Browse by Journal

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Number of items: 34.

C

Cowie, Elizabeth (1975) ‘Feminist Film Criticism - a reply’. Screen, 16 (1). pp. 134-139. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3042)

Cowie, Elizabeth (2009) On Documentary Sounds and Images in the Gallery. Screen, 50 (1). pp. 124-134. ISSN 0036-9543. (doi:10.1093/screen/hjn076) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:26337)

E

Eyuboglu, S. (1991) The authorial text and postmodernism, hitchcock 'blackmail'. Screen, 32 (1). pp. 58-78. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22923)

F

Frey, Mattias (2013) The Critical Question: Sight and Sound’s Postwar Consolidation of Liberal Taste. Screen, 54 (2). pp. 194-217. ISSN 0036-9543. (doi:10.1093/screen/hjt002) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31294)

Frey, Mattias (2010) Cultural Problems of Classical Film Theory: Béla Balázs, 'Universal Language' and the Birth of National Cinema. Screen, 51 (4). pp. 324-340. ISSN 0036-9543. (doi:10.1093/screen/hjq028) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30486)

G

Grant, Catherine A. (2000) Allegories of underdevelopment: Aesthetics and politics in modern Brazilian cinema. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16154)

Grant, Catherine A. (2000) Based on a true story: Latin American history at the movies. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (doi:10.2307/1571474) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16153)

Grant, Michael (1998) Crimes of the future (David Cronenberg, 'Crash'). Screen, 39 (2). pp. 180-185. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17778)

Grieveson, Lee (1994) Eastwood, Clint - a Cultural Prodution -Smith,P. Screen, 35 (4). pp. 400-406. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20229)

Guerin, Frances (2023) Fritz Lang’s cinema of interruption and the narrative of modernity. Screen, 64 (1). pp. 111-117. ISSN 0036-9543. (doi:10.1093/screen/hjad013) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:100731)

Grant, Catherine A. (2000) Millennial debates - www.auteur.com? Screen, 41 (1). pp. 101-108. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16155)

Grant, Catherine A. (2000) New Latin American cinema, Vol 1, Theory, practices and transcontinental articulation, Vol 2, Studies of national cinemas. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16151)

Grieveson, Lee (1997) Policing the cinema: 'Traffic in Souls' at Ellis Island, 1913. Screen, 38 (2). pp. 149-171. ISSN 0036-9543. (doi:10.1093/screen/38.2.149) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:18078)

Grant, Catherine A. (2002) Recognizing Billy Budd in Beau Travail: epistemology and hermeneutics of an auteurist “free” adaptation. Screen, 43 (1). pp. 57-73. ISSN 1460-2474. (doi:10.1093/screen/43.1.57) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1117)

Grieveson, Lee (1994) Screening the Male - Exploring Masculinities in Hollwood Cinema - Cohan,S, Hark,IR. Screen, 35 (4). pp. 400-406. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20228)

Grieveson, Lee (1994) Spectacular Bodies - Gender,Gender and the Action Cinema - Tasker,Y. Screen, 35 (4). pp. 400-406. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20230)

Grant, Catherine A. (2000) Tropical multiculturalism: A comparative history of race in Brazilian cinema and culture. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16152)

Grant, Catherine A. (2000) www.auteur.com? Screen, 41 (1). pp. 101-108. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:7926)

H

Holmes, Su (2001) ‘As they Really Are and in Close-up’: Film Stars on 1950’s British Television. Screen, 42 (2). pp. 167-187. ISSN 0036-9543. (doi:10.1093/screen/42.2.167) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9329)

Holmes, Su (2005) It’s a woman!: the question of gender in Who Wants to be a Millionaire. Screen, 46 (2). 155 -173. ISSN 0036-9546. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1220)

M

Misek, Richard (2020) ‘Real-time’ virtual reality and the limits of immersion. Screen, 61 (4). pp. 615-624. ISSN 0036-9543. (doi:10.1093/screen/hjaa058) (KAR id:86952)

Misek, Richard (2010) The 'look' and how to keep it: cinematography, postproduction and digital colour. Screen, 51 (4). pp. 404-409. ISSN 0036-9543. (doi:10.1093/screen/hjq045) (KAR id:35716)

N

Neale, Steve (1992) The Big Romance or Something Wild - Romantic Comedy Today. Screen, 33 (3). pp. 284-299. ISSN 0036-9543. (doi:10.1093/screen/33.3.284) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22380)

S

Sharman, L.F. (1992) Cohl,emile, caricature, and film - crafton,d. Screen, 33 (4). pp. 441-445. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22217)

Smith, Murray (1999) (Dis)engaging characters: a response to Lynne Pearce's review. Screen, 40 (3). pp. 358-362. ISSN 0036-9543. (doi:10.1093/screen/40.3.358) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16635)

Sharman, L.F. (1994) International Animation Festival, Cardiff, 16-22-May, 1994. Screen, 35 (4). pp. 397-399. ISSN 0036-9543. (doi:10.1093/screen/35.4.397) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:20035)

Stanfield, Peter (2008) Maximum Movies: Lawrence Alloway’s Pop Art Film Criticism. Screen, 49 (2). pp. 179-193. ISSN 0036-9543. (doi:10.1093/screen/hjn032) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:12944)

Sayad, Cecilia (2019) Reality TV, Ghosts, and the Index. Screen, 60 (4). pp. 587-605. ISSN 0036-9543. E-ISSN 1460-2474. (doi:10.1093/screen/hjz038) (KAR id:73903)

Smith, Murray (1992) Society-for-cinema-studies conference, pittsburgh, 30-april 3-may, 1992. Screen, 33 (4). pp. 436-438. ISSN 0036-9543. (doi:10.1093/screen/33.4.436) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:22236)

T

Triana Toribio, Núria (2008) Auteurism and Commerce in Contemporary Spanish Cinema: 'Directores Mediaticos'. Screen, 49 (3). pp. 259-276. ISSN 0036-9543. (doi:10.1093/screen/hjn051) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:30327)

V

Vaage, Margrethe Bruun (2013) Fictional reliefs and reality checks. Screen, 54 (2). pp. 218-237. ISSN 1460-2474. (doi:10.1093/screen/hjt004) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40571)

W

Wood, Aylish (2020) Mad Max: Fury Road and the toxic storm: the transcalar possibilities of digital images. Screen, 61 (1). pp. 75-97. ISSN 0036-9543. (doi:10.1093/screen/hjaa001) (KAR id:79276)

Williams, J.S. (1999) The signs amongst us: Jean-Luc Godard's 'Histoire(s) du cinema'. Screen, 40 (3). pp. 306-315. ISSN 0036-9543. (doi:10.1093/screen/40.3.306) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16756)

Wood, Aylish (2002) The timespaces of spectacular cinema: crossing the great divide of spectacle versus narrative. Screen, 43 (4). pp. 370-386. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1100)

This list was generated on Thu Apr 25 23:19:53 2024 BST.