Heinrich, Tobias (2019) Migration and Space in Contemporary Austrian Cinema. Austrian Studies, 26 . pp. 229-244. ISSN 1350-7532. (doi:10.5699/austrianstudies.26.2018.0229) (KAR id:73919)
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| Official URL: http://dx.doi.org/10.5699/austrianstudies.26.2018.... |
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Abstract
This article is concerned with the relation of migration and space in contemporary Austrian cinema. Based on four exemplary films (Barbara Albert's Nordrand, Nina Kusturica's Little Alien, Ed Moschitz' Mama illegal und Arman T. Riahi's Die Migrantigen), it will trace the diverse concepts of space that are interwoven within the discourse of migration. Employing theoretical approaches by Michel de Certeau and Homi K. Bhabha, the article will show how film can scrutinize dichotomies like inside and outside, home and abroad and suggest new ideas of space that do justice to the dynamic, transitionary realities of migration.
| Item Type: | Article |
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| DOI/Identification number: | 10.5699/austrianstudies.26.2018.0229 |
| Uncontrolled keywords: | migration; space; Barbara Albert; Nina Kusturica; Ed Moschitz; Arman T. Riahi |
| Subjects: | P Language and Literature > PD Germanic philology and languages |
| Divisions: | Divisions > Division of Arts and Humanities > School of Culture and Languages |
| Depositing User: | Tobias Heinrich |
| Date Deposited: | 15 May 2019 14:16 UTC |
| Last Modified: | 04 Mar 2024 15:36 UTC |
| Resource URI: | https://kar.kent.ac.uk/id/eprint/73919 (The current URI for this page, for reference purposes) |
University of Kent Author Information
Heinrich, Tobias.
| Creator's ORCID: |
 https://orcid.org/0000-0001-6666-2275
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