Triana Toribio, Núria (2017) Memorias selectivas: Two Films by Spanish Punk Women. Lectora, (23). pp. 35-50. ISSN 1136-5781. E-ISSN 2013-9470. (doi:10.1344/Lectora2017.23.3) (KAR id:61888)
PDF
Publisher pdf
Language: English
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
|
|
Download this file (PDF/985kB) |
Preview |
Request a format suitable for use with assistive technology e.g. a screenreader | |
XML Word Processing Document (DOCX)
Author's Accepted Manuscript
Language: English Restricted to Repository staff only
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
|
|
Contact us about this Publication
|
|
Official URL: http://revistes.ub.edu/index.php/lectora/article/v... |
Abstract
The role of women in Punk has been dominated by a particular doxa and by repeated acts of omission and misrepresentation. This has certainly been the case in much of the historiography and journalism about Spanish Punk/ la Movida, where a more nuanced and rigorous narrative about Punk/la Movida and its women still needs to be created. This article addresses some discourses that dominate the commemorations of the movement and how they interact in the work of two women who were not simply witnesses but took part in the musical scene: Chus Gutiérrez and Beatriz Alonso Aranzábal
Item Type: | Article |
---|---|
DOI/Identification number: | 10.1344/Lectora2017.23.3 |
Uncontrolled keywords: | gender, Punk, Spain, la Movida, la transición |
Divisions: | Divisions > Division of Arts and Humanities > School of Culture and Languages |
Depositing User: | Maria Nuria Triana Toribio |
Date Deposited: | 30 May 2017 13:47 UTC |
Last Modified: | 05 Nov 2024 10:56 UTC |
Resource URI: | https://kar.kent.ac.uk/id/eprint/61888 (The current URI for this page, for reference purposes) |
- Link to SensusAccess
- Export to:
- RefWorks
- EPrints3 XML
- BibTeX
- CSV
- Depositors only (login required):