Religious Language as Poetry: Heidegger's Challenge.

This paper examines how Heidegger’s view that language is poetry provides a way of conceptualising religious language. Poetry, according to Heidegger, is language in its purest form, in that it reveals Being, whilst also showing the difference between word and thing. In poetry, Heidegger suggests, we come closest to the essence of language itself and encounter its strangeness and impermeability. What would be the implications of viewing religious language in this way? Through examining Heidegger’s view that poetry is the purest form of language, I suggest that it would also be possible to view religious language as ‘poetry’ in this way, in that it also shows the transcendence of what cannot be brought to presence in language, except as concealed. Such a view of religious language leads to the view that it is not a special, unique or distinctive category of language, but rather a mode of language that, like poetry, can draw our attention to the inarticulable relationship between word and world that Heidegger argues pervades all forms of language.