Items where Author, Editor or other role is "Wark, Scott"
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| Lury, Celia and Viney, William and Wark, Scott, eds. (2022) Figure: Concept and Method. Palgrave Macmillan, Singapoire ISBN 978-981-19-2475-0. E-ISBN 978-981-19-2476-7. (doi:10.1007/978-981-19-2476-7) (KAR id:99664) |
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| Lury, Celia and Viney, William and Wark, Scott (2022) Introduction: Figure, Figuring and Configuration. In: Figure: Concept and Method. Palgrave Macmillan, Singapore, pp. 1-20. ISBN 978-981-19-2475-0. (doi:10.1007/978-981-19-2476-7_1) (KAR id:99659) |
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| Phan, Thao, Wark, Scott (2021) What personalisation can do for you! Or: how to do racial discrimination without ‘race’. Culture Machine, 20 . E-ISSN 1465-4121. (KAR id:99652) |
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| Phan, Thao, Wark, Scott (2021) Racial formations as data formations. Big Data & Society, 8 (2). pp. 1-5. ISSN 2053-9517. (doi:10.1177/20539517211046377) (KAR id:97292) |
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| Wark, Scott, Soncul, Yigit (2022) A Media-Theoretical Armamentarium: From the Pharmakon to Pharmacologies of Media. Media Theory, 6 (2). 01-24. ISSN 2557-826X. (KAR id:99662) |
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| Wark, Scott (2022) In “The Cloud”: figuring and inhabiting media milieus. In: Lury, Celia and Viney, William and Wark, Scott, eds. Figure: Concept and Method. Palgrave Macmillan, Singapore, pp. 41-63. E-ISBN 978-981-19-2476-7. (KAR id:99660) |
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| Wark, Scott (2022) 8. Lithium. In: An Anthropogenic Table of Elements. University of Toronto Press, Toronto, pp. 109-120. (doi:10.3138/9781487563585-009) (KAR id:99666) |
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| Wark, Scott (2021) A postdigital angel of history? On 'Meme Theory'. In: Arkenbout, Chloë and Wilson, Jack and de Zeeuw, Daniel, eds. Critical Meme Reader: Global Mutations of the Viral Image. Institute of Network Cultures, Amsterdam, pp. 165-175. E-ISBN 978-94-92302-77-9. (KAR id:99653) |
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| Wark, Scott (2020) Transmediale’s Postdigital Proposition. Review of: Across and Beyond: A Transmediale Reader on Post-digital Practices, Concepts, and Institutions by UNSPECIFIED. Cultural Politics, 16 (2). pp. 274-276. ISSN 1743-2197. (doi:10.1215/17432197-8233462) (KAR id:99655) |
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| Wark, Scott and Wark, McKenzie (2019) Circulation and its Discontents. In: Brown, Alfie and Bristow, Dan, eds. Post Memes: Seizing the Memes of Production. Punctum Books, Brooklyn, NY, pp. 293-318. E-ISBN 978-1-950192-43-4. (doi:10.21983/P3.0255.1.00) (KAR id:99657) |
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| Wark, Scott (2019) The subject of circulation: on the digital subject’s technical individuations. Subjectivity, 12 (1). pp. 65-81. ISSN 1755-6341. (doi:10.1057/s41286-018-00062-5) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:97293) |
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| Wark, Scott (2019) Meme Theory. Doctor of Philosophy (PhD) thesis, University of Warwick. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:99658) |
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| Wark, Scott (2017) Media after the Medial a Priori. Review of: Medium, Messenger, Transmission: An Approach to Media Philosophy by UNSPECIFIED. Cultural Politics, 13 (2). pp. 259-262. ISSN 1743-2197. (doi:10.1215/17432197-4129269) (KAR id:97294) |
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| Wark, Scott (2015) The meme - in excess of its instance. In: Excessive Research. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:99654) |
| Wark, Scott, Sutherland, Thomas (2015) Platforms for the new: Simondon and media studies. Platform: Journal of Media and Communication, 6 (1). pp. 4-10. (KAR id:99656) |
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