Mildenberg, Ariane (2013) A 'Dance of Gestures': Hyperdialectic in Gertrude Stein’s Compositions. In: Posman, Sarah and Reverseau, Anne and Ayers, David S. and Bru, Sascha and Hjartarson, Benedikt, eds. The Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange. European Avant-Garde and Modernism Studies, 3 . de Gruyter, Berlin, pp. 380-395. ISBN 978-3-11-031737-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:40660)
| The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. | |
| Official URL: https://www.degruyter.com/view/product/207671 |
Abstract
This volume proposes an in-depth exploration of the materiality of art and writing in modernism and the avant-garde. The essays explore how the avant-gardes and modernism attempted to establish the material specificity and hybridity of media and art forms. The collection sheds light on the full range and import of the aesthetics of matter in avant-garde and modernist practice across all art forms from the 19th century to the present day.
| Item Type: | Book section |
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| Additional information: | Book edited by David Ayers, Sascha Bru, Benedikt Hjartarson, Sarah Posman, Anne Reverseau; |
| Subjects: | P Language and Literature > PE English philology and language |
| Divisions: | Divisions > Division of Arts and Humanities > School of English |
| Depositing User: | Kate Smith |
| Date Deposited: | 07 Mar 2014 00:05 UTC |
| Last Modified: | 05 Nov 2024 10:24 UTC |
| Resource URI: | https://kar.kent.ac.uk/id/eprint/40660 (The current URI for this page, for reference purposes) |
University of Kent Author Information
Mildenberg, Ariane.
| Creator's ORCID: |
 https://orcid.org/0000-0003-4754-5932
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