Hayward, Keith J., Young, Jock (2004) Cultural criminology: Some notes on the script. Theoretical Criminology, 8 (3). pp. 259-273. ISSN 1362-4806. (doi:10.1177/1362480604044608) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:38050)
The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. | |
Official URL: http://dx.doi.org/10.1177/1362480604044608 |
Abstract
Let us start with a question: what is this phenomenon called ‘cultural
criminology’? Above all else, it is the placing of crime and its control in the
context of culture; that is, viewing both crime and the agencies of control
as cultural products—as creative constructs. As such, they must be read in
terms of the meanings they carry. Furthermore, cultural criminology seeks
to highlight the interaction between these two elements: the relationship
and the interaction between constructions upwards and constructions
downwards. Its focus is always upon the continuous generation of meaning
around interaction; rules created, rules broken, a constant interplay of
moral entrepreneurship, moral innovation and transgression.
Item Type: | Article |
---|---|
DOI/Identification number: | 10.1177/1362480604044608 |
Subjects: | H Social Sciences |
Divisions: | Divisions > Division for the Study of Law, Society and Social Justice > School of Social Policy, Sociology and Social Research |
Depositing User: | Mita Mondal |
Date Deposited: | 27 Jan 2014 09:46 UTC |
Last Modified: | 05 Nov 2024 10:22 UTC |
Resource URI: | https://kar.kent.ac.uk/id/eprint/38050 (The current URI for this page, for reference purposes) |
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