Items where Author, Editor or other role is "Cinquegrani, Maurizio"
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| Brauns, David (2024) Videology: A journey into the archive of obsolete video through media archaeology. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.105831) (KAR id:105831) |
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| Cinquegrani, Maurizio (2024) Aran Diary. The Poetry of Place, 19 Feb - 05 April 2024, Studio 3 Gallery, Canterbury, Kent. Streaming. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:105046) |
| Cinquegrani, Maurizio (2022) Film, Host War Traces and Cold War Spaces. Edinburgh University Press, Edinburgh, UK, 216 pp. ISBN 978-1-4744-7519-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:91730) |
| Cinquegrani, Maurizio (2021) De Varsovia a Treblinka: un viaje documental en el tiempo y en el espacio [From Warsaw to Treblinka: a documentary journey through time and space]. In: Migliucci, Dario and López-Rodríguez, Lucía, eds. El conflicto humano: orígenes, dinámicas, secuelas y resolución de los conflictos contemporaneous [Human conflict: origins, dynamics, consequences and resolution of contemporary conflicts]. Sanz y Torres, Madrid, Spain, pp. 133-155. ISBN 978-84-18316-11-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:87058) |
| Cinquegrani, Maurizio (2019) Agnafit. . Webpage. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75520) |
| Cinquegrani, Maurizio (2018) The Holocaust and the Cinematic Landscapes of Postmemory in Lithuania, Hungary and Ukraine. In: Bayman, Louis and Pinazza, Natália, eds. Journeys on Screen: Theory, Ethics, Aesthetics. First Edition. Edinburgh University Press, Edinburgh, UK, pp. 118-129. ISBN 978-1-4744-2183-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:72653) |
| Cinquegrani, Maurizio (2018) Multidirectional Sites of Memory in Italian Holocaust Documentaries. Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2-3 . ISSN 2365-7758. E-ISSN 2365-7758. (doi:10.17892/app.2016.0003.132) (KAR id:72654) |
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| Cinquegrani, Maurizio (2018) Journey to Poland: Documentary Landscapes of the Holocaust. First Edition. Edinburgh University Press, Edinburgh, UK, 201 pp. ISBN 978-1-4744-0357-3. E-ISBN 978-1-4744-0359-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:67661) |
| Cinquegrani, Maurizio (2018) О других кинопространствах: документальный фильм о Холокосте как коллекция [Of Other Cinematic Spaces: the Holocaust Documentary as a Collection]. In: Polyakova, Irina and Suvorova, Tatyana, eds. Коллекция в пространстве культуры [Collection in the Space of Culture]. First edition. Музей янтаря, Kaliningrad, Russia, pp. 17-26. E-ISBN 978-5-903920-49-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:75988) |
| Cinquegrani, Maurizio (2017) The Cinematic Shtetl as a Site of Postmemory. In: Penz, Francois and Koeck, Richard, eds. Cinematic Urban Geographies. Screening Spaces . Palgrave Macmillan, London, UK, pp. 137-154. ISBN 978-1-137-46830-7. E-ISBN 978-1-137-46084-4. (doi:10.1057/978-1-137-46084-4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60020) |
| Cinquegrani, Maurizio (2016) The cinematic city and the destruction of Lublin's Jews. Holocaust Studies: A Journal of Culture and History, 22 (2-3). pp. 244-255. ISSN 1750-4902. E-ISSN 2048-4887. (doi:10.1080/17504902.2016.1148872) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:55953) |
| Cinquegrani, Maurizio (2015) Shadows of Shadows: the Undead in Ingmar Bergman's Cinema. In: Leeder, Murray, ed. Cinematic Ghosts. First edition, Ebook edition. Bloomsbury, pp. 129-142. ISBN 978-1-62892-216-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56938) |
| Cinquegrani, Maurizio (2014) Place, Time and Memory in Italian Cinema of the Great War. In: Löschnigg, Martin and Sokolowska-Paryz, Marzena, eds. The Great War in Post-Memory Literature and Film. First Edition, Paperback, Ebook. De Gruyter, Berin, Germany, pp. 321-334. ISBN 978-3-11-036290-9. E-ISBN 978-3-11-036302-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56939) |
| Cinquegrani, Maurizio (2014) Of Empire and the City: Remapping Early British Cinema. First Edition. New Studies in European Cinema . Peter Lang, Bern, Switzerland, 319 pp. ISBN 978-3-0343-0823-6. E-ISBN 978-3-0353-9946-2. (doi:10.3726/978-3-0353-0585-2) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:50335) |
