Items where Author, Editor or other role is "Dustagheer, Sarah"

Group by: Creator's name | Item Type | Date | No Grouping

Jump to: C | D | H

Number of items: 34.

C

Crawforth, Hannah, Dustagheer, Sarah, Young, Jennifer (2015) Shakespeare in London. 1. Bloomsbury Arden Shakespeare, 280 pp. ISBN 978-1-4725-7372-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55462)

D

Dustagheer, Sarah (2021) Original Practices: Old Ways and New Directions. In: Kirwan, Peter and Prince, Kathryn, eds. The Arden Research Handbook of Shakespeare and Contemporary Performance. Arden Shakespeare Handbooks . Bloomsbury. ISBN 978-1-350-08067-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84376)

Dustagheer, Sarah (2021) Shakespeare and London: A Dictionary. Arden Shakespeare Dictionaries . Bloomsbury, 144 pp. ISBN 978-1-350-00682-9. E-ISBN 978-1-350-00681-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84375)

Dustagheer, Sarah (2020) Book Review: Vera Cantoni. New Playwriting at Shakespeare’s Globe. Review of: New Playwriting at Shakespeare’s Globe by Cantoni, Vera. Journal of Contemporary Drama in English, 7 (2). pp. 346-349. (doi:10.1515/jcde-2019-0031) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84382)

Dustagheer, Sarah (2020) Book review: Shakespearean Territories. Review of: Shakespearean Territories by Elden, Stuart. Cultural Geographies, 27 (4). pp. 682-683. ISSN 1474-4740. (doi:10.1177/1474474020918906) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84381)

Dustagheer, Sarah (2020) Boundaries of City and Canon: Negotiating Shakespeare in London. In: Negotiating Boundaries: Early Modern Texts and Cultures, 14 February 2020, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84450)

Dustagheer, Sarah (2019) New Directions: Performing The Changeling, 2006-15. In: Hutchings, Mark, ed. The Changeling: A Critical Reader. Arden Early Modern Drama Guides . Bloomsbury. ISBN 978-1-350-01139-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84377)

Dustagheer, Sarah (2019) Book Review: Shakespeare Dwelling: Designs for the Theater of Life. Julia Reinhard Lupton. Review of: Shakespeare Dwelling: Designs for the Theater of Life by Reinhard Lupton, Julia. Modern Philology, 117 (1). E39-E41. ISSN 0026-8232. (doi:10.1086/704092) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84383)

Dustagheer, Sarah (2018) Upstart Crow: Shakespeare sitcom is really quite educational. Metro, 2018 (Aug.29). (KAR id:84379)

Format: XML Word Processing Document (DOCX)

Dustagheer, Sarah, Newman, Harry (2018) Metatheatre and Early Modern Drama. Shakespeare Bulletin, 36 (1). pp. 3-18. ISSN 0748-2558. (doi:10.1353/shb.2018.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84682)

Dustagheer, Sarah and Woods, Gillian (2017) Introduction. In: Dustagheer, Sarah and Woods, Gillian, eds. Stage Directions and Shakespearean Theatre. The Arden Shakespeare . Bloomsbury, 1 -16. ISBN 978-1-4742-5749-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64793)

Woods, Gillian and Dustagheer, Sarah, eds. (2017) Stage Directions and Shakespearean Theatre. First edition. The Arden Shakespeare . Bloomsbury, London. UK, 368 pp. ISBN 978-1-4742-5749-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64792)

Dustagheer, Sarah and Bird, Philip (2017) Strikes Open a Curtain Where Appears a Body: Discovering Death in Stage Directions. In: Dustagheer, Sarah and Woods, Gillian, eds. Stage Directions and Shakespearean Theatre. First edition. The Arden Shakespeare . Bloomsbury, pp. 213-237. ISBN 978-1-4742-5749-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64794)

Dustagheer, Sarah (2017) “Intimacy” at the Sam Wanamaker Playhouse. Shakespeare Bulletin, 35 (2). pp. 227-246. ISSN 0748-2558. E-ISSN 1931-1427. (doi:10.1353/shb.2017.0015) (KAR id:64787)

Dustagheer, Sarah (2017) Shakespeare, Memory and Contemporary Performance. In: Hiscock, Andrew and Wilder, Lina Perkins, eds. The Routledge Handbook of Shakespeare and Memory. First edition. Routledge, pp. 91-101. ISBN 978-1-138-81676-3. E-ISBN 978-1-315-74594-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64790)

Dustagheer, Sarah (2017) Shakespeare's Two Playhouses: Repertory and Theatre Space at the Globe and the Blackfriars, 1599–1613. First edition. Cambridge University Press, Cambridge, UK, 236 pp. ISBN 978-1-107-19016-0. E-ISBN 978-1-316-99687-4. (doi:10.1017/9781316996874) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64786)

