Browse by Journal

Group by: Creator's name | Item Type | Date | No Grouping

Jump to: A | B | C | F | K | L | P | R

Number of items: 29.

A

Allain, Paul (2015) The Archive. Contemporary Theatre Review, 25 (1). pp. 32-35. ISSN 1048-6801. (doi:10.1080/10486801.2015.992233) (KAR id:47724)

Allain, Paul (2007) Goat Theatre Macbeth. Contemporary Theatre Review, 17 (2). pp. 255-258. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2376)

Allain, Paul (2005) Grotowski’s ghosts. Contemporary Theatre Review, . pp. 46-59. ISSN 1048 6801. (doi:10.1080/1048680042000334331) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1142)

Allain, Paul, Ziolkowski, Grzegorz (2005) Polish Theatre After 1989: Beyond Borders. Contemporary Theatre Review, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2216)

Allain, Paul (2008) Review of Jerzy Grotowski by James Slowiak and Jairo Cuesta and Etienne Decroux, by Thomas Leabhart. Review of: Jerzy Grotowski by James Slowiak and Jairo Cuesta and Etienne Decroux, by Thomas Leabhart by Slowiak, James and Cuesta, Jairo and Leabhart, Thomas. Contemporary Theatre Review, 18 (1). pp. 115-117. ISSN 1048-6801. (doi:10.1080/10486800701775517) (KAR id:2407)

Allain, Paul (2007) Review of Krzysztof Miklaszewski, Encounters with Kantor. Review of: Krzysztof Miklaszewski, Encounters with Kantor by Miklaszewski, Krzysztof. Contemporary Theatre Review, 17 (1). pp. 115-116. ISSN 1048 6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2406)

Allain, Paul (2016) Thick Description/Thin Lines: Writing about process in Contemporary Performance. Contemporary Theatre Review, 26 (4). pp. 485-495. ISSN 1048-6801. (doi:10.1080/10486801.2016.1216409) (KAR id:57466)

B

Boenisch, Peter M (2009) Book Review No Beauty for Me There Were Human Life is Rare: On Jan Lauwers’ Theatrework with Needcompany. Review of: No Beauty for Me There Were Human Life is Rare: On Jan Lauwers’ Theatrework with Needcompany by Stalpaert, Christel and Le Roy, Frederick and Bousset, Sigrid. Contemporary Theatre Review, 19 (1). pp. 115-116. ISSN ISSN 1048-6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25361)

Boenisch, Peter M (2007) Decreation inc.: William Forsythe’s equations of bodies before the name. Contemporary Theatre Review, 17 (1). pp. 15-27. ISSN 1048-6801. (doi:10.1080/10486800601095982) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1157)

Boenisch, Peter M, Orozco, Lourdes (2010) Editorial: Border Collisions - Contemporary Flemish Theatre. Contemporary Theatre Review, 20 (4). pp. 397-404. ISSN 1048-6801. (doi:10.1080/10486801.2010.505763) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:25357)

Boenisch, Peter M (2008) Exposing The Classics: Michael Thalheimer’s Regie beyond the Text. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801. (doi:10.1080/10486800701741477) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2464)

Boenisch, Peter M (2008) Other People Live: Rimini Protokoll and their Theatre of Experts - an interview. Contemporary Theatre Review, 18 (1). pp. 107-113. ISSN 1477-2264. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2465)

Boenisch, Peter M (2010) Towards a Theatre of Encounter and Experience: Reflexive Dramaturgies and Classic Texts. Contemporary Theatre Review, 20 (2). pp. 162-172. (doi:10.1080/10486801003682369) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24946)

C

Camilleri, Frank (2008) 'To Push the Actor-Training to its Extreme': Training Process in Ingemar Lindh's Practice of Collective Improvisation. Contemporary Theatre Review, 18 (4). pp. 425-441. ISSN 1048-6801. (doi:10.1080/10486800802379474) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:14864)

F

Finburgh, Clare (2012) French Theatre ‘dans la merde’. Contemporary Theatre Review, 22 (2). p. 287. ISSN 1048-6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61156)

Finburgh, Clare (2010) Internal and External Dramaturgies: The French Context. Contemporary Theatre Review, 20 (2). pp. 203-213. ISSN 1048-6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61249)

K

Klich, Rosemary E. (2017) Amplifying Sensory Spaces: The In and Outputs of Headphone Theatre. Contemporary Theatre Review, 27 (3). pp. 366-378. ISSN 1048-6801. E-ISSN 1477-2264. (doi:10.1080/10486801.2017.1343247) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45525)

Klich, Rosemary E. (2013) Performing Poetry and the Postnarrative Text in the Theatre of New Media. Contemporary Theatre Review, 23 (3). pp. 421-431. ISSN 1048-6801. (doi:10.1080/10486801.2013.806322) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31599)

L

Laera, Margherita (2019) Review: The Routledge Companion to Adaptation. Review of: The Routledge Companion to Adaptation by Cutchins, Dennis and Krebs, Katja and Voigts, Eckart. Contemporary Theatre Review, . ISSN 1048-6801. (KAR id:72170)

Laera, Margherita (2012) Staging and Performing Translation: Text and Theatre Practice edited by Roger Baines, Cristina Marinetti, and Manuela Perteghella. Review of: Staging and Performing Translation: Text and Theatre Practice by Baines, Roger and Marinetti, Cristina and Perteghella, Manuela. Contemporary Theatre Review, 22 (2). pp. 281-282. ISSN 1048-6801. (doi:10.1080/10486801.2012.669600) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31354)

Laera, Margherita (2011) Theatre Translation as Collaboration: Aleks Sierz, Natalie Abrahami, Martin Crimp, Zoë Svendsen, Colin Teevan and J. Michael Walton discuss Translation for the Stage. Contemporary Theatre Review, 21 (2). pp. 213-225. ISSN 1048-6801. (doi:10.1080/10486801.2011.561490) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31352)

P

Pavis, Patrice (2004) Ravenhill and Durringer, or the Entente cordiale misunderstood. Contemporary Theatre Review, 14 (2). pp. 1-13. (doi:10.1080/1026716042000228045) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:11923)

R

Radosavljevic, Duška (2009) The Alchemy of Power and Freedom – A Contextualisation of Slobodan Šnajder’s Hrvatski Faust (The Croatian Faust). Contemporary Theatre Review, 19 (4). pp. 428-447. ISSN 1048-6801. (doi:10.1080/10486800903209679) (KAR id:23452)

Roesner, David P. (2011) The Guitar Hero's Performance. Contemporary Theatre Review, 21 (3). pp. 276-285. ISSN 1048-6801. (doi:10.1080/10486801.2011.585646) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30253)

Roser-i-Puig, Montserrat (2007) Interview with Àngels Aymar. Contemporary Theatre Review, 17 (3). pp. 478-479. ISSN 1477-2264. (doi:10.1080/10486800701416930) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:8831)

Radosavljevic, Duška (2010) A Reflection on Internal. Contemporary Theatre Review, 20 (2). pp. 249-251. (KAR id:24947)

Radosavljevic, Duška (2012) Sarah Kane's Illyria as the land of violent love: a Balkan reading of Blasted. Contemporary Theatre Review, 22 (4). pp. 499-511. ISSN 1048-6801. (doi:10.1080/10486801.2012.718270) (KAR id:31444)

Roesner, David P. (2008) The politics of the polyphony of performance. Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1048-6801. (KAR id:30260)

Roesner, David P. (2008) The politics of the polyphony of performance: Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1477-2264. (doi:10.1080/10486800701749587) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40778)

This list was generated on Sat Jan 11 23:39:16 2025 GMT.