Items where Author, Editor or other role is "Brooks, Helen"

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Number of items: 52.

Brooks, Helen E.M. and Hammond, Michael, eds. (2023) The Cambridge Companion to British Theatre of the First World War. First edition. Cambridge Companions . Cambridge University Press, Cambridge, UK, 273 pp. ISBN 978-1-108-72276-6. (doi:10.1017/9781108673778) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:103908)

Brooks, Helen E.M. and Connelly, Mark L. (2022) Walking with Ghosts. Folkestone Harbour Arm Station, 11-14 Nov 2022, Folkestone. Live Performance. (KAR id:99589)

Brooks, Helen E.M. and Double, Oliver (2022) Beyond the Binary: Performing Gender Then and Now. Beyond the Binary: Performing Gender Then and Now, 29 September 2022 - 5 May 2023, UK, Canterbury, Oxford, Liverpool, Brighton, Bristol. Live, Film, Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:101754)

Brooks, Helen E.M. (2022) The Horror of the Great War on the London Stage: The Grand Guignol Season of 1915. In: Conti, Meredith and Wetmore, Kevin J., eds. Theatre and the Macabre. Horror Studies . University of Wales Press, Cardiff, pp. 29-44. ISBN 978-1-78683-845-2. (KAR id:91703)

Format: XML Word Processing Document (DOCX)

Hall, Isla Lindsay (2022) Towards a methodology to mitigate the operation of implicit gender bias in theatre production: Three contemporary stagings of Julius Caesar. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.95681) (KAR id:95681)

Hanna, Emma (2022) Theatre in the War Zone. In: Brooks, Helen E.M., ed. Edinburgh Companion to First World War Theatre. First edition. Edinburgh University Press, Edinburgh, UK. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:92232)

Twyford, Sarah Elizabeth (2020) In What Ways did 19th Century Theatre Respond to Contemporary Crime: With a Focus on the Dramatization of Real-Life Cases and Criminals. Master of Arts by Research (MARes) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.85603) (KAR id:85603)

Brooks, Helen E.M. (2020) ‘Are there any more recruits?’ - British theatre and the recruitment drive, 1914–1915. First World War Studies, 10 (2-3). pp. 207-224. ISSN 1947-5020. (doi:10.1080/19475020.2020.1774913) (KAR id:82318)

Brooks, Helen E. M. (2020) Remembering the War on the British Stage: From Resistance to Reconstruction. In: Verpoest, Luc and Engelen, Leen and Heynickx, Rajesh and Schmidt, Jan and Uyttenhove, Pieter and Verstraete, Pieter, eds. Revival after the Great War: Rebuild, Remember, Repair, Reform. First edition. University of Leuven Press, Leuven, pp. 164-177. ISBN 978-94-6270-250-9. (KAR id:85483)

Brooks, Helen E.M., Brayshaw, Karen (2019) Hands on History. Archiving Theatre History. In: Association of Performing Arts Collections annual conference, 1 July 2019, V&A Museum, London. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:92138)

Brooks, Helen E.M. and Hanna, Emma (2019) 'A Night in the West End, 1914-1918': A Lecture-Concert. Performance type: Musical event A Night in the West End, 1914-1918: A Lecture-Concert, 27 April 2019, Westgate Hall, Canterbury. Script. (KAR id:73664)

Brooks, Helen E.M. (2018) British Theatre and the Great War 1914-1919: New Perspectives. Review of: British Theatre and the Great War 1914–1919: New Perspectives by Maunder, Andrew. Nineteenth Century Theatre and Film, 45 (2). pp. 270-276. ISSN 1748-3727. E-ISSN 2048-2906. (doi:10.1177/1748372718792085) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73672)

Brooks, Helen E.M. (2018) Horror on the London Stage: The Grand Guignol Season of 1915. In: Languages and the First World War, 10 Sept 2018, Europe House. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73666)

Brooks, Helen E.M. (2018) Keeping the War Alive: British Theatre of the 1920s. In: Theatre and Performance Research Association Conference 2018, 5-7 Sept 2018, Aberystwyth. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73668)

Brooks, Helen E.M. (2018) Peace and the Theatre: British Theatre after the Great War. In: Revival after the Great War: Repair, Rebuild, Remember, 8-9 May 2018, Leuven. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73669)

Brooks, Helen E.M. (2018) The Horrors of War: Extreme violence on the Great War British Stage. In: Dramaturgies of War: Institutional Dramaturgy, Politics, and Conflict in the 19th and 20th Centuries, 25-26 January 2018, Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73670)

Brooks, Helen E.M. (2018) Theatre History and Historiography: Ethics, Evidence and Truth. Edited by Claire Cochrane and Jo Robinson. Review of: Theatre History and Historiography: Ethics, Evidence and Truth. by UNSPECIFIED. Theatre Research International, 42 (3). pp. 352-353. ISSN 0307-8833. E-ISSN 1474-0672. (doi:10.1017/S0307883317000657) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65347)

