen - Spektakel der Realität. In: Angerer, Marie-Luise and Krips, H., eds. Der Andere Schauplatz Psychoanalyse - Kultur - Medien. Vienna: Turia + Kant, pp. 151-180. ISBN 3-85132-287-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2995)

Cowie, Elizabeth (2001) Woman as Sign. In: Andjelkovic, Branislava, ed. Feminist Visual Theories. Belgrade: Cenre For Contemporary Arts. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2994)

Cowie, Elizabeth (2000) Figuracija/Razumevanje fetiöa. Filmsek Sveske, 2-3 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3011)

Cowie, Elizabeth (2000) Perceiving Memory and Tales of the Other: the work of Milica Tomic. Camera Austria, (72). pp. 14-16. ISSN 1015-1915. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3012)

Cowie, Elizabeth (2000) Traumatic Memories of Remembering and Forgetting. In: Rossington, Michael and Whitehead, Anne, eds. Between the Psyche and the Polis: Refiguring history in literature and theory. Ashgate Publishing, pp. 191-204. ISBN 0-7546-0228-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2997)

Cowie, Elizabeth (2000) Working Images: the representations of documentary film. In: Pollock, Griselda and Mainz, Valerie, eds. Work and the Image II. Ashgate Press, pp. 173-192. ISBN 0-7546-0233-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2996)

Cowie, Elizabeth (1999) Fantasia. In: Evans, Jessica and Hall, Stuart, eds. Visual Culture, The Reader. Sage, pp. 356-378. ISBN 0-7619-6247-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2999)

Cowie, Elizabeth (1999) The Spectacle of Actuality. In: Gaines, Jane and Renov, Michael, eds. Collecting Visible Evidence. University of Minnesota Press, pp. 19-45. ISBN 0-8166-3135-2/3136-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2998)

Cowie, Elizabeth (1998) Storytelling: classical Hollywood cinema and classical narrative. In: Neale, Steve and Smith, Murray, eds. Contemporary Hollywood Cinema. Routledge, pp. 178-190. ISBN 0-415-17010-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3000)

Cowie, Elizabeth (1997) Documenting Fictions. Continuum, Australian Journal of Media & Culture, 11 (1). pp. 54-66. ISSN 1030-4312. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3034)

Cowie, Elizabeth (1997) Representing the Woman: Psychoanalysis and Cinema. University of Minnesota Press, 397 pp. ISBN 033330576. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2987)

Cowie, Elizabeth (1997) The Spectacle of Reality and Documentary Film. Documentary Box, (10). pp. 1-8. ISSN 1340-0832. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3035)

Cowie, Elizabeth (1996) Images of Women and Filmic Identification. In: Dakovic, Nevena and Derman, Denis and Ross, Karen, eds. Gender & Media. Med-Campus Project no A126 Publications, pp. 35-60. ISBN 975-96120-0-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3001)

Cowie, Elizabeth (1995) Film - Zenska Tovarna Sanji. Vsebina, (23). pp. 46-80. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3036)

Cowie, Elizabeth (1995) A Tunisian Search for Independence - a review of The Silences of the Palace. Review of: The Silences of the Palace by Tlatli, Moufida. Women: A Cultural Review, 6 (1). pp. 124-128. ISSN 0957-4042. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3046)

Cowie, Elizabeth (1993) Film Noir and Women. In: Copjec, Joan, ed. Shades of Noir. Verso, pp. 121-166. ISBN 0-86091-625-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3002)

Cowie, Elizabeth (1993) From Fantasia. In: Easthope, Anthony, ed. Contemporary Film Theory. Longman, pp. 147-161. ISBN 0-582-09032-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3003)

Cowie, Elizabeth (1993) Women, Representation and the Image. In: Alvarado, Manuel and Buscombe, Edward and Collins, Richard, eds. The Screen Education Reader: Cinema, Television, Culture. Macmillan, pp. 48-60. ISBN 0-231-08111-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3004)