| Cinquegrani, Maurizio (2011) Tutto quello che è solido si dissolve nell’aria: scioperi persi, immagini perdute e ritrovate. In: Bursi, Giulio and Venturini, Simone, eds. Quel che Brucia Non Ritorna. First Edition. Campanotto Editore, Udine, Italy, pp. 238-249. ISBN 8845612183. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56947) |
| Cinquegrani, Maurizio (2011) Empire and the City: Early Films of London. . Tate Britain Online article. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31650) |
| Cinquegrani, Maurizio (2011) ‘A fit of absence of mind’?: Empire and Urban Life. Early Popular Visual Culture, 9 (4). pp. 325-336. ISSN 1746-0654. (doi:10.1080/17460654.2011.621322) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31656) |
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| Cinquegrani, Maurizio (2010) The Cinematic Production of Iconic Spaces in Early Films of London. In: Koeck, Richard and Roberts, Les, eds. The City and the Moving Image: Urban Projections. Palgrave Macmillan, pp. 169-182. ISBN 978-0-230-24338-5. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31653) |
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| Cinquegrani, Maurizio (2010) Travel Cinematography and the Indian City: The Imperial Spectacle of Geography at the End of the Long Nineteenth Century. Nineteenth-Century Contexts, 32 (1). pp. 65-78. ISSN 0890-5495. (doi:10.1080/08905491003704053) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31644) |
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| Cinquegrani, Maurizio (2009) The Nexus of the Empire: Early Actuality Films of London at the Turn of the Twentieth Century. Journal of British Cinema and Television, 6 (2). pp. 207-219. ISSN 1743-4521. (doi:10.3366/E1743452109000880) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31648) |
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| Cinquegrani, Maurizio (2006) Sjöström, Seastrom. Carteggi Hollywoodiani. In: Cinquegrani, Maurizio and Canosa, Michele, eds. La natura non indifferente Il cinema svedese di Victor Sjöström. First Edition. Cineteca di Bologna, Bologna, Italy, pp. 63-70. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56956) |
| Cinquegrani, Maurizio (2006) Victor Sjöström: Prima dell’età dell’oro. In: Cinquegrani, Maurizio and Canosa, Michele, eds. La Natura Non Indifferente: il Cinema Svedese di Victor Sjöström. First Edition. Cineteca di Bologna, pp. 20-44. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56955) |
| Cinquegrani, Maurizio (2006) Thinking Silent Cinema and Philology: The Case of Victor Sjöström’s The Strike. In: North-West Passage. Yearly Review of the Centre for Northern Performing Arts Studies . Turin University Press, pp. 105-128. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:56959) |
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| Flint-Nicol, Katerina (2018) Men, Manors and Monsters: The Hoodie Horror and the Cinema of Alterity. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:71783) |
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| Jackson, Lawrence (2022) The Pestilence in the Ditch: Landscapes in Contemporary British Film Culture. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.97421) (KAR id:97421) |
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| Kalentzi, Ersi (2016) The New US Soldier: The Patriot superhero, the disillusioned drop out and the burned out gamer. The development of the Hollywood war film after 2010 through the archetypal character of the US soldier. Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:56636) |
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| Maragkos, Aristotelis (2022) The Timekeepers of Eternity: Cinematic Ballard and Ballardian Cinema. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.94892) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:94892) |
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| McCartney, Neil Lorn (2018) Identity Crisis: Film and The Fractured Self. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:73301) |
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| Owen King, Carolyn (2022) Haunted Mirror: British Gothic Masculinity in Transatlantic Cinema. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.95341) (KAR id:95341) |
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