Clover, Christina (2025) The Animals. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.111294) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:111294)
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Language: English Restricted to Repository staff only
This work is licensed under a Creative Commons Attribution 4.0 International License.
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| Official URL: https://doi.org/10.22024/UniKent/01.02.111294 |
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Abstract
This Practice as Research PhD investigates the use of the animal in magical realist fiction, with a particular focus on representations of lesbian identity and queer relationships. It situates magical realism within the contemporary landscape, and considers how animals function both as symbols/metaphors, and as characters with agency. Alongside this, the thesis explores intimacy across human-human and human-animal relations, including the spectre of bestiality and the possibility of identity transition. These concerns inform the creative component, a novel entitled The Animals.
The thesis addresses four key questions:
1. How have animals been deployed in contemporary magical realist literature, and what functions have they served?
2. How might animals operate simultaneously as metaphors of identity and suppression, and as characters in their own right?
3. How can animals illuminate the complexities of intimacy, desire, and power in lesbian and queer dynamics, within magical realism works?
4. How might human-animal crossings - intimacies, bestiality, and transitions of identity - interrogate the boundaries between species, selves, and communities?
The Animals is a magical realist novel concerned with identity, sexuality, and suppression. Structured in four sections, it moves backwards in time through the life of its protagonist, Alba. Each section is marked by a distinctive animal presence - horses, tigers, snakes - converging in the final part. Framed as a letter to her former partner Elise, the narrative combines confession and retrospective commentary in a futile attempt to 'set the record straight.'
Across the novel, animals express both marginalisation and resistance, exposing suppressed aspects of Alba's identity and the conflicts most sharply felt in her relationship with Elise.
The thesis demonstrates how magical realism can interrogate the animal as both metaphor and material presence, extending the mode by situating such explorations within a lesbian context rarely addressed in the field.
| Item Type: | Thesis (Doctor of Philosophy (PhD)) |
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| Thesis advisor: | Thomas, Scarlett |
| DOI/Identification number: | 10.22024/UniKent/01.02.111294 |
| Additional information: | The author of this thesis has requested that it be held under closed access. We are sorry but we will not be able to give you access or pass on any requests for access. |
| Uncontrolled keywords: | Magical realism; creative thesis; lesbian fiction; queer studies; animals in magical realism |
| Institutional Unit: | Schools > School of Humanities > English |
| Former Institutional Unit: |
There are no former institutional units.
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| Funders: | University of Kent (https://ror.org/00xkeyj56) |
| SWORD Depositor: | System Moodle |
| Depositing User: | System Moodle |
| Date Deposited: | 17 Sep 2025 13:10 UTC |
| Last Modified: | 18 Sep 2025 08:36 UTC |
| Resource URI: | https://kar.kent.ac.uk/id/eprint/111294 (The current URI for this page, for reference purposes) |
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