Higgitt, Rebekah F. (2019) "In the Society’s Strong Box": A Visual and Material History of the Royal Society’s Copley Medal, c.1736-1760. Nuncius: Journal of the Material and Visual History of Science, 34 (2). pp. 284-316. ISSN 0394-7394. (doi:10.1163/18253911-03402006) (KAR id:73612)
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Official URL: https://doi.org/10.1163/18253911-03402006 |
Abstract
It has become a commonplace that exceptional achievement, including within science, should
be rewarded with prizes and that these will often take the form of a medal. The ubiquity of
such awards today means that the circumstances behind their arrival tend to be overlooked,
but they were novelties when first suggested at the Royal Society in the 1730s. This article
traces the creation of the Copley Medal and explores the meaning of medals to the recipients,
the Society and the proposer of the scheme, Martin Folkes. Paying attention to the medal’s
iconography and material nature can shed light on how experimental philosophy and the role
of the Royal Society were conceived by key Fellows, demonstrating their links to
antiquarianism and Freemasonry. Rather than arriving as a fully formed reward system, the
medal concept required investment of time, money, thought and skill, and the development of
ritual, meaning and value.
Item Type: | Article |
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DOI/Identification number: | 10.1163/18253911-03402006 |
Uncontrolled keywords: | Royal Society, medals, iconography |
Divisions: | Divisions > Division of Arts and Humanities > School of History |
Depositing User: | Rebekah Higgitt |
Date Deposited: | 24 Apr 2019 12:45 UTC |
Last Modified: | 05 Nov 2024 12:36 UTC |
Resource URI: | https://kar.kent.ac.uk/id/eprint/73612 (The current URI for this page, for reference purposes) |
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