Brooks, Helen E.M. (2017) Recovering First World War Theatre: A Community Research Project. In: UNSPECIFIED, 16 Mar 2017, Royal Academy of Dramatic Art, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65371)

Brooks, Helen E.M. (2017) Sex and Sexuality. In: Balme, Christopher B. and Davis, Tracy C., eds. A Cultural History of Theatre. Bloomsbury. ISBN 978-1-4725-8584-4. (KAR id:64411)

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Brooks, Helen E.M. (2017) Theatres of War: New insights into wartime theatre production through the Recovering First World War Theatre project. In: TaPRA Conference, 2017, 30 Aug - 01 Sep 2017, University of Salford. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65358)

Brooks, Helen E.M. and Connelly, Mark L. (2017) The St. Barnabas Hostels’ Pilgrimage, 1923. Performance type: Live play Ypres 100, 28 - 31 Jul 2017, Passchendaele Memorial Museum, Belgium. Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65342)

Brooks, Helen E.M. (2017) Not just 'A Little Bit of Fluff': British Theatre during the Great War. In: Civilian Experiences of War Symposium, 09 Jul 2017, Open University, Milton Keynes. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65367)

Brooks, Helen E.M. (2017) Staging Jutland. In: Jutland and After: The First World War at Sea from War to Peace 1916-1919, 31 May - 2 Jun 2017, National Museum of the Royal Naval, Portsmouth. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65359)

Brooks, Helen E.M. (2017) Mobilising the Home Front: British Theatre in 1916. In: The Fictional First World War, 6-9 Apr 2017, University of Aberdeen. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65361)

Brooks, Helen E.M. (2017) Staging the Great War in the British Theatre between 1914 and 1918. In: War Through Other Stuff, 22-24 Feb 2017, University of Edinburgh. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65360)

Brooks, Helen E.M. (2017) Great War Theatre. online. Located at: www.greatwartheatre.org.uk. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65369)

Brooks, Helen E.M. (2016) Undertaking Cultural History Projects with Partners and Publics: Methods and Approaches. In: UNSPECIFIED, 01 Dec 2016, Leuven, Belgium. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65370)

Brooks, Helen E.M. (2016) Collaboration and Co-production: an example of a partnership between the University of Kent and Theatre Royal, Brighton. In: In Good Company: Working with Partners (APAC Annual Conference), 07 Nov 2016, The Lowry, Salford. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65364)

Brooks, Helen E.M. (2016) Sexual Suspects Roundtable. In: Actress as Author, 09-10 Jul 2015, Chawton House. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65363)

Brooks, Helen E.M. (2016) Torture, murder and bestial lust: German villains on the British stage in 1915. In: Pack up your Troubles: Performance Cultures of the First World War, 27-29 April 2016, University of Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:92140)

Brooks, Helen E.M. (2016) ‘Torture, murder and bestial lust': German Villains on the British stage in 1915. In: 'Pack up your Troubles': Performance Cultures of the First World War, 27-29 Apri 2016, University of Kent. (Unpublished) (KAR id:65362)

Brooks, Helen E.M. (2015) Spies and Brutes: The Representation of Germans as Villains on the British Stage Between 1914 and 1918. In: A Symposium on Villains, 21 May 2015, University of Kent. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65365)

Day, Gary and Lynch, Jack and Brooks, Helen E.M. and Latimer, Bonnie and Morrissey, Lee and Rounce, Adam and Schurer, Norbert and Smallwood, Philip and Vilmar, Christopher, eds. (2015) The Encyclopedia of British Literature: 1660 - 1789. Wiley Blackwell, 1528 pp. ISBN 978-1-4443-3020-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64409)

Brooks, Helen E.M. (2015) Actresses, Gender and the Eighteenth-Century Stage : Playing Women. Palgrave, Houndmills, Basingstoke, Hampshire, 201 pp. ISBN 978-1-137-48621-9. E-ISBN 978-1-137-48622-6. (doi:10.1057/9781137486226) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50465)

Brooks, Helen E.M. (2014) 'It was just like that out there': Wartime Representation of the Trenches. In: TaPRA Conference 2014, 03-05 Sep 2014, Egham, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65366)

Brooks, Helen E.M. (2014) Theorizing the Woman Performer. In: Swindells, Julia and Taylor, David Francis, eds. The Oxford Handbook of the Georgian Theatre 1737-1832. First Edition. Oxford University Press. ISBN 978-0-19-960030-4. (doi:10.1093/oxfordhb/9780199600304.013.038) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31606)

