Browse by Person (creator, editor, contributor, etc.)

Group by: Item Type | Date | No Grouping

2018 2017 2015 2014 2012 2010 2009 2008 2007 2006 2005 2004 2000 1997 1996 1994

Number of items: 29.

2018

Double, Oliver (2018) The origin of the term stand-up comedy update. Comedy Studies, 9 (2). ISSN 2040-610X. (doi:https://doi.org/10.1080/2040610X.2018.1428427) (Full text available)

2017

Double, Oliver (2017) ‘[T]his is eating your greens, this is doing your homework’: writing and rehearsing a full-length stand-up show. Comedy Studies, . pp. 137-153. ISSN 2040-610X. (doi:https://doi.org/10.1080/2040610X.2017.1344477) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Preview

Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. (2017) Popular Performance. Bloomsbury Methuen Drama, London, UK, 304 pp. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Quirk, Sophie (2017) What's Special About Stand-up Comedy? Josie Long's Lost Treasures of the Black Heart. In: Ainsworth, Adam and Double, Oliver and Peacock, Louise, eds. Popular Performance. Bloomsbury, pp. 223-246. ISBN 978-1-4742-4734-4. E-ISBN 978-1-4742-4735-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2017) Tragedy Plus Time: Transforming Life Experience into Stand-Up Comedy. New Theatre Quarterly, 33 (2). pp. 143-155. ISSN 0266-464X. (doi:https://doi.org/10.1017/So266464X17000057) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Preview

Ainsworth, Adam and Double, Oliver and Peacock, Louise (2017) Editorial. Theatre, Dance and Performance Training, 8 (2). pp. 125-128. ISSN 1944-3927. E-ISSN 1944-3919. (doi:https://doi.org/10.1080/19443927.2017.1326736) (Full text available)

Double, Oliver (2017) The origin of the term ‘stand-up comedy’. Comedy Studies, 8 (1). 1 -4. ISSN 2040-610X. (doi:https://doi.org/10.1080/2040610X.2017.1279912) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

Preview

2015

Double, Oliver (2015) Break a Leg. Performance type: Other Break a Leg, 6 Dec 2015, Canterbury, UK. YouTube video. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2015) ‘What do you do?’: Stand-up comedy versus the proper job. Ephemera: Theory & Politics in Organization, 15 (3). pp. 651-669. ISSN 2052-1499. E-ISSN 1473-2866. (Full text available)

Bolsover, Nicola (2015) Costume and Cross-Dressing in Stand-up Comedy. Master of Arts by Research (MARes) thesis, University of Kent,. (Full text available)

Preview

Hudson, Ben (2015) The New Comedian: Media and Technology in Stand-up Comedy. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

2014

Double, Oliver (2014) Getting the Joke (2nd edition)The Inner Workings of Stand-Up Comedy. Bloomsbury, London and New York, 518 pp. ISBN 978-1-4081-7460-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2012

Double, Oliver (2012) Britain Had Talent: A History of Variety Theatre. Palgrave Macmillan, Houndsmills, basingstoke, Hampshire, 288 pp. ISBN 9780230284593 (hbk) 9780230284609 (pbk). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2012) Max Miller plays with Freud's obstacle: Innuendo and performance technique in variety comedy. Comedy Studies, 3 (1). pp. 93-104. ISSN 2040-610X. (doi:https://doi.org/10.1386/cost.3.1.93_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2010

Double, Oliver (2010) Not the Definitive Version: an Interview with Ross Noble. Comedy Studies, 1 (1). pp. 5-19. ISSN 2040-610X. (doi:https://doi.org/10.1386/cost.1.1.5/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2009

Double, Oliver (2009) Teddy Brown and the Art of Performing for the British Variety Stage. New Theatre Quarterly, 25 (4). pp. 379-390. ISSN 0266-464X. (doi:https://doi.org/10.1017/S0266464X09000669) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Sleigh, Charlotte (2009) Charles Darwin Presents ... Saint-Saens' Carnival of the Animals. , Gulbenkian Theatre. Dramatic performance with music. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2008

Double, Oliver and Wilson, Michael (2008) '"I am a Poor, Skinny Man": Persona and physicality in the work of Karl Valentin'. Studies in Theatre and Performance, 28 (3). pp. 213-221. ISSN 1468-2761. (doi:https://doi.org/10.1386/stap.28.3.213/1) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

2007

Double, Oliver (2007) Punk rock as popular theatre. New Theatre Quarterly, 23 (1). pp. 35-48. ISSN 0266-464X. (doi:https://doi.org/10.1017/S0266464X06000613) (Full text available)

Preview

Double, Oliver (2007) Saint Pancreas. Performance type: Other Saint Pancreas, 3/11/06, Horsebridge Arts Centre, Whitstable. DVD and Live Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Double, Oliver (2007) Karl Valentin’s “Father and Son Discuss the War". Studies in Theatre and Performance, 27 (1). pp. 5-11. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2006

Double, Oliver and Wilson, Michael (2006) Brecht and cabaret. In: Thomson, Peter and Sacks, Glendyr, eds. Cambridge Companion to Brecht, 2nd Edition. Cambridge University Press. ISBN 978-0-521-67384-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2005

Double, Oliver (2005) Getting the joke: The inner workings of stand-up comedy. London: Methuen, 320 pp. ISBN 0-413-77476-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2004

Double, Oliver and Wilson, Michael (2004) Karl Valentin's illogical subversion: stand-up comedy and the alienation effect. New Theatre Quarterly, XX (3). pp. 203-215. ISSN 0-521-60328-5. (Full text available)

2000

Double, Oliver (2000) Characterization in stand-up comedy: From Ted Ray to Billy Connolly, via Bertolt Brecht. New Theatre Quarterly, 16 (64). pp. 315-323. ISSN 0266-464X. (doi:https://doi.org/10.1017/S0266464X00014068) (Full text available)

Double, Oliver (2000) Teaching Stand-Up Comedy. A Mission: Impossible? Studies in Theatre and Performance, 20 (1). pp. 14-23. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

1997

Double, Oliver (1997) Stand-Up! On Being a Comedian. Methuen Drama, London, 262 pp. ISBN 0-413-70320-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

1996

Double, Oliver (1996) Alternative comedy: from radicalism to commercialism. In: Merkin, Ros, ed. Popular Theatres? Liverpool John Moores University, Liverpool, pp. 127-139. ISBN 0-9527978-0-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

1994

Double, Oliver (1994) Laughing all the way to the bank? Alternative comedy in the provinces. New Theatre Quarterly, X (39). pp. 255-262. ISSN 0266-464X. (doi:https://doi.org/10.1017/S0266464X00000555) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

This list was generated on Sat May 4 21:23:35 2019 BST.

Export as	Atom RSS 1.0 RSS 2.0