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A 'Dance of Gestures': Hyperdialectic in Gertrude Stein’s Compositions

Mildenberg, Ariane (2013) A 'Dance of Gestures': Hyperdialectic in Gertrude Stein’s Compositions. In: Posman, Sarah and Reverseau, Anne and Ayers, David S. and Bru, Sascha and Hjartarson, Benedikt, eds. The Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange. European Avant-Garde and Modernism Studies, 3 . de Gruyter, Berlin, pp. 380-395. ISBN 978-3-11-031737-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40660)

The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. (Contact us about this Publication)
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Abstract

This volume proposes an in-depth exploration of the materiality of art and writing in modernism and the avant-garde. The essays explore how the avant-gardes and modernism attempted to establish the material specificity and hybridity of media and art forms. The collection sheds light on the full range and import of the aesthetics of matter in avant-garde and modernist practice across all art forms from the 19th century to the present day.

Item Type: Book section
Additional information: Book edited by David Ayers, Sascha Bru, Benedikt Hjartarson, Sarah Posman, Anne Reverseau;
Subjects: P Language and Literature > PE English philology and language
Divisions: Faculties > Humanities > School of English
Depositing User: Kate Smith
Date Deposited: 07 Mar 2014 00:05 UTC
Last Modified: 06 Feb 2020 04:09 UTC
Resource URI: https://kar.kent.ac.uk/id/eprint/40660 (The current URI for this page, for reference purposes)
Mildenberg, Ariane: https://orcid.org/0000-0003-4754-5932
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