Sarpong, D., Donaghue, S., Appiah, G. (2016) Vinyl never say die': The re-incarnation, adoption and diffusion of retro-technologies. Technological Forecasting and Social Change, 103 . pp. 109-118. ISSN 0040-1625. (doi:10.1016/j.techfore.2015.10.012) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:67273)
The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. | |
Official URL: https://dx.doi.org/10.1016/j.techfore.2015.10.012 |
Abstract
New technologies continue to shape the way music is produced, distributed and consumed. The new turn to digital streaming services like iTunes, Spotify and Pandora, in particular, means that very recent music format technologies such as cassettes and CD's have almost lost their value. Surprisingly, one 'obsolete' music format technology, Vinyl record, is making a rapid comeback. Vinyl sales around the world, in recent times, have increased year on year, and the number of music enthusiast reaching for these long-playing records (LP's) continue unabated. Drawing on the sociology of translation as an interpretive lens, we examine the momentum behind the revival of vinyl record, as a preferred music format choice for a growing number of music enthusiasts. In doing this we unpack the inarticulate and latent network of relationships between human and non-human actors that constitutively give form to the contemplative knowledge (what has become) of the resurgence of vinyl as a format of choice. We conclude by discussing how insights from the vinyl reincarnation story could help open up new possibilities for rethinking the contextual re-emergence of near-obsolete technologies, the mobilization of different actors to aid their re-diffusion and potential exploitation of value from retro-technologies.
Item Type: | Article |
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DOI/Identification number: | 10.1016/j.techfore.2015.10.012 |
Uncontrolled keywords: | Innovation; Technological forecasting, Actor network theory; Adoption and diffusion; Diffusion of innovations; Human actor; Streaming service, Social sciences computing, actor network theory; music; social theory; technological change; technology adoption |
Subjects: | H Social Sciences > H Social Sciences (General) |
Divisions: | Divisions > Kent Business School - Division > Department of Marketing, Entrepreneurship and International Business |
Depositing User: | Tracey Pemble |
Date Deposited: | 12 Jun 2018 10:39 UTC |
Last Modified: | 05 Nov 2024 11:07 UTC |
Resource URI: | https://kar.kent.ac.uk/id/eprint/67273 (The current URI for this page, for reference purposes) |
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