Music from anywhere & everywhere: exploring the design space of remote music performance

The COVID-19 pandemic has significantly transformed the realm of music performance and consumption, prompting the adoption of novel technologies and interaction methods for musicians and audiences alike. My thesis delves into the design space of remote music performances, concentrating on understanding user needs and preferences as well as exploring the potential of emerging technologies, such as extended reality, to fulfil these desires. The work aims to provide valuable insights into how musicians and audiences can adeptly navigate the swiftly evolving landscape while also informing the creation of more inclusive and inventive solutions that enable individuals to engage with music from anywhere and everywhere.

By doing so, my research aspires to offer inspirational starting points for future work and design initiatives that ultimately enhance the overall experience of music performed and experienced remotely for both musicians and audiences in the post-pandemic world.