Brooks, Helen E.M. (2014) The Divided Heart of the Actress: Late Eighteenth-Century Actresses and the Cult of Maternity. In: Engel, Laura and McGirr, Elaine. M., eds. Stage Mothers: Women, Work and the Theatre, 1660-1830. First Edition. Transits: Literature, Thought & Culture, 1650–1850 . University Press Copublishing Division / Bucknell University Press. ISBN 978-1-61148-603-2. E-ISBN 978-1-61148-604-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50464)

Brooks, Helen E.M. (2013) FRANCESCA SAGGINI. Laura Kopp (trans.). Backstage in the Novel: Frances Burney and the Theater Arts. Review of: Backstage in the Novel: Frances Burney and the Theater Arts by UNSPECIFIED. Review of English Studies, 65 (269). pp. 361-363. ISSN 0034-6551. E-ISSN 1471-6968. (doi:10.1093/res/hgt067) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65345)

Brooks, Helen E.M. (2013) Review of Transgressive Theatricality, Romanticism, and Mary Wollstonecraft Farnham. Review of: Transgressive Theatricality, Romanticism, and Mary Wollstonecraft Farnham by Plummer Crafton, Lisa. New Theatre Quarterly, 29 (3). p. 302. ISSN 0266-464X. E-ISSN 1474-0613. (doi:10.1017/S0266464X13000481) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65343)

Brooks, Helen E.M. (2012) Eighteenth-Century British Actresses and Strategies for Image Making Columbus. Review of: Eighteenth-Century British Actresses and Strategies for Image MakingColumbus by UNSPECIFIED. New Theatre Quarterly, 28 (2). pp. 206-207. ISSN 0266-464X. E-ISSN 1474-0613. (doi:10.1017/S0266464X1200036X) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65351)

Brooks, Helen E.M. (2012) 'One entire nation of actors and actresses' - Reconsidering the Relationship of Public and Private Theatricals. Nineteenth-Century Theatre and Film, . ISSN 1748-3727. (KAR id:29676)

Brooks, Helen E.M. (2011) Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater. Review of: Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater by Nussbaum, Felicity. Theatre Research International, 36 (2). pp. 180-181. ISSN 0307-8833. E-ISSN 1474-0672. (doi:10.1017/S030788331100006X) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65352)

Brooks, Helen E.M. (2011) Women's Romantic Theatre and Drama: History, Agency and Performativity. Review of: Women's Romantic Theatre and Drama: History, Agency and Performativity by UNSPECIFIED. New Theatre Quarterly, 27 (1). pp. 90-91. ISSN 0266-464X. E-ISSN 1474-0613. (doi:10.1017/S0266464X11000108) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65350)

Brooks, Helen E.M. (2011) Early eighteenth-century performance historiography: Problems and possibilities. Studies in Theatre and Performance, 31 (1). pp. 33-45. (doi:10.1386/stap.31.1.33_1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:29667)

Brooks, Helen E.M. (2011) The Later Seventeenth Century. Review of: Drama by UNSPECIFIED. The Year's Work in English Studies, 88 (1). pp. 590-610. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65354)

Brooks, Helen E.M. (2011) The Later Seventeenth Century. Review of: Drama by UNSPECIFIED. The Year's Work in English Studies, 91 (1). pp. 587-597. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65355)

Brooks, Helen E.M. (2011) The Later Seventeenth Century. Review of: Drama by UNSPECIFIED. The Year's Work in English Studies, 90 (1). pp. 544-551. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65356)

Brooks, Helen E.M. (2011) The Later Seventeenth Century. Review of: Drama by UNSPECIFIED. The Year's Work in English Studies, 89 (1). pp. 542-554. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65357)

Brooks, Helen E.M. (2011) Negotiating Marriage and Professional Autonomy in the Careers of Eighteenth-Century Actresses. Eighteenth-Century Life, 35 (2). pp. 39-75. ISSN 0098-2601. (doi:10.1215/00982601-1214090) (KAR id:29674)

Brooks, Helen E.M. (2010) The Theatre and Victorian Visual Culture. Review of: The Theatre and Victorian Visual Culture by Heinrich, Anselm and Newey, Katherine and Richards, Jeffrey. Theatre Research International, 36 (1). pp. 90-91. ISSN 0307-8833. E-ISSN 1474-0672. (doi:10.1017/S0307883310000842) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65353)

Brooks, Helen E.M. (2009) Women and Theatre Management in the Eighteenth Century. In: Engel, L., ed. The Public's Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Cambridge Scholars Publishing, pp. 73-97. ISBN 978-1-4438-0173-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:29675)

Brooks, Helen E.M. (2008) 'Your sincere friend and humble servant': Evidence of managerial aspirations in Susannah Cibber's letters. Studies in Theatre and Performance, 28 (2). pp. 147-159. (doi:10.1386/stap.28.2.147_1) (KAR id:29673)

This list was generated on Tue Nov 26 20:28:06 2024 GMT.