Scofield, Martin P. (1999) Story and history in Raymond Carver. Critique-Studies in Contemporary Fiction, 40 (3). pp. 266-280. ISSN 0011-1619. (doi:10.1080/00111619909604912) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16605)
| The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. | |
| Official URL: https://doi.org/10.1080/00111619909604912 |
Abstract
"Intimacy," "Blackbird Pie," and "Errand," from Raymond Carver's last collection of short fiction entitled 'Elephant,' show his interest in experimental directions. Critics generally view most of Carver's work as realistic, yet these stories show an almost playful attitude toward the concept of fiction as reality. Carver was becoming a writer who invented narratives of imagination and sympathy not available to the historian.
| Item Type: | Article |
|---|---|
| DOI/Identification number: | 10.1080/00111619909604912 |
| Subjects: |
P Language and Literature > PN Literature (General) P Language and Literature |
| Divisions: | Divisions > Division of Arts and Humanities > School of English |
| Depositing User: | F.D. Zabet |
| Date Deposited: | 26 Mar 2009 15:28 UTC |
| Last Modified: | 05 Nov 2024 09:51 UTC |
| Resource URI: | https://kar.kent.ac.uk/id/eprint/16605 (The current URI for this page, for reference purposes) |
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