Redmon, David (2016) Documentary criminology: Girl Model as a case study. Crime Media Culture, 13 (3). pp. 3-20. ISSN 1741-6590. (doi:10.1177/1741659016653994) (KAR id:55973)
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Official URL: http://dx.doi.org/10.1177/1741659016653994 |
Abstract
Visual and cultural criminology are integrated with documentary filmmaking to develop a theoretically grounded, practice-based approach called ‘documentary criminology’. The first section establishes the need for documentary filmmaking in criminology and outlines methodological opportunities. The second section examines theoretically the aesthetics and substance of documentary criminology. The third section takes the film Girl Model (Redmon and Sabin, 2011) as a case study to demonstrate how documentary criminology embedded in lived experience (in this case, the experience of scouts that recruit young Russian girls, purportedly for the modelling industry) can depict sensuous immediacy. The final section contrasts the aesthetic and ethical consequences of documentary criminology within Carrabine’s (2012, 2014) concept of ‘just’ images to a documentary filmmaking approach that remains interpretively open-ended. Readers can access Girl Model at https://vimeo.com/29694894 with the password industry.
Item Type: | Article |
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DOI/Identification number: | 10.1177/1741659016653994 |
Uncontrolled keywords: | Cultural criminology, documentary criminology, sensory criminology, sonic criminology, video ethnography, visual criminology |
Subjects: | H Social Sciences > H Social Sciences (General) |
Divisions: | Divisions > Division for the Study of Law, Society and Social Justice > School of Social Policy, Sociology and Social Research |
Depositing User: | Lucie Patch |
Date Deposited: | 17 Jun 2016 13:53 UTC |
Last Modified: | 05 Nov 2024 10:45 UTC |
Resource URI: | https://kar.kent.ac.uk/id/eprint/55973 (The current URI for this page, for reference purposes) |
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