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S
Shaughnessy, Robert (2009) Behind the Scenes. Shakespeare Survey, 62 (62). pp. 236-247. ISSN ISBN 0 521 39529 1. (doi:10.1007/978-1-84457-574-9_4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31575) |
Shaughnessy, Robert (2015) Connecting the Globe: Actors, Audience and Entrainment. In: Shakespeare Survey : Volume 68 : Shakespeare, Origins and Originality. Cambridge University Press, pp. 294-305. ISBN 978-1-316-25873-6. (doi:10.1017/CBO9781316258736) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57241) |
Shaughnessy, Robert (2010) Falstaff's Belly: Pathos, Prosthetics and Performance. In: Holland, Peter, ed. Shakespeare Survey. Shakespeare's English Histories and their Afterlives, 63 . Cambridge University Press, pp. 63-77. ISBN 978-0-521-76915-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31562) |
Scofield, Martin P. (1991) ‘Poetry’s Sea-changes: TS Eliot and The Tempest’. Shakespeare Survey, 43 . pp. 121-129. ISSN ISBN 0 521 39529 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7728) |
Shaughnessy, Robert (2000) Shakespearean Utopias. Shakespeare Survey, (54). pp. 233-243. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6405) |