Items where Author, Editor or other role is "Stanfield, Peter"
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Up a levelNumber of items: 37.
| Docherty, Michael Joseph (2020) Intimate Fractions of American Earth: Excavating the Frontier in Fictional Los Angeles, 1929-1953. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:80852) |
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| Stanfield, Peter (2018) Hoodlum Movies: Seriality and the Outlaw Biker Film Cycle, 1966-1972. first edition. Rutgers University Press, New Jersey, USA, 214 pp. ISBN 978-0-8135-9901-4. E-ISBN 978-0-8135-9903-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:67179) |
| Stanfield, Peter (2017) The Who and Pop Art: the simple things you see are all complicated. Journal of Popular Music Studies, 29 (1). Article Number 12203. ISSN 1524-2226. E-ISSN 1533-1598. (doi:10.1111/jpms.12203) (KAR id:59910) |
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| Stanfield, Peter (2016) Run, Angel, Run: Serial Production and the Biker Movie, 1966-72. In: Fisher, Austin and Walker, Johnny, eds. Grindhouse: Cultural Exchange on 42nd Street, and Beyond. Bloomsbury Publishing, London, UK. ISBN 978-1-62892-745-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60032) |
| Turner, Caleb (2016) Spectacular Rhythms: Cultural Conflict in the Contemporary Superhero Film. Doctor of Philosophy (PhD) thesis, University of Kent, -. (KAR id:55167) |
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| Newton, James (2016) The Anarchist Cinema. Doctor of Philosophy (PhD) thesis, University of Kent. (KAR id:54753) |
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| Stanfield, Peter (2015) The Cool and The Crazy : Pop Fifties Cinema. Rutgers University Press, New Brunswick, 236 pp. ISBN 978-0-8135-7298-7. E-ISBN 978-0-8135-7300-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50494) |
| Stanfield, Peter (2013) Intent to Speed: Cyclical Production, Topicality and the 1950s Hot Rod Movie. New Review of Film and Television Studies, 11 (1). pp. 34-55. ISSN 1740-0309. (doi:10.1080/17400309.2012.734496) (KAR id:31610) |
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| Stanfield, Peter (2012) “‘Got-to-See’: Trends in Social Problem Pictures and the Postwar Cycles of Juvenile Delinquency Movies”. In: Lucia, Cynthia and Grundmann, Roy and Simon, Art, eds. The Wiley-Blackwell History of American Film. Wiley-Blackwell, Chichester, pp. 220-241. ISBN 978-1-4051-7984-3. (doi:10.1002/9780470671153) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31551) |
| Stanfield, Peter (2011) “From the Barroom: American Song, Saloon Culture, Stack O’Lee and Wild Bill, or ‘Did you touch my hat?’”. In: Kalinak, Kathryn, ed. Music in the Western: Notes from the Frontier. Routledge Music and Screen Media Series . Routledge, New York, pp. 183-202. ISBN 978-0-415-88226-2. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31554) |
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| Stanfield, Peter (2011) Maximum Movies -- Pulp Fictions: Film Culture and the Worlds of Samuel Fuller, Mickey Spillane and Jim Thompson. Rutgers University Press, New Jersey, 256 pp. ISBN 978-0-8135-5062-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:28203) |
| Stanfield, Peter (2011) “Punks! Topicality and the 1950s Gangster Bio-Pic Cycle”. In: Bolton, Kingsley and Olsson, Jan, eds. Media, Popular Culture and the American Century. National Library of Sweden, pp. 185-215. ISBN 978-0-86196-698-1. (KAR id:26190) |
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| Stanfield, Peter (2010) Crossover: Sam Katzman’s Switchblade Calypso Bop Reefer Madness Swamp Girl or ‘Bad Jazz,’ Calypso, Beatniks, Hot Rods, and Rock ’n’ Roll in 1950s Teenpix’. Popular Music, 29 (3). pp. 437-456. ISSN 0261-1430. (doi:10.1017/S0261143010000255) (KAR id:26189) |
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| Dias Branco, Sergio (2010) Strung pieces: on the aesthetics of television fiction series. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86477) (KAR id:86477) |
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| Briggs, Joe Bob, Hoberman, J., Love, D., Lucas, T., Sconce, J., Stanfield, Peter (2008) Cult Film: A Critical Symposium. Cineaste, 34 (1). pp. 43-50. ISSN 0009-7004. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:14845) |
| Stanfield, Peter (2008) Maximum Movies: Lawrence Alloway’s Pop Art Film Criticism. Screen, 49 (2). pp. 179-193. ISSN 0036-9543. (doi:10.1093/screen/hjn032) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12944) |
| Stanfield, Peter (2008) Notes Toward a History of the Edinburgh International Film Festival, 1969-77. Film International, 6 (4). pp. 62-71. ISSN 1651-6826. (doi:10.1386/fiin.6.4.62) (KAR id:12945) |
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| Stanfield, Peter (2007) A Monarch for the Millions: Jewish Filmmakers, Social Commentary & the Postwar Cycle of Boxing Films. In: Krutnik, Frank and Neale, Steve and Neve, Brian and Stanfield, Peter, eds. “Un-American” Hollywood: Politics & Film in the Blacklist Era. Rutgers University Press. ISBN 0813541983. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2736) |