Cowie, Elizabeth (1992) Pornography and Fantasy. In: Segal, Lynne and McIntosh, Mary, eds. Sex Exposed: Sexuality and the Pornography Debate. Virago, pp. 132-152. ISBN 1-85381-385-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3006)

Cowie, Elizabeth (1992) The Seductive Theories of Jean Laplanche: a new view of the drive, passivity and femininity. In: Stanton, Martin and Fletcher, John W. J., eds. Situating Laplanche. Institute of Contemporary Arts, pp. 121-136. ISBN 0-905263-68-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3005)

Cowie, Elizabeth (1991) Zenska Seksualnost. In: Bahovec, Eva D., ed. Zenska Seksualnost - Freud & Lacan. Analecta, pp. 146-169. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3007)

Cowie, Elizabeth (1990) Review of Psychoanalysis and Cinema. Review of: Psychoanalysis and Cinema by Kaplan, Anne E.. Times Higher Education Supplement, . 0-0. ISSN 0049-3929. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3045)

Cowie, Elizabeth (1990) Psychoanalysis and Cinema: Film and Theory in the 1980's. In: Donald, James, ed. Psychoanalysis and Cultural Theory: Thresholds. Macmillan, pp. 104-138. ISBN 0-312-05232-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3008)

Cowie, Elizabeth and Adams, Parveen (1990) The Woman in Question. Cambridge/MIT Press/October Books, 383 pp. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2988)

Cowie, Elizabeth (1989) Film in teorija v osemdesetih letih. Ekran, 14 (5/6). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3037)

Cowie, Elizabeth (1989) The Popular Film as a Progressive Text – a Discussion of Coma. In: Penley, Constance, ed. Feminism and Film Theory. Methuen. ISBN 0-415-90107-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3009)

Cowie, Elizabeth (1987) Review article on Mary Kelly’s Interim. Review of: Interim by Kelly, Mary. New Formations, (2). pp. 20-28. ISSN 0950-2378. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3048)

Cowie, Elizabeth (1986) A Discussion of Coma. In: Brunsden, Charlotte, ed. Hollywood’s New Women. British Film Institute. ISBN 0857101558. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3010)

Cowie, Elizabeth (1986) Strategems of Identification. Oxford Literary Review, 8 (1/2). pp. 66-67. ISSN 0-9511080 0 X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3038)

Cowie, Elizabeth (1985) Het verschil in de film. Vrouwen in de films van Hawks. Het Tidschrift voor Vrouwen Studies, (24). ISSN 0167-8361. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3039)

Cowie, Elizabeth (1981) Introduction to Mary Kelly’s Post-Partum Document. M/F, (5/6). pp. 115-123. ISSN 0141-948X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3040)

Cowie, Elizabeth (1980) Review article of The Song of the Shirt. Review of: The Song of the Shirt by Clayton, Sue and Curling, Jonathan. Camera Obscura, (5). pp. 87-97. ISSN 0270-5346. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3050)

Cowie, Elizabeth (1979) The Popular Film as Progressive Text - a discussion of Coma. M/F, (3). pp. 59-82. ISSN 0141-948X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3041)

Cowie, Elizabeth (1975) ‘Feminist Film Criticism - a reply’. Screen, 16 (1). pp. 134-139. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3042)

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Houtman, Coral (2003) Female voice and agency in film adaptations. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86526) (KAR id:86526)
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Turner, Sarah (2018) The Three Ecologies. Writing experimental, site based, responsive narrative for the screen. Ecology, 97 mins, 2007, Perestroika, 118 mins, 2009/10, Public House, 96 mins, 2015/16. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:68751)
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Wood, Sarah (2015) Lost Film Found Film. Doctor of Philosophy (PhD) thesis, University of Kent,. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:48012)

This list was generated on Fri Jan 21 19:34:56 2022 GMT.