Dustagheer, Sarah, Jones, Oliver, Rycroft, Eleanor (2017) (Re)constructed Spaces for Early Modern Drama: Research in Practice. Shakespeare Bulletin, 35 (2). pp. 173-185. ISSN 0748-2558. E-ISSN 1931-1427. (doi:10.1353/shb.2017.0012) (KAR id:64788)

Dustagheer, Sarah (2015) Anticipating the Sam Wanamaker Playhouse. Cahiers Élisabéthains: A Biannual Journal of English Renaissance Studies, 88 (1). pp. 139-153. ISSN 0184-7678. E-ISSN 2054-4715. (doi:10.7227/CE.88.1.10) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64789)

Dustagheer, Sarah, Sakowska, Aleksandra (2014) Introduction: Global Shakespeare for Anglophone Audiences. Multicultural Shakespeare: Translation, Appropriation and Performance, 11 (26). pp. 9-16. E-ISSN 2300-7605. (doi:10.2478/mstap-2014-0002) (KAR id:64796)

Dustagheer, Sarah (2014) Book Review of Staged Transgression in Shakespeare’s England. Review of: Review of Staged Transgressions in Shakespeare’s England, ed. Rory Loughnane and Edel Semple by Loughnane, Rory and Semple, Edel. Review of English Studies, 66 (275). pp. 577-579. ISSN 0034-6551. E-ISSN 1471-6968. (doi:10.1093/res/hgu091) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64819)

Dustagheer, Sarah (2014) Appendix: List of plays performed indoors, 1575-1642. In: Gurr, Andrew and Karim-Cooper, Farah, eds. Moving Shakespeare Indoors. Cambridge University Press. ISBN 978-1-107-04063-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55466)

Dustagheer, Sarah (2014) Chapter 8: Visual and Acoustic Practices. In: Gurr, Andrew and Karim-Cooper, Farah, eds. Moving Shakespeare Indoors. Cambridge University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55464)

Dustagheer, Sarah (2013) Blog in response to Jean Howard's public lecture. . Shakespearean London Theatre Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64827)

Dustagheer, Sarah (2013) Shakespeare and "Spatial Turn". Literature Compass, 10 (7). pp. 570-581. ISSN 1741-4113. (doi:10.1111/lic3.12068) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55467)

Dustagheer, Sarah (2013) Theatre Reviews: Dido Queen of Carthage, Forests, The Shakespearean Conspiracy, Shit-Faced Shakespeare, Timon of Athens, Henry V, King Lear, Taming of the Shrew, A Midsummer Night's Dream. . Exeunt Magazine Online magazine. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64828)

Dustagheer, Sarah (2012) Sarah Dustagheer exposes the innovation of The Tempest, Shakespeare’s ‘first’ play in two parts. . Royal Shakespeare Company: MyShakespeare Blog Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64824)

Dustagheer, Sarah (2012) Review of The Language of Space in Court Performance 1400–1625. Review of: Janette Dillon, The Language of Space in Court Performance, 1400-1625 by Dillon, Janette. Journal of Historical Geography, 38 (4). pp. 477-478. ISSN 0305-7488. (doi:10.1016/j.jhg.2012.08.010) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64822)

Dustagheer, Sarah (2012) Shakespeare Returns to London's Streets. . Blog. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65234)

Dustagheer, Sarah (2012) Review of Actors and Acting in Shakespeare’s Time. Review of: Actors and Acting in Shakespeare’s Time by Astington, John H. The Bulletin of the Society for Renaissance Studies, 29 (1). pp. 36-38. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55469)

Dustagheer, Sarah (2011) Our Scene is London: The Alchemist and Urban Underworlds at the Blackfriars Playhouse. Shakespeare Jahrbuch, 147 . pp. 94-104. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55468)

Dustagheer, Sarah (2009) Richard III. In: The Shakespeare Encyclopaedia: The Complete Guide to the Man and His Works. Apple Press. ISBN 978-1-55407-479-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55471)

Dustagheer, Sarah (2009) All’s Well That Ends Well. In: Cousins, Tony, ed. The Shakespeare Encyclopaedia: The Complete Guide to the Man and His Works. Apple Press. ISBN 978-1-55407-479-2. (doi:10.1017/cbo9780511704079) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55470)

H

Hegland, Anna L. (2022) The Language of Violence in Early Modern Tragedies, 1580-1630. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.97288) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:97288)

Hails, Charlotte (2014) Social Circulation and Historical Culture: A Shakespeare Myth in Sevenoaks. Master of Arts by Research (MARes) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.51183) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:51183)

This list was generated on Tue Nov 26 20:18:32 2024 GMT.