| Stanfield, Peter and Krutnik, Frank and Neale, Steve and Neve, Brian, eds. (2007) “Un-American” Hollywood: Politics & Film in the Blacklist Era. Rutgers University Press, 362 pp. ISBN 0813541983. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2727) |
| Stanfield, Peter (2005) A Monarch for the Millions: Jewish Filmmakers, Social Commentary & the Postwar Cycle of Boxing Films. Film Studies: An International Review, (7). pp. 66-82. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2730) |
| Stanfield, Peter (2005) American Like Chop Suey: Invocations of gangsters in Chinatown 1920-35. In: Stanfield, Peter and Grieveson, Lee and Sonnet, Esther, eds. Mob Culture: Hidden Histories of the American Gangster Film. New York: Rutgers University Press, pp. 238-262. ISBN 0-8135-3557-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1259) |
| Stanfield, Peter (2005) Body & soul: jazz and blues in American film, 1927-63. Urbana: University of Illinois Press, 213 pp. ISBN 0-252-02994-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1256) |
| Stanfield, Peter and Sonnet, Esther (2005) ‘“Good Evening, Gentleman, Can I Check Your Hats Please?”: Masculinity, Dress and the Retro Gangster Cycles of the 1990s’. In: Grieveson, Lee and Sonnet, Esther and Stanfield, Peter, eds. Mob Culture: Hidden Histories of American the Gangster Film. Berg, pp. 163-184. ISBN 1-84520-330-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2738) |
| Stanfield, Peter and Grieveson, Lee and Sonnet, Esther, eds. (2005) Mob Culture: Hidden Histories of American the Gangster Film. Berg, 320 pp. ISBN 1-84520-330-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2726) |
| Stanfield, Peter (2005) ‘Walking the Streets: Black Gangsters and the “Abandoned City” in the 1970s Blaxploitation Cycle’. In: Grieveson, Lee and Sonnet, Esther, eds. Mob Culture: Hidden Histories of American the Gangster Film. Berg, pp. 281-300. ISBN 1-84520-330-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2737) |
| Stanfield, Peter (2003) ‘The Last Scene of the Titanic: Vernacular American Phonograph Recordings’. Interdisciplinary Literary Studies, 5 (1). pp. 21-33. ISSN 1524-8429. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2731) |
| Stanfield, Peter (2002) ‘An Excursion into the Lower Depths: Hollywood, St. Louis Blues, and Urban Primitivism.’. Cinema Journal, 41 (2). pp. 84-108. ISSN 0009-7101. (KAR id:2732) |
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| Stanfield, Peter (2002) ‘“Film Noir Like You’ve Never Seen”: Jim Thompson Adaptations and Cycles of Neo Noir’. In: Neale, Stephen, ed. Genre and Contemporary Hollywood. British Film Institute, pp. 251-268. ISBN 0-85170-887-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2739) |
| Stanfield, Peter (2002) Horse opera: the strange history of the singing cowboy. Urbana: University of Illinois Press, 177 pp. ISBN 0-252-02733-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1257) |
| Stanfield, Peter (2001) ‘“Extremely Dangerous Material”: Hollywood and the Ballad of Frankie and Johnny’. In: Bernardi, Daniel, ed. Classic Hollywood, Classic Whiteness. University of Minnesota Press, pp. 442-465. ISBN 016632391. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2740) |
| Stanfield, Peter (2001) Hollywood, westerns and the 1930s: the lost trail. University of Exeter Press, 258 pp. ISBN 0-85989-694-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1258) |
| Stanfield, Peter (2000) ‘From the Vulgar to the Refined: American Vernacular & Blackface Minstrelsy in Showboat (1936)’. In: Marshall, Bill and Stillwell, Robynn, eds. Musicals: Hollywood and Beyond. Intellect Press, pp. 147-156. ISBN 1-84150-003-8. (KAR id:2741) |
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| Stanfield, Peter (1998) ‘Dixie Cowboys & Blue Yodels: The Strange History of the Singing Cowboy’. In: Buscombe, Edward and Pearson, Roberta, eds. Back in the Saddle Again: New Essays on the Western. British Film Institute, pp. 96-117. ISBN 0-85170-661-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2742) |
| Stanfield, Peter (1997) ‘“An Octoroon in the Kindling”: American Vernacular & Blackface Minstrelsy in 1930s Hollywood.’. Journal of American Studies, 31 (3). pp. 407-438. ISSN 0021-8758. (doi:10.1017/s0021875897005732) (KAR id:2733) |
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| Stanfield, Peter (1996) ‘Country Music & the 1939 Western: From Hillbillies to Cowboys’. In: Cameron, Ian and Pye, Douglas, eds. The Movie Book of the Western. Studio Vista, pp. 22-33. ISBN 0-289-80140-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2743) |
| Stanfield, Peter (1992) ‘Heritage Design: The Harley-Davidson Motor Company.’. Journal of Design History, 5 (2). pp. 141-155. ISSN 0952-4649. (doi:10.1093/jdh/5.2.141) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2734) |
| Stanfield, Peter (1987) ‘The Western 1909-14: A Cast of Villains.’. Film History, 1 (2). pp. 97-112. ISSN 0892-2160. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2